1906-1907 School Circular

Item

Title

1906-1907 School Circular

Description

Quick reference copy for school circular.

Is Part Of

RG.03.04.28

Date

1906

Creator

The Pennsylvania Academy of the Fine Arts

Medium

photocopies

Format

pdf

Language

eng

extracted text

Circular
OF

Committee on Instruction

SCHOOLS
OF

THE PENNSYLVANIA ACADEMY

OF THE FINE ARTS
BROAD STREET ABOVE ARCH
PHILADELPHIA

FOUNDED 1805

SEASON

OF

1906- 1907

MANAGEMENT OF
THE PEN NSYLVANIA ACADEMY OF THE
FINE ARTS

PIlIi$IDI!NT

JO HN H. CONVE R SE

£. BURGESS WARREN

(J EORG E II. MC FADDE N

JOHN H. PACKARD, M.D.

CLEMENT H. NEWBOLD

HENRY W HEl. EN, JR.

EOWARD T. STOTESRllRV

JOHN Ii. CONVERSE

RonERT C . H. nROCK

TI·IP. Ol'H IL US P. C HANULEK

Til EODOJO'; N. E I. Y

HERBERT i\1. U owE, M, I>.

JO H N F. I.F.W IS

"1IUiA SU k ..: N

II ENRY WHELEN, 11{.

-.', ... ~

MANAGEMENT

OF

THE SCHOOLS


t'A CU I.T " .

SCHOOLS OF THE PENNSYLVAN IA
Cha irman .

J(l HN H. PAC KARD, M.D. ,

ACADEMY

OF

THE

FINE

ARTS

T H O MAS 1"'. ANS H UT Z.

1906- 19 0 7

( ;gO RGE MCC LEl.l . AN, M . ll .
C H ARI.ES (;R AF J. \'.
H UG H H. HREC KJo: NR I DGl£.
C E C ILIA BEA UX .
\ .... ILLIM.f M. C HASE .

T he one hundred ant.! firf)t yea r of th ese
schools will begin on !'I·lo nday, October I, 1906,
and will co ntinue until Satu rday, May 25, 190i.
The school year is di vided into two terms o f
se venteen weeks each, the first term beginning
Mo nday, October I , 1906, and closin g Saturd ay,
Ja nu ary 26, l907 ; the second tenn beginning
Mo nday, Ja nuar y 28, ' 907, and closing' S aturday.
May 25 , '907.

FRANK MIL ES DAY ,
HENR Y M("C ARTER ,
IIIi:NR Y R. !'OO R E,
PA UL PHILLI P P E

CR E: r.

W . SER G E ,\NT KEND ALl..

THE PRES IDENT.
TH E MA NA G ER.
H UG H H . RREC K£NRIDGE ,

Sec retar y of the Facult y.

COMMI T T~; 1If.

0"
I N STlU'CTIO I'/.

JO liN H. PAC KAR D, M.D.,

C hairman.

Visito rs a re adm itted to th e sthools onl y
W ed ne..<;days and Fridays fro m 4 to 5 P . M.

T H F.O I'HIL VS P . C HA N DLER .
HER RERT M. H O WE, M.D.
ROBERT C. H . BROC K .
JOH N. F . LEWI S .
THE

The schoo ls a re open fro m 9 o ' clock A. I\ I.,
until 5 o 'clock P . M., daily, except Sunday,
Afternoon and evening classes are o pen fro m
4. 30 o'clock P. M. , until 10 o 'clock P. M.

PRESfI)E NT.
JO H N D . PI E RC E ,

Secre tary of the Commit tee .

0 11

T""

S CH OO l.

VK AIL

H OU R S.

\' ISIl"ORS .

The schools a re closed on S undays, Thank sgiving Day, Chri stmas Day, New Yea r's D ay,
and vVas hin gton's Birthday.

II Ol.IOAYS.

The schools a re unde r the immedia te d irel,;lion of the Faculty, with the s upervisio n of th e
Committee on Ins tructio ll .

MAN AG&:-

FROM THE ARCHI VES U.

PENNSYLVANIA ACADEMY Of THE fiNE ARTS
00 NOT REPRODUCE ~ITHOUT PERMISSION

~1IiNT .

,

i

I

.,,

7

6

INSTI. U C TOI{!'i.

The Courses of the Schools a re as fo ll ows:

C LASSKS .

DAY
I.IFR AND

U P-AD

Drawing
from
Dr<'lwing
from

Draw ing from Figure. \ Villiam M. C hase.
Modelling from F igure. Ch arles G rafty.
Composi tio n.
H en ry R. Poore.
Charles Grafty.
Illu stration.
H enry McCarter.
Perspective Lectures. Frank Miles Day.
George McClellan, M. n.
Anatomy Lectures.

IN~TRU C TO MS .

and Painting
Figure.
\,VilIiam M. Chase.
and Painting
Head.
Vv'illiam M. Chase .

Ceci li a Beaux:
VI. Serge<ll1t Kendall.

COtl RSK.

Modelling from Figure
and Head .

Composition.
J lIu stration.

Perspective Lectures.
Anatomy Lectures.

Charle!i Grafly.
H enry R . Poore.
Charles G raA y.
Henry McCarter.
F rank Miles Day.
George l\'1cC lel\nn . 1\1. 1l.

C I . ... SSItf:.

('J . ...

c ..... SSF.:s.

nAY

ANTlQUl\
COU RS":'

Drawing from Cast.
First Sectio n.
Second Section.
Sti ll-life Pa inting.
First S ect io n.

Second Section.
Modelling from Cast.
Composition .
Illustration.
Perspect ive Lectures.
Anatomy Lectures.

sst'.s.

II"ST N. l ·CTOR" .

Hugh H. flrecke nridKI "
Th o mas P. Anshlll":.

H ugh H. Bre..:kenridgt".
William M. Chase.

Charles G rany.
Henry R . Poore.
Charles Grafty.
Henry McCarter.
Fromk Miles Day.
G eorgeMcClellan, 1\'1. n.

Illll ~lrat i on.

Perspect ive Ltctmes.
Anatomy I.ect ures.

1.11'';;

COU RSf-: .

IN"STR,\ ICTO R!'; .

Dmw in g from Figure. Thomas P. Ans hutz.
Modelling from Fignre. Charles Grafty.
Composition .
H enry R. Poore.
Charles G rany.
Henry l\'fcCHrter.
Ill ustration.
Perspective Lectures. Frank Miles Day.
Anntomy Lecture>.
George McCid la n, l\f . 0 .
Drawing from Cast.
Modelling from Cnst.
Composition.

W O MHN'S
",I'TfiRNOON

MIi:S'S

N l c, ....r I.II-'!-:
COU R SI> .

IN"STR UCT(UtS.

Thomas I", Ans hllt7..
Charl es Graft),.
Henry R. Poore.
Charles Gra ny,
Il enry f\"IcCa rter.
Frank Miles Day.
GeorgeMcClell an, M. D.

I"IC;IIT
"'I"'I"IQUK
COU R S !-: .

IN!' T RUCTOIIS .

Problems in De!-OiJ.:"ll.
Pau l Phillippe Ctlf t.
Drawing from Vigme. Thomas P. A nshut:o:.
Modelling.
Charles Craft y.
Drawing fro m Cast.
Thomas P. Anshutz.

Perspec·tive.

t"KUM lHl A":':MI~t. ... J~

PENNSYLvANIA AcADEMf af In c fiNE ARTS
00 NOT REPRODUCE WITHOUT PERMISSION

Frank Miles D:lY.

<: OURSK I N
...N.(: III TEC T U R ... I .

II1-:S1(;N.

8
COST UMI:':
SKRTCJI CLASS.

MI SS IIRAUX'S
(;I . AS:O;;.

MR. C IIAS"',<;
1'AI. KS.

LKCT ORRS

ON
COMPOSIT ION.

ANATO MV
AND "HR·
S " "CTI"H .

The Costume Sketch C lass will be under the
direction of Mr. Anshutz.
At some time during the school year Miss
Beaux will conduct a Portrait Class for members
of the Life and Head Course.
The talks to students given by Mr. Chase
during the past year have been a feature of the
course, and will be continued for the coming
season.
Supplementary to the semi-monthly criticisms
of compositions there will be throughout the
year special talks on construction and selfexpression with black · board and stereopticon
demonstrations.
The Lectures on Anatomy and Perspective
begin in the second week of November.
A detailed schedule of C lasses will be found
on page 20.

ADMI SS ION
RHQU fRK.

..

"' ''NTS.
I:':I . RMK~T·

,

ANTI Qt.m
C OURSK .

ADMI SS IO NS.

ft is understood that the First Sections of the
Antique Drawing and Still-life Painting C lasses,
with the night Antique Class, are preparatory
and intended as a suitable introduction to the
higher study of art in the Academy's courses.
D rawings or sketches from th e solid object will
be required for admission to the schools. Applicants may prepare these in the school rooms,
or may forward specimens made for the
purpose.

All applications for admission and for proIllotion to higher classes will be acted upon b y

9
the Faculty, with the concurrence of the Committee on Instructioll, at the regular meetings
held on the Thursd<'l.y before the last \¥ednesday of e <'l.ch month, excepting the mo nths of
June, July, a nd August. Students rn<l y enter
the schoo ls or be p romoted to hig her cla.r.;ses CIt
<lily time during the sea~on, hut a ll admi~s jon~
a nd promotions are on probation and subject to
reconsideration at the discretion of the Fac·
ulty. Before making a ny application for transfe r
from one class to another, students mtlst have
approval of s uch application from the Ins tructor
of the class in which they are working.
All applications must be 0 11 file the day before
th e meeting of the F aculty.

It is an imperative rule that all work s ubmitted
for exam ination for any pu rpose must be signed,
otherwise it will not be considered.
T o avoid loss, s tudies mus t he reclClime d
prom ptly after examination.
Those desiring to ente r the Second Secti on
o f th e Day Antique Drawing Class must present
signed draw ings fro m the sol id object. Those
d esiring to enter the Second Section of the Still·
life Painting C lass must present signe d painti ngs
from the solid object.
Students will be admitted to the Life and
l'lead C lasses on ly by the action of the Fncu lty
after an examinatio n of their work ill Drawing'
from the full length figure, e ither antiqu e (Ir
life-.

ADM ISSIO NS .
CO NTIN URI>

I

1
"'OMIS SJONS .
CONTINUED.

10

II

Students admitted to a Day Life Class require
no further examination for admission to the
Head Class,
Color work in a Life Class or a Head Class
will be permitted, subject to the approval of the
Ins tructor in charge.

continued, Professor Paul Phillippe Cr~t will
give regular criticisms throughout th e season.

Specimens of modelling of sufficient merit
are required for 'admission or promotion to the
Life Modelling Classes.

The Night Life Modelling Classes will be
continued unless the attendance should fall
below six in any class,

For the convenience of students who are
members of the T-Squa re Club, all work in
Architectural Design, other than nine-hour
sketches, may be done at the T-Squa re C lub
Ho nse. S tudents of this course who are no t
members of the T-Square Club will have facilities for doing their work in Architectural Design
at the Academy or the Un iversity as they may
e lect. The following work will be done at the
Academy: Drawing from th e Antique or Life,
Modelling, Perspective, and in Architectural
Design , all nine-hour s ketches.

Students desiring partial courses, including
o ne or more of the above classes, will be required to make a special application to the
Faculty; but in th is case they will not be entitled to the privileges or rates o f tuition ac·
corded to those taking the full course.

The class is divided into two sections :
The First Section consists o f those who,
while not mere beginners, are s till unprepared
for advanced work. Admission to the First
Sectio n will be obtained by the submi ssion of
sa tisfRctory examples of work to the FaCUlty.

With the co-operation of the University of
Penn sy lvania and the T -Square Club, the class
in Architectural Design, established in 1904. and
known as the T-Square Atelier of The Pennsylvania Academy of the Fine Arts, will be

The Second Section will consist of students
who have been pro moted from the First Section
or who have been admitted directl y as graduates
of recognized schools of architecture or as
having equ al qualifications,

Day Life and Head Course students are privileged to work without extra charge in all the
classes of the schools, including the evening
classes,
Day Antique Course students may work in
the Night Antique Classes without extra charge.
NIGHT 1.IF t<
MODELI. IN G.

P AR T IAl .
COU R St':S .

AIIC IIITI\ CTU RAL

ORSIGN .

T·SQUAIU·;
ATHLJlU.r.
0 1' THE
ACAOJl:M\'.

The work of the students in this course will
co nsi st chiefly of problems in design, but drawing fro m the antique or life will also be required_
Modelling and Pers pec tive may be included if
desired .

AR C Hl TRCTURA L

D RSICN.

CONTIr..: I) 1l:D.

13

12
AltCHITllCTUJl.AL DRS1CN.
CONTIN U ED.

Members of the architectural course desiring
to take part in the competitions of the New
York Society of Beaux Arts Architects wi ll be at
liberty to send their work there for judgment
and award.

By the terms of the will s of Ernlen Cresson

a nd Priscilla P. Cresson, a Fund has been
created as a Memoria l to their deceased l'on,
William Ernlen Cresson, Academician, the income of which is to be applied by The Pennsy lvania A cadem y of the F ine Arts in send in g'
pupils of me rit of the said Corporation to Eu rope to study a rt.

By arrangement with the Managing Committee of th e John Stewardson Scholarship in
Architecture. t he problem for the competition
for that scholarship will be identical in time and
s ubject with one of the more important problems of the A cademy's course, so that s tudent.o;
of that course, if otherv.dse properly qualified
for the Stewardson competition, may ta ke part
therein by simply performing the ir regular work.
It is also expected that arrangements will be
made by which the gradu ates of the School of
Architecture of the Uni versity of Pennsylva nia,
who a re students in the A cademy course. may
tak e part in th e com petition for the Alumni
F ellowship by submi tting in competition one of
the regu lar problems of the Academ y course.
All students must enroll at the Pennsy lvani::l
Academ y of the F ine Arts and pay their dues
of ten dollars per te rm ( twenty dolla rs per
a nnum) to the Curator, receiving a membership
card , without which no student will be admitted
to the classes. Those who have not previously
been s tudent,; of the A cadem y will be required
to pay the A C<l.de m y's matriculation fe e of fiv e
do lla rs.

Und er this foundation, du ring the past four
years the A cadem y has sent :tbroad for st udy
thirty-two pupi ls fo r terms varying from fo ur
months to two years.

,,

For the school yea r of l CJ06-tcJ07. the Academy
will have a t its dis posa l a num ber or Trave ll ing
Scholarships for awards to students o f the
Schools. in Painting, Scu lpture . and Architectural Design. These will consist o f Long-term and
Short-term Scho lars hips, the number of each to
be determined by circumstances. Th e Longterm Scholarships w ill be for the period of one
year o r mo re; the Short-term Scholarships will
be for a period of fonr months, from June to
Septembe r, in cl usive.
Of the Short-term Schol <l. rsh ips it is a condition
that students s ha ll return to the Academ y fo r
study d uring the fo llow ing !'chool yea r, registe ring for th e Life and Head Co urse, and it is ex pected that they will again he competitors fo r
Cresson Scholarships.

C RESSO N
!'U NO F O R

"OREI G '"
SC H O I. "RS I~ ' ''l'i .

14
CRESSON
"UNO FOR
P"ORIl:ICN
SC HOLA RSH I PS.
CONTINUEO.

The work required each m01dh in the Acad·
emy Schools from students ill Pai1lfing-. Sculp-

litre, and Architectural Design, will be the principal factor b l determining the award of these
Scholarships. Candidates failing- to submit SUe/I
UJork will be inelig'1·ble.
Painters will be required to present work each
month in Composition, in drawing or painting
from the Figure, in drawing or painting from
the Head; and to participate in such Concours
and examinations as are announced during the
::;eason_
Sculptors will be required to present each
month work done in the Life Modelling Class
and a composition in clay or wax:. They
are required to participate in such C011cours and
e xaminations as a re announced during the
season.
Th e requirements for the Night Classes are
the same as fo r the Day Classes, but Night Stu·
dents wilt not be required to present drawin gs
from the Head, except in the Concollrs, which
ior them will be held at night_ There will be no
Still·life COIlCours for ni gh t s tudents.

CRRSSON
"-UNO FOR
P'ORRI C N
KHOLAR$Hlf'S .
CONT I NIJRD.

In the School of Architecture the awards
will be made upon two plan problems, two
s ketches. one a rchaeology design and three
drawings from the cast or life, made in three
diffe rent months, a nd selected by the student
from the work of the e ntire year.

15

The Charles T o ppan prizes for the year tl)061907 will be, respectively, $400 and $300.
These prizes were established in 1881 by the
g ift of Mrs. Charles Toppan, Miss Harriette R.
Toppan , and Mr. Robert N. Toppan.

C H ARL.ES
TOPPAN
PRIZr:ts.

The prizes will be awarded on ly to students
who have worked regularly in the Academy
Schools for at least two yea rs, one of which
must be the year of th e competit ion.
Prizes will not be awarded to the same person
twice in succession, a ne! not more than twict·
in a ll .
According to the positively expressed terms
o[ the gift, the drawi11j[ of the pictures will
receive the first attention of the judJ{es. The
size of the canvas mtlst not be less than tw elve
inches nor more than thi rty-six inches.
The works subm itted must be origina l pa int ·
ings dealing with the subject or subject" named
by the Com mi ttee on Instruction, and all works
in competition must be presented on or before
Saturday. May 4, 190j·
The subjects chosen for the year 19Q6--t907
are Success and Youth.
Pictures receiving the awards will beco me
the property of th e Academy.
It is expected that pictures submitted in com·
petition for these prizes sha ll be the unaided
work of the student, without criticism.

ClIARL.K~

TorPAN
PRIZHl';.
CON TlNUHIl.

IiDMUND
STKWAlil,DSON
SCU I . PTURK
PRI7.K .

,6

'7

No work will be accepted without the appro val
of the Committee on Instruction, a nd th ere is
no obligation to award a p ri7.e if in th e opi nio n
of the Committee none of the wo rks s ubmitted
is of sufficient merit.

number upon the study submitted to the Jury
of Award. ,"Then the s ubj ect is in high re lief,
position in the com petition room s haH be deter·
mined by Jo t. No o ne except the competitors
s hall be admitted to the competition room at
;:lIlY ti me during the days of the competition,
no r shall a ny person except th e Judges be
present during th eir inspection of the studies.

The Edmund Stewardson Prize of O ne H un dred Dollars, in the Department of Scu lpture,
will be awarded for the e ighth time at the close
of the school year.
This is an annual p rize, to be competed for
by present students of the Acade my with s uch
pupi ls of other art schools as may be approved b y
the Committee o n Instruction. H av ing once received this reward, a student becomes ineligible.
The subject for the competitio n shall be a
full-length figu re from the Antique or Life,
either in the round or in relief, and will be
announced by the Committee on In struction O il
the firs t day of th e Com petition.
Studies shall not be less than two feet six
in ches in height and not more than three feet
in height, and s hall be made within e ighteen
hours, during three consecutive days, in s ix
sessions of three hours each.
Each competitor s hall privately draw by lot a
number, a nd s hall enclose the same wit h his or
her name in a sealed envelope to the Secretary
of the Academy. Upon complet io n of the work
th e competitor s hall pl:tce a correspond ing-

T he Judges or Jury of Award shall be three
professio na l sculpto r!>, hav ing no officia l connection with the Academy, or school o r schools
w hose pupils may have taken part in the
competitio n. When the s uccessful number s hall
have been a nnounced by the Judges, the Secretary shall , in the presence o f one or more of
the Directors of the Acade my, open the sealed
e nvelopes, a nd d eclare th e Imme of the suc·
cessfuJ competitor. If no study be satisfactory
to the Judges, the prize may, in their discre tion,
be with he ld ; a nd when no award is made, th e
amo unt of the prize may, in the discre tion of
th e Board of Directors of the Academy, be
added to the principal of the pri ze fund, or d istributed with fu ture prizes.
The clay m odel s offered in competitio n must
be kept s tanding in good cond iti o n until otherwise ordered, and figures cast by th e Academy
hecome its p rope rty.
The competition for the ye;l, r 1907 will takto'
place 011 l\1:\y 2 0 , 21, and 22.

KDM U ND
STIi:WARDSON
S CULPT U RE:
PRIZIi:.
CONTI NUED.

,8
"WARm; IN
CO MPO!'>ITI ON
CL A,,"<!.

The following awards, found ed by H e nry
J. Thouran, a fo rmer Instructor in compos ition
in the A cademy Schools, will be made at the
cl ose of each school year, the terms of sa id
;nv3rds being as follows :
One of $50 and one of $2 5 fo r the tw o
hest g roups of not less than three compos itio ns
upon subjects given to the class during the cllrrent season; the first to be decided by the
Faculty, the second by a vote of the s tudents
then worki ng in the schools; a nd one of $50,
and o ne of $25. the first for general progress
in the study ; the second for the work showing,
in its treatment of said subjects, th e m ost poetic,
o r best abstract , o r idealistic point of view, the
sa me to be decided by the Instructor of the
clas~. The same a wards <I re not to he made
twice to the sam e s tu dent.
I n the event of not ma king th e anntltll :l.w:l.rds,
or any portion of them, the money i ~ to accumulate until it shall a lllo unt to the ~ nm of $500,
when it shall be awarded , by vote of the Facu lty ,
as the result of <I competition in Com positi on
upon a given subject , to the s uccessful student
for a three months' su mme r t rip abro}ld, to in clude certain specified places a nd gall eries, and
for the special study of Composit io n.

7.ooLOG ICA1 .
PRI7.R!'>.

Through the liberality o f the Chairm:1I1 o f the
Committee on I nstruction, annual prizes of $.15
and $1 0 have been fo unded for th e best and

'9
~eco nd be~t group~

of original studies made
fro m li ving a nimals. These prizes are open to
a ll stude nts of the Academy.
Exhibitions of the Students' work are held
each year in the Fall and Spring.

\tX HI81 '

The Cresson Trave lling Schol arships and
o ther prizes will be aW<lrded <It the cl ose of the
sec{m d te rm .

AW AR ns.

The income fro m the various Funds o f th e
A cad e m y makes possi hle lo w rates of tnitio n,

I'RRS

as follows:
I' F.I':S POR RI':C U I.AR (,OIl RSF.S.

~4 n.00

Day Life ilnd H e ... d Course.

per te-rm .

Includ ing nn y Antiq ue or Nig h t
Lift: Classes d csi r ....1.

Day An tiqu e Course. .
Women 's Aftern oon l.ife
Course . .
Men's Nig ht Life Cou r se.

2 0.00

2 0.00

IIl.oo

lucl uding fIny Nigh t i\"t iq ll l'
C I ~sse!; d es ired.

Night Antiq ue Course

16.00

Architectural Design Course

10.00

""'"'S "'OR SPF:C I A L COU R SIr.S .

Painting from H ead.
Draw ing from Figure.

. $ 30.00


26.00

per tenn .

TlONS .

21

20
I' K B..'1.

CONTINURD,

Drawing from Antique
Modelling from Life , Day.
Modelling from Life, Late
Afternoon

. $20.00

per term .

26.00

2 0.00

Modelling from Life, Night
Modelling from Antique.
Still-life Painting
Composition
Illustration
Perspective

12 . 00

Ana tomy.

12.00

15,00

20.00

Payments mll st be made, s trictl y in <I<i \';tllce.
fo the Curato r.
Assistance in securing board or rooms will
be given upon request.
Blank forms of applicati o n and any furth e r
information regarding the Schools may he
ohtained by <1ddressing

JOHN D. PIERCE,
Curator of the Schools.

15· 00
12.00

BII.UAD S TREE T, .-\ IIOVE ARCH.

20.00

per course.

Regula r attendance is not compul sory but
no reduction from these rates will be made
on account of absence.
All new students upon entering the Academy
will be required to pay a Matricula tion Fee of
five do ll ars.
A payment of one do llar is req uired for the
use of lockers. Materi als for s tudy must be
provided by the stude nts. All a rticles required
in the classes are for sale in the Schoo ls at
lowest prices.
A student' s ticket entitles the holder during
and after attendance at the schools to the use of

the Galleries, Special Exhibitions, the Library.
the Print Collection, and the Lectures given
from time to time under th e auspices of the
Academy.

PIl I I. AO ..: I.P H I ....

P IU~S.

l,.' I)NTI I'!O Kn .

SCHEDULE OF CLASSES.
T U BSOAT .

WOmen ', Life

~ Women', Life

Modelling.
Drawing from
Cut, III.
D rawing from
CU!, "d.
o Illustration.

Modelling.
Drawing from
Cast, 151.
Drawing from
Cast, ::rd.
5.\1r. Keuda ll's

r.?:~·~Lfie

·•
\

<
~

~ Z':n~~nli're

TIIUR SD AY .

I

I

Women', Life

~?~~tfie

Modelling,
Drawing from
Cast, 151.
Drawing fmm
Cast, "d .
S liU. Ufe Pa int ing,

I

! Women', Life

' ~[e~~~nli'fe

FRIDAY.

l

S ATI,;IID",',

Women's Life

! Wome n'J Life

!\?:~~tfie

~Ir:n,,:!nli'fe

.,.

I f
Modelling
I Modelling,
, DraWing from ! CoslUrne Sketch
Cast, 1St
Class.
Dra"mg from
Cast :zd
~ Mr . K e ndall'~ SIIII L,fePalllullg, ~ Mr . Ke ndall',

Modelling.
Dra ..... ing from
Can, 151.
Drawing from
Cas!, "d .

I

i

<
~

:~;:==;:;=::~=H~'='d~C~I~··~·t·~~~~j'~d;.~~~! ~~H~'~'~d~Ct·IS"~'~·~~.~~~'dE·;;==~===H~'='=d~C="='="~ 11
Mell's Life
I Mr Chase's
Mell',s Life
I IHMr.eadChase's
Me n's Life
I Mr. Chase's
Drawinf
Head Cl.ss
Dra .... ing.
CI •.ss.
OTaW·IIg-.
Hud Clau.
17 :'11.- 1 P. ;\I., OAII.\' .

PEN AND P-"N C IL. S K-"TC Il C I. .",SS.

'I

Women's ~ fe
Modelling .
''''l"oOln~ from
CU I, l it .

··

OC~!~~ :d~'"

II

Drawing from
Cast, IS!.

Ora"'ing from
~ Modelli oll"fromCut.1 Cast,2d.
~ W omell's Life II
Women's Life
Modelling.
DrawinJ.
~ s Composhion .
I Perspective
i
Lecture.

t

I

I

Women's Life
Modelling.
Dra .... ing from
S till. UfePainling 1
Cast , lSI .
1St.
Drawing from
Ora ...·ing from
Cast,2d .
Can , 7<.1.
Women', Life
Modelling.
I W omen', Life
Anatomy Lec·
Dra ...·ing.
lure, 4- 5 P .M.

'I
I

I

Women"s Li'e
Modelling.
Slil1. Uf(!'"inti .." l s l
Dn. ..·...!: f.c.m
CUI,:1<I.

Drawing from
Cast. lSt.
Dra"dng from
Cast. 2d .

i.
1_

!

1,'"'=~I'~II";"""rc,"crnCC"Me~" I_-----_I ;

I

Women 's Life
Modelling.

.:

2.

W omen's Life
Drawing.

I

,.;.

~"

I---'-!-'-"'-'-L-;-~--'I-·:~:~O"~:'II~~~~C'-~--'-",-,-,.-'-L-;-~--CI-""'C.";'·;·'Ll".r"'--C1---~~n·.-'-L-;r-,--C-'t!"':.O"c:cll'~"~;~--- 1

i. '
Drawing.
,: I Drawing from
:.
Cast.
.J

I

Drawing.
Dra win!!: from

CIII~t .

' Modelling from
Cast.

I'

..

Modelling.
Drawing from
CaSl .

I

Drawing.
Dra wing from
Cast.

'-----_---'---="---c~_.,___.,..,,__;--;;-;---,--:_~.:-:-



.' :

I 0
Modelling from
Call.

__ ._ ;-;-;-,'--;-;;-~___

I 1.-

I Held In alternate '''' 0 "eeh from 9 to n A.)I ., the \V omen s L.lfe Modellmg and Men I L.lfe Ora,,'.ng
being 5ubstiluled (rom I 10 . P. M.
'Nol held on alternate two ...·cekt when Ihe Head Class meell (rom 9 to J2 A.f>! .
'Criticism5 on the lecond Mond a)' of cach month at 4 P.!\I. , a nd on the lall Monday of each month al 8 r . M.
for painter. and iJlUSln.lon : (or I culptonJ crh!cisms monthly on dates 10 be announced .
• Held on the first and Ihird Tueada)'1 01 eac h month 1.1 4 P. !\I .
I Held each .hemale \WO " 'eeks fro m I 10 4 r . M.
• Held uery two ","ee''' '

' .:.

s

Item sets