1912-1913 School Circular

Item

Title

1912-1913 School Circular

Description

Quick reference copy for school circular.

Is Part Of

RG.03.04.34

Date

1912

Creator

The Pennsylvania Academy of the Fine Arts

Medium

photocopies

Format

pdf

Language

eng

extracted text

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SCHOOL CIRCULAR

'Y.:'

THE
PENNSYLVANIA ACADEMY
OF THE FINE ARTS
I:l llOAl) STREET ABO VE AIICH
P HI LADELP H IA

ONE H UNDR ED AND SEVENT H YEA R

SESS I ON

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19 12 - 19 1 3

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M ANAC;t:M ENT Or:

THE PENNSYLVAN IA ACADEMY O F TH E
FINE A IHS
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The Pennsylvania Academy of the Fine Arts
takes great pleasure In announCing the addition to its F aculty of the following artists.
VIOLET OAKLEY.
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PHILIP L. HALE.

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EMIL CARLSEN.

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INDEX


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5

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A ' i\]

II IS'I'OK\' ,\ND

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1>1.:A\\"N I: ,\1'111 I ' , \I~ T I N ( ; ( I . IF E AN I I II E AII )

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25

C I.,\SSES

CIISTII~ IE SI~ET C II C L A SS

2q

BEAI'X 'S CLASS ( 1' 111-:'1'1< ,\1'1'

29

i' l l{, P E ,\RSON ' S CLASS (CO,\II "'SIT H' N)

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CLASS (l'El":S I'ECTI\' Ej

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45

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T KA\'E I. I.lN(; S C I '(H , I\I{SI III 'S

47

T ' Il'I' AN I' I-:I I:": S
'1' .., 0 11 1-:01'1 1' l-tl l: ES IN (, ' O)II'{ ISIT III1"

49
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S ' \'I~\\,/\\{IIStlN I' K I I: E IN S C I ' I.I 'T I ' I-:E

5'

1.111 11.111;1 1,.',\1. I 'I~FZES
, ),{ ,\\\'IN ' ;

A""L " ' AT" ' N

e e,!>,,, I., ._""lw·"

PA I NTI NC (P ORTRA I T), '912

PI..: I Z I,:

1' 111,

i\ " ) II ~S I')N

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SClI I ~ nUI . E OF CLM;SES

65

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THE FACULTY (Continued )
CECILLA BEAUX, LL.D.

THE FACULTY OF THE SCHOOLS
HERBERT M. HOWE , M.D .
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GEORGE McCLELLAN , M. D.
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CHARLE S GRAFLY.
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I>t' l ;\ l u"i";l'al Art j1l1""f I'h ila d d \,hi a . lI1SII'II<"1"1' ill S,· III \, IIII.· .

HUGH H . BRECKENRIDGE.
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:\l e mher IIII.' N"w Yurk \\':'1,'1' e ul"1" Cluh ; Iht· "h ilad\' ll'h ia \V al"r i'hl"r
('lu1>; Tho· F("l1'l\\'~I"I'"f 'I'll,' Pt·"lIs)'!\,;!."ia I\ La"~I11 )' "f th..: F ille Ans. ;!.1It!
T he A, I Cluh of PI ,JI;!.II .... \ ,hia. ;"lel1,h,·,.,,( Lhe j IIr )" "f ~el ...·tiol1. \ll,ile,1 Slales
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Fillo' ,\rt s. ,S."5. ')\."7.1 ,'1<)1.(111<1 ISeJ 2; <;01.1 M..,\lal. Al l Cll111 "f I'hil:1.ll'Il'llia,
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fII,·.!:!I, C:lrll q~i.: IIiSli llllt'. I'ill sh llr~h, IS¢; Firsl ('!:Jss' ;nl,1 ;"1<.",1:11. Carl1t'~ie
\lI stil ll\t', ' ')''0; Temple (;01.1 Medal, 1'l.'lIl1s)"I\":\lIi:. A":I\I"11I)' of the F;"e
All ". 1<)00: (-; ,,1.1 Ml'dal. " : KI I(,~i t ioll-lIl1i\"ers"He, 1':lri~. l 'f)O : "(.lId Me, Ial,
Pall - AIII""I,-all E:'1oosi(ioll. IhlfTa lo. 19'"11; First Co]"(:or:lll 1'ri1.e. So..::kl)· 01
\ Y:\shill/.:lnll ArtiSI"'. 1<1"'2 : Cold M cd a l. L1l1ivcrsal Exp"s;li,,". St.l.ouis. ' <)0·1·
1\h'mller 01 Ihe Nalioll:!1 A,·:"1<ll.'m)", N~·w Y'Jrk, :",,1 Ihe S"dt"lc N:.tioll:llc elt's
Ill'all" ,\'I s. I'a,is; I;dl"w "I Ille 1"'"I,s) I\":\I,ia ,\,'a,I"111\'
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l' h; la"dl'llia; 11 "",,rar)" 11,'11.'",1>1.'1' 01 111,' l'IIiIa,\o.:II'''ia \Vall'l,'"lo" Clu". el.·.
II0II"r:l" )" 11'"l,re,·. f).wlr.,. of I.aw s . I Ju;'·,· .. sil ~· "j 1·': III1 S\·" ·;lIIi;\. "pI>;
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FRANK MILES DAY.
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ardlill'Clll re Ih"r,· a .. we!! as r,.,· II<1e", )'e;l"" ill ":,u·(>I',·. F el·
1,,1\' :111" 1':,sl l'resi,kllt of Ihe AI11 ~r icall 11I~l illllt' .. 1 1\r, ·h;I ' .... \S; li o".
:\I<:",h,·,. RH)'al Ius l illlt"uf British 1\ I"I'hil'''' l s; T r llsl\·e. AII>l'r;":l1l A" :"leI11Y
;" RO"le; 1\1("111><.· ,' AII1.:r;"all I' hilos,,!,hi"al S, ... i.·I)" all<l Nali"",,1 IIiSlilll\e
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HENRY McCARTER.

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"f IIl e 1'1"t· A, I.. a, "I 1111111.'1' l'I" ' ;s .1,' l·h:l\'a","~. Ho"I,:.I. 1\1 ,·fsn'l. (',"' 1'1";,,,
RixTIIS. i\h·",h,·, "" SIW!t'"IS' 1.,'''/.:11,·. New ,""Ik. {"JII{ri""I"r I" S,·,'ih _
lIel"s. ('c"llIr~' , 1;"l1i,·,.·:< . '1'1 ... 1.0",1'<1, ':n'I.ll;.· . alld othe r "':l}.::t zine;.
1"~lru,· t '"- ill I1Il1sll":tliulI .

JOSEPH T. PEARSON ,

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F cl1n\\':.hi\. "Ii l(·. '1'11(' 1't'I"IS~ 1\"';~'ia J\t'a,k' l\I )' of tllf' Fil1c .\1"\ '" 11,10; Ilr""zl' 1\11.',1:.1.
I:ll e""s ,\il'es EXl'os ili(>lI. 19 10: ]ellll;e ~"~"all (;,.\,1 M,,;,bl, Th e ",·IIIIS)' h':I1';a
:\"adclll)" "f 11". Fillc '\'I~. 11)11; S~" nll" Il all,g:,rtt'1I r l"ilo:e. Nal;,,":!1 A,;:"le1l1)'
.. f l ksi)':I1. N,'\" \,,,, k. 1<11 I; I ''',,''rahlc 1\\(-I1\iol1, Call1<'J.,:i,· 11I ~ lillllf' . 1';llsl"II·),;I,.
19 ' 1. 111:<11"111.:1<>1' ill ..... "IIlI'n.. il;,," :111,1 ill 1)]":\\\'\11),:":1,,1\ Painli,,/:..

DANIEL GARBER.
HOI'II ii , N o rlh M:lI,ches l er. 1,"lialla. April II. I lt"o. SIUlli.,.,1 ill I III.' " rt
1" 'a"c!11>' of C;I1"';lIlIali, :111,1 ill III,· 1"',,,,sy l";!'lIia Ar:" ICII I)" of Ihe F ille Ans.
,\\\' ard~" Fil '"
']""1'1':111 1·,i ;o: ... I',·lIl1srlva ll i:t 1\, '''']('111 )" "1"'.1. all<l Cn'sso"
Tra\'el1i ,,~ Sd'<1I:I1S11;\" 1 1JOy "~(n : Fi rsl II ;tll).::lrl "III'1'i 7.('. Nalioll:\1 A,'(I'\cIl1),
.. f IJt:si}.: ". 1q<l9; li oll"l""hlc I\klliioll, TI ... /\11 Cili lo flf l'h ili"I"' "h i:l. ',)'0;
11"""ra1<k l\I~' lIlinll, ( ' arm,~i(' Ilis lillll<:. l'ill ... 1>l1r,l:h, '910; 11I<>lI l(, Mt',bl ,
Hm"lns I\;'~'S I:; XI" '",i lilll ' . ' 9 10: F ourlh Clark l'ri lc al,,1 Il lIIlIlfahlc 1\1e"li(III.
'''. r,·o rall Caller y . \\·:\shill~loli. " po: 'Vallel' I.il'p i",·o ll 1'''; 1.e. Th.:: P ,',,"sylvall ia ,\l:al\o.:III}· o f the F ille Ans. 19 '1 : I'ott e l' '·alm.:!" (;01 .. 1\1(.'(1 :,1. An
Ilisti tute of Chk:lJ:o. 1911 .
,\ssoci:He o f Ille Nal ioll:\l A(":ul('",y o[ Oe:<i",,,.
J"stru Clo r ill DrawillJ:' :1 ,1(1 r aimil1).::.

J

THE FACULTY (Continued)
VIOLET OAKLEY.
I~,rn ill Ne w York Ci t ro

SI."liccl I" Art S t llcl~'nt!-' 1.(":1.1:11(".1'\("\\' Ynrk;

Th~ 1"''''15~ !':lub '\ C;.. I (,llIr of the Fi,,(' llr\" : 1I1I.lel" 11 0\\":1111 1" 1'1 1,'. C,·dli:t
l:.tanx, ,\rn:III -J C:III, , 'olli " aml!.a za r , ,'ari!l. ~kU1"... r "f I'hi l:uldl'hia \ \"a ler
\ 'ol ... rCl n h; l 'l:1~l io: Cluh: !-'-c.".ictrof Ill ul' t rMnl,.; ( " )J'It·",,,,,,,lill),( !\l\-l1lhc." ... <>r
\l le ,\ uwl'icl1Ilm'lillllc(>f i\rch il,-.-\,,; C,,\, I l\!c..bl of 1I <)II"r , T Ill' 1\·,, 11,,)'1\,:\11;;\
,\ (,;,,1 ("111)' o f the F iliI,' ,\IIl'. 1'105= \'old ;\lul Sih'l'r i'ok.1:tls. St. 1."lIis E XI'0" i-

tio".

1<)"-1.

l llsl i ll elo r

ill

THE PENNSYL VANIA ACADEMY

I)...:six ".

PHILIP L. HALE.

/.

BUill ill 1\".. \011. 1\1:1.), 21, ISf'5. I'II]' il " I J. ,\I.k· .. \\'(-ir, the )lIli:l1l Ac:,·
d,-m y :1.1101 I.'E,·ole,I,'s Ik-;Hlx '\,-( " ,I ';II'i.. "''''11111('1" ..1,\ .1 S l u,kllt !l 1.("01/0: \1('.
Ne w \ '"rk : ~t. 1',"I"\l lh Cill h, HOSI"n: 11 ",lo,ahh; M Clll k '" 1':1I 1_,\" I<" it-ali
E ''QI(l:;;lli"" . HufT"I .. , '.)Ol , : Jtr" "7,~')\k.1a1 !->I \.,," is ": xp(>,,11i" .. , " ,0.\ : t:nhl
M, ',l a l, 11I1 <'T lIa li.,, 'al E-'-I"'~ili nll , fl"t"",,,, . \ ir,' :;;, ' 9'0. IIIslrll t: \(lr ill Dntl, i1l).:
:11111 1':.i 1l Iill i:".

OF THE FINE ARTS 1912-1913
The Pennsylvania Academy is the oldest school in America
devoted exclusively to the c ultivat io n of the fine a r ts .
I >It ri I I)..:' lite hu nd red and m o rt! years Ilf ils e,;isle ncc. it has
aided in the t1':linill)..:· of m a n y of tlte men : lIlc1 WOI1H! 1I w hosc 1I: III1 (:S
arc tlte 1\10s t illus trious U II the pag-cs of i\ lI1l! ril.:an }\rt. Allultlg" its
fo rtller St1HiL-lltS arc elllincn t painters- ti g"lL rc, landsl':q lt.:, ami ilia·
r ill(.' - III 'I,·:, 1 Ilt'Co ,rah,rs , ill ll.;lr:11urs, alltl Sl"u ll,tol"l' Ilf nali' lll:l1 rt!pu tat i"l!. III f: II' I, ils Itis illry is in 1111 SllI all IlIcaSl1rC the his lory of
A llIeric:1tI A rt ilself.
Thl' Selluul is uode r the itlllll ec"ilatc ca re of a C ura tor and
COllltll iu t.:c on Inst nu' liuII a ppointed hy tht.: Presidenl a lld Boart l
of I )i rt=l'tors. tog-ethe r w ith a FaCilit y COlllllOscd IIf reprt.!scllta li \'t!
:Irli sts I ,f tl lc (\:IY. IIltll ()f \\'i(\c c ';l)eriel lct! :IS kac\ lc rs an(1 e m ille I1tl),
qual ilie d tt) t1ist,'uvt:r a nd tll!\"clup t!vcry lall: llt tal e n t wh ic h s lll(l(:'IIIS
Ill:l)' pOSSeSS,
The aim of the Academy is n ot only to s upply the bes t facilities for the s tudy of the Fi.ne Arts in g eneral, but al so by means o f
reg ular courses of s tudy to equip its s tudents fo r any specia l line
of artistic wo rk which they may desire to follow.
It \\"<lsles nu limc in p re paring" its SIIlIl(: lIts for :l(lmiss iol1 10 ils
cUllrst,'s of s lli d y. hill c ng a gl:s Ihem al \Hlt't.: :tlltl ex dl1 s ively in
the s indy of the Fille I\rts :111<1 he nd s :d l ils e lle rg"ics ill Ih is <Iirt'ct iUII a 1111 H'.
It " s pt" ,'ia ll ya im s In insl ruct its SII1IiL-n ts in (·tl1Te~ Drawi ng ,
<l lId SUIlIt::: of its lal").::t.:s1 pri zes arc based IIpo n this ftllulatll l: ll tal
requi s il e to Kr:lphic art. It aims, fu r the rlllore, to ins tnlCl its pllpil s
ill Color, ils ha rmllll ), am i con trast, :lIId In c rcate :t lld d t::vt:Jop ill
thc lII a {'01Tect c\llor sensc, also in composition, in pCl"l'pec li ve, ami
ill every o lh e r t::sscIl1i:11 to a comprcilt=llsivc s tudy of the fi ne arts.
Lectures of g'cne ral and s pecial intcre st are g iven during the
)'car, and th e students may a ttend them witho ut ex tra cha rge.
The Academy's Permanent Collection of paintings and sc ulpture
is an important adjullc t to the student.;' r,,---gular work .

EMIL CARLSEN.
I:"." ;11 1 ·" I'~' "h" J.:'" ' ' \ )" .",,, .. 1.:, (kl"h.." III, ":":l, !-'lIuli,·,1 i ll I bni"h
}.t,,\':.1 ,\.·:" I,'m\' ;"I<-mh" ,. " I Ih~ 1\::11 i..l1 :1 I A, ':"k1l\\ "f 1 1\";),: " a . ,,1 Salm:l ).:"",ltl ' I"I., i\:~w \,,,,1.:. 1,,"'....... \·., ..1:. !-,:d11la).:"uo1t t ' I" I., " ,0,1: !-'ha" \',iz.. ,
!-'o "'id) ' 11 ..\",, 'rk: \II Arl' :;;I:;; , ''}O.I: ':0101 )\k.tal, 51. I."ul:;; E 'IM,sili"II, "104;
1m"........ 1;,,1.1 )\1...... lal. I Q01: Th ird )\!t" lal, C;, t"nl'/o:ic IIISlil"I .... I'JO-" : II r""7,~
:\k,lal, 1,,1 ," ""linll:l1 1-::.'1 ".:;;; Ii.",. H"l'1I0'" ", ire". ,.,'0; T('11\1'1c t:oltl ;1.11;".1:.1.
Th.., 1\'''"''lh':I1I;a ,\ .: .. km) ur tl1<.' I'm ... ,\ !"t", '9,2, IIISln,,'I.. r; 1I Ill a w i,,).:
:11,, 1 \':';u l ill),:.

J. ALDEN WEIR .

\'."n, i .. \\" ..... 1 I'n ill l. ~ "w \""rk, '\ II).:II~ I ,WIll. I ,II,~~ . !-'t udk,1 u",I"r his
fall,, ' r, 10: ..1>(,,1 \\'. \\'dr. a",1 ,,,,,It-r 1 . '1'0,,"0: , ill I·:.. ,..... Me ",,,... r "i II", N:u iulla!
,\,'a.lt-my " r 1k~iJ.:": AIIL ('" 1,·:111 \\" a h:1" C .. !"r ~odctf: E tdli1l ).: C illh; A,ti:;;ll ':
A id So.:icty; C "'lItur)' ,\sS/ .,·ia l ' ''" ; [l.:atio mal JII ,~lilll t .: of ,\11:;; :, "11 1...-I 1..,"s.
Ncw YUlk, 11 o .. or:, h1<- )\\o:"tinu. I'an .. ~aloll, , ,,sJ: !-' iln:r )\\t:,Ia! for ,mill l '
i ll~ , Hl0llH'l\i\-dal fo r ,1 nt" iu J.:,I'a,i~ \-:)q .,,:;;; lioll, lSo"'J' M l'd al l· flrm:~i.., 111 :;;Iilllh'. l· i\l .. hl1r~h , ''''i; I' .. il...·• \':111 .\111\,,;":1 " ESI'" .. i\i"" . Il uffa lo, " l'.I ;
1;,,101 :'.kola! f",' l'a i" lm;; all' I :-;,lv,'1" /0010..-.1 :1 1 1",. "II).:ravillt.:; :-;1, I.,,,,;:;; I-:s ll(I:;;i·' .. _-

I;.''' , 19-"": 1111",,.:;; ;l.k.lal :'lial;uual .h,:"l c'll), .0\ 11",,1).:11, 1....... ; The \Valtc r
l.il'l,i"" ,,11 1' 1"i~ ~ , TIll' l,~, ,, ":;;yh a ,';a ,\,'ad,'ul}" (,f F i H~' ,\11 "< , "}I"; ~ik.., r l\I""bl ,
1"1 .'ru a l ;",,al E X1~.silit1!1 H.... IH .s ,\ il~·S , 1" It', 111:;;I,'\I.·t4,r i'4 I lmwi,, !: a. ,, 1
1';' ;"11 " ).: .

(1 0)

rll)

J

.i"

The Permane nt Collec lio n of painliJl~s and :;culpture includes
Lhe Galh:ry o f Natio nal Portraiture . the Temple Collection of
Modern Allll;!rica li r ai n till~s, and th e G ihson Collect io n, which i ~
la rJ.:,c ly com posed of works of the Con(incntn] schoo ls.
Copyi ll.!o:" in t ht: g"alleries is pe rm ilt e<i Iv s tude nt s 1I1ldt::r rt::lISOIl-

al ,lt:

'-

rt..'g'III ;ltiuIiS.

The Annual Exhibitions held h y th e Acade m y hrill).: IP).:,t:thc r
Iha Ilcs t examples of American P<liIlLillg' :lnd sculp wrt.: . and c na hl t:

Lh~'

student

fullow

to

lI1 o ch.:rn art, am i

illtellig-entiy the various lllovt:lllcn ls of

st udy the tec hn ica l methods by whi c h tht: art o f

lh e day is ;Icilievitlg" its results.
!'t.!cngl1izt..: tI fu r

l11an y

Tli eSl: ex h ihitions 11 ;1\'c !JCt: 1l

p.:ars as !win,t.:" Ih e forell1ost ill Anh: ri cn.

Du ri ng Ih c past yea r th ey illc1l1d c d :
An E xhi liili nn (If Wakr Co lo rs composed of 9S:-:: cX:1Il1ple""
rc pn': "'elHlng· 329 dt#ere nl art ists;
An Exhihilioll of J\ \ inia lurcs cOlllpn"'t:d of tWI) collcctiun",: Thc
A IIIIU;tl Exhihition of the Pellllsy!v; lIlia Society (If j\ Jj,dalUrc
l 'a l11\(..' rs Ilf IS /1 examples, rel ) rest: n lill~' S3 Ilifferl'nl an is ls, ;1 1111 ;,

u

OJ

~

cu llec t ion (,o l1 ", i st ill~ of 374 eX:lIl1ples ;
Au Exhihition of Arc hitecture hy the T -Sqllare Cluh uf I'hila- _
del ph ia a nd the I'h iladt:lphia Clmpter of the Al1\e ricali Ins titute of
Arc h itects , composed of S62 items, a nd r cpn.:seli ti nK 13.1 ;In'h itects ; and fina ll y,
T ht: Acad e m y's 107 th Annual Exh ihitioll (If Oi l PailllillJ.,::s a n ti
Sculpture, composed o f S6S p ailltill).(s a nd . X2 sn llpllm:s, and
repn.:se l1lmg- a total of 44'-' art ists. This Exhihition was upt.·lIetl 10
jll11 1lic view fllr SCH'n weeks a nd visi ted I)y 71, 123 l>eop le,
iU; 1II

'"
"
5'"
0

.

The Academy is equipped in every way to teach the technique
of Painting and Sc ulpture ,
Tllv ins tnl{;tilill it affords is ful1 y eq ual fr o nl a Icc l1ni« '; d sl;nlll ]l1,inllO tl1at o bt ainalll t..: in Euro pe, Its Fac ully, coll ections, ~'all {~ r ­
ics, cla ss- room s , :t1l(1 eq uipl1l t..:llt of modd .. :11111 ('aSls :n'c ;ltllllira hl y
li tt ed for th ei r puqmse,

TRAVELLING SCHOLARSHIPS
A s far as instruction is concerned t hl'rc is 110 lIen:ssi ty wh<l.lever for Ihe st udent to lea ve A me ri ca , hu t, by the lihe ral pro v i ~io n
of t he wills of Eml e n Cresson and P riscilla P .• his wife, a fund h as
bee n crc:1ted , <IS a m em oria l to their deceased SOli , \ Vi lli" m E m le n
Cresson, Acade m ician. tltt: income of wh ich is to be applie d h y
tht: Acade my ill selldil1g- its m ost m erito Rio u s students to Europe,

( 13J

The inCOIlle.: i~ divided into sdlolar~hips o f "500 e:\(;h, Awarded to
th e stllllenL<; il11partially upon the merits of their work,
Du r ing the last year ni neteen st u dents were awarded $500
each and sent abr oad for ;1 period of four lIIonlhs, fmlll June to
Sept e.:ll1her inclusive, thereby cn;Lblillg' th em tu rl.'IUTn to th e
A cndc llLY dUTiLl ~ t Ilt: f:. 11 and co ntinue th ei r ~tll<lic~,

OTHER PRI ZES
Be~i d t..'~ th L" C res ...nll schoIaT~hi]ls, other ~u h~ t : l1ll i a l pri ze!-' :I re
onered tl! ~ lL1th.'llts as he reafter Slated, ;lIId e Vl:ry ill<':I.: lI li \"c h t,l eI Oll t
tn \11\'Lll III dvvt: l(lp Ilwi T tak n ts 10 the unt.' nLH !S!.
T h e A ca dem y bu ilding is InC;lh;d in l ll e IIl'art nf 1'l!il:lIklp h i<l,
wilhilL Olll: sqLL:lre of I hl! C i ty I bll :ll1(1 within I\\'u or IlInT 1,lo cks
of Ihe C\'l1ll"al city I":Lilroad lkpots. \Vhik: il i~ cllnn'lLit'l1t to Ih e
h\l !-'illl'~!-' portioll nf the <.: it)' , it is alsl! rl!: ltlil)' :u'C'l,!-' ... ihle 10 the
rt!!-'itlelliial , lislri c ls, :tL III studellts el ll (,llIail! g'l u l(llll la nl ;1\ rt;.'itSOI1 a liI \.! r:Llcs. 1'lIil.H'I'Iplli:l is of le n c alk'd " Tht~ ('ily of fl ollles , "
alld II f :111 I hI.' ):.1'1 ':1 1\.: ," Anh'riclII (· ilil·... il i.. pr .. balll y tht , 1ll0s t
worth y of the Ilallle.
I louses ,'; 1Il he 1\III'I'h:l!-'\·1I ()r~' rt'llh: d upo n
eas)' " ·rlll .... ;L lltl apartments <llld stud ills nht:l illl·t! IIy the )'l'a r orIIY til\' 1I111ll(1I " 11\111 fair and I'l'asoll al,ll' rill'S, Tht: Co!-'t uf li\'in~
is low,
'J'ht ci ty ('jl1ltaill~. in ;tdditio ll til t he :\ I':,dt:lILy's ),:":dlt.'ry, :1
lIuII,hcr Ilf n,.tahle C( IIiI.'Cli.,ns I,f l'ai lilill).!s ",h id, arc :u..·cl·s:-.il'!t 10
!-'Ilillenls. i\lIll1l1):," Ihl:! Illore important may h., 1Ill.'l1l illl1cd : The
\\'i lsl:l1'1i ( 'Ull l"' (illll in Fairmoullt 1';ll"k; T he 1.:lIIk\·I\:1I1 l'ullce·
til ill al Ihe 1)1'1,);\,1 in sti lUIl!; tILl' hi!-'t orica ! p :Li nlinJ,:s IIf the
I l isllIl"i (': II Soddy IIf " l'llllsyh';lI1ia, an d "f IILd " l wndcl1t:l: Ii all;
the I'UIl \·t' lh)lI S "j jI)lm (;, Johnsoll, "f !Id eI' 1\. I:. \\,ide ller, a lH!
uf th e late Wil1i:lIll I .. E!k i ll~ .

'!."

THE ACADEMY"S MEDAL ROLL
A CADEMY GOLD MEDA L OF H ONOR
' ')1'-1
I 9 u .'l

I S<)6

I). R idgway K ni).::lll
i\ 1c.'I::l1ltler Il arl"i:-;oll
\\' illia m 1\1. ChaSt:
\\' ins ]ow ! 10 111 e r

Viu ld Oa kl e y

Edwin A. 1\ lIlu.')'

' 9<-'$

IX9";

19'..6

Iloral lo \\'a lk er

I ~:=;

Ceci I la Be<llt x
Charlt..·s Cra fly

'<P7 Edward W.

11-\9.J
I&'4

IX9 5

1 ~9
11)<'1

' 9' 12

19U.")

Jllh ll S . S: lrg c lll
Jo h ll \\I. Akx: II Hh.:r
William T. R ichard s

"~.cd(ie l<l

Edmu nd C. T:,rild l
J I enr)' J. Thu\lroll
Thumas I'. J\nsh ll iz
I I)I.X)
James 1\. i\ l acN~iJI \ \" hi si ler ' 91 T \ \ 'i ILIn! I .. i\h; tc;df

ISS.,

l ;':lIrg'e \ V. l\ l aYll:ml

1"'9'"

I SS;,;

Charles Sp raJ,:.u t! I'carce
ClifTonl " ron ls \ ( ; raysoll

1"'99
1"'99

Ch:lrles S ta n k'Y I{ t:inhar t
A lin a i·:1iza l)eth KI ll l1 111k c
Willia m H e nry il l )we

1<)\ 00

19 0 2

Ahbo tl II. Th ayer
I h:nry S. Bishi ll ~

11)'4

I SSS

ISSI)

1'''90
IS9 '
IS92
1.'\9_1

IS9·'
1 ~95

1.'\9:;

1'' '9('
11"91)
1,''')7

IS97
I S\)...

Ja lllt's A.l\lacNt:ill W h ist ler
Jllhl1 S. S a r~~:Il(
Ed1llll n d C. T :lrhell
J" li n II. T \\"atc hl m :l1l
(; ;l l"i !\Iekhers
J. I IU llI phn.·ys Juh nstun
( ; ~·'lr;..::e Ile Forl·st Brllsl 1
J4Ihn \\'. Akx :mde r
\\' illll!l 1.\1(" ).; \\·0011

I yo l
190~;

1<}4).')

1906

' <y.q
19\ IS
1<)0<)
19 10

1<)11
19 12

Edward F . RUllk
Jilsepil D l,C:l ll lP
Chi lde II ass:nn
Cl·ci Jia Bea llx
\\' illianl 1\ 1. e li as\.·
\Vi ll s low Il o mer
Ed\\"<lrd w. Rt:dlit!ld

T ho mas Ea k ins
J. A lde n W e ir
Ellg'Cll l:: " ;1111 U llm a n
\\' illard I.. ]\1i:!1l'a if
I'"ran k \ \T. 1h-llson
F rede rick I'. \'in lo n
I IIH\'ard eanliue r C IISiJ ill K
Richard E. I\ l iller
E lllil Cl rlse ll

,ss7
ISSS

\\·illi:l111 T ho lll as T"C~\ 1
Thull las Il ill
\ \'illiam T. I{ichan ls
i\ lex:l1ld .... r J iarrison
11 0\\":,,"41 R usse ll BlIt k- 1"

ISyu

1\1"Ihl1r 1':11·(011
Edwa rd I.. SillllllOIlS

1"'91

" l::nyun Cux

I ~9"2

(~co rg-e

I SS,)

Ill ness

WALT ER LIPPI NCOTT PRIZE
[S94

Will ia m Seq.~·t";lll t "".' lIdall

''''97

AIII\'rt I-Ierk r

1&]5
1896

Edmu nd C. T a rhdl
Wi lli:l m L. Pic kne ll

1t'k)S

J: t1 nes JeiJusa Sh:ITl I1\1 1l

[ 16)

1899 Jo hn \ ,V. A le xa nde r

191)7
1905

19''Y

19 1('
191 1
19 12

C h ilde 11 ;lssa m
~ I;) .. ioll Powers
Ja ll H's R. Il opk ins
"l"IIom;,s ]'. J\ ns i1 l1 lz
J. Ahk· n \\'dr
1):lll il'l (; arlu,: 1"
1-:11\\";\1"( 1 \ \'. I~(·dlield

MARY SMIT H PRI ZE
S us an II. 1\ 1;1\" 1)0\\"1·11

IR&!
I ,')S .

C:tth;u·i n e A. J;11I\·i(· ..
E lllil y S ;u·l;lin

.S,~2

I~n '

I~S..l

fl. i aq' 1\:. T "oll\'1"
E mil}, Sart ai n

Eli zahl·lh F. IInl1s; 1I1
(":1I"4,lil1e I'ca rt
Can) i I I. BI'c k
~ I :t"y F, I{, ( 'lay

'1}<01

J;tlld \ \"hl·ek: r

ISS4

l.ncy D. 11011111·

I:-ISS
ISK7
ISSS
ISS9

Cl'(' i li:l 1\(;;IIIX
(\'("ilia II<.:;IIIX
I-: liz" I1('11i F . n.. ns:tll
I-: Iizalldh W. I{oloe rl s
Alice Barbe r Sll'phl'11S
Ceci li" Ik;\lLx
ee(·ilia Bean x
fl. l ari;, I .. " irk
(;:t hr ielle I ). CIt,;l ll en[S
E liz;il le l h II. \\';l lsnn

19' ,2
19< 'J

Elinll r Earle
Jt·ssie \ \ ·i l !co x Smit h
I.ill ian 1\ 1. ( ; \.: lIth
El iza heth Shippe n ( ;ree l1
Al ice i\ I!I1l1iord
1\ 1;\1·)' Smyth I'er kins
Eliz:-.heth Sl'arhawk Jom:s
) la rtha \ \"alter
I\lln.: l\ 11I1I1fonll{uht: rt s
J\ lit:t: l'I·I1! Stodda r d
Eli/.ahelh Sparhawk JUI H'S

IS9U
I SI)I

1&)"2
IS,,}.]
1"'y,'i

IHy6

1"'97
ISgs
I S<)9

1l)", 1
I ()O.'i
11)U6

1 yo.]

Iyv,"
' 9' ...)
14) I"

19 l1
19 12

JENNIE SESNAN GOLD M EDA L
[')OJ
1<p4

HJ'JJ

s ..... ~
Is....4
Is. . 5

1906

IS7<)

' 905

T EMPLE SILV EH MEDAL
I

W AL1'ER LIPPINCOTT PRIZ E- Conlinu,d

J [e n ry O . T anner
l<pl C ha rles II. navis
1<p2 \v:Jiler ]\1;I<"I-:,n·1\
F rank \\' . n. . ns.'n
It)I'.1
190,1 ]\!a r y Cassatt
190$ A k ,,: lIH 1e r Sl iri il1 .:":'· (';,1der
19u ,'i T. W, J) e\\" i l1~

1<)l'S

TEM PLE GOLD MEDA L

ISS,

I_

'''''7

\V. El lllc r Scholii.."il i
Coli n C. COl llk: r
1-:ll \\": lnl w. I{ l,dtidd
Alhe rt I .. (; roll
Ernest 1,a \\·Sl 111

I<)Us

1y... ...)
1\)1 1)
19 11
19 12

\0:\"1·1"(:-11 I.. \Varnt: r
' rh el l\l.lrl· Welld l ·l
Child\" I /;1 ~S;II11
jt '."I·ph T . l 'cars. lll,
\\'illard I .. ]\ ll'l\·:ll f

Jr.

CA ROL H . BECK GOLD M EDA L
Juli n S. Sarg'tllt
l\d"lpll(' Buril'

1911
1912

EdnllllHl C. T:tr1lc ll
J<ls q1h l )d"" IIl Jl

CH A RLES W. BECK . JRo, PRIZ E (W ATEH COLOR EX H IBITION)
Joseph I. illdoll Smith
1909 Erncsl I .. Bhlllll.:llscht:i n
I It;:llry !\!cCa rler
1910
N. C. W ytlh
Elizaheth Shippe n Crce ll
l\1 :t x li dd 1';lrrish

19 11 Jess ie Willcox Smit h
1. 1 7J



"

CALENDAR
One Hundred and Seventh Year Begins October 7, 19 12
The school year is d ivided into t wo terms oi 17 weeks each .
T he (i rst te rm wi ll beg-i n l\l o nday. October 7. 1912, and close
Fehrl1:l ry T, ' 9 13 : lhe secon d term wi ll hegin l\!ond ay, Fehrua ry 3,
19!]. <l nd clost! Sat urday, l\"l ay 3 1, J9 13 -

T he schoo ls are Open fro lll 9 o 'clock A.M. until 5 o'clock !'.M.
d ai ly except S unday .
Afte rnoon <l nd evening classes are o pen from 6. 30 o' clock P. M.
lIn t iJ l O

o'clock P. M.

Ii"
Visitors are admitted to the school o n week-d ays fro m 4 to 5 P. M.
Th e schools arc clost:d

S undays, Thanksgivin g Day, Ch ristDuring
Ch ris tmas wee k t he sc hoo ls will be ope n, but no li vin;.;' models
wi ll be hirt!d nor cn:dcisms gi ven.
0 11

Ill a s Day, New Yea r' s Day, a nd \Vashington's Birthday.

11"",,..1 F.

\\'hi,l~r

DR AWING (ANTIQUE).

1 9I2

THE COURSES OF INSTRUCTION
DEPARTMENT OF DRA WING AND PAI NTING
Th e Courses of Instnlc tion ;'"In: di\·id . . . d illlil l )cpar(111cnts of
Drawing- and Painting-: uf S(lllpltl n: : and (Ii !Ilu.'tr;rlioll"
III
each of these departmcnt.' tlH..·rt: is n :: rtain prl·scriht:d work which
1111lst be dOlle. hill the dl"J}:trtmt::llt~ are dU:'>t.·ly allied , the at!\,ann·tl
stu dents in e a ch being- nul only al10wc d hut :d:,>(l rerOIll II1L·1Hled to
work ill th e uth e rs.

The ~clle ntl me thod of ins tru c tio n is by c riticism ".of the work
dOlle , but th e individuali ty of the studcnt is !lo t re p ressed uy
fixed me thods.
The aim is to he lp the stude nt to ol,s<::r\"c acc l1ratt::l y and record
truthfull y wh :1. t he secs , and as he sees it.

ANTIQUE COURSE

1>, .. ,,110, " " ",, ",, ,

OR:\\Vji\"L: (I\NTI(]UE ),

1<)12

In order that stu dents who have had !ittlt: ur no trainillK in
<.ir;'l\\" ing" may pursue their s tu d it::s und er the easiest conditi o ns
,I11U advance natu rall y to higher work, a p reparatory Antique
Course is conducted, wh ich includes drawill~ fro m the cast, draw-

l" 1

ing and pa inting frolll s till life, and l ec lure~ llpon co m pos itio n, pe rs pect ive, an d anatomy. It com p ri ses the followi ng' classes, :md
gives t he student a cOlllprehensin: ral1g'e of study_
I~ST"' L!(: TO I!S

C ' . ASSES

Dr:\w ing" from Cl!-'t
Every morning' am I afternoon,

eve ry nigh t
.

;

jos(:'" pll

T. I'(!a rson, Jr .

~

0

w-

;:"
'"
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''""
0

~

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Still-life Drawing rtlld Painting'
t\ lo nd ay. \Vedncs<!;\y a nd F rid ay afte rnoon s
r'crspcctin; Lectures

I lug:h I I. Bn.:ckenridgv
Juscph T. Pearson, ] r.

An;l lolll Y l .c<"1un: s

(; l:or~t: I\kCl d lan , 1\1,1).

Fr;lI1k t\Iill..'s

1):1.)'

R eq uirements ror Ad mission
CtHI~C dra\\"in~"S or sk e tch!.::s
from the solid ohjet·t ill any m ediull1 :t Tc rcquin.:tl, and applic:mts
llIay prc p:tre thest: ill the sc hool.rou llIs or forward ~xa lll p l es m ade
h)[· the (lurpo:-;e.
rOT

...

-.---.... .
~. ~

;ulmissiOIl to thL" Anliqm::

The Fee for the A ntique Course
T he fee for the Antiqt1e Cour:-;e is 1-50 per !enn, the paym ent of
which fee entitles the student to wo rk in the morni ng, afternoon, or
night or <\11 three. SlUdents:taking this Course a re permitted to
wo rk ,in th e An tiql1e Mode llin g- Class without extra charge.

( 23]

----------------------_.

TH E UFE AND HEAD COURSE
The Life ;'lilt! H e:u! Course compri!'es:tll tht;: ;lch,:tncecl d:t~~es
in dr<twin,l.: find painting. :lnti includes draw i n~ :lIlt! paimin::: irom
the H uman Figure. nnd drawi ng' :lIld painting' from the H ead, and
from Still Life. anel lectures upon Composition, r\: r~pe ctive. and
A natnm)'.
In clrawil1~ :11111 pailllin;.,: f""1lI tlw I.ife , :-01111 1\ '111:-; will 11101 h e

con fin ed hI critic isms irom a si ng-It, instnlt' llIr hilt will hm'c the
~reat ;uh';lIlla ).:" ' of profilin~ by the vil;:wpoin ls uf sen:f:t l mClllhers
of the Faculty. The day Life d(lsSCS will l ~ under the Kt!ner:tI

1

(

\

,

.'

supervisio n of ~ I r. PeOlrSOIl ;tlll.nlle nig;hl ( lasses Linde r t-. l r. ( ; ariJt!r,
whi lt: weekly critici s ms will he g;i \'cll durin~ No\'t'1llbc:rnnd Pet'cm ·
IIt: r hy 1\11". I lai c: tlllrill),:" January and Fchnl:lry by 1\ l r. Carlsen :1.I1d
duri11)..:" l\1:m·h a nt! April hy I\lr. \Veir.

The Course comprises the foliowinJ..:" classes:
INSTRI 1CToas

C I . ... SS"!;

Dr;twin~

D]( ,\\VI:'\e ( LIFE ).

and p ainti ng- from the Figurl·.
~'r women, every Illo rning, for men.
every afternoon . and fo r wo men ,
Tuest!ny. Thursday. and Saturday
evening·s . "nd for men, Monday , \ ,ved·
nesc!ay . Hnd Friday niKhts.

1'11.1

Joseph T . rearson. Jr.

J.

A lflen Weir

Emil Carlse n
Philip L. }-I"le
Daniel Garber
[25/

I

-----------------------

1

'!..••

C~$SKS

I I'I'ST.UC TOIlS

Draw ing and painting from the Head.
Tuesday, Thursday. and Saturday
mornings and afte m oons

H ugh: H . Breckenridge

Dmwi nJ,! ;md paint in!.!" from Still Li fe.
Monelay, \Vctlnes<lay. a nd Frida y

Hn ~ h

afternoons

H. Rreckenridg-c
Joseph T . Pc;mm n, Jr.

I )rawinK and painting" from the H ead .

Crit ic ism dales to he a nno u nced dllr·

Cec ilia Be:\U x

inK lht! te rm

Conlposilioll
r )c('o ratioll

I'crspecti ve I.c C!llreS
Anatom y I.cctures

JOSeph T. Pe arson. Jr.
ViQl et Oak ley
Frank Miles Day
Ge()r~c McClellan. 1'\'1. n.

Req uireme nts for Admission
£

,

S\ lI tk nts w ill ht: ad mitted to the L ife and Head da s.;cs o n ly br
t he :\1'110 11 of the F:1cllltyafter an exami nation of their work i n
dra\\' in ~ frum the fnll -Ie ngt h fig-me, ei ther antiqllc o r li rc.

z ,"
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0

r

v;

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0

The Fee for the Life and Head Course

0

"- ;"

".

0

~

'"0:

0

."

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-' ,
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Tht: rl:e fur the l .ife and I-lead Course i:-: '$50 p~ r te rm , tilt::
p:tYlllcn t of whic h f~e entitle...;; the stude nt to wurk in the Ant ique
CUllrs<", the l.ife Clu lrse , ami lh t: C!:L";;SCS in S c ulpture , wit ho ut
ex tra c ha rf.!t. Students ill drawillJ..:" :lnd j)aintinJ..:" arc rcnHlllllclld t:d
tn do a n .:: rl ·till allio llni of lIIodellill )..:".

SPECIAL CLASSES
Costume Sketch Class
A Cos tUIll t! Sketch Class wi ll be <;om]ucted thro llg-hollt ho th
term s. It wi ll meet o n eac h Sat llr<ia)' mo rn ing- between n ine
o'clock and 110011, and on cad i Tuesday Ilig'ht lldwt!t! 1I Seyen and
te n o'clock. Sketches fro m the liviliK mode l are made in black
a nd white , or in color. Meml >t!rs of an)' other class ill the school
may attt:: nd the Costume Sketch C lass without iurthe r ch arg-e. At
the close of eac h session the work of t]u.; studen ts will he rey it:wed
hy tht:: instruc to r.

The {:hid object of this class is to leach the s ttlde nt to draw
n:<lclil y, ami grasp quic kl y, the whole compusition shown hi m, ns
all illus tration of characte r.

Miss Beaux's Class
I'AI:\TI:-iG (I. IF E). 19 12

7

Some time during the school year, Miss n t::l lIX will co nduct a
Portra it Class for members of the Life <,u ui I lead Course. No
cx tm charge is made for this class.

Mr. P earson's Class in Composition
ill C Il 1llJlo~i l i(l 1l o r Sv1i E" l' rl'~:-;i (l n is co nd ucted hy
T he :1i1ll is 10 e IiCtHlr: l).,:'t; tht;: :-;111<1"'11 1 h y sympa t hy
and cO-llperatinll III ('=-:pn:ss ("u ll r; I ~'t:olls l y :111 <1 fo rcefu lly his 111lp rcs-

T he

Cb!'>~

fl i T. P e:lrSnll.

SilHlS il l\(l ('t IIl CcI1tioIiS.

No t hvll ri ..: s o r fo rmu las as to wh at nl1lstitu!t' or make a work of
a rt are a ttc lIl ph:d.
T he C lass is ill bl't :1 c ot llJl;lny o f }'O \l tlg" :Inis \ s l: :wh duill;.,:' th :il
\\"hicll is 11al i, '\:: hI hilll Sl' lf. :11111 Il ll't,: l i ll ;':' fr" 1ll week lu wct: k lu l: X_
hil,i l ils w, ll'k inr c(J lllj\aristltl a nd " p e ll di scussio ll.
Mura l Decoration is ;,:'i\'l.:11 I's pccia l ;l\ ! t'lltiulI in t ilt , Com posi tion
eLlss. A snhjl'{'! w it h tlt/i llil e n.:q uircmellt .... is olTe red evc r y ~ Ithl;: r
\\'(·t::k, and wl! t:IU.: \'L· r possihk-. stlldl..'nts arc g'ivt.! n ;Hl opportu ni ty to
decor;lk:t \\'a ll SP:I('c.

~

<5
"
;::

""-

Miss Oakley's C lass in D ecoration

~

'.'

S t U ll \:! t illli' dll r il lg' t ilt: sch oo l )'I'al', ~ l i ss ()akl (·y \\' ill CO l1dlll.:t a
cl ass i n [)c('(l r;) t iu ll , 1'\ 0 e xira charg'L' is 111 ;l< l e fo r th is class,

-'

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Dr, M cC lellan's Lectures on Anatomy
(,

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...

"''"

T h\: I.\' I'III I'(·S til l Anahl11l Y 1I\'gin ill the ....cC'C li lt l wee k o f NO\'t: m I,er, :\1 111 arc "pe n 10 .... t lld\,.·III:-o IIf :111 )' cOll rse w ilho l1t t;x t ra cha rg-c.
They a rc illustra te d wi t h the stereopticon, wilh dra win.b"S made in
the p resellce of the cl as:-o hy the inst nu; tor, and :1 1:-00 hy m eans o f
th e li vin); model. T hc)' fll 11 y ct)ver th e slIhjc<:l of n rtisti c anato my.

Mr. Day's Lectures on Perspective

"

"" "

T ht:: I .ec turt::s o n Perspective heg-i n aho u t t he first w eek in
Novellihe r, an d ar..: ill u stra ted by d ra winK's m ade in th e presence
of the class, Th ey are o pe n tu st lldc lHS of an y CQurse w itho ll t

.....,.

~..

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ext r .. c h arge,

.~ ;,:j~~~~ .
1~.'"·'"
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UR:\WIl'\l; (ANATO My). 191 2

JJ~L USTRATION

CLASS.

1912

-t.

f

--------------------------

DEPARTMENT OF SCULPTURE
The Classes in scu lptu re will be unde r the d irect ion of Mr.
Charles Grally. :tnd nre as follows: For me n e very morni ng ; fo r
wo men eve ry aflernOQI' ; and fo r m ell e ver y T uesday. T lltlTSday,
and Sa turday nig ht.

e

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;0

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SC UJ.PTURE, STUDENTS' EXIIIBIT ! ON

The work of the Classes in sculpt u re consists of modelling from

lhe living model, gt:!nera lly in the round, but occasionally in rel ief,
and from both the full -le ngt h figure and the ht:atl only .
In addition to the work fro m li fe, each s tudent is req uired to
present two s ketdHllo de ls of sculptura l themes, when directcd by
the inst ruc tor. On these the s tud e nt will receive indi viduaimo ll thly
crit icism th rougholll th e balance of tht: l'\cht>o l-yea r, in order to
d e~op the orig"i nal the mes to l h ~ i r full t!st exte nt, as if the subjec ts
w~e to be fi u:lll y t:xec11 1ed in fu ll size.

Requirements for Admission
Specimens of modell ing of suflicient meri t tlre requ ired for ad-

mission to these cl asses.
~:'

a

e:'

.~

••

StudenL,> no t suni cient ly ndvancl:d fo r ::tdmi:->sion to li fe clnsses
are ofTered fac ili ties fo r modelli ng from Ihe antique cast, and :1:->
soon a:-> they h:lVe :l.cq uired su fficient proficietl(:y 10 adm it them to

"

1I . · , t ~ · , t

:-,11. , ,,,.,,,,,

SC ULPTUR E

(i'ORT !~ !\IT ) . I ')rz

(37)

.

~ . ~.

Sc;honls of

T he

(I\,; n n~y l \':Ulj;,l

Ae;.ldclllY of the Fine A rtS
J'hibJclphi:a

:

life classes, they nre imme diately promoted with o ut tht pnyment
o f nny furth e r fe e.
Some practica l know ledg"e of the use o f clAY ;111<.1 n true concept ion of fo rm in the roun d nre of mani fi::s t adv<lnt;\g"e to ho~,h pai nter
:lnd illustrAtor,
Stude Il l ... in sculpture are Jli::rmitted 10 work ill tht.! d rawing" a nd
painting- c1:L"'~es and rt!CulI lllH.~ n ded tu work th e re in , hut atlllli ~sio ll
to Ihe life dm\\'in.~ dasse", is, for sculptors, Sll hj("ct 10 the same
require me nt!" as fo r painlt.!rs.
The Night C lass mee ts from 7 to 10 p.m. The work in this
class is idl:nlica l with that done in th e:: Da)' Classes except that the
wo rking ho urs nre less.

T he

Fees

for Sculpture Classes

The fee for lhe C lassl:s in Sculpture is '$50 pe r term. S ltIuen ts
oue allowed to work in the Day Classes o r NiJ.:'ht C lasses or in both ,
and stude nL<; in l\ lodell iTl},!" <Hi:: pe rmitted to wo rk in the UrawinK
amI Pa i1l1ill~ Class(.'S without exira char~-e .

<.

.i'>

'!."

SC UL PTURE, CLASS WORK, 19 12

DEPARTMENT OF ILLUSTRATION
The C l a~~ ill 11I 11~t rat ioll will he IIn dt! r th ed irt:!clio n of 1\1r, Il e nry
i\ l cCarte r, It~ pu rpose is to pro vide for the :->tt1tJcnt such practica l
instruction :l.S will Cllahle him upon the com ple tio n of th e course to
illllllcdi atciy c nte r the prukss ional fi e ld of Illag-az ine and hook
illl1 slr:lli n),!:, (li:cor:llive a nd n ew spaper work, Inst ru ctio n is ),:."i\'(,:11
ill dra w iug', in CtllllPOsiLiulI, a nti ill the Icclllliqll~: of a ll lIledill lll ~
- pc11, ('harcoal, hl:lck am i wh ite , \c llIpcra alltl ui l.

Requirements ror Admission
SllHk' lIts \<, 1'1' e li;.! ihle for :,d lllissitlll, llIll..;t ha\'t! h;,d SOIlle.; pre I)araillry \\'tlrk ill Ilrawillg', s III'I, :tS i..; g- i \'C ll in till' I\. t'allt:llly'S
AOliqll\' {'lIl1 rse,
Students <lrl:; ad l,lill ('d
work to the Fac ult y,

UpUil :h\.' t"xh ihitioll of sa tisfa c lory

T he Clas~ ill 1II11SIraliull will Ill et.:! d aily Ih!'t)LI),~,'htl\lt Ill e SCh!l!)1
year. Spec ial rO~l111S a rc sd aside fo r their usc,
The t"lass drawS frolll the li ving' model. Indi vid ual criticism
is ~in: \l w ith special n"g'a rd to Ih e illust ra to r' s requircll h,: lIt S. and
l'Ill1lp lded illustrations arc made til suhjects a ssig'llctl to tht: (,lass,
( Jpo11 the ;lIIlI0111 H'Cl\le llt uf ca c h of th ese suhjects a ~c ll e r:\1 class
t:.Jk follll\\,s, a nd UpOIl the c\)lllpletion of the work th erc is 110111
il 11l ivilllla l 01111\ g't'11cr:t1 nil icisllL
III :lI lIli tio11 to the rq~: ul :t r class work Lee-tu r\'s an,' ~ivell durin).!,
the year hy p nH'til'al s pct'i ; di st~ 111'011 the vari ous pn x:essL'S of
I'\'j 11'\ ,dlll' lio li f,)t' Ih e purpose o f p rilll ill!.!., :111 11 stIl i knls :l rt' jnstnu.: tt,t!
t" \\'ork with the pa1'lint1; It' p l'l !l'l'SS in ~' il'w whil ']' i~ 10 he tnlploY"d
to p rim their illtlstration,
1I . I. USTI{i\TI O ;.;r C I.MiS ,

1<;[2

S llltic nts in Ill ustration art! permitte d II) cOlllpdl' for the CrCSS(lll
Tr:l\'\,:: llill~ Scholarships, :tnd fro m those who do compete a certain

alllou llt uf work i ll the I.i fe C lasses is rcC]u i r~'(1. Admissioll 10 Ih t;
Jiie dra\\'ill~ classes is subject, however, I,) th e :-;: I1 11C requirelll t ll lS
11'0111 illus trators as frolll pai nte rs,

~"

The successfu l re~lIlt of the general art training 1;"iven in the
Academy Schools, and the specia l trainin~ they give in illustration, nre s hown by the large num ber o f Academy s tudents who
h:l ve a c hie ved dis tingu ished s ucce ss in the field of ili llstrntion.

The Fee fo r the Illustration Class
The fee for the

,'

! !,

I'
I

C1as ~

in

[Ilu~trati u n i ~

1-50 per terlll.

Il ~ !'!traton:; will he rC(llIire<i to present each mo nth wo rk done
in the Illus tratioll Cl:t~~ alld to partic ipa te in su ch Gmcollrs and

t:xamin:llio ns as Ill :l.y he anno ullc ed during the seaSOll. Under the
din::cti o n of their Instructo r, they are alsl' requirt:d to do life-class
work in d ra wing- and are t: ntitlt:d to atte1ld the Lift: C lasses and the
Sti ll -Life Cla~~e~ wilho ut extra char~ e. T hey art: likewi ~e entitled
to atte nd th(> Lec..:t llrc~:~m Compositi\ IIl , I'crspt:c ti ve, and Anatomy .

.,

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(" L ASS. I !.I '~

......................

-=------------------------(~4_~:----

SUMMARY OF FEES
J\ llli 'llle Colll"St'
Lif,· :11 1<1 Il ea d [':Li U1 in:..:' l"nlll":-;"

1IIlIs11":11i, III

.'i"

(', '1Ir:-;t'

S~,

1\ 1"ddlillg' C 'lllrSt'
'1'1 ... I'"p' l<' u l (, r
(fl/ Iho: luiei()11 fn's .

~~ 1" 'I"~'I '"

(N""~I 'a "'''H';';'~'

(10'1-:,·, 1,," ",,10 el,, ' ",.,1." "bli.,,, h'" "I

$~l

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is "" "I" "" a ...·"lI " l ,.r "" .. I. ' I~, )

N OTE-I\ ll II O:W lilll.klll>. "',,~I pa r j" "d.,jli"l1 I.. tlo,· al" .\"!· .. ', ... " m al d ,' II '
blj"" f" o: "r .i\"o: <I"l1:ll's,

Tuition fees will ,l o t be refunded on account 01 nbsence,

GENERAL'RULES OF THE SCHOOL
Nil sl lId~1I1 II llth'r s ix h,:t' li Yl'; lr:-; of ag v i:-; , · I i.~illll' 1111' ;u[l1lissiou .
I~t 'gll l ::r al h; llll:LIII 'C I 'f :-; lud ~ ll ts lIf al l )' n Iursc is !HIt Ct llll lll1[SIII")' ,
1,111 n o redu ction from these rates will be made on accou nt of
abse nce .
All lIeW sllllknl s l 'l1tc r ing" tlte Acadt:11I), wi ll be n ·qllin!l l. in

: uldili"l1 to Ill\' f,'I's :-; tal e d lterL·ill, to p ay a lll alrin li:ttillll fL·c of
li\'c d"llars, and Ilt l' slUll of OIi C doll :II' I'!O:R 'l" ' ~ 1 {~ 1 for lite lI:-;e of a

Ivl'i.;L' f.

No

otil l' l"

fn's \\" 11;11\'\"\.: 1' :Irl' requ ired fru lll sl lukli l S.

!\i:tleri :ds

illl' sllldy 1l1l1 s1 liL' pro\' ided [ I)' Ihe Sllltlt.' l1I.S.

All ;Irtid~s r~'l ll irc d ill th e 1·las.-;\·s a n ' jur :-;: 11 \, ill Ih\..' scl! lItl l:-; a l
I.nn'sl p rin's,

J\ dda i l\·d sd \\·d ul \· o f dass,·s w ill b\' (,Illllt! .. II

I LLlISTJ<ATlll~

]l a~l' (IS,

CI.ASS, 1<)/2
f!.."

\

l4SI

e:'

SCHOLARSHIPS AND PRIZES
Travelling Scholarships

;::'"
;::
o

"'
0.

By the wills of Em len C r~sson a nd Priscill a P. C resson, a Fund
has been c rt:ated ;\s a r\Ie1llo rial to the ir deceased son, William
Em lt:n C res~o n , Academi cia n, Ih e income o f whi ch is to he <'\ pplied
hy The Pe n n~ylvani;1 AC<l.deI1lY of thl:! F ine Arts ill sending ptlpils
of merit to Europe.
During the past year the Academy sent abroad ninetee n
pupils . There were 13 painters, 2 scu lp tor s and 4 iilustrators .
T he :lwarcls art: dividl:!d :llIIong tht.! vario us hml1ches of in·
struc tion t;t \l ~ h t in th l:! S(·h()o ls, hast:d IIpo n lhe 1/1l1lfher of pupils
ill each C I)llrSe 'IS one fal' to r, ;md the s/dJ/da rd o f the work as
_mother fac to r. Th e aw:trd consists of $500 to each st udent, to be
ex pended ill fu rei g-n trave l :l1Il! work, \\"ithit~he Iimi L<; o f the
Scholarshill.
It is the int e ntion of the Cresson Sc ho larships to give to the
s tudents of the Ac;uJemy th e advant;l~e o f seeing- some of the
impu rtant Galle t'i t~s ant! Ar t Schools abroad, and the A cademy
desires to extend th e hcnelit of th e Sc holarsh ips to as man y
stu den ts as pnssi hle, pro\' ided they possess th e necessary merit .
The Irip abroad is Iimitcd to thc slimme r vacation, a periud of fo ur
months, fro m Jun e to St·ptem her inclusive, so that s tude nts can
re turn to the AC ld e m y for study duri ng- the t::llsuillK" schuol yea r.
Th e Board of Directo rs , upun th e rt:colllmcnclation of the Com mittee on Ins truction, m ay , in case of e xceptio nal merit, permit
Ii stud e nt to <:ompelt.! for the Cresson Schola rships again, o r
le nhQlen t he term to be :t1lowed in forei.~n trave l.
I ~\rillg th e past year four stude nt s wc re se nt :11>ro;\d for Ihe
second time.
No student wi ll be awarded a C resson Schol:\rship who has not
stu uied at least twO years in th e Academ y in the reg-u la r course in
Drawing and Pa i n lin~, or in Scu lptu re. o r ill Illu s tration.

Plan of the Competition
Tlu: 'Work Yl'qftired each 11/(}ldh ill tll ~ A cademy 5"1001s f rom
JtudmtJ ill Pfll1zting, SCl( lp"tr~, anti IlIlIs/ra tioll, witl be tlu prinritat /ado y ;11 determining tlte award 0/ 'h~se Scholarships.
:..IlIIdidates fa ilillg to submit such Ulork unN be illelig£ble.
[47]

I'ailll\'r~ will 1,\· r~ :'l llirl'cI 1\1 1'1'1':';\' 111 Will'\..; c;\ch II Hllllh in COll l -

PII ~ il i{) l1,

ill draw in;..:· or p:li lltill;": irOlll1 th \: l:ig"lIfl', ill drawing" or
p;lilll ing' frnlll tIll' l lea t! . :11111 to p a rlil'i pal c ill :O:lI l'h el)JIOIIil'S a lld
cX: nllillalilllls as lllO l)' h I...' :1I1110 IlIH 'l:d dlirin.L:' the se:lso n.
S Cll lplnrs will In..: n .:q llirt:d ttl prcSt..' II\ \'a,'l1 11 11111111 work (hlll o.: ill
th t.· I .iio.: :\ l lllk·llin;..:· CI:l ss. TI II.; y arc r ...·'lllire\l h i pan il'i] ,alc in such
( '/1111 ' 0111'.1' : 111\ 1, 'X:llll i 11 :1 t i OilS ;I~ !II : I~' lit· :(11111)1 ll H'ct I (111 ring- lI lt: SC:tSI Itl.
IIl11slral<lrs will lil,; l'l·'jll;rl·d Itl pn's" 111 ,':11'11 tlllllllh \\'ork dllllc
Tlwy :In' rt'qll irct\ 10 l'arlil'ip; lh' ill Slldl
:11111 ...·X; Hllill:ll i\l ll ~ ;l~ HI :I)' III' :1l1t1utl1 H'l·d duri l1)..:' Ih,·

in Ihc 1II IISII';II;o ll Class .
(i'/It'OIl!'S

St';IS,.II.

THE CHARLES TOPPAN PRIZES
Till ' ('11 :lrl,·s Topl':1 1I pril.\·s flU' lilt' r , ':I!' 19 12 11)1 .; \rill I'l", rc -

~ -

sp ,·\ ·t in·ly, :::'.\"" ; lIld ~2"" , :l lIti I \VII 11011111";iI ,k' 1I1l'1I1 illll~ of :t ' ''U L'ach .
T h,;sl: I'ri/.l·s \\','1'1' I·sl : d,1i~III·d ill I SSr II~ ' til,· gi ll !If l'tlrs. C h ;lrlt:s
T"I']I:[Il. i\ l i~s ll:tr rit'\l\' I{ . "]'''ppall, : llltl i\ lr. I~\lh cl'l N. Tllppan"
Thl' I'ri ;O:I'S will lie ;I\\'al"d ...·" onl)' lu s t lldents who h:I\'c previolls l y n "e\'in'd a ('rl":-;Sllll Sdlt,]<! r :-;hil' :t n d \\"h., h:I\'...· worked ill
til t.: :-;chool s :It I,'a sl li\"t.: filII days v :wh 111<111\11 lillr;ll}.! 1111.: )'1";l r.o f
('0l11lld;1 i, 111 .

Ally Sl11<11'Il i h :I\·in;.!. l"I 'I'\';\'I"d 0 111' TIIJlp: m Pl'iZl' i:-; l h.lJarn "d
11'0111 :l11\'1'\\":I)"(ls ,.,"e,"i\"ill ;": :lIlllthl"1' '1'''1'1':111 I'ri zt' I,f lltc ~: lIl1e ,II'
1"\\'el' \';11 11,·"
Th~' \\'o r k

slllUlliltl·d IlIllst Iw "Ii "~ ill :d p :linlillgs . till' IltIaid,·d

\\"Il rk ~f

111 1: slll,klli \\"i ll1"lI l nilid~lIl, :111tl :dl \\""1'1,: ill ("1I1l11il'lililill
1ll1l ~ 1 Ill' l'n ·~\· 1I11·t1 01 11 111' Ildul'l' S;lllInl :IY, ~by 1'), I()IJ.
Tl w StLiljl'd s,·!t ·t ·lnl

fill' Ihis rl'a r

illdlldill;":" III Ie III" 111<11'1' rl~lI n"s""

i~ ";111 1I111 -uf·d .. ol' \' ic\\'.

N" .-; 11\(1..111 1I1: IY :-; 111 'tll il 11101'.... I hall

"Ill' 4 1'1 11 1',' :11\(1 I h,' SiZI' o f lilt: (';Ul\::lS :' 1~IIII. l illl·d 1I.111:'t. nl)1 h~ ' 11 ':'s
tll :1 11 1... c1\"\: IlH'h es 11"1' IlI" rC th:11I 11I1rlr -sl." melll's III 1' 1\111'1' 111111 1..'11 si l'l1.
l 'i 1"\ IlJ"t·s o t"ll'r(· tI1," illl'tl1l1!'dililln sl1:111 III' IIdtIH. ·r ir: l1l1cd I1l)i'
;..:Iazed.
~la zl· d

Aitl'r 1111' :1\\";11'11 , if Ihl' I ,ri zl ·:' . l,i"l lIfl"S 1I1:IY I'l' irallll',1 :l lltl

if (,,-"s ifl"rl.

1\n.:ordill ;': III 111," pusiti\", ·!y \' x l'r,"ssl"d 1\:1"I11S .. f 111 l,; gift tlt c
drllwill"J:" IIf the l' i"\III"I"" wi ll I'l·C\·i\·c thl" lirsl :l1\," llli"lI Ilf th c
Jlldg·cs.
l 'il' I III"\'S 1'1·I'\·j\"i,,;..:· awa r ds w ill ]'1'\'011 1\' Ih t · p ropc rty o f
FrR. ST T UP PA N PRIZE. !<)l ~

111l ' /\("'ld l· III)".
l'iCtll1'I 'S ~It:tl l

h,· 1I11111111.: I".... d hy \111' Cnr;II,,!', : 11111 ;ll llCIIIl)I";111<!U III
( no lisl

III II,," 11 111 111 1('1' :11111 :t rti ~I ' s 0:1111 ,' \"; "1'1 ill a :'l·; ,], ·t! 1'" \'1"1"]1('

o f lllllllht'rs ~,I\'ill ;": 1.: \ '1'1 ), wh ich ~ II ; dlll\' "11\' 111"11 :lf11'1' Ilt c I' l'ize-\\" ill n illg I'i("tlll"~ 's 11:1\"\' IlI'l'l\ s\· lcl"ll'd ] ,)' Ihl' (")llIllIiU I.:C 011 11I stl'll('liOI1.
~ , ) s i~tlatllrcs or d ph L'l's sh ;t1 1 III.:

p l;tn:tI .J1I (,:1I1\' a ~ u r "11"('ldu: r ,

I ,' ~I

so th at as far as possible the identity of the competitors shall be
kept secret while the com petition is under way.
No work will be accepted withoUl the approval of the Com mittee 0 11 In struction, <Inti the re is no obligatioll to aw.tn l :I prize
if. in the opi n ion of the COlllmittee. IlIHll' o f the works s ubll1 itted
is of slltlicil' nl Illerit.

THE THOURON PRIZES
Th e follow in g awards, founded by Henry J. Thouro n, a former
Ins truc to r in Composi tion in the Acadc m y Schools, will be Oltl;de

·f

..

,

" ~r'
,,

at the close of each school yea r, the terms of snid awards being
as follows:
A prize of $50 for a group of 1I0t less than three compositions
IIpon s uhjects Kivell to the class during the cur rent se:\SOIl, and a
prize of $25 fo r a st!cond similar g'rotlp, the tin·a 10 lie decided by Ihe
FaCility. the second by ;\ vott: of th e sludt:nts then workillK' in the
Schoob; and o ne of 1-50 and olle of $25, lilt! firs t for ge neral proJ.:'ress
in study. the st:cond for the work showi ng', in ils treatment of said
su bjects, the most poetic, or abstract . o r idealistic, poi nt of v ie\~,
I"ll h to be decided by the in structor of the clitss.
The same
awards are not to be made twice to the Sl1. me stude nt.
In the eve nt of not making th e anntwl awards, or any portion of
them, the money is to accu mll lah: until it shall a m ount to the Slim
of $500, when it sha lrbe awarded, by vote of the Fnclllty, as the
result of a competiti o n in Compos ition upon a given subject, to the
stlcces.-;flll student for a three m o nths' summer trip abroad, to in·
elude certain specified places ami galleries, and for the specia l
sl\Id,f Compositio n.

THE EDMUND STEWARDSON PRIZE

SE r or-:o Torp:\:-.I PRIZE. 1911

The Etinllmtl Stewardson Pri ze of Ollt! Hundred Dollars, in the
Departme nt of Scu lpt ure, wi ll be awarded for the eleve nth ti me :It
the close of the school year.
This is ;\11 annual prize, to be com peted fo r by prese nt st u·
dent~ of the Academy with such pupils of other art schools as Ill #l.}'
be approved by the Committee o n Instructio n. H avi ll ~ once receiveu this award, a stude nt becomes ine ligible.
The suhject for the compet ition shall be a full·length figure
from the Ant ique or Life , eithe r in the round or in relief, <lnd
will be <lllnounced by the Committee on Instruction on the fi rst day
of the Competition.
Studies shtlll not be less than two feet six in ch es in height and
not more th<l11 three fee t in height, and s ha ll be made within

[5 I J

;,;, '

'.

ei:;hleen h O llr~ . eluring- thrt:e CQIlSl'(' lIli\'c ;1:1)':". ill six :o;essio ns () f
three hOllrs c;wil.
Eat: h c Oll1petitor shall pri\':ltdy draw It)' lut ;t Iltlllll tt.'r , ami shall
c lldosc the sa llie wilh h is o r her 11:1I1l1.: in a st:.dcd c n vclope to Ih tc'
Secrctn ry of the A c;\<!c IlIY. U p o n completion o f tht! work tilt"
competitor sha ll plan;- a corn:spol\{lill~ IUlI1iher upo n the stu d y
suhmi tted to th e Jury of Awar<l. \"'111.:11 the subject is in hiKh
rdid. po:-oitioll i ll the competi tion room shall he th.~ l cr ll1illl!d II)' lo\.
Nil I~I C CXCt·pt the cOlllpt:li tors sha ll he ;ulmiucd to the (,Ollilkti tioll
rool\1 a t all)' (il llt.:

during the days

oj till": cOlllpt:lilio ll , IlOT

sha ll

ally

1I,'I"SOII cx n .: pt tilt' Ju dges ht: present dll r il l),: 111SPt,, 'lio li of t llc slll<1i \'s.

,



Th e Jl tdgcs or JIII)I o f J\ward sha ll Ill' 11m:!.! prokssiollal st'lllptors, h;I\ ' ill~' 110 oll ie;al ('(1l111l'l:t ioll witli the J\catlelll )" til' schoo l 01'
sdlnu ls whosl: pupil s may haH: t;lk\.'1I parl ill th\.' nml Jlditio ll ,
\\,IH.: 11 I h e s u c('essf ll~ , .1I 11111 >t.: r sh;1I1 1t;I\'c !JC\.' 11 allllollllC'cd hy thl'
Jt1t l ~cs, Ihe Sct"rt.: lar>,"shall, ill the pn.::SI..'IH'e of one or ilion;:: of tilt'
I )ircctors of the J\cadenty, Opl..' l1 tl tt:: st:akt! cm·t:!opcs, alld tit-dan'
the lI;tl lte of the slHTeSsfll 1 ('olll pdilor, If no st ud y he s; llisf;wlory
10 the Jtld~es. th e prize mar, ill Ih ei r disC'lcliotl , he withheld, ";lI1d
whell IIU awa rd is lllal!!..', the :Imoll111 of the prize ilia ),. ill Ihe dis
l'rdiol1 of lhe Board of ni n .'{'tors of the "I'adem)" he ;ldch.:c1 to tht"
prirwipal (If the pri ze fllllt!, or d istrihllh:t1 with flltllfC pri zes.
T ile d;l)' IIlodd .... nfTe rctl ill I"IlIIlpt:l i tinn Ulll .... t h e kepi s t ;nllli ll ~ ill
!-root! cond it ion LIIl\il"lItlH.: r \\'ise ordt:r\.,t1, ; 11111 ti).:'Lll'l'S (";I .... t b y Il uAcatit:'11lY IJCcolllc its proJll' rL y.
T he C'l IlIlPd il i(11l for the re;lr 191 " will tak e 1II;Icc nn l' l a rdl '7,
, S, : 111<1 It),

~
ZOOLOG ICAL PR IZES
1: I.HlI til l' ill C'OI I1 t! of thl' JOh l1 II . 1';It'J.:: I1'(1 F l1ml t, ~ t:thli . . hcd I,),
Ihe chil d rVl1 of th e 1:1 10..: jt .11I1 I L I':u.: k :lrd, r. I. D ., fill' 111 :111)' yva 1'S
c h airman of lite Aca th- Ill Y's COllll1litll'C 0 11 l11s trllniulI, ;1111111 :t!
p r ize.... of $.,0 ;1I1t! '120 wil l he ;n\'an!ctl for lite hes t :111(1 sCI'ol1d ):,'mu ps
of or i ~;lI:d s t Lulies made fnull Ii "in).!' ;lI1illl;IlS, Tit. ·.... · pr j" ....s ;I rl;'
0 1... 11 hi :111 Stl ldcll tS of thl' AC:Hklll)"

THE PRIZE IN DHA W ING
I: rlllli tIlt' i l ll"Oll1C "f :t f\llld l· .... I:d.l i~ h ~·t1 by \\'illi ;lI11 K . Ralll -

1-:"""

as ;1 1111..: lIIol'i.. 1 10 his s i.. t cr, As pa . . ;a 1':1..:],:0..:1'1 l ~al11bor­
year .... was a s tudt ' l1l , If t ht: 1\I':I<lt."III ),. all A llllli al
1'1'1 /,\' of $.1 ,) w ill Ito..: ll\\,;If(!e<l illl" tilt" Ilt'st c1r;l\\'iu s ill bla c k a ud
whil o..: of a ht ': 111 fr .. m liic h y;\ pupil o f tht." 1\(':ldt' l11 ), 111111 II:IS uo t
hCL'11 IIlllkr instru cti01l IIv(,:r 111'\1 yt 'a rs,
hurs!:r,

s c I', wh,.

~TE\r.\I{J)Stl:'\

PH/lE.

II,I,!

J

f,.I' SWIU'

CLASS-ROOM RULES
H ours
t:la~sl"s at 9 l)'cloc k a. Ill.,
and cio:"td :\t 5 o'clock p.Il1., and for lhe \Vtllll t: n'~ E\'enill gl.ife Class fro m 6.Ju p.lll. to 9.3" p . ln. Exn :ptioll s to thi s rille will
ht llI:l.dt 011 the d ates of the sessions u f the Compos ition Class.
At 6.45 o ' d oc k p.m. th e C herr y Stn."!.: t I; IHr; lIIl"I;: w ill be 0pc 1H.:d
for the t::vel1il1~ classl'~, whil 'h co ntinu e uut il lu l)'cloc k p.lII,

The Sc hools w ill be ope ned fur dar

~" "' .N' ----

H olidays
The S l-ht)o !s art: clused (III Sundays.

T hal1k ~).:." i\- in ~

[b y, C h r is t-

llIa~ nay,

Ne w V'~; lr' ~ Day , and \Va s hill.~tlln· s Hirthda y. During
Ch ristm a s we ck the Sc1l()(ll s nrc ope n, hut livil1 ~ models arc no t
hired , nor a rc crilici ~ lII s g-ivcll.
Visito rs
Th e sc hool · room s arc Opt ll ~or the insptc tiun of ,yisito rs 0 11
\\"I.·(;k~day aft c rn u nll~, from four IIlltil nve o'clock.
Stlldcnt ~ will 110t be call ed frlll11 the class- room lIn lt:ss in the
j\l(l~llle n l o f lhe Cllr:l.tor the matter is of tlTg-ent importance.
SlIl(ie nts at wo rk mll st nllt he dis tur bed_
No ont! will hc 111.:rmit tt!d to re ma in in an y of th e class- roo ms
durinf stud y hours e .'(ct!pl the reg-li lar lll(;!IUI )e rs of t he dnss who
an' ~ill~ the s pec i;t1 wo rk of that class.

'!:;lmit'lIls art: (" xpcdcd 10 /1(.' sI:/j"-//ml,·rllill.1[. amI 10 klloW ami
o/lq l/te ,-/iks 0/ l/t~ S("liool .froJJl prillopk s 0/ /toll or.

Violatioll 0./ 11i(.' rifles
tire 5dI00/.

I ".;,'",., 1:.,1 • • ,, ~

RAl\I BO RG ER

PRIZl ~ .

l !) l .!

~(' ill

rO;1I11 in suspellsion or dismi.l·sal f rom

A ny co nd uct 1IllheColll illg" a s tlldt!llt is a violation of t he rules,
hilt subject to this ge ne ra l prO\' isiu li tht: students are aJlowed e very
reasonab le li be rty.
The property (If olhl.·r s tud e nts mu s t nut he used witho ll1 the
owne r' s k llo w k:<lg-t! ;\lul cOllsent.
. :"

M o nito rs

,p shall

he the d uty of the monitor to l1laint:lin order a nd, if
necessary, to re port to the Curator :my interference with the
work of the class .

[551
'!."

I\llInilors shall s~'e that the class-rooms ;Ire kt'pl prlll M.· rl }, lighle-d
alii I \'\· nlilate d .
Th e mon itor of c;iCh dass shall havt: ('hargc of tht: llIodel a ud
of the da:-i:-i-room (III ring- the sc:'sioll.

",

Life Classes
Re).:. lIlar IIWll1ht: r:-i IIlIly of the I.ife CI:I:':-iC:-i :1ft: pe flllill t'd ill the
I.i fe Cia:,:, roolll:' durillg- the :'lIIt1y hOIln;_
I\ll' ll1her:, of I .i fe CI;I:-isCS mllst ullder 110 c irnllll:'lallccs s pe ak
hi llIodel:, who art: posil1)..:".

P ositions in the C lass·rooms
StudC lltS \\'110 an: Il(lt prt':'t:l1t at th t: hour \\,11\ ' 11 da:,scs ht').:.ill
IIl lls1 1:lk\· Iht'ir I'II:,i litlllS ill onil:r of ;u-ri\'al. No s ludt'1I1 \\'i ll he
pt' rlll1lk:d 10 :'clcl' t alld l-cServe ;\ posi tion for 011 \' who is ahsen!.

Monthly Review of Work
,\"ludenls 111'(' ('X/1f't'kd 10 submil ill 1Ji01l1ltly Ilfl.l,:rr ul.r III, ' work
d uur ill all (-I(fSJ('.f du,-iu,r: Ihal 1110111"- Thc s wclic:, thu s ~o ll ~l' I C( 1
will he c..:\assilietl a nt! pili tip for ex hihitioll ill the dass-roollls.
There \\'ill I IC at the sa llie lillie a ;..:-t.: ncral revit:\V uf th e wo rk of

c:lC'h da:-is hy the respectivc instructor. A record of th e wo rk so
ex hihited will I ll! ke pt for lise in deteflnil\il1~ lhe sla1J(lill~ of
s llulenls :11 lhe e nd of the s~a:;un , ami ior :lw:lnli ll ~ pri ~l.'S or
sdlolars hip:ool_ ,"''1utti/'s n llllJol r f'f'tlrtkd o r nro1'kd fo r t'_ I'lI iMlill l/
IlIIk.(S pn'st'lIkd (II 111(: Curnltw's dl's!.· u llllli" 11Ie: folloUJilJ){ lim t:

"t:

limits :

p_

III. (~! 1111' p rt 'il ioN ,..

F.,- II lIIorllill.S:- 1"1', ,1,';(1,

2. (H)

I ',

4),30 fl. III.

l

I 'in'

nil

fr/h'rIlUOII

(III

f'i'fll ilJ,t;'

n·vif .....,

r t.";"II·u' ,

I.!./X)

ttay.

(if /III' SUIIU' d(l)',
nOOI/, /!! 1111' $ftJJl ( ' dll)l.

.\'1l11lntls ji lllin,I:· III t'_ l"fldll"! 1111'1,- ,('o r /: wllllOlIl /I/"('Sfllllll,t:
1','/1 .\'01111/111'

i'.n 'II ,~I' 'f!I"!1

"I'

Ii

illdf::i/ll,·./ill' Ilu' (h 's.I'oll ,\i'/IOIIIJ".I'ltlp

I)ra\\'ill ~s will 1101 he a ccl: plcd wll\'11 rolll.:d or when
nu l ca rdull y "(I X\;·tl." I'ainting"s llluSt hc lhtJrollK"hly dr)', tllIIl nil
work 11111,1'1 l)t.' !;a:I:'lIcd :(,1111 lin' s llftlntl' sjitll utlllll' alld IIIL' lIm/u (d
111,4 dfl.l'.f ill wllidl I lle :('ork w as d OIlc!, The studi es llI:lrk t:d by th e
in strl1c tor ;ll't: rc ~ r \'ed hy lh e Ac:ulc lll Y; to prevent loss, the ot he rs
shol1 ld he reciaillled at the clOSt:: of tht: c ritic is m .

('IJlllpdilioll.

1'.\I:-\TI:\"I ; (STILL I. IFE ). Pil l

Care of Drawings and Materials
\Vork reserved Ity tht:: variOlls instruc!t>rs s h(lll h i he rt:daimed a t
th~ clost: of the Slllth,!IIL... • Spring' E:dlihit ion. Studies 1I0t callc<1
for h), lhe 1 >e ~illlliTlg- of tht:! fall term will he d~tro ye tl ,

', '

i

Locker rent, o ne dollar PER TRRM.
Occupants 0/ fo,kt""s w ill be held nspo1lSib/e lor damn.![c done
1o same wlti/{' iu their POHCSSt"OtJ.
Students :1re cauti oned no t to leave pe rso nal property of a ny
description ;thout the ~c h oo l - roo llls, as t he Academy wi ll in no case
be responsihle for the loss of a rticl es fro m the roU IlIS of' lockers.
All personal property should be marked with the owner's name.
T he lockers :"Ire Inrg-e s teel clusets rltlt!d wi lh com hi natio n locks,
" od sludcllls are expected to keep the m closed.
Students will 110t he pe rmitted to leave canvases, draw illJ.:'*
boards, or other materials about the schuo l-roOIllS , but must place
thelll, whe n not in usc . in the rac ks especi ally p rovided fo r the

Im q )ose.

Moving of Casts, etc .
•Vurftonts IIII1.fl 1I0t move flu: rasts, l',,·rt'/,t tltou il1 /Ju: /llIli qll(,

Any ('/UlII)!"C ,/rsirt.'d ill Ihe posiliol1 of rasls or
(l1l/JlOri:;,'d by all illsl ntdor or Ille Citr a/or.
alltl ran 'inl alii ""(/{'1' Itis din'diol/,
Th e mOllilor ill rltarK~ sltall sltperill!t:nd ami approve all
arra".f[~JIl{,lIl" lif ... Iill-I!I£, objcds. but slt(({,>"I... (ksirous of Ilfl Vill.f(
lI[oddlillj{ N oom,

oth~r objcds 11111.'01 /N:

any parlit'lilm' subjt'rI arrall.t:'l'd "my (/0 so bJI 1'cporlill!," 10 lite
I

i
\
!

~

w oni/or,

Oil

iI/ouday

11l()rlJill~ S

only,

Plaster Casting
in pla~ lcr will not be permitted in any of the schoolrooms, A spec ia l mom wi ll he a..c;signe o for thi s work upon appli c il.tion to the C urator.
Ca~trng

Lunch-Rooms
Lunc heo n mu st 1Iot he eaten in the school,moms,
rooms are pro vi d ed in th e basement.

Lun c h-

",

Sketching in Galleries

Stude nts may s ketch from the works in the Permanent 'Collection of the Academy, but copies must not be made wit hout speci;}]
pernlission fro m the Il l:l llage m e llL

Library
Students may have free use of th e Library all a ppl icatio n to
the Lihraria n. The hooks arc not intende d for o lltside lise , ~nd
mll st not be tak e ll fro m the room.

Z oological Garden Tickets
Annual tickets fur the Zoologic~ l Garden~ m ay be obtained at
a small charge o n applica tion to th e Cunno r.

,

APPLICATION FOR ADM ISSION TO
T HE SCHOOL

••

"

0

e:
'":t

'"-'

W

class in which th ey

'"
'"z"

"'z"

"
''""

I-

0

"'-

I-

;In..!

wor king'.

All ;Ippli<:alions IllIISt he Oil file t ilt: day hdorl' the I11c c t i ll ~ (If
the Facu lt y.
It iS:l n impe rati ve rul e that all work :-; Ulllllill ed for eX:I min a ti01l
for allY purpost: must be si).,:-llI::d, olheJ"wisl.: it will IHIl he cOllsidered .
T o a void loss, s (tldies must h e rt..'cla illlt:d pnllllplly after
(: XOI ill i li n t iOll .

"z'z"

"
""'"

All applica tio ns for :tdlllissioll and for p rol11 otion hi h i~ h~ ' r
t'l; lsses wi ll h e a cted Up, J1l hy tht;: Fa c lLlt y, with the CO ll C I11T t;I W C IIf
the COlllmiUee 011 Instructio n, at the re~II'a r Ilu..:l'ting's held o n the
Thu rsday hefore the lirst Jl.lollclay of cadI mOl1th. eXl.:c ptill}.:" lilt"
Ill o nth s o f JlIll ~ . July, :l nd AU~lIst. Students Illa y en te r the Sc\H!(lls
o r he promoted 10 hi~h e r classes ;11 all}' tillle durin).!' Ihe SC;lsnn ,
hilt all admissions a mi promotions are 011 pruh:ltion and s uhject 10
recunsideration at th e d iscreli o ll of tilt..: Faculty.
Before Tll:d.;:ing
; L1ly applk atio ll fu r tra nsfe r fro lH olle class II) ' lIlo11 1t:r, s tud e nts
lllllst have a pproval of s tic h ;tppl icalion fru m Ihe inslnll:lor of Ih e



Partial Course
Stud e nts t1t:sirill~" partial C\""lIlrSeS, includi ng" Ulll' or II tore of the
aho\"e !'lasses, will he rl"quired to 11I;lke :I spt:ci:d ;lppliclliun If)
the Fat: ldt y and C~) lllll1iH cc 0 11 IlIs trll ctioll: bUI ill this case th e)"
wi ll 1101 he entitle d to the pri vilcg-cs ;H:t"(lf(icd to those lakill)..:" Iht:
filII ("OUI"S(;.
All st ude nts ill allY cou rse who have 1I0t p rev iolls ly ht::c ll SU I·
d e lItS of Iht" Ac:tt!c IlI Y wi ll he rC(IIIin.:<i In P")" the At';ulelll r ' s
IIl ; ttri("lll a ti~lII kl' of $5.
A s t m le nl's ticket e ntitl es the holder du rin).:" a ltel 1t l:mt"t.-: ;ltlhc
Schoo ls to thc li se of the Galleries, S pec ial ExI1"ibitions, the
l .il)l":Ir)" the I' rillt Collection, :l1ld Ihe I.cct lln:s ~iV(' n fro lll lillIe
III lin1l.:: under tlte auspi ccs of lh e AcadclIIY.

l':t YIlH.: nts IlIl1 st he m ade. s tri ctl y ill :td\,:t m:e, to t he C LJra to r.
NO ALLOWANCE WHA TE VER

WtLL BE MADI~ ON

A CCOUN T

AU:;ENCE.

[6 , I

OF

Assistance in securing botlrd or roOIllS will be gi\'en upon
request. The cost of living in Philad e lphia i:-; n ot hi),ih, and suitable
accommodations within reasonahle distance of the A cadem y are
rt::adily obtainablt::, for both men and womell .
Blank forms of application and allY further information regarding" lh e Schools may be obtained by addressing:
l\";'\'i\A T. I:E;'\I\'I':TT,
I \("tin.~ Curalor.
HII.o"u STII.";I'T, "I<O\'~: AIICII.
I>IIII."I)KI .PII I A.

To tht: slLldt::1l1S ill tht:: Sdwols the Academy's Rden:::1H.:e I.ibrary
and Galleries art:: frt::e.
The permanent colk:cti u ll of ]lailltin~s alld sorlptll rt!, illdlldill~
lhe C:dlery uf National Porl railllre , the Tel11 ple Collection of
l\lodern American Pailltil1)..,'"S, _uH.I tht: Gillson Collec tion, largdy
made lip of works of thl;! Cuntinental Sc hools, is of ~re;tt \'alue
as an assistan ce.: to study.
Copying in lhe Galleries is perlllitted I1lldt:r rt:<lsonahle rt.!~\lla­
liollS.
Students are.: also given fn:e access to th e many current i:::xhibilio llS which th\! Academy ho lds each }'car. These. and especially
lhe Annual Exhihition of O il Paintings and Sculplure, art! a sourCt!
of inspir:ltioll and a valuablc ill(\cx to the trt:nd of artistic tho ught.

ILL US TRATION CLASS. [9[2

/

\,.,

~'n~!' )1.

Fe.;:"s.;,n

PAIXTIXG (CO :'.IPOSITlO:\')' 1912

-------·l- · ·------ ------·-·-----·------,--------------

------.~ ------- ---- -

SCHEDULE OF CLASSES
TUE ~O "\·.

:\I O~;oA , ',

<

Anliqtlt' Class.
\Yomen's Life Class

i::

Illu s tratio n Class.

e

~ I cn ' s

:-'lodelli ng
Class.

\rEO:>:F. SOAY,

----

An t iquc Class.
Antiqu(' Class.
\\'o01eo'5 Liie Class. \ \'omen's Liie Class.
:-'1('n' 5 Head Cla ss.
il1 u st r:lti oll Cla~s ,
ll!uswltion Class.
Composi tion C lass.
J

:\Ieo' s Modelli ng
elMS.

:-'Ien'$ :-'Iodellin/o!
Class.

11 -12 . .;0 P.M, DAn. r.

2
,
~

4- :;

FR I DA " ,

) le n' 5 :'>Iodelling
Class

)l eo'5 :-'I odelling
Class

S AT UIWA\",

.-\ntiquc Class.
c
\\' Olllen's Life Class . >
:'lI en's Head Class.
i::
I llustr:nio ll Class.
'1
Costume Sketch
Cla ss.
:\I<'n's :\lodl' l1illl-:
~
Class.

STUOF.:-;TS' P E:' .\;," 0 I' E:<'C IL SK E TCH CLASS .

!

Antique Class .- 1.1. Antiqul' Class . . ld .
Men's Lifl' Class.
Men 's Life Cla&s.
Still Life Class. l SI , Still Liie Class. Illt.
~,1.
"'omen' s Head Class, l
Ill us t ration Class.
Illustration Class
Ill ust ration Class.
\\' o)nl(.·n 's :\\ odcllinll Wo men's :\lod('!Ii ng W omen 's :\\odeJ!ing
Class,
Class .
Class.
Ana tom y I.CCl\lre.
I'ersp('c tive l.cct urc

..'nti'1ue Class.
:\len 's Liie Cl ass.
St ill Life Class.

TIIl/RSD"",

Antique Class.
Antique Class.
Women's Liie Cla ss. Women's Life Class.
:-'1 1'0 ' 5 I-lead Class .
Illustratio n Cbss.
l1lus tration C lass ,

2<1.

Antique Cl ass. lei.
:\l cn's Life Class.
St ill Life Class 1 st.
"
ld,
Woml'n's l lead Class.
lJIusHati')n Class.
Illustra t ion Class.
W omen's :\Ioddlin g \\"omen's Modelling
Class.
Class.

Anlillll C Class.
:\Ien' s Life ("lass.

"'omcn 's I.ife Class.

\\"omcn'l' I.i(('"

An tique Class .
:\l cn's Life Class.

' ''0111('11'5 I I('"a(1 Cbss
l1Iu strat ion Class.
'''oll1('n's :\I odetlin~
Class.

"'omen 's Lif('" CIa,;;;..

CJa,;..~.

¢

0

0

;,

"",

~:=

>

"7
",
0

",
~,

~

-!.:.~ I' ~1.

1' . ~1.

0

;;,

I,

:.::

An t illue Cl:t. s~.
:\\ ('n'$ I.ife Cbss.

..' n t ique

C:;IS~,

CO:)1Unlf~ $kt'l ch

Class.
:\\Odcllilll.1 Class

Antlqu<' Class.
:\\ cn',; Liit· CtIS§.

..' nl iq\:c

Cb;;.~

.'ntiqu{' <:1:11'5.
:\Iell 's l.if(·l"i:!.ss,

.-' n tifju('

na~s .

:\l od(' lI ill~
~1 {)d{'lll11~

L·las;;.

Cbs;;..

,
,•

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n



As a temporary home for the Art Student
Philadelphia has un i que advantages.
Known as the" City of Homes," it affords
good livmg at a lower cost than is possible
in any other large city in the East.
In historical interest it is rich, and its
suburbs, easy of acceSS, offer unusual
chance for out-of-door work. Opportunitie s
for g ener al culture ate varied and the
Academ y is fortunately able to secure
specia l rate s for its students to many of the
lecture s and concerts given each season.

..

The Academy itself is centrally located
and within short walking distance from it
are good board ing-places. The two principal railroad sta t ion s are each within five
minute s' walk.
R ecognizi ng that a comfortable living
place is an aid to serious study the management invi t es correspondence with students
from a distance an d offers freely its info rmation and aid.

PAINTING (I.IFE) .

191 ~

.",

'.

JJn ,fflemoriam

THOMAS POLLO CK A NSHUTZ

BOKN I N NEW I·OIt .... KI~NTUC I\Y. ()C1'OIJEK

5.

I S5 1

· I)IED AT FOltT \ VASllIN GTON, P ENNSYI.VAN IA, ' l i NE I () . 19 1Z

.

~

AN 1:-: ." ;TItUCTOR IN TliE [)EN"': S YI.V"NI,\ AC"I>E:o.1 Y

n..-

Tllt.:-'l.\~

,.'

TITE

rna-: ,t\ItTS,

FROM 1 8~ 1 TO 19 12

1'1Il.!.!)!"K ,\:-';SIICT Z

[691

.,

........

~--------------

HONOR ROLL
1911-1 9 12

SOME OF OUR FORMER STUDENTS

AWARDS MADE MAY. 19 12

CRESSON TRAVELLING SCHOLARSHIPS

EIIW!":

sSOO awa rded 10 each oI lhe loUowinst

PAINTERS

... J!"I . Il 'S T. B LOCH
* EU Y. ..... IlET ti F . G.

* R.


IkwfUN

C.

E1.IZABETH

\V M 'J!IN GT QN

S ,\ .\ 1{ ' EI . I'. ZI1·:( :I. E I:

SCULPTORS

I l o\\',"I~ I' F. \ V I II SL ER

. \ I.I-:XA!'uEK P OI-:T",C) F F

1~ l"T H : \, .\ NII EKSO N

II EKIlEK1' SI"IlE"~I ,\;\:

~ l AI<,:"I(F.TTA

00"' ,·\1.1) Tk"";:E

/\.;o.; "1' I HI ." \· I 'AI.A D INO

l-i ,\ KI II.II ( ; . BKI W I.

:-;I ·SS ETTI ': SI ' JIL ' I.T Z

I,

1~()Hf'; KT S l ISA :'\"

II KTTS

LEI) I '( ,I

I)

HR LEN

THU R LO\\'

(;.

P r ize)

( H o nora h le to. l e n t i on }
t l l pllurahlc i\lcmiull )

J.

B', ss ... l.l.

B V \'l,y.

I'rize )

I \,\ RtlLI I (: , I:KEI ' 1. ( 211d

\VI;o.; IF ~ E II

\V ... IU

/ ( 1St P rizl')

JEAN

C01<KI E

RAMBORGER PRI Z E
( i O)

.~"

( 211d Prize)

J.

(~I."C"KSS

1'.

\;IlA\"S ":>':

l\I,,"\' IIH,\IIN G IC!M~;'"
ESTIiHIC ;\1. t~Il""M~:

SIlI!'P I':!'> fillKY.S

JO li N j\h: I. UIH t I[ A~ \11. 1'''N

II t.!OJOMY.

CII.'dIl.II ·I~K 11,,1<1 'IS': Bl< n WN

AI.HXANIIKIt

CltA"!.!!:;

lhlC,a~

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[11M~II':1.SItACH

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IIAIlIIISON

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I'A U I.A
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j\l",nllt. Jl o\'KN1>~; S

TII!'~'A S SIl IY.I.IIS CI.O\ Il" !!

:\].II '! I'T

K "T U I(IlI:>':H

THE A NATOMY PRIZES

C; lIXlIllIsr, .Ill.

C I, II'flOll!>

IlI(1CK

J\ IlTll Ull

J' rize)

("1 . Alm!" · I'.

IL\I<1~\,

(; O\lI l1lll1. 1. ";

AI '·:,\t\I" I)!':K 1' t1R T :'\"OFF ( 1:-;\

D. I ; II I"!'>
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:\ 1.1 11': 111'

J"lI S W. BI(~:\·I"":I. ~;

N,\!'>E"TE !.1·:lIlilllill

THE JOHN H _PACKARD PRIZ E

F IiSS ELl,

El.I7.~ I 'Kl· 1 1

AI.F.X"!'>I1Y.ll

1>. C, i\II'I.UiJ.:

L.

[l u' :11 I I. I1w KnO!S I< 11""';

M"ll\" II U11.t: 1l

THE EDMUND STEWA RDSON PRIZ E

CII A IH,~:S

l"1I "II I,KS GllA"L\,

BII.~I>LH\,

J I.

]IKIIIlIS

:\. II, F IIUST

W, W,

I ~\'P.I'''T''

IkA"' C IIE I IE1.I.IER

II, F II"~IU·'"

\\'II,LI"~I

GI(O I<o :1-:

THE HENRY j. THOU RON PRIZES

l'1It.ItLI-:S

\\'Al.1·KII GA"

B OKIIH'K"

F .

Bl. "SSO M Ft.lll.~:\,

J,

f)"NlI!L GAIIIIKII

Ut,UM

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AI,V. X .\Sultit n "WF.1t

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SE\'FFEKT

11I ~ IH1 1'

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E"IlY.

A''' .\. I'II 11"I<Iy.
.1'111/1:

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JI 'un: T, BLOCII (2m.l

1111.1"11'1'1

BISIIISC:

EJ.IZAIlI("!' I '

SUHAN

B.

E,'d:L1SH

PI. nIH!!'>I ' !!

nAIOOUt

1 ':"~ I ():>':1)S()S

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P.

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THE CHARLES TOPPAN PRIZES

V llAS K

BAS C"" "T

J"HA NS",

tim ..

\Vll, I.I A.\1

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lI y-sll.\' S .

1\ IAKIE 1,0 111:< 1, ;"h"CO)1Il
S,." IJU/

A){ GH....\IIl AU I.T

MII.TO:>:

E ~ lll.\·l'l ••\\,T() ."

lIS!" E L!. 1 10·: 111':1.1 ,

EAIOSS

EI ,ISHII E t.llLI\

BAlI.R\'

SALVA TI"'" F.

(; EKTKITIE 1.,\)1I!f; KT

NI;o.;A

II " WI':

n "U, : III',kn·

DULL

/\1. 1IF.I< T

I.o urs

ILLUSTRATORS

I~. H 1TCHr-:EK

• ,\ wardell fr.. f the

A.

J.

jOlIN

TIIIIMAS

A:-O SIlUTl

CHCII.iA 1I" ... u x
<';Al(n l. 11. II Re K

I,AT H A){INt-; IhKf.;ER

:'o1 ,\RY

1' .

TU OMAS

VP.k:'; •• S

F O }.l.RES

K E E 1. EK

I'I.AISTy'j, A[IIIUTT

C I. II'I' OI<II /lIOUAMS

F.

c,

PAllKH

,\ , AIIIII!I'

El . ~;:-: (>I(K

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H.

J I U)II' II11F.'·S

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F llI~lIWIt'K

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1~].r 1,A I'lnli SI'Al<lI ,\WK .I ":>': I·;S

C"!'>!'>1!1t

(.'''1.1:-< t"t.~II'HI(I.L l"OIlI'1(1l

f)t.\'1lI

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JA~' ~ S i'

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w.

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1I111111t.:-<

E~II. I'!'> l:1I1!SSOS

L\l"Il',"IlHT l · lln\\· H"'.
l: 11"IlL I!S

II,

I l"N "

II.

J'E N I,,,r,l.

KI·:I""l<K1A:-<

i.l':lIk ll S

KII":'~\\"A"

NICOLA I)' i\SC!!S1.U

,\\j,:U !'i'lUS

GI"IIU'H \\'" I.'· llk O"II"SON

JAMES

L OU I S 1'.11 ' 1. D" ....... \!(

:\1.lIl-:kT

BLANCHI\

jOlls

1lII.I.A ' · 1':

jOkllAN

1',n,I.'·

SI"l\; I~.\ NT

F It ,\N"

I':.

JA~lI\S ~,

R,

KIl<"I'AlI1 I C"

I'SIO:IIT

K,n'I'MA:>':
I.A~III"I!'>

LAI':SS I,I':

l.A.\lIlf.k T, jk .

SOME OF OUR FORMER STUDENTS (Cool;nuod)
CUARL!!:S ROBHMT LE SL I E

SAM U IIl. SARTAIS

WILLIA)I H . L I PPINCOTT

\V . ELMBR S C II O I'IF.L f)

HRSRY

CIllUST IAN S (': II U!!S LF.

M cC ARTl!!1I.

SAMAil Y o cu~1 ;\l cFAOOI':N

E VRMIITT SIIiSS

E L LHN :-'IA CULR Y

FLnMI-:S CI-: Scu\"~; L SHISN

I.RSLIP. W . MII..LHR

\VAI.TI':M SIIIMLAW

MOM.tlS :\l o LARsltV

jUlIN SLOAS

PRTER :'oI O MAN

MAM'ANNA

TI.r~IA S M o lt"s

\\'II. I. IAM

D. C. ;\IULLER

jV. SS IR \VII.l. eo x

S ,n I UHL

FII.HIJRIU C It NUNN

t\I.I C ft B AKIlKM STI!I'URNS
C UAMll!lI If, STftl'lIKSS

V' O LHT Q AKI-III'

\:, F M,\NK S1''' I' IlI!SS

MUKRA\'

Sl.nAN

T.

S)l1'!OLftY
SMI T II

GK O IH~ R OIlH R TItUP'I!H

EUMUND S1'IlWAKIlSON

AM \ ' 01 15

AI.J(,;I': KltsT Sn'IJUAKI.

MAX'II!.I..U PAR!!ISH
,\I..leR CU M!>O S

P A TTO~'

) 0 5.:t>1I T. PIl4RSO S .
C AN OLIS I'!
JOSHI'II



JIt.

PHART

E~IL\' R. Pl!:ltltlN S

r••

O. T ... SS KR

IIRsK '

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