1913-1914 School Circular

Item

Title

1913-1914 School Circular

Description

Quick reference copy for school circular.

Is Part Of

RG.03.04.35

Date

1913

Creator

The Pennsylvania Academy of the Fine Arts

Medium

photocopies

Format

pdf

Language

eng

extracted text

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SC HO OL Cl I~ CULA I~

THE
PENNSYLVANIA ACADEMY
OF THE FINE ARTS

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FI N E ARTS

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INDEX

.

l\·tA N,\GEMI~NT O F Ac.:,\UEMV

5

FA-CUI , TV . . • •

S

"

II! STOI(V AND AIM

",6

A C AD lc!'.lV 'S MEIJ,\L ROLl • .
Se ll oo!. C,\ I, ENDAR . . .

'9

COllKSES OF INSTRUCT I ON
D RAW I N{; ANI) PAINTING

(AN Tlf,nll':)

I)KA W I N<..; AN I.) PAISTING

( LIF E AND

2,
I IEAH)

2S

SI'EC I AI. C LA SS I~S

COSTUME SKET C II CLASS

1\-11 5S B EAUX ' S

C •.ASS

( l'OKTkA1T ) .

I\'I R. PE AKSON ' S CLASS (COMPOSIT I ON)

1\1' 5s OAI.: ....:,,·5 CI.ASS

( DECORATION )

I)R. R ,\I) ,\ SC II' S CLA$S (ANATOMY)

MH.. DAV'S CI.ASS ( PERSI'ECTIVE ) •

29
29
3'
.~ I

.-; 1

,1 '

SCU LI'T U RE Dr;I'ART MENT . •

:u

il.l. t!S TRA1'I ON n E I ' AKT~1 ENT

.W
43
43

R u l.l ~s 0 1"

5e 1l00 1. «; I~N ERAI.)

CI.ASS-KOOM RUI.ES

55

S C IIOI. A RS lI lI'S ANI) I' KIZES

1' 1{ 1m

SC IIOLAkSlll l'S .

TK AV EI .1.1NG S<': I IO I.AR S III I'S
T O I'I'A N PKI ZES
T II OUKON PRI Z I ~S I N Cn"II' OS I T ION
S T I!WA RIJSON IJKI Z I~ I N SCUU'T URE

ZOO I~OG I CA L P RIZeS
DRAW I NG P R I Z E

.•.

A"I'U CATION '-OR ADMISS I ON .
SC II EIJULI': 01: CLAS~ I~ g
Ii 0NOR ROI.L

PAINTIKG (PORTRAIT). 191J

__

------..",;;iC'~";;.:.'%",-::':'-------------~

THE FACULTY (Con,inucd)
.l\Ie~!a1. Carnegie Ins titut,
,.
negle Institute
"
,. e, Iltt~1Juq!h, 18f)(,' F' . .
Fill e Art~
. 1)':0 ; l e lllp1c Gold Med'l '" Irs\. Class (:01<1 .l\letl.d ('
Medal.
.ul,1 M e. I"I,
U
«lem\' of
Society o f W fhll~'!lcal1 E~p"si ti'l!1, 11ufT',I' 1l!"L·rsdle. "" r is, ")'10 ' t', I I
<..'
as 1l11-!ton Art' L
. 0 , 1901 ' First (.
""
.Jt. L Oll is, ' 90"
, .,
,
19<1Z: l;,,!d ]\'Ied" · U··
.<!n;o rall Prize
S
,
em Jer uf tl
N
",
mv ers I l'
.
.. OCt ,t6 N ati onale d es II..
Le L ati o nal Ae a,km y N
""pusit,un
d elp hia \VaLcr t:,)l or (' C,'lI .>: Arts. Paris; !J"I1<Jrar
, L ew , nrk. lind the
o( 1'('"l ls\'I\'1I ..Iu\) . ctc. l/ o l1 o ra r y lJegrc:
,,r the Phila .
University. If)I Z ' I '
1<1<18; lI onorOlry D c '
"
udor o f Laws , Uni_
.
IlstrllcLu r in IJr' .'
gr.-c. ,,·laSl er uf A

J" ;'n~~)"; ~

Chair1ll:\11. f.l-O.lJido ,

a~

Ch"innan uf the

Cul"l1,itt~·,-,

~'ersity

un Instructi.,n of

l~;I,:.

[lorn;n Philadelphia. \) c,-,C1l1i!l'r J .
Studied ill t\l<': Sprillg (j;Lld<:n
I nstitute, Phil:n!cl\Jhia, th e Pennsylvania Academy of th e Fine Arts, and in
Paris. PU{Jilof L ' I~colc des llc"ux Arts. al1 '\
Clwpu, D,\lllpt, IJUl1~l1crcau.
and Fle ury . Mcmbf'r S(Jcicty of American Art;,;l". H un..ra\,lc I1lcntiull,
Par;,; Salon, , Po')! ; Me,I .. 1.
{'olu m bian
18y-\; Mco"l.
Atlanta E)(p osilioll,
The I' cnnsylY;llli:l J\ c a,\t;IllY o f the Fine Arts
Golt! I\I cdal of H o nor. 11>'19;
MedaL E.>tpo,: ilion . Univcrsc\!c, Paris .
1900; Gold 1\,\('d:\1. Pan.Al\lcric<l.11 l':xpositioll, BuITalo ; Gold Me'!:'\'
ton Exposi ti(lll. 19 ; Member of the International Jury of Awards, \I/or\ ' \";;
02
Fai r , St . Lo uis, I Yo . \; G raml Prize . BuenoS Aires Exposition. l ylO ; Georgc
D. \Videncr M emorial Meu,ll, Pennsy lvani .. Academy of t he Fine Arts , 191J·
of the National Acac\cmy <J f
tIle An:hiteetur:tl League of
New York. the National Institute o f
,\\1'1 l.eHCfS ; J\.Iemuer the N .. tionul
Sculpture Society; "'Icmber Muni cipal ArlJury uf Phila,lelphia . lnstruo.;\nr

or

1~')5;

\VN1t\' ~
(~olr\

~'lcl1lher

I~xposilion .

Char1c~­

Desi~n,
Art~

in Scul{lture,
Born in L eesb urg. Virginia. Odnucr (,. 187'" S t u, \ic'\ in tlw. Sdl<!ols of
the Pennsylvania Academy of the Fine Arts , .. nd under [louguereall. FerricI'.
,l1Id Doucet in Paris. Awarded First Toppan Prize P en nsylvania AeaUemy.
.,\HI Europe.. Scholarship . J\.·l eoal Atlanta :Exposition . 1895; Honorable
n
Men t ion . Exposition Universe\le, Paris 190U ; M edals, P an _Amr.rican Exposi tion. Buffalo, lQ01; Corcor:1Il Prize . Society o f \Vashingt on Arti~ts, IYOJ;
Gold Medal, Ar t C h lb o f Philauclphia. 1907 ; First Prize, Washing t on Water
Colo r Club. 19 ; Silver l\1 e,lal. [ ntefnatio n :. 1 Exposition, Buenos Aires,
08
Ifj10. Member of the Jur y
Selectioll, for the Pan_Americ:m Expos ition,
BllfTalo : l\Ietllber of the New Y ork Wa ler Color Club ; the P hiladelphia
Wa.ter Color Cl ub, and The Art Club o f Philadel phia, Member of thc Jury
o f Selecl
o f the United Slates Section, De p artment o f Art and of Inter0
natiollal io11
Jury of Awards, Universal Expos ition, St. Lo u;s . 19 4 ; Mcmber
of the Municipal Art Jury of Philadcl phi .. ; Associate of t he National Ae;,d-

or

Dcsi~n. I n~truclor

CECILIA BEAUX, LL.D.

~)!el11ber

~ll.L.

~

.,,' '''" ,,"',

POI;" ' ;"".

,". Yalo

McCARTER.
n in Norrist
enly Bor
. e Arts
. own , .Ju!y
5 . 1 8(,~.' ,tlltlt
S
. ed ilL the P
I
o f t h e F111
C(,urtois. Rix Cl

a l1\ Hnrlcr
ric (" _ .
lI e ."\o1_
,
I.~
.
,,'! el11\)er A S
I .• ~allncs II
to Scribner 's ('. L

rt. t.uo\cn\s· I C'w
N
'. 'Hlnat.
1 .t
• ,Cll ury. ( ,oll icr" '1"1
"ue, ew Y',rk
(.
.
.
ns r ucto r in l \lust
s , Ie l."l1dol1 Gr"' l) I IIC,
" an d v lber
.
onLnhutnr
. r',\ t"1011.
m"l-!azines.

Puvi.~

~'Il11syh'ania
1\J.!r~,on

~

JOSEPH T. PEARSON ,

Jr.

B o rn in GCrLllanlOW11 ).
Pennsylyania AeauCIII
[' [h!ladc1phia , FcIJruary (j rR~ (j

'h. ip Prize, The P
',' th: F ille IIrts and under J. \,', " Studied in the
Me 1 I ,
enn~y
vafWI Aeal
. J ' e n "rdr
'II
( a . lu c nos Air es Fx
.',
'. {emy ,)f th e Fin e A
' , ' (' 01\' Iy fn; Jcnnie Sesnan
11')fO: B ron ze
Nation al Aca,lel11 " .
t Ie hu e Arts. "ll (; Sec
" : c Medal . The
ne)o!ic Institute ,;', ,',IJCS1J.!t1. Ncw York, fl)ll' II on,1 H .• l\garten Prize
D '
'
1
1',
A
'
o n...,rable]\1 t'

eS1J.!n.
c'· .) 1;
the N '
cn lon, C ar_
111 ompo~iti "n and ill 1)'"
L ;(1.">l1al Ac adcmy uf
FRANK MILE
1 ,lWlIlg ami Pain tin g

~
Pell~lsylvania Academv~' I;Oslltlo1~:
~.
sJlIr~'11
111.~truclor '

;~si

.~s'U'iate ~If

S DAY.

HUGH H . BRECKENRIDGE.

em}, o f

I

in Drawin!: all<1 Painting .

~tt1llied

Hurn in Phibde1phi,\ .
at the Pellnsyl v ania Academy of the
Fill" Arts . Pupil of \Yi1\ial11 Sar t"in. I'hih"lel phia, and t he Ju\i"n 0111<1 La1;ar
Schuo , Paris. Aw"nle,1 Mary Smith I'ri1.o,
Aea(\ ""'y o f thc
ls
Fine Ar\.s,
l885 , 1887, 189 1, and IK92; Gold Medal. Art Club of Philad elph ia,
1893; DOdge Prize, National Acallelll), of Design, New York. 189J: Brunze

P.:nnsyl v~'llia

J~~;~

~

HENRY

the Bonnl o [ Directors .

CHARLES GRAFLY .

J.~ .~ .

'c

THE FACULTY OF THE SCHOOLS
HERBERT M. HOWE, M.D.

E"p".~il i':~I' c~l11sYlvl\lli" A~

.

BO!"!1 ill I'hilad,.J· ,
.
18X~. . st ud.}Ing:
'
. 1'111.,. AI'TtI
.
architecture
th . . S.
, 11'1(,( " I IS' . • Umv{:rsil
'"r 1"
low and Past
Cle
w(·11 as f"r th ree '('.,: .
.CIII,,,ylvlI'lia,
.Mcmhcr Ru yal
Amc:rican Ins tit ut:
S III
F clIII Rom e; M cml . . 1\
. BrllIsh I\rchite<:ts' T
.
Arel lltccts; /1 011
of Arts 'mel I ",JCI
mcnc:lI1 l'hi\"s{'phic'" S' "
Am"ri e an Aeadcm .
,
ers' Asso .'. t '
. ,"eletv aud 1'.: t '
y
tor il1 Pcrspcctiv e, ' .. <':1,1 e u the Nntiullal t\ e a,i.elllY of1 1J{·SIj;Il
" "-:, ",,1 In stitute
.
lnslruc_

l)re~illel1t

I Il~tiL\(le ,,~)f t~l~

a~

~e

{;f

r".~te".

l~.urope,

DANIEL GARBER.
Do r" in N orth M · ·1
Aca,il-IllY n( Cil1<:iuna~~II~. I('~;("r. 11I<Ii"n". ,\pril I I. IIO~"
.
.
.
Awarded First T
" L"'.I .11 the I'L' ll nsv!\,an i'L A .. I . S tudIed If1 the Art
T ravelling: Srh I
I'nze, P enllsy lv,;IIi'I A'
cmy \If the Fi)( !: A rts
em
.f
'. 0 ars "I'. l<)fJ5 - Jf)O - ' F "

ca, (' m y, 1f)0 ·1. awl ("
,"
yo LJes'g"Il. i 90< ' 1
I,
lrst llallgartell p .',
"
11)10; l-i o110raLl e • .,f) , .lol1orablc l\Icnlion . Th e A , ( ,Ilze, Nallol1 al IIc a,l'I ,
"cntlOll c '
r
lu], o f 1'1" ,
" e( al. llu cllos A'
,
• .,rneglc Institute P"
11 a' elphia
M
.
Ires Exposit;
• It ts lurg:h I

ention, Corco ran (' 1\'
' . VII. If)lO ; F ourth Cb. r P' ' 910; Bron zc
Pennsylvania AC' d ,a cry.
1910 ' 'Y
,nzc ;I.ml JIon o ralJlc
Art I nstitut r. o f
o f the Fine Ar t s . 19/ 1 ;
Pri7.e , Thc
Corcoran
- r..\RO ,
Second \V, A (" I k
alm er G old Medal
D .
ry of Art I,
M
, n r 1 Tl7.e ',n<1 S'I
.
eSlgn. I nstructo r il D: . HZ;
em her of the N'.'
. I ver Mcd.1.1.
' .• tmnal /\cad<! I11Y or
I rawlllg and Painting:.

;.«

" 1;I~an

l~all e

(~h~l~y

'Va~hington.

rr" ,;

;t k

;:t~r \~ppincott
~r.

re~so ll

I

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l
THE FACULTY (Continued)
VIOLET OAKLEY.
norn in New York City. Studied in Art Student!'!' l.cal;:uc. New York;
The Pcnn~ylvnnin Academy of the F ine Arts ; under Iloward I'y\e. Cc<:itb
Ileallll: , Amnn·Jean, Collin and I.anT, PariR. Mcmbcrof Philadcl ilhia Waler
Color Club; PI:utic Club; Society of IJIustrator!l; Corr cspon<linr: M ember of
the American In!<titulc of Architects; Gold Medal of H onor. The Pennliyl.
v:mia Academy of the Fine Arts. I,)OS; G o ld nml Silver ~'lcltall1. St. T~o\li$
EXpol'iition. 1904. Instructor in Dellign.

r
\

II

J
"

PHILIP L. HALE.
nom in Hoston, May 21, 1865. Pupi l of J. Alden Weir. the Julian
Academy :'11ul L":;co!c des Beaux Arts. Paris. r-.'1cmbcr of Art Sl\u.lcnls
League. New Y or k; St . Botolph Club, Doston; Honomulc Mention Pan.
American Expo~ ; tion , BulTalo. 190 1; Dronr.e M ed al St. LOllis E:o<posilion .
IYO,,; Gold Me,\al l nternational E:o<position, Duenos Aire!!. 1910. I nstructor
in Drawing and Painting.

EMIL CARLSEN.
Born in Copenh.:J.gen . Denm.:J.rk, October 19. 1853. Studied in D:wish
Ro yal Academy. Member of the Na tional Academy of Desiwn and Salma.
~untli Cl ub. New York. Inness Pri~e. Salmagundi C lub. '904; Shaw Pri~c.
Society of American Artists. 11)04; t;old Medal. St. I..ouis Exposition. 11)04:
JnnCl\.~ Gold Medal. 1907; Third Medal. Carnegie Institute. l!)08; Dron~e
Medal. I nternational Exposition . Bueno!! Aires. 19 10; Temple Gold Medal,
The Pennsylvania Academy o f the Fine Arts. 1917. \Valter Lippincott Pri'l:C.
The Pellllsy lv;lnia Academy of the Fine A r ls. 191J. J nSlruclor in DrawinJ::
and Painting.

HENRY ERDMANN RADASCH, M.Sc ., M.D.
DUTIl in Keo kuk. I owa . May 7. Itl74. AUcmlC\1 th e Univcrllity of
I,,\\':I. :in.1 rl,'Ceived U. $c. 1895: Fcllo w!!h ip Chemi!!try. 18v5- 181)6; Received
M. Sc .. , 897; Professor of Inorganic Chemi5try at lhe College o f Physicians
and Su rlo!eons at Keokuk. Iowa 1897- 1898; Graduated M.D. fro m Jerrerson
Mediclll Colle~c. '!)O l. Assistant ProfCSKOr of IIistology and E m b r yology
in the Jefferso n Medical College: formerly Adjunct Professor of Phys iology
and Dem!lrlstrat(>r of lli~ l<)lu~y and Anatumy allhc Penn.~ylvan in Collcge
" f l)cntal S" r ~:cr>': M I:mher uf the AlI!'. uc1aliu n uf American Ana tumists.
I nstruClo r in AnatOIllY.

I

I

i

!

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i
I

THE PENNSYLVANIA ACADEMY
OF THE FINE ARTS 1913-1914
The Pennsylvania Academy is the oldest school in America
devoted exclusively to the cultjv~tion oC the fine arts.
During- the hlln dred ami mo re years of its ex istence. it has
aid ed in the tn~illill g- of m an y of the m en li nd women whost! nmncs
are the Ill OS t illu strio lls o n the pag-cs of AllIeric'lIl Art. Am ong' its
form e r s tude nts nrc e minent paintcrs- fi g-lIre , la ndsca pe , <lI1(l Tllarine-mural ticcor;1lo rs, illustrato rs, a nd sculpto rs of lIat iolla l reptlI'Hio n. In fa ct, iL'" histo ry is in 110 s mall measure t he his tory of
I\ merican Art itself.
The School is nuder the immediate care of a Cura tor and
COlll mittee on Instruction appointed by the President and Board
of Diret:lors, together with a F;lculty co mposed of re pr(:~~ntativc
a rtist.s o f th e tJay, men of wide ex peric nce as teachers and e minen tl y
q ualifi ed to d iscover and develop every latent talent which studcnts
lII ay possess.
The aim of the Academy is Dot only to supply the best facilities for the study of the Fine Arts in general, but also by means of
regular courses of s tudy to equip its students Cor any special line
of artistic work which they may desire to follow.
It wastes no ti me in pre paring its swdents for adlll i!".<;ion to its
courses of s tudy. but ell~ages them :\l o nce a nd exclusive ly in
the s tudy o f the Fi ne ArL"> and bends all it s e nc rg ies in this direction alon e.
It es pec ial1 y aim s to in stru ct it s Slltd l! l1t s in C() l'red Drawing ,
and so me o f its la rgcs t prizes arc based IIpo n this fU lld;ulIcll ta l
requ isite to graph ic art. It aims, furth ermore, to inst ruct its pupils
in Color, iL<; harmony a nd contrast, a nd to create a nd d evelo p in
them a correct co lo r sense, al so in com position, in pe rspective, and
ill eve ry o th er essential to a comprehensive stud y of the fille a rts.
Lectures of g-enc r:ll and speci:\1 interest are given during the
yCM, and the s tudents may attend the m without ex tra cimrge.
The Academy's Permanent Collection of paintings and sc ulpture
is an important adju llct to the students' regular work.
The Pe rma ne nt Collection of pai ntings and sculpture includ es
the Ga ll ery of Nati o nal Portraiture, the Temple Collectio n of

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Mode rn AllIc ri C'lll l' a intil1 l.~ , and the G ibson Collec lio ll, which is
large ly composed of work s of th e Continenta l schools.
Copying ill th e ).::alleries is permittee! to st ude nts limie r reaso n·
"blc rCJ.:"ul atio lls.

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The Annual E xh ibitions held b y the AcuJclIl )' b ring to~elhe r
the best cX:II11ples of American pai nting' and sctllplll rc , ami e nable
the s tude nt to fo llow illlc lli ~e ll t l y the variolls 1Il0VCIllcn ts of
mode rn art, a nd s tud y the lechlli c:l1 m e th ods hy whi c h the art o f
th e day is achi evi llJ.;:' its r esulls. · Th ese exh ihitions have bee n
rccuJ,;:'lli :r.cd fv r ma lly years as hc illK the fo rc m os t in A llle ri ca .
Durillg the past yertT they inc1l1llcu :
A ll Exhihition of vVate r Co lo rs co mposed o f 636 exa mpl es ,
rep resc llti n~ 160 d ifferent 'Irtis ts ;
An Exhihitio ll of Miniatures composed of two co ll ectiun s: Th e
AllIum l Exhihitio n o f th e Pe nllsy lva nia Socicl}' of J\li ll ia tll re
Pain ters o f II I exa m ples, representing 60 different :Irtists, :nlt l a
LO;lI1 Co ll ect io n of c uttings frOIll illul1l iuit ted manllscr ipt s of th c
Miud le A ges, se lected to s how the origin and development of
min ia ture pai nting com posed of lOB ite ms;
An Ex hi b itio n o f A rchitecture by the T-Square C lul> of I'lli latlelphia and the Philade lphia Chapte r of th e A mcr1t::ln Ins titute of
A rchitects, COlllllOscd of 3SH ite ms, ant! represent in g 10,\ art:h itects ; and finall y,
The Academy's IOSlh Annual Exhihilion of Oi: Painting;s OIIltl
Scul pture, composed of tJSo pa intings a nd 193 sculpt urcs, :\IId
re preselltinJ..:" a lotal o f 410 art ists. Tllis Ex hi b ition waS opcncll to
public view for seven weeks and visit ed by 57,027 peopl e.
The Ac ademy is equipped in every way to teach the technique
of Painting and Sc ulp ture.
Th e in strllctioll it aITon.l s is fully eq ua l fro lll a techni cal standpo int to that obtainal>le in E urope. Its Faculty, coll ecti ons, ga ll eries, class-rooms, :md equipm e nt of m od els 0111(1 casts are ad lll imhly
fitted fo r th ei r purpose.

FREE SCHOLARSHIPS
Mrs. George D . Widener has esta blished fo r the nex t five years,
Twe nty Scholar.-h ips in the Academy, e ntitli ng the ho lde rs thereof
to free tuition,
Ten of the m are in mcmo ry of h e r fathe r. 'W illiam L. E lkins, nnd
len in m e mo ry o f he r hu sba nd , George n. Wid e ner. The Scho lars h ips will Ue awarded by th e lloard o f Direc tors upon th e recomm e ndatio n of the Committee o n Instruction and the Faculty of the
Schools.

U nder tlH..~ will (lr j\1<try R. BurtlOll, dCI · c a ~·w tl. :lIlolh cr free schul;lf·
s h ip has hee n estab lished, Ill;tkill ~ a tot;tluf twent y -o llt:.
Applican ts IIIl1st s uhmit origin;,1 drawings or paintings ami show
that they nre otherwise worth y of the a ward .

'i'""

TRAYELLING SCHOLARSHIPS

'"'"

As far as instru ction is co ncerned there is 110 necessity \ViI",le ver fo r the student to leave America, bil l, by the libe ra l p rovision
of the wills of E ml e n C resson a nd P risci ll a P., his wi fe, a fu nd has
heen created, as a memorial to their deceased SOli , W illia m Em lc n
C resson, Academi cian, the inco me of wh ic h is to be applied b y
the Acade m y ill sendi ng its most meritorious s tnden ts to E uro pe.

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The income is d ivided into schol arsh ips of $500 each, awa rded to
the ~t u de n ts impa rtiall y upon the merits of the ir wo rk .
Durin g th e las t yea r twen ty-fouc s tude nts we ce awarded $ 500
each and sent a broad for a per io el of four mo n ths, fro m June to
Septem ber inclusive, a nd enabled to retu rn to th e Ac.,demy during'
the fall and conti nue the ir s tudies without the payment of a ny
tuitio n fees.

0

OTHER PRIZ ES

70

Besides the Cresson scho larsh ips, other sll bst:lIltinl prizes are
o ffered to s tudents as he reafter s ta ted, and every incentive held Ol1t
to them to develop the ir ta lents to the utten nost.
Th e Acade m y b uild in g is located in the heart of Ph ilnuelphi;l ,
wit hin one square of the City I ia ll and within two or three blocks
of th e central ciLy railroad d epots. While it is conve n ie nt to the
business po rti o n of the city , it is also read ily accessible to the
residentia l d istricts, and s tudents call obta in good ho;trd at reason·
able m tes. I' hiladelp hia is ofte ll call ed "The City of HOllies,"
and of a ll the greater A tlIe ric;Ul cities it is p rolmbly the most
wOrlhy of the name. J louses can be p u n:hased or re nted upon
ensy te rms, and apHrtmcnls and s tuuios ohtained by the ye:lr or
by the mo nth upon fair and reasonahl e r<ltcs. Th e cost of living
is low.
The city contai ns, in add ition to t he Acndc lll Y's K:1 l1ery, :t
llu miJe r of notable collections of prt illtings which arc acces~ilJlc to
studcnts. AIlIOIl~ the Illore importa nt !\lay be mcntiolled: The
\V ilslach Collt.:t: tio ll in F:1 irmolillt Park; The I.:lllk ena u Collectio n :11 the Drexel I nstitute; t h\! importan l p'l illti ngs at the
Historical Society of Pennsy lvan ia, and at indepe nden ce J-I;tll;
the collections of Jo h n G. Johnson , of Peter A. B. 'W ide ner, and
of the late Wil liam L. Elkins.

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\
THE ACADEMY'S MEDAL ROLL
ACADEMY GOLD MEDAL OF HONOR
'903 Jo hn S. Sargell t
' 904 John W . Al exa nd er
' 594 Ale xander J-Iarri soll
William
M.
Chase
'
905 \Villiam T . Rich ards
'59 5
. 8<}6 'W ins low H o mer
' 905 Vio let Oakley
. 1)06 Il o ratio \Valke r
' 59R Edwin A. Abbey
.&JS Cecilia Beaux
'907 Edward \ V. Redfield
•<)OS Edmund C. T arbe ll
.8<)9 Ch arles Grany
•<JO<J Thomas P. Anshutz
'90' H enry J. Th Ollron
Ja m es A.l\lacNe ill Whis tler 191 I 'W ill ard L. Me tcalf
1R93

D, Ridgway Knight

'90'
1 ~'\4

ISRS

.887
. 888
1MS9
. 1«)0

' 59 '
1R92

1H94
1H94

' &]5
1R9S
. 8<}6
.&]6

'597
1897
lli9S

TEMPLE GOLD MEDAL
Geor){c W . M::tYlmrd
1 ~98 Edward F. Rook
C harles S pr:\){tl C Pearce
TR99 Joseph D cCn 111Jl
,8<)9 Chikle Hassam
C li fTord Provost Grayson
Cha rl es Stanl ey Reinhart
' 9<>0 Cecilia Beaux
Anna E li 7.abeth Kllllllpke
'90' William iVI. C hase
W inslow HOlller
William Il enry H owe
Abbo tt H . Thn yer
'903 Edward 'vV. Redfi eld
1904 Thomas Eakins
Il clIfY S. Bi sbing
Ja m es A.I\t;-.cNeili Whistl e r '905 j. Aklc lI Wei r
.1)06 Etl gene Paul Ullman
j uhn S. Sarge nt
Edmund C. T arbell
' 907 \·V illard L. l' lc tcalf
Frank VI . Be nson
I <)OR
jo hn II. T wrtlch tnHtn
•<JO<J F rede rick P. V inlQn
Ga ri l\'lelche rs
19 10 H owa rd Gardiner Cush il1 K
j . HUlll ph reys joh nstol1
George DeForest Brus h
19 11 Richrtrd E. l\ liller
19 1'2 Emil Carlse n
john W. Al e xander
Wil ton I.ockwood
19 1 3 Frede rkk Fricsc ke

'90'

TEMPLE SILVER MEDAL
.S&] Arthur Partun
\ViIIi :lIlI Tho mas Trego
. 8<)0 Edwrtrd I .. S illllll o lis
Tho
mas
Ilill
IRH4
1H9 1 Kenyon Cox
I ~RS \ViJlia lll T. Richards
G eorge inllC!'s
1S9'2
Alexande
r
Il
a
rrison
.887
1888 H oward Russell Butle r
WALTER L1PPINCOlT PRIZE
1894 William SerKcant Kendall
1899 jo hn W. A lexande r
IB9S Edmund C. T a rbell
IC)OO I le m y o. Tanne r
1896 'Willia m L. Pickne ll
190 1 Clmries I-I. Davis
' 902 "Vrtlte r l\l rtcEwen
1897 A lbe rt H erter
1898 j:tmes j e bllsa Shanno ll
' 903 Frank
)Jenson

1&'''3

'N.

[.6)

' 9'1, 1

1905
1905
1906
1907
190-1')
1};79

IS&;'
I SS t

ISlh
IRS3

.884
1

&>5

1887

W ALTER L1PPINCOTr PRIZE- Continued
l\ la ry Cm,s; ltl
l yuc) 'i'h o ll\;IS I'. i\ lls lllll z
A lexa nd er Stirli ng' Ca lde r
191U j. J\lden We ir
T. \V . D cw ill~
1911 1l;lIIi d (;"riJc r
Childe Il assam
191'2 Edw ard \V. l ~cdridt1
Marion Po wers
191J Emil Cari!'en
j amc!' R. Il op kills
MARY SM ITH PRIZE
Susa n J 1. 1\1;11· 1)owl"1I
IX<)};
Ca ruli ne I'cart
Catharine A. J;lIIdcr
1899 C\rul I L Bec k
E m ily Sartai n
1900 l\!;\ry F . R . Clay
Mary 1< . T ru tt er
190 1 Janet \vh eele r
Emil y Sar tai n
1902 Elin o r E;lri c
1.1IC)' D. Iluhne
190.3 jessie Will cox Smit h
Ceci lia II C; 1l1 X
l yt}JI l.illi an 1\1. (; eIl11l
Cecilia Beaux
'905 Elizahe th Shippen GrL'e1l

. SSS

E1izahcth F . BOlIs;dl

.8.'>9

Eli zahet h W . I ~uhcl" t s
Al i!.:c Barbe r Slepht:ns
Cec ilia Bea ux
Cec ilia Bea tt x
i\'l a ria I.. Kirk

1&)0

189 1
1&)'2
IS94
' ~95

' 8<}6
1f;97

Gabridle I). CICIlU,; llts
Eli zrt he lll II. \Vat so n
E lizahe th F. Bo nsall

JENNIE SESNAN
\.y. Elme r Schofield
' 904 Colin C. Coopc r
'905 Edward \V. Redfield
,1)06 Albe rt I .. Cro ll
' 907 Emcs t L ;I\\'SO ll
•<)OS Eve re tt I .. \V;mlc r
I90J

1909
1910
191 J

1()06
1907
11)Oo'{
1909
11)10
191 1
19 12
t9 13

Alice !\Iumiord

i\1<lry Smy th Perki ns
El izal}t!th S p;lrh:tw k j Ullcs
" Ja rIlla \ Valle r

J\ lice l\ l lllllfun l I~ohc r ts
Alice 1\.(! llt Stod da rd
Eli zaheth S jlarha wk JO ll ~'s
Alice Kent Stoddard

GO LD MEDAL
Theodure \ VelU le!
19 10 Chi Jdc I-J assa l\l
19 11 J oseph T . Pea rson, Jr.
191'2 Willard I.. I\ Ie 1calf
11)09

1913

Geo rge Bdl o ws

CAHOL H . BECK GOLD MEDAL
1912 joseph IkC:lIl1 P
19 1J J. A lden \ Veir

john S. S;lr).?,cnl
Adolphe Boric
Edmund C. T arhell

CHARLES W. BECK. JR.. PRI ZE (WATER COLOR EX I-lIUITION)
1905 jose ph Lin don Snl ith
1909 Ern (!st I.. BluIll CIISd u.: ill
ICJOO H e nry McCarter
1910 N. C. W ye lh
' 907 Elizabt!lh Shippen Green
1911 Jessie Wil lcox S m it h
JC)08 Maxfi eld Parrish
1912 \·V. j . A y lwa rd
1913

GEORGE D. WIDENER MEMORIAL MEDAL
C ha rles G rany

[' i)

CALENDAR
One Hundred and Eighth Year Begins October 6, 19 I 3
The school year is divided into two term s of 17 weeks each.
The first term will begin l'Vlonuay, Octo ber 6, J913. and close
January 3r, 1914; the second term wi ll begin Monday, February

2,

1914, :l. IlU close Frid:lY, May 29, 19'4.

!

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The sc hools are open
daily except Sunday.

fr0111

9 o'clock

A.M.

until 5 o'clock

P.M.

Evening classes are open from 6.30 o'c lock P.M,until 10 o'clock
P.M.

Visitors are adn litted to the school on week-days frolll 4 to 5 P.M.
The schools are closed 011 Sundays, Than ksgiving Day, Christ.
mas Day, New Year' s Day, Washington's Birthday, and Good
Friday, During Christmas week the schoo ls will he open, bllt
no living- m odel s will be hireJ nor criticis ms given.

DRAWING (ANTIQUE ) , 1913

THE COURSES OF INSTRUCTION
DEPARTMENT OF DRAWING AND PAINTING

1
II
I
I

Th e Co u rse~ of Instruc ti on arc d ivid ed into I lc partmc nts of
Drawing and Painting': of Sculpture; ;'Ind of Ill ustratio n.
In
each of these departmc nts there is certain prescribed work whic h
must be dOlle. but the departments arc c losely allied, the advalH.:e d
stutlenL<; i n each iJeing not o nl y allowed but al so recolllmendeu to
\.... ork in the othe rs.

The g-t:ncra l method o f in struction is by criti c is m of the work
<.lone, but the individ ual ity of the swocnt is not repressed by
fixed methods .
The aim is to hel p the stude nt to observe a ccli ratcly and rcco rd
lnllhfully what he sees, and as he sees it.

ANTIQUE COURSE
In order th at students who have had little o r no training
DRAWIKG (ANTIQUE) , 19 13

[211

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III

d raw in g m ay pursue their studies unde r the easiest co ndi tions
and advance na turally to hig her work, a preparatory Antique
Course is condu cted, which includes drawing irom the cast, qraw-

- , - - - - - - - --

l
)

ill )..!: ;l lid pa inting" fru lli sti ll li fe , a nd lectures u pun t 'Olll jlllsilioll , pt-r~ p cc li vc , and anatollty. Jt cumprises the foll uwj ll ~ diiSSCS, alld
g'ivcs the student a com p rehensive ra l lg'c of s tud y.
C I.ASSK'l

TI


INS IIH 'CI"J;S

Drawing from C;lsl
Eve ry llIorni ng- 'l11 d afte rnuun,
every nigh t
COllll )Osi liull

jl)st: p h T . I\ ;a rsoll, Jr.

Still-life Draw ing <l nu Pa illtill~
M onday, Wednesdny ;'lnt! Friday afternoo ns

J 'u gh H. Breckenr idg-e

I .

,;.

Josep h T. Pe<1rSOIl,

Jr.

Perspecti ve Lec tures

Frank l\Ii ks Da y

A n ato my Lectures

I Ic nr)' Erdr1\;1I111 [": a<iascil, i\ 1.1 ),

Requirements for Admission
F or ad mission to th e Ant iqu e Course uran-in Ks o r skddu';:-i
from th e solid objed in any medi u lll arc req uired, and a pplic;lI1l S
may prepare these ill the school-roullls or forward exa mples ll1;ult.:
fur the purpose.

The Fee for the Antique Course
Th e fee fo r th e Antique Course i!' "50 per terlll , the pay me nt uf
whic h fce en ti tles lhe s tud ent to wo rk in the llIornin/.:", ahernoon, or
nig ht o r all th n .'e. St ude nts taking this Course are permitted to
work in the Antique l\l oc1e lling Class with out ex tra c harge .

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•••: .•::,,t::::••• ~_ _ _ _ _ _ _ _ _ _ _ _ __

~
THE LIFE AND I-lEAD COURSE
(

I

I,

t,
\

The Life and I-lead COllrse co mprises:1l1 the ;'lch-;\Il ce d classe s
in drawing and painting. :1.1\(1 includes d rawing :1.I1d painting irOI11
the I-inman Figure, and drawill~- :\lld painting frOIl! the Head , :l.Ild
fr0111 Still Life, :1Ilt! lectures upon Compositio n, Perspect ive, :l1ld
Anatomy.
In drawing and painting frolll the Life, s tudents will not be
confined to criticisms from <l. sil1.~lc instruct or hut will have the
great advantage of profiting hy the viewpo ints of sen:.~ral m embers
of the Faculty. The clay Life classes will be under the g-cneral

superVISion of J\'Ir. Pearsoll and the l1i~ht dasses under j\ lr. Garber,
\\"hile week Iy criticisms will he ~' i veil during Non:lllher ;ll1d ])eCeI11-

he r hy i\'Ir. Ii ale; during January and Fehruary hy i\1L Carlse n, and
during" l\brch and April1Jy I\lr. l\·arson.
The Course comprises the

PAI N TING (LIFE), 19[3

fo110win~

classes:

I )r;\\ving- ami painting" from the Fig-tire.
For wome n, three hours daily, for
m en, thre e hOllrs (bily, and for WOlllen,
Tue s day, Thursday, and Satun.l,l Y
evenings, and for men, Monday,
Wednesday, ,mel Friday nights .

Joseph T. i'earson, Jr.
E mil Carlsen
Philip L. Hal e
Daniel Garber

[25J

INSTR UCTnR ,>

C I .A S!>"':''>

Drawing and painting frullI the I lead.
Tu esd:lY, Thursd:lY, ami Sa turday
mornings a nd afte rnoons
Drawing and pa inting" from Sti ll Life.
Monday, Wednesday, a nd Friday
a fte rnoons
J)rawing" a mi pai nting fro m tlH.:! I lead.
Criticis m dat es to he anno unce d (Iu rinK the te rlll
COIlII)Os itioll
I )ecorat io ll
PcrsllCClivc I .ccll l n~s
Anato m y I.ecturcs

Hug h H.

nreckenritl~e

I-Iugh H . Breckenridge

Jose ph T. Penrsoll , Jr.

Cec il ia Be:ltI !'!:

Jose ph T . I'carso n, JI".
Viole t Oakl e y
Frank Mi les J)a y
Il c n ry Erdllla nn R:lti :uwh , 1\1. n .

Requirements for Admission
Students will be admitled to the Life a nd Head Classes only by
the action of the FacultY :lfte r :1Il ex :tlll inalio n of the ir wo rk in
dra wi ng from th e full ·le ngth figu re, e ith e r antique o r life.

The Fee for the Life and Head Course
The fee fo r the Life and Il cad Cou~e is i>50 per term , the
payment of which fee entit les th e stude nt to work in the An ti que
Course, the Life Course, and the Classes in Sculpt ure , w itho u t
extra charge. S tud e nts in drawi ng and painting" :1rc recol11 m e nd e d
to do a certa in ;lIn Ollllt of modellin g.

..

~

Ed. Utre ic ll

PA I N TING ( PORTRAIT). 1913

'.
SPECIAL CLASSES
Costume Sketch Class

,•. '


A Costume Sketch Class will be conducted throll g"hout both
terms. It will meet 011 each Saturday morning between nin e
o'clock and 110011, a nd on each Tuesd a y ni g ht between seven and
nine o'clock.

Sk etch es from the living m odel are made in bl:lck

and white, or in colo r. Mellll)e rs of :lIl y other cbss in the school
rl1ay atte nd the Costu me Ske tch C lass without further cha rge.

The chief object of this class is to teach the slude nt to draw
readily, and g rasp quickly, the whole ,0l11poSi1ioll show11 him, as
all

illu s tratiun

of

dwrac lcr.

Miss Beaux's Class

DRAWINe { LIFE ) .

Ii)!.!

Some lillie during the school year, Miss Beaux will conduct a
Portrait Class for members of the Life ami I-lend Course. No
extra charge is made for this class.

Mr.

Pearso n's C lass in Composilion

The Class in Composit ion or Se lf Ex press ion is cOIl(\uctc<1 lIy
l'\'Tr. Pea rson. The :11 111 is to c llco uraKe t he stude nt by syll1 p:lthy

and co-ope ration to ex press cou rageoll"ly ;lII d forcefu ll y his impressions :m d conce ptions.
No theories o r for m ulas as to wha t cons ti tute or m ake a wo rk of
O1 rt arc a llcmpk d .
T he Class is in fact a company of young artisl<; each do ing th a t
wh ic h is native to himsel f, :md llI ~e t i n ~ fm m week to week to ex hibit its work for com pa ri son and o pen discuss io n.
Mur al Deco ration is g-iven espec ial a Lle ntiOIl in the Com posit io n
Class. A s ubject w ith defi nite req u irem ents is offered every other
week , alld wh enever possihl e, studClI lo.; are g ive n an oppo rtun ity to
decora te ;'\ wa ll s pace.
Miss O a kley's C lass in Decoration
Some t ime duri ng the school yea r, Mi ~s Oak ley will conduct a
C lass in Decorat io n. No ex t m ch01 rge is made fo r this cl ass.
Dr. Radasch's Lectures on A natomy
The Lectures O ll Ana to m y beg-in 01 110111 the firs t week of Novemher, and a re open to s tudenl ... o f a ny course without extra charg-e.
They a re illus trated with the !'te reopticon , with d raw ings made in
the p resence of the class b y the instructo r, a nd also b y m eans of
the living model. They full y cover the s ubject of a rtis ti c a natom y.
M r. Day's Lectures on Perspective
T he Lectures o n I'e rs pct:live be);!."in about the lirst wee k in
Novembe r. T hey arc open to s tud ell ts o f any course wit ho ut
e xtra cha rge .
T he Course consists in lectures upon the e leme nts of linear pe rspective illustrated by dmw illg'S m ade before the cl ass; in exercise s
IIpo n th e salli e s ubj ect a nd ill sketch ing- fro m the solid ohject " li d
frolll n:tt ure ; a nd in the a p plicati o n o f the know ledge th us gained
to ill ustratio n ;lIId pain ting". T he way in wh ich a rtists of var ious
schoo ls have II sed t he princ ip les of pers pec tive is de lll o n ~ t ra t e d hy
l" ntern projections o f their wo rks.

(3 ' J

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DEPARTMENT OF SCULPTURE
The Classes ill Sculpture w ill be under the direction of Mr.
Ch<lfles Gran y , and are as follows : For men every mo rning"; for
women every afternoon; and for me n every Tuesda y, Thursdny,
a nd Saturday nig-hls.

SCULPTURE, S T UDENTS ' EXH IIHT ION

The work of the Classes in Sculpture co ns ists of modelling from
the living model, gene rally ill the round, but occasiona ll y in relief,
and from both the full-length l'i g ure and the head only:
In aduitio ll to the work from life, each student is required to
present two sketch-Illodels of sculptura l th em es, when direc ted by
the Instructo r, O n these the stude nt will receive individnal monthly
criticism throu g ho ut the balan ce of the school-ye;lr, ill order to
develop the original themes to their full est extent, as if the su bjects
were 10 be finally execllted ill fu l1 size,

SCULPTURE (LIFE), 1913

Requirements for Admission
Specim ens of modelling of s uHicicnt meri t are required fo r admission to these classes.
[33]

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Students not sufficiently advanced for ad mission to life classes
are offered facilities for modelling from the antique cast, and as
soon as they have acquired sufficient pro ficien cy to admit the m to

SCULPTURE (PORTRAIT). 1913

[35]

1
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life classes, they are immediately promoted without the payment
of any furthe r fee .
Some practical knowledge of the use of clay and a truc cOl\cep ~
tion of form in the round are of manifest advantage to both painter
and ill ustrator.
Students in sculpture are perm itted to work in the drawing am]
painting classes and recommended to work therein, but adlllission
to the li fe drawing classes is, for sClllptors, suhject to the sallie
requirements as for painters.
The Night Class meets frolll 7 to 10 p.llI. The work in this
class is identical with that done in the Day Classe~ except that the
work ing hours are less.

T he Fees for Sculpture C lasses
The fee for the Classes in Sculplllre is $.50 per tenn. Students
a re a llowed to work in the Day Classes or N ig ht Classes or in both,
and studenlS ill l\lotlclling are permitteu to work ill the Drawingand Painting Classes without extra charge.

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SCULPTURE, CLASS WORK, 1913

II
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[37]

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DEPARTMENT OF ILLUSTRATION
The Class in Illu s tration will be under the direction of Mr. Henry
McCa rter. Its purpose is to provide for the s tuuent such practic<ll
instruction as will enable him upon the completion of the course to
immediately enter the pro fessio'nal field of magazine and book
ill ustrating, d ecorative <lu<i newspaper work. Ins tructio n is g iven
in drawing, in composition, and in the techniqu e of all mediums
- pen, cimrco;il, black <l.IHI white, tempera <lnt! oil.

Requirements for Admission
Students to he e ligible for ad missio n, mu s t have had sO lli e preparatory work ill Dmwing , stic h as is g iven in the J\ C:UI Cl11Y 'S
Antique Course.

I

!

Students are admilted llPon the e xhibition of satisfacto ry
work to the Faculty.

~

The Class in Illustrat ion will m ee t daily throug hout the schoo l
year. Special rooms are set aside for th eir use.

I

The class draws from th e li ving- mode l. Indi vidual criticis m
is given with special regard to the illustrator's requ irem ents, and
comp leted illustrations are m ade to s ubjects assigned to the class.
Upon the announ cement of each of these subjects:! general class
talk follows, and lIpon the completion of the work there is both
ind ividua l and gene ral criticism.
In addition to the regul;lr class work Lectures are ~iven Jurin~
the year by practica l s peciali sts UpO Il the various processes of
repro ullction for the p\lrpose of pri nt in g-, <lilt! students ;Ire illstructcI I
to work with the particul;lr process in view which is to be e mployed
to print th e ir illu stf<llion.

ll e nj:lInin

Students in Illustrati o n :Ire perm itted to COlllpcle for lhe Cresson
Travelling Scholars hips, <lnd from those who do cOlllpete a ce rtain
amount of work in the Life Classes is required. Admission to th e
Life Drawing Classes is s ubject, however, to the same requiremen ts from illus trators as from painters.

J . Kutcher

ILLUSTRATION CL ASS. 191.1

[39]

.)

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......

The successful result of the genera! art training given in the
Academy Sc h ool~ , and the spec ial tra inin g they give in illu stration, are shown by the la rge numbe r of Academy studcnts who
have ach ieved d is tingui s hed Sllccess in the field of illustration.

The Fee for the Illustration Cia"
The fee for the Class in 11iustratio n is $50 per term.
Illust rators wi ll he requi red to present each m on th work done
in the Illu stration Class and to p articipate in such C(}lIC(}lIr.~ and
exa minat io ns as may be a nnou nced during the seasoll. Under th e
tlirectioll of their In structor, thcy are also requ ired to tlo Li fc Class
wo rk in drawi ng and arc entitled to attend the Life Classes a nd the
S till-Li fe Classes without 'e xtra charge. They are likewise en titled
to attend the Lectures o n Com position, Perspect ive , and Anatomy.

C}"il

J.

S",i(1I

ILLUSTRATION C LASS. 1913

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' II

SUMMARY OF FEES
" h l( "

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A n Li qll C Course

.Life and H ead P ai nti ng Course
Ill ustra tio n Cou rs e
.
J\'lo llc lling COllr!"c

"

so
So
Su

TA"c k c l' rent. o tle d o llar '> '<11 T I(I< M .
T he p:l.)' mClIl o f $50 per te n u (t".l: d h ~r wilh til e m,, 11 j,' ubliutl k<.: uf 1.. ) """~' I S
«lI lile Illilio ll fees.
(No e x t ra c h arge:: is ," :u]e 0 " " cco u"t of "'o<l d s .)
NOTE-All ne w st lLdc lltS llIus t pa y ill addit ioll 10 th e aho \'e fl'CS a ma t ll o.: l1 _
lal iOIl fcc of fi ve: do lla rs .
Tuition fees w ill not be r efunded o n accoun t of abs ence.

GENERAL RULES OF THE SCHOOL
No stude nt nnder s ixtee n r ears of age is e lig iule for au missi oll.
Reg ula r atte nda nce by s tud ents o f a ll y co urse is no t CO lllplI ]:..;ory ,
bu t n o reduction from these rates will be m a de on acco un t o f
absence.
All new s lndcn ts el1 teri ll~ the A cad em y will he required , ill
:uJd ili oll to til e fees s tated he re in, to pay a ll1 ;lt riculatiull fec ' of
fiv e do ll ars, :l1l d th e SlI lII o f o ne <l ulJar I'EK TEKM fo r th e li se o f ;t

[

loc ke r.
No o thcr fees wll nteve r a re req uired from s tudc nts, I\ latc ri:ds
for s tudy 'mus t be p ro vided by the s tude nts,
All :lrticles requ ired in the classes a rc fu r sa le ill th e schoo ls al
lowes t pr ices.
A detailed sched ule of classes will be fOll nd o n p"J.:'e 6~,

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Mar)' II. " h o " ,as

IL LUST R ATION C LASS, 19 13

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SCHOLARSHIPS AND PRIZES
Travelling Scholarships

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lly t he wills o f E ll1le n Cresson a nd Pr iscilla P. C resson, a F u nd
has been c reated as a l"femorial to t heir d eceased SO il, \ Villia m
E I111e n Cresso n, Acade micia n, tht;: income o f wh ich is to be ap plied
by T he Penns ylvan ia A cad emy of the Fi ne Arts ill sending pupi ls
o f me rit to E u rope.
During the past year the Acad emy sent a broa d twenty-foliT
pupil s. Th ere we re 16 painters , 3 sculptor s a nd 5 illu str a tors.
Th e awan.ls are divided among the va rious branches of ill -

struction ta l1ght in the Schools, based upo n the ?lUmber of pupi ls
in each Co urse as one factor, amI the statldard o f the work as
The award con sis ts of '1500 to eac h s tmle n t, to be
e xpe nd ed in fo reig n tra vel and wo rk , with in t he limi ts o f th e
S cho la rsh ip.
It is the inten ti on o f the Cresson Scho larsh ips to g ive to th e
SLll(.lell ts of th e Academ y the au vantage o f seei ng so me o f the
im po rtant Galleries and A rt Schoo ls abroad , and the A cadem y
d esires to extenu th e benefit of the Scho lnrsh ips to as ma ny
s tuden ts as possib le, provided they posses s the necessary me r it.
The trip abroad is lim ited to the s ummer vacatio n , a pe riod o f fo u r
m o nth s, from June to Septe m ber incl us ive , so that s tudents can
re turn to th e A cade m y for s tud y duri ng the ensui ng schoo l year.
Th e Board of Di recto rs, u pon the reco mmendat io n o f th e COIll mi ttee Oil Instructio n, m a y, in ca.<;e of excep ti o nalmcrit, pe rmit
a s tud ent to co m pete fo r the Cr esson S cho lars hips ag ai n , anti
receive a s econd aw ard of $500, bu t t1ll1css sOll1 e sati sfa cto ry e xc use
be acce pted b y the COl1l mittee o n In structio n, s ll ch seco nd I'o mpeti tion ami award mu st he <luring" the ne xt yc:\!- sl lct'cetl ing" the
lirs t a wa rd _
The a wa rd o f a T ravell ing S cho l:lrship is 110 t to he reKard('d as a
cer li licate o f p ro liciency. :'lnd slude l1ts receiv ing" s uch a wa rd ,
whet he r fo r the !i rst o r second time , arc requ ired to re tu rn to th e
A cad elll Yfo r ft lfthe r st.ud y a11(1to ins ilire :111(1<: llCOllrfl g-c tJl c ir fe llo ws.
Du ring the pas t yea r si x s tude nts we re sellt a h road for th e
Second t ime .
No s tudent wi ll be awarded a Cresso11 Scho la rs hip who has 110t
s tuc.l iec.l at leas t two years in the A cadem y i ll the regular cou rs e in
Draw ing ~1 1H.l P<l int ing, o r ill Sc ulpt ure . or in lIl ustra tio li .
a no t he r fac to r.

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Plan of the CompetiLion
The work required each month in the Academy Schools from
students in Painting, Scuplture, a nd Illustration , wjll be the principal factor in determining the award of these Scholarship s .
Candidates failing to submit such work will be ineligible.
Pa inters will be req uired to p resent work e a c h m onth in Com·
positi o n, in drawing or )Xl. i nling from the f"ig urc, in drawing or
pai nti ng fro m the H ead, <lnd to part icipate in s li ch COl/com's and
examinatio ns as Illay be <IImounced dming th e seaso n.
Scu lptors will
required to present c:lch 1II0l1t h work done in
the Life Modell inK Class. Th ey are required to participate in stich
COIlCOlfrs a nd examinations as llIay be anllo unced d uring the seasOn.
Illustrato rs will he req u ire d to prese nt each month work d one

ue

iu th e

Il1l1 ~ lrali u li

Class ;lIld to

\\"~Jrk at /rl1st

une wet!k out of cat'lI

m o nth in the Li fe C lass su that at· le,lst th ree dr:lwi ng"s o r pai nti ngs
from the l.ife lIlay be presented durill~ the se<l~o n for regi$trat iu li.
They a re requi red to participate ill s uch C()llcours ; \l H.1 eX;lIldnations
as may be a nnounced durin!; the se::l son .

T HE CHARLES TOPPAN PRIZES
Th e C h arles Toppan pri %cs fo r the yea r 1913- 19 14 will be, respec ti ve ly,I3°° and 1r200, ;:111<1 two honomble m e ntio ns of $100 each.
These pri %es were est;:tbli s hed ill I SS I by the g ift o f Mn;. Char l c~
Topp:lIl , Miss J-iarrie ltc R. Toppa n , and Mr. Robert N. T op pan.
The pri zes will he award ed oli ly to SlllUCllts who have previolls ly received a Cresson Scito\;lrsh ip :lIld \\'110 have worked in
the school s <1t least five full days each m o nth during the year of
competition.
A ny s tude nt ha ving- recdved O tiC T o pp,lIl pri ze is d e barred
from afterward s rece iving anoth e r T o ppa n prize of the s ame o r
lower value.
The wor k s ubm itted lIlus t be original paintings, lhe unaidetl
work of the student without criticism, anu a ll work in competit ion
m Li st be presented on or before Saturday, May 9, 1914.
The s uuj ect s elected for thi s year is "an olll-of-door vieUJ,
t"ncludillC" 0"': or morc jigures," out mere po rtraiL<; will not be cons ide red. No s tud e nt llI"y suhmit m o re than o ne p icture and the
s ize of the C<1llvas submitted IlIlist not be less than lwelve inches
nor m ore than thirty-s ix inches in ei the r di m en s io n. Pictu res
offered in com petition s hall be neither fra med nor g lazetl. After
the award of tile prizes, pictures Illay be framed and g lazed if desired.

[47J

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Accorlling- to the po~itivcly e:<pre~sed terms of the g-ift the
drawillg of the pictures will receive the lirst allc ntioll of the
Judges. Picture~ rece iving" the first and se colHl awards will become
the property of the Acall e my.
Pictures shall be numbered by the Curator, ami a 111enlOJ"anulIlll
of th e number alld art ist's name kept in a sealed e nvelope ( no list
of numbers being kept), whi ch shall he o pe ned after the prize-winning pictures have been sel e cted hy the Comm ittee on Instruction.
No signa tures or ciphers shall he placed 0 11 ca nvas or stret c her,
so that as far as possible the identity 01 the compet itors sha ll be
kept secret while the competition is under way.
No work will be accepted without the npprova l of the Committee 011 Instruction, and there is no obligati o n to award a prize
if, in the opinion of the COllim ittee, none of the works ~ublllitted
IS of s Unlciellt merit.

THE THOURON PRIZES
The following awards, founded by Henry J. Thouron,

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\
STEWARDSON PRIZE. 1913-18 H OUR STUDY

::-

....

a forlller
rn structor in Co mpos itio n in the Academy Schools, will be made
at the close of each schoo l year, the terms of said <'lwards bei ng
as follows:
A prize of 150 for a group of not less thnn three compositions
upon subjects given to the class during the current se;:lson, and a
prize of $25 for a second si m ilar group, the first to be decided by the
Faculty, the second by a vote of the students then working in the
Schools; amI one of 1-50 and o ne of $25, the first for general progress
in study, the second for the work showing, in its treatment of said
subjects , the most poetic, or abstract, or idea li st ic, point of view,
bOlh to be decided by the instructor of the class.
The same
awards are not to be made tw ice to the same student.
In the event of 110t making the annual awards, or any portion of
the m , the money is to accli mulate until it shall <IIll01lnt to the sum
of $500, when it sha ll be awarded, by vote of the Faculty, as the
result of a competition in Composition upon a given subject, to the
su...:cessfu l studen t for a three months' Sll lllmer t rip abroad, to include certain specified places and galle ri es, allli for the s pecial
study of Composition.

THE EDMUND STEWARDSON PRIZE
The Edm und Stewardson Prize of Olle Hundred Dollars, 11\ the
Department of Sculpture, will be awarded for the lwt:lfth time at
the close of the school year.

r

This is an anllual prize, to be competed for by prC!sC!lIt stu·
dents of the Academy with such pupils of other <tTl schools as 11l;ly
be ilpproved by the Committee 011 Instruction . Ilaving once rc·
ceived this award, a student becomes ineligible.
The subject for the competition shall be a full·l e ngth figure
from the Anti(IUe or Life, either in the roullt! o r in relief, :wd
will be an nou nced by the Committee on Instructi o n 0 11 the first day
of the Competition.
Studies shall not be less than two feet s ix inches in height ::I.nd
not more than three fee t in height, and sha ll be made within
eigh teen hours, during three conse<:u li ve (la ys, in s ix sessions of
three ho urs cOlcll.
Each competitor s hall pri vate ly cJraw by Jot a nu m ber, ;lIld s hall
e ncl ose the same with his or he r name in a sealed e nvelope to the
Secretary of the A cademy. Upon completion of the work lhe
com pe titor s hall place a corresponding number upon the slll<iy
s ubmitted to the Jury of Award. \Vhen the subject is ill h igh
re lief, l>osition in the competition room sha ll be determined by lot.
No one except the com petitors sha ll be acJm itted to the compe tit ion
room a t any tim e during the days of the compet ition, nor shall :111)"
persoll except the judges be present during inspection of the !->tndies.
The judges or jury of Award shall be three profe!->sionaJ sculp·
lor!', having nO oOidal connectio n with the Academy, or school or
schools whose pupils may have taken part in the co mpetilion.
\Vhen the successful number shall have been announced by the
Judges, the Secretary s hall, in the prefo;Cllce of o lle o r more of the
Directors of the Academy, open the sealed envelopes, a nd declHrt:
the name of the successful competitor. If no study be !->alisf:tclory
to the Judges, the prize may, ill their disc retio n, be withheld, :tIHI
when 110 award is made, the amount of the prize m:ty, in the discret ion of the lloarcJ of Directors of the ACOldemy, be added to the
principal of the prize fund, or d istributed with future prizes.
The clay models offered in competition must be kept slanding ill
good condition until otherwise ordered, and figures cast hy th e
AC;ldeI1lY become its properly.
The competit io n for the year 1914 wi ll take place on March 16.
17. ~nd IS.

ZOOLOGICAL PRIZES

SECOND TOPPAN PRIZE, 1913

From the income of th e john H. Packard Fund est::l.blished by
the children of the late john H. Packard, M.D., for Illany years
chairman 'of the Academy's Commillee o n Jnstruction, annual
prizes of "30 and $20 will be awarded for the best :lll d second best

(5 1 J

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gTOU PS o f o riginal stud ies made frOIll li ving :lllim :ll~. Th ese prizes
are open to a ll student.. of the A cademy who IJ:I\'c rC){i s le reli for
both terms of the school yea r, provided th:!l n s tuue nl l1:1villJ.:" o nce
rc(.:civcd all award, beomlcs Ihe reafter ille liJ.: ihlc .

THE PR IZE IN ORA W ING

I

Fro lll th e in co m e o f a fu nd esta blished by Willialll ....: . I~a lll­
horg'er, Esq., as a IIlcllloria l to his sister, A spasi:1 E ckert 1<:1 111 1,01'~er. who fo r sOllie years \\',a s a studt!l1t of the A C;Hlc III Y, all An llu a l
Prize of '1-25 wi ll be a wa rded for the best drawi ng' ill bl ac k a lld
wh ile o f a head fro m tife by a pupil of t lit:: Acade m y who h i lS 110t
h een lI IH.l t! r in st ruction ove r two yea rs hUl has heen rcg-i s lered ill
the Acad e m y fu r hoth term s uf lhl' sc huI) 1 y\.': lr. Nu st ud e nt 1ll:1)"
!-> ll b m it mo rc tllall o ne <.irawing·, tillt ha\'ill g" tIlH 'C n:cei\'ct l all awa rd ,
hCCOIlI C!-> therc:lftl'r ine tig'it Jlc.

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RA!\ l nOR(~RR

PRIZE.

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CLASS-ROOM RULES
Hours

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The S c hoo ls will be o pened fo r day <.:lasses at 9 o'clock a. Ill"
a nd closed at 5 o'clock p. m ., and fo r th e \\'olllen' s E ve ning
Life Class fro m 6.,30 p.lI1. ' to 9.30 p. m.
A t 6. 15 o'clock p.l11. the C herry S tree t e ntrance will be 0pc ll e d
for the evening' classes, whic h continlle 1Inti l loo'dock p .l11.

H oliday,

i

The Schools are closed all SU IIO:lYS , Thank sg·jving- Day, Ch r ist Illas Day, Ne w Ye."1. r's Day. Wa..<:;hi ngto n' s Birthday, ,111<.1 Guud
Friday. During Chris tmas week the S c hools arc o p e ll , 1111 1 living
m odels are 110 1 hired , lIor arc critkis lIIs givell.

Vi5itors
The schoo l-rooms are o pe n fo r the ins )>ectio n o f visitors 0 11
week·day afternoons, fro m four until five o 'cloc k.
StudenL.. wil
t be ca lled fro m the class-room unless in Lhe
judgment o f
urator the matte r is o f urg'e nt impo rtance.
Sl ltdents
vork mus t tlot he d is tu rhed.
No Oti C wi ll be permilled tu re ma in in any of th e dasS-rC)U IIIS
during s lUd y hours except the reg-ular m cmbers u f thc class \\' ho
are doin~ the s pecial work o f that class .

.':>1m1t:1I1s nrc expected 10 be se(/-K01JCrllhl,I:'. (1ml If) ;"now flIld
obry Ille rilles ~/lltc Schoo! .from j>rillop!cs ' if Itollor,

r

PA I NT I NG (ST I LL

I~ I P r. ),

19 13

I
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Violatio ll oJ l/ie rilles will n's/tlt in susp ensiolJ or d ism issal f rom
/lIe S chool.

Any conduc t unbecoming a s tude nt is a vio lati o n o f tlte rules,
but s ubj ect to thi s g"e neral provisio n the s tudents ;Ire allowed eve ry
reasonable li berty.
The prope r ty o f othe r s tud c ms IIIl1 s t nol l,c IIsed withu ut th e.:
owner' s k nowledge a nu t:o nscnl.
Monitors
It shall be the duty o f the mo nito r!'> to maintai n order :.I. nd , if
necessary. to report to the Curator any interference wilh the
wo rk of the class.

Iss ]

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!\l (lIlilors s hall sec t ll ;1 1 the da SS -I"OOIlI S ;u c kl' pl I' l"ol't: ri y li,g hl t.·1\
iIIui ventila ted,

Th e m onilor o f c;lch class sh::t ll have ch;lrgc of the m odel :lnd
of the class-room dur ing the session.

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I- ,( ,

Life Classes

-- ... .

Rc}.!'u lar Ill cn JiJcrs onl y o f th e Life C lasses are permitted ill the

.'1..;'... -.

I.ife Class roo ms during the stud y ho urs .
Members of Life Classes mu s t Hilder no ci rcIIllI sl:lIl ces s peak
to m ode ls w ho arc pos ing.

I,

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Positions in the C lass-rooms
L

S tude nts wh o are 1I0 t prese nt at th e ho ur whe n classes begi n
IIlus t take their posi ti olls in o rd er o f arrival. No s tude nt will he
pe rm itted to select a nd r~e a posi tio n fo r o lle who is :'Ihsen!.

Mon~~~eview of Work
.':i /udcnls ar c c~l:p crlt:d 10 suom;t at m OlllhLy IIfIt:rl!t1ls the worl.:
done in alt rlnsses durill.t: Ihat 1IUml/,. The studies thll s collected
will be classi fi ed and put tip fo r ex hi bition in the c!ass·roollls.
The re wi ll be atlh e sam e time a gene r:t1 review of th e work o f
each cl ass by the respective instructor. A reco rd of the work so
exhib ited w ill be kept fo r use in dete rm ining the s tanlling of
stude nts ~ t the e nd of the seaSOIl , and fo r award ing prize.') o r
scholarships. Studies camlOt oe 1'ccordcd 01' accepted for exln'bitiml
",!less p resented at the Ou'alor's desk with ill the followiug- lime
limits .'
For a m orl/illl[ 1'cvicUJ,
F or an. afterlloon 1'cv icw,
For all evellillg 1'evie7v,

\

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--- 1

p. m. of the j revious day.
a. m. of the sa llie da)'.
12.00 110011. of /he S(l me day.
2.00

9'.jYJ

Stude1lls failing 10 e~t: llibit /li elr ,vol'k w ilhollt presenli1lK n
rea.wllable excu.Se ;vil/ be ill cl~l{ iblcfor till: Cre.uoll Sdw/anhip
competition. Drawings will not be ncccptcd wh ell ro ll ed or whell
not mrcfull y "fi xed." Pain tings must bethorol1gh ly dry, aud (1/1
work 1Ilust be sig ued wiLlI the student's / ult 1lfl111C and IIle 1Jam ~ oj
the claSH'1/. Wlzic/l the 7IJ01'k was dOlle. The s tudies mnrke d by th e
ins tructor nre reserved by th e A C:-H.1em y; to preven t loss, the ot he rs
should he r eclaim ed at the close of the c rit ic is m .

,' "

U._..." ld {\. Spr o llt

,

"

DRAW I NG (ZOOLOG I CAL GARDEN STUDIE S), 1913

Care of Drawings and Materials
'W o rk reserved by t he var iolls i nstructors s hould he recla im ed at
the close of the Studeo L')' Spring Exh ib ition. Studies not enlled
for by th e beginn ing of the fa ll term will be destroyed.

[57]

Locke r rcnt, olle do ll ar PER TEIU\I.
OCCltj>allts 0./ lockers will be held respullsible ji.n' damage dune

fo same while in Iheir possession.
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Students <II"C cautioned not to leave person,lI property of ally
d escription about the school-rooms, <l.S the Academy will in no case
be responsible for the loss of articles frOIll the fooms Of lockers.
All personal property should be marked with the ow ner's name.
The lockers are 1::u-ge steel closets fitted with comhination locks,
<1 l1d students are expected 10 keep thelll closed.
Students will not be p e rrlliltcd to IC:lve canvases, urawillKhoards, or other 1l1aterials about lhe school-ro01l1s, but lllllst place
them, when not in lise, in the rack:;; t:specially provided for tilt:
IHlq)Ose.
Moving of C asts, e tc.
S
, IUt/i:llls III/HI 1101 1II0 VC Ihc casts, ex.epl II/ose in Ih e Auliqlft:
JJfodclfillg' Noolll. /IllY cllt'lIlKt: dcsi1-eti ill. Ihe position (if casts or

other

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mltst be authorized by nil illstrudor or tile Go-alor,

and carried olt/ullder his dire.fiull.

The mOllitor 1-1l clulJ:1J"c shall superilllcnd and approve all
arrangemenls 0./ stilL-life objats, bitt shu/cnts desirofts 0./ flavill.!?"
auy pa r /intlar subject fl'Tl1llgcd may do so by rejJOrliJ~~' 10 /lIe
mOil/lor, 011 JJlum/ay mor1lings ollly.

P laster Casting
Casting in plaster will not be permitted in any of the schoolroo ms. A spec ial room will be assigned for this work I1pOIl applicatio n to the Curator_
Lunch-Rooms
LUllcheon must not be eaten in the school-roollls.
rooms are provided in the base m ent.

Lun ch-

Sketchin g in Galleries

liI,l '

Students Illay sketch from the works in the P e rmanent Collec tio n o f th e J\cademy, but copies must n ot he m ade withollt specia l
perm ission fro m the management.

1;1,1
"

L brary

M.~TI

Students may have fl-ee use of t he Library on application to
the Libraria n_ The books arc no t intended fo r o utside use, nnd
Ill USt not be take n from the roolll.

Lowell Lloyd

PAINTING (STILL LI FE) , 19IJ

Zoological Garden Tickets
A nnual ti ckets for the Zoologica l Gardens lllay be obtai ned at
small cha rge o n appl ication to the Curator.

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APPLICATION r-OR ADM ISSION TO
TH E SCHOOL

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All application s for atlllli ~s ioll and for prull1ol io ll to h iglH.:: r
dasses will be acted upo n by the Facu lty, w ith the concurre nce o f
the COlll m ittee 0 11 Ins truction, at the regu lar meetings he ld 011 the
Friday before the first Monday of each mont h, excep ting" the
months o f Ju ne, Jul y, and A ugust. Stude nts Illay cnter the Schoub
or be pro moted to hi g her classes at any ti me during the season,
but a ll ao mi ss io ns and promot ions arc 0 11 probation a nd subject 10
reconsiderat ion at th e t.liscretioll o f the Faculty.
Before makill )..:
allY appl icatio n fo r transfe r fro m onc class to ano th er, s tmie rH S
m us t have approval of s lich application fro m th e ins tructo r of the
class in whic h they are working.
A ll applicat ions mu ~ t be on file the day beforc the IIIce ti ng- of
lhe Fat:u lly.
It is an illlpe r;\live rule that n il wo rk su bJllilled fur eX;lmill; l liv ll
for any pu rpose Illust be s\gned , other wise it will no t be considert!d.
To avoid loss, studies mu st be reclaimed prom pt ly aft e r
exa mina ti o n.
All stude nts ill a ny coursc who have 1I() t prev io usl y heen stud ents o f th e A cad e m y will he required to pay the }\ C:U!clll y'S
lII atricu lation f!!c of $5.
A stUlJe nl' s ticket entitles lhe ho lder during allc ml;lI1t:e at lbe
Schools to lhe li se of th e G;dleri es, S pecia l Exhibitions, the
Library, the Print Collectio n, and the Lectures };iven fro m lim e
to time unde r the a uspices of the Academ y.

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l'aym cn ts

IllllSt

be made, s trictl y in ad vane!!, to the Cum lor.

NO ALLOWANCE WHATEVER WILL BE MADE ON ACCOUNT OF
A8SENCE.

Assistance in secu ring board o r rooms wi ll be g iven upon
request. The cos t of li ving in Philadelph ia is not h igh , amI su itable
accommodatiolls within reasonable dista nce of th e Academ y are
readily obtai nable, for both men and women.
Blank for m s of app lication a nd any furth er information regarding the Schoo ls may be obtained by address ing
ANNA T. BENNETI',
Curalor.

:i
HMOA!) STRHKT, ABO V IL AJt C II ,
PIIII.ADI!;I .I" II1 A.

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To the s tnu e llL<; in the Sc huu ls th e J\ !.::u lcIllY' s Reference J.ibmry

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a nd Galleries arc free.
The perm ancll l co ll ection of paintings and sc ulpture, iIlChH.1ill ~
lhe Ga ll ery of National Portraiture, the T emple Collection of
Modern A me rica n Paintings, a nd the G ihso n Collection, large ly
m ade lip of works of th e Continenta l School s, is of great vallie
as an assistance to study.
Copying in the Ga ll eries is pe rmi tted under reasona ble reg 11 1a~

lions.
Studen ts arc a lso g iven free :I~cess to the lll a ll Y current exhibitions whi ch th e 1\cadem y ho ld s e;lch year. These, a nd especially
the Annua l Exhibit ion of Oil Paintin gs ,uuJ Scul pture, are a source
of ins piratio n and a valuable index to th e trend of artis ti c thou g ht.

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SCHEDULE OF CLASSES
TUE~OAY .

MOXOAY .
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Antique Class.
An t ique Class.
Antique Class.
IWomen 's LifeCla ss. Women 's Liie Class Women's Life Class.
Head Class.
Illustration Class.
Ill ust ration Class.
Illustration Class .
Composition Class.
~ I en ' s

Modell ing
Class.

)Ien's ~l odelling
Class.
12 -1l.30

~ I en's ~l odel1i n g

Class.
P.~'.

I

An tique Class.
Antique Class . ~d.
: ~I c n' s Life Class.
Men 's Life Class.
St ill Liie Class. ~d. Sti ll Life Class. 1St.
Head Class.
Illust ration Class.
l!Iustration Class.
Wo men's )Iode!linli Women's Mode!ling
Class.
Class.

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1 'c; r 5p~c;ti,· ., L ... cturc;
.1- .~ P . ) !.
~

FRIDA Y.

:\Ie n 's )Iodelling
Class.

DAILY. STUDH:-1TS' PE:-1 A:-10 PE:-1C IL

Antique Class.
~d.
!lIen's Life Class .
Still Life Class. 1St.
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I1lustra tion Class.
Women's )lodeJl ing
Clas,,
' ,, _ _ _
Ar"latomy Lecture.

Women 's Life Class.

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TH\JRSOA\'.

Antique Class.
Antique Class,
Women's Life Class. Women's Life Class.
Head Class.
I!lustration Class.
Illustration Class.
)len'5 :\lodellinR
Class.

SATURD AY.
Antique Class.
<
Women's Life Class.
Head Class .
Illustration Class.
Costume Sketch
Clnss .
:\I('n's Modellin ll
Class.

,

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SI;;ETCII CL.\ SS.

Antique C l as~.
)Ieo's Life Cla ~s.
Head Cla55.
lllustration Class.
Women' s )Iocelling
Class.

Antique Class. , d,
)I en 's Life Class.
Still Life Class. 1St .
,d,
JIIustra tirJn ClasS.
Women's ~fode l1ing
C1I1SS .
----

\Vornen 's Life Class.

Antique Class .
~Ien' s Life Class.
Head Class.
Illus tra tion Class.
Women 's )fodelling
Class.

Women's I. ife Class.

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Men 's Life Class.

-,----,-c:---- ' - Antique Class.
Costume Sketch
Class.
) Iodelling Class

Anti4ue Class.
~[en' s Liie Class.

I Alternates ever}" two wee ks with ~l eTl's Li fe Class.
! Altcrm. te ~ e\·err tw"' weeks whh \\'omen·i Lifi!- C:a~s.

,

Antique Class.
)tocielJinf!' Class

An tiqt.:e Class.
~Ien's Liie Class.

Antique Class.

",

:\Iode llinc Class.

,

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As a temporary home for the An Student
Philadelph ia has un i que advantages .
Kno w n as the" City of Homes," it afford s
g ood living at a lower cost than is p os sible
in any o ther large city in the East.

-t
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I

In hi s torical interest it is rich, and it s
suburb s , easy of access, offer unusual
cha nce for out-DC-door work. Opportunities
for general culture are varied and the
Academy is fortunatel y able to secure
s pecial rates for its students to many of the
lecture s and concerts given each season.

GEORGE MCCLELLA N, M.D.

The Academy itself is centrally located
and within short walking distance from it
arc good boarding_places . The two principal railro a d stations arc e ach within five
minute s ' walk.

Recognizing that a comfortable living
place i s an aid to s erious study the manage_
ment invites corres pondence with s tudents
from a distance and offers freely its information and aid.

H O KN

I N PIIlI .A l) ELI' IIIA , P Jo:NN!-i Y I.VA:><IA. OCTOtJ EK 2 9,

DIIW IN

PIlII .AI1El.I' IIIA , ['I';NNS YI -V ANIA , :" l AK C Ii

l S 4 t;

2 9, H)13

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3Jn ;ifMemoriam

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[ NST}{UCTOK OF Aln'IST I C ANATU ... IY IN TilE P ENNS Y LVAN I A

A CADEM Y OF TIlE FINE AII.T!-i, FROM

1 ~90

T U 19fJ

HONOR ROLL
19 12. 19 13
AWAHl>S MADE M AY, J913

SOME OF OUR FORMER ST UDENTS

CRESSON TRAVELLING SCHOLARSHIPS
PAI NTE R S

*K

M.

E U ZABE T H

-:(. RAY;\IONIl TIlE E!.

i\ TARY

BENTZ

I~ OW E I.L L LOYD

L AMBERT

'" .-\LEX A ;\:DER PORTNOFF

\ ,V I NFR E D I I " .... T T

VVINIFItED

II E ITL ANI)

\V II. MO T

\NARD

MARGARET

JOSE I'1I T REVIT T S

R.

T EW

AL ICE

JO li N
M.\y

Eo.

I.

I LLUST RAT ORS

RI l)ULI£

* KAT HE RINE

C. TIJ)DEN
L. i\lU l tRAY

ROWLEY

U L R Ef CII

H YMEN PI NK O V I TZ

AGNES !\"1USSER

R.

!'\,I uRP I/ \·

FI.OKI'.N CF.

\V.

WtLSON

CeClI..IA

BP.AUX

CA ROI..

H.

LOUIS

BRTTS

C IIAIILI';S

F.

HII..OTT!

A. II.

CIIAIII.I!S

JJIINr~Y

I l A Nil".

I1ISHIN"

BI.UM

M.

BONSALL

DORIR

FK O ~IUTII

II.

L. F USSR LI.
KJlIII(

(;A

C: AV

W",."I"I;I(

B O Y-ItICKE

F.

F"KI.I!Y

F!!KRIS

FnoST

EMILY CI.AYTO.'J llISII O f'

R.

Ih.oSS O M

STI'.I'J!IIN J .

D.

1\ I.UEItT

W. W.

GillON

AI. lIlIIor.

CI.AItI';NCP;

GII.CIIR I ST, JR.

WILI.IAM

HOPE M. GLAUD I r\G

CIIARI.I':S GtUI'LY

A . ROSE CROSi\I AN

SUSAN

H.

BRADLEY

C I.IF"POKU

HUGH

II.

URI'.C[{RNIIIIJ{a~

EI.IZAHI! '- H SHIl'rF.N GRI'.J;N

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EYP.HIlT"I"

BItOWNE

MAlty

L.

llROWNE

IJR\·AN T

UUTL"R

ALF.XANIH~K

S.

CALIlRR

B.

CARLES. J R.

MAKY CASSATT

ALIlXANJ)F.R

ilARRISON

BIIU:K l-I"I(ItISON
Cj\."I"I!P.ItINI';

N.

I-I ARR IS O N

R(lHI':RT

IIHNRI

1':1.1./\ S.

IIIlR(;ESIII':IMRR

U. II I MMI!LSllACIi
1.0(;Y O. HOUlE
PAULA

IIJ.:LY.N C. HOVENDHN
MARTITA II 0Vr. NDI!N

TUOMAS SIlIllLl)S CI.AKKE

Ar.HF.RT

GAUIt I I';LLP.: DEV. CLEMENTS

FRI':DI':RICK JAMI!S

J O lIN

R.

M.

COllEN

CONNER

W I I.LIAM

Cox

E.

EI.IZAlll::TIT 5I'ARIlj\.\\·K J o:'>: l'::'

OANA

P.

JH11'.S

W.

EMI.EN CRESSON

MARGARKT CItOWKr.l.
CUAKLES

IIUMI'HRI':VS

O"I'iU \VlI.SO N JORDAN

COI.IN CAMPBEI.L COOI'F.R
KENYON

G E ORGE D IDD L E

F.

KAT H eRINE

Prize)

MAllY II""'!:N GRIMR~

JOliN M c LuNI! HHIII..T O N

AItTIIUIt

T HE JOHN H. PACKARD PRIZE

GRAYSON

ESTII!>R M . GIIO U ~IF.

BROOME

NANJ;!;TT!> LEJJI<:KF.R CA L OF.R

P IJ.:TR O C I AVARR A

P.

HAKRY BRICK

GE O RGE EI.MF.R

BURTON C. KEELER
\ 'V I Ll\IO T H I':ITLAND

RAMBORGER PRI ZE

UItI'.YF" O{; LI~

J. GLACKENS

ISAAc

CIIARLES

R.

WALT EK KU) I)IE ( 2nd

BOYLE

CIIAKLOT1'I'. IIAK[HN(; UROWN

( 1St Prize )

THE EDMUND STEWARDSON PRIZE

...:.....

]{ICIiAKl>

BRcK

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E\'K!>

ALI';XANORR UOWRR

F R.()E Ll CK

l6S]

BARKER

E IH1<)NllSON

EN<;I.IS11

BANCKOI'T

JOliN

Prize)

F.

JOHN J.

THE HENRY J. THOURON PRIZES

SI' IWU T (1St

WII.I.IA ~I J .
FItANK

AN NA O'N EILL

n. !\TI LLE R

I )ON,\L]) A.

I ~A[{INS

I\I.INOK EAI(LII

ALBRItT

A[)OLPII

' I

i',\ U L

l)OUG II I'.KTV

DUI.L

MIL1'O:-l

EI.IZABETH

ROBER T SUSAN (2nd Prize)
R. B UR T ON C. I';: I ~EI.RR (Ho norahle i\:1cn lion)
E Li ZAHI~TI[ I'Qfun.:s DA LLAM ( H ono rahle N! ent io n)

E~ I ~ I A

Howl'; DAILI<:V

JOIIANNA

SOU TI-I WICK

THE CHARLES TOPPAN PRI ZES
\ ,V ASHINGTON

ANSIlUTZ

MAItGAItI'.TTA ARClIAMltAULT

ROIJIIltT

.., Awarded fo r the secolld time

EUZ,\llE TII F.

Tl!OMA~

P.

5AI..VATORE

TII EOI)OR E VAN SOl· L EN

J.

CI.1FFOKJ) AI) IJAMS

A.

SCU L P T ORS

PARK!'. C.
J O liN

VIIRNON

* ROBERT SeSAN

Annl'.Y

ELRNOItR PLi\JSTRV ABnOTT

T H OMAS

AT H ER I NE BARKER

* GER T RUDE

1'1..

EDWIN

.$500 awarded to eaeh 01 the 10110winll

~II1tRAN

I-I.

RWf:"WAY

N I COLA D ' AsCgNZO

AUGUSTUS

GEORGK \VAI.TEK

JAMHS

LouIS

PAUL

OAWS O N

UHSSAK

BLANCHE D I LL"Y I':

KEVORK I AN

Lfdlr~u N

FRAN"

D.

KI>LLY

SERGF.ANT KI'.NDAI.L

R.

AI.nl~ItT

J O li N

KIKKP"TRtCR

[(NHalT

K001'MAN
L AMnD I N

LAI'.SSLR

LAMIIRRT, JR.

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SOME O F OUR FORMER STUDENT S (Cont'n,ed)
C H ARL£S



I."

R08£RT LP;S L IE

SAMUEL

SARTAI:>l

\V I LLt A M H. L II'I'INCOTT

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H EN RY MCCARTER

CIlRISTlAN SCIlUSSLE

ELMER

SCHOFJ£LU

SA R AH Yocu~1 McFADDF.N

EVERETT SIIINN

E L LEN MACUL E Y

FLORHr;CE SCOVEL SHISS

\V .

LES LI E

MIL L F.R

\VALTER SunCLAW

~IORR I S MO L ARSKY

JOliN

PIt'rER MORAN

l\IAR!A,NNA

TIlOMAl;

\Vn.LIAM T.

D.

M ORAN

SLOAN
SLOAN
SMRUI.ItV

C. M U LI.HR

.r 1~SS I I!

\V I LLCOX

SAMUHL MURRA Y

AI.Jell

BARnER S n U' II ENS

8M I Tl!

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GEOIlGto: OIlKIlTIWI'I'I':Il

EI)MUNII STEWARDSON

A M Y OTIS

AI.lel'; KI>NT Sl'OIHlAIU>

M A XP ! It L D PARRISII

THOMAS SULLY

!

JUSK I'!!

I.

iI'

F R E O KRIC It NUNN

CHAKLKS

VIOLET OAKLE Y

ri .

ALlcR CUItSUN P ATTON

T.

I' R A RSON, JR.

PAUL K

R.

EMI L Y

PltllK I NS

W I LLIAM T . TRIl:GO

CARROLL S. TYSON

AI.IIERT B I;;RNIIARD U U LE

A.

POO R E

i\lARV VIlN OER VRKR

W. ll. VAN I NGEN

POST

JAMI':S PRltSTON

FRED

CElAR L ltS F RRDER I CK RA MSlt Y

~fARTHA \VA[.TER

\Y.

EOWAR Il

RED F IE L D

MARGAIlRT REDMOND
F IlIWERICK

K . M.

T.

\ V I LLIA M

R to:lIN

RI CHARDS

\VAGNER

WILLIAM

C.

WATTS

J.

FKRlJRRICK

WAUGH

InA \VAUGII
SA,MURL

13.

\VAUG H

HENR Y R. RITTEN BE RG

E. K .

A L ICI3: M UMFORD ROIIK II. T';

JANET \V Il H& L ER

ELI l:A B RTIl
AL E ER T
PETER

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artist is a clear perce pti on and a firm ,

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.. The one thing that makes the true

M. THOM.\S

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MRS. HO M ER ST. GAUOI':NS

CUARLES MORRIS YOUNG

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bold hand, in distinction from that imperfect mental vi sion and uncertain touch
which give us the feeble pictures and the
lumpy statues of th e mere artisans o n
canvas or in stone."- ITol111 CS.

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