Items

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  Correspondence from John and Richenda Rhoden to Mr. Roberts from December 20, 1954.

  Correspondence from John and Richenda Rhoden to Mr. Roberts from December 20, 1954 regarding Rhoden's gallery representation, sales, and exhibitions.
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  Correspondence from Richard Stark to John Rhoden.

  Undated correspondence from Richard Stark to John Rhoden Regarding the final payment for a sculpture of Rhoden's that Stark purchased at Galleria Schneider in Rome.
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  Correspondence from Eleanore Saidenberg to John and Richenda Rhoden.

  Undated correspondence from Eleanore Saidenberg to John and Richenda Rhoden regarding a sale of Rhoden's work at the Saidenberg Gallery.
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  Correspondence from John Rhoden to Robert E. Schneider from January 14, 1955.

  Correspondence from John Rhoden to Robert E. Schneider from January 14, 1955 regarding the sale of Rhoden's sculpture.
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  Correspondence from Perry T. Rathbone to John Rhoden from November 9, 1954.

  Correspondence from Perry T. Rathbone to John Rhoden from November 9, 1954 regarding Mrs. Steinberg's purchase of Rhoden's "Dancers."
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  Correspondence from Kip Kaplansky to John Rhoden.

  Undated correspondence from Kip Kaplansky to John Rhoden regarding the purchase of a Rhoden sculpture and the potential purchase of Rhoden's sculptures, "The Family" and "Dancer." The first page of this letter is missing.
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  Correspondence from Joel J. Sterling to John Rhoden from April 8, 1985.

  Correspondence from Joel J. Sterling to John Rhoden from April 8, 1985 regarding the purchase of Rhoden's sculpture, "Metaphor."
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  Correspondence from Stuart M. Mertz to John Rhoden from April 1, 1958.

  Correspondence from Stuart M. Mertz to John Rhoden from April 1, 1958 in response to Rhoden's letter from March 14, 1958 in which he suggests his sculpture, "Double Dutch," might be suitable for the garden of Mr. and Mrs. Robert Wolfson.
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  Correspondence from John Rhoden to Stuart M. Mertz from March 14, 1958.

  Correspondence from John Rhoden to Stuart M. Mertz from March 14, 1958 in response to Mertz's letter from November 13, 1957 suggesting Rhoden's sculpture, "Double Dutch," for the garden of Mr. and Mrs. Robert Wolfson.
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  Correspondence from Stuart M. Mertz to John Rhoden from November 13, 1957.

  Correspondence from the landscape architect Stuart M. Mertz to John Rhoden from November 13, 1957 inquiring about a sculpture to be placed in the garden of Etta E. Steinberg.
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  Correspondence from Richard K. Weil to John Rhoden from September 19, 1955.

  Correspondence from Richard K. Weil to John Rhoden from September 19, 1955 regarding the sale of Rhoden's sculpture, "Little Dancer."
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  Correspondence from Richard K. Weil to John Rhoden from September 8, 1955.

  Correspondence from Richard K. Weil to John Rhoden from September 8, 1955 regarding Rhoden's sculpture, "Ballet Dancer."
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  Correspondence from Richard K. Weil to John and Richenda Rhoden from February 28, 1955.

  Correspondence from Richard K. Weil to John and Richenda Rhoden from February 28, 1955 informing the Rhodens that the Weils will be returning John's sculpture, "Pretzel Kiss," and keeping John's sculpture, "The Woman."
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  Correspondence from Eleanore Saidenberg to John Rhoden from December 15.

  Correspondence from Eleanore Saidenberg of Saidenberg Gallery to John Rhoden from December 15 (year unspecified) regarding an advance payment for Rhoden's sculpture, "Horses," and their meeting.
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  Correspondence from Eleanore Saidenberg to John Rhoden from December 14, 1959.

  Correspondence from Eleanore Saidenberg of Saidenberg Gallery to John Rhoden from December 14, 1959 regarding the sale of a small sculpture to Peter Rübel and Saidenberg's purchase of Rhoden's sculpture, "Flight from Fear."
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  Correspondence from Saidenberg Gallery to W.S. Budworth & Son from June 25, 1959.

  Correspondence from Saidenberg Gallery to W.S. Budworth & Son from June 25, 1959 regarding the transport of John Rhoden's sculptures, "Fecundity" and "Captive Captor," to Dr. Herschel B. Freeman in Toronto.
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  Correspondence from Eleanore Saidenberg to John Rhoden from July 27, 1956.

  Correspondence from Eleanore Saidenberg of Saidenberg Gallery to John Rhoden from July 27, 1956 regarding the sale of Rhoden's sculpture, "Dancer," to Mrs. Lesser of Saint Louis.
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  Correspondence from Eleanore Saidenberg to John Rhoden from July 5, 1956.

  Correspondence from Eleanore Saidenberg of Saidenberg Gallery to John Rhoden from July 5, 1956 regarding the sale of Rhoden's sculpture, "Sea Wind," to a collector in Chicago.
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  Correspondence from Marie Miles to John Rhoden from April 17, 1956.

  Correspondence from Marie Miles, secretary to Eleanore Saidenberg of Saidenberg Gallery, to John Rhoden from April 17, 1956 regarding the sale of Rhoden's sculpture, "Family Group," to Mr. and Mrs. Edward Clark of Florida.
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  Correspondence from Robert E. Schneider to John Rhoden from October 31, 1955.

  Correspondence from Robert E. Schneider of Galleria Schneider to John Rhoden from October 31, 1955 regarding the sale of Torso to Dr. Bindo Rimini, Rhoden's sculpture Salome, and personal matters.
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  Correspondence from Robert E. Schneider to John Rhoden from September 17, 1955.

  Correspondence from John Rhoden to Robert E. Schneider of Galleria Schneider from September 17, 1955 regarding Rhoden's trip to Rome, the sale of Torso, and personal matters.
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  Correspondence from Robert E. Schneider to John Rhoden from September 6, 1955.

  Correspondence from Robert E. Schneider of Galleria Schneider to John Rhoden from September 6, 1955 informing Rhoden that his marble torso sold to an Italian collector named Dr. Bindo Rimini and that Salome is the only unsold Rhoden sculpture remaining at Galleria Schneider.
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  Correspondence from John Rhoden to Robert E. Schneider from January 14, 1955.

  Correspondence from John Rhoden to Bob Schneider of Galleria Schneider from January 14, 1955 regarding the sale of Belly Dancer to Mr. Stark and other gallery representation business.
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  Correspondence from Robert E. Schneider to John Rhoden from October 6, 1954.

  Correspondence from Bob Schneider to John Rhoden from October 6, 1954 addressing the Guggenheim Foundation fellowship, damage to Rhoden's sculpture, Harlem Globetrotters, the importation of Rhoden's Caryatids to Mrs. Steinberg, and the sale of Rhoden's Belly Dancer.
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  Correspondence from L. Kenneth Johnson to Greg Ridley from February 15, 1980. (1/3)

  Correspondence from L. Kenneth Johnson to Greg Ridley from February 15, 1980 regarding the appraisal and purchase of artwork by Aaron Douglas. (1/3)
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  Correspondence from Etta E. Steinberg to John Rhoden. (1/2)

  Undated correspondence from Etta E. Steinberg to John Rhoden regarding the delivery of Rhoden's sculpture in St. Louis and the final payment for the sculpture. (1/2)
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  Correspondence from John Rhoden to Mr. Dorsey from July 24, 1988. (1/2)

  Correspondence from John Rhoden to Mr. Dorsey of Dorsey's Frame & Art Gallery from July 24, 1988 regarding a sculpture for Medgar Evers College. (1/2)
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  Correspondence from Florence S. Weil to John Rhoden. (1/2)

  Correspondence from Florence S. Weil to John Rhoden regarding the potential purchase of either Rhoden's sculpture, "Pretzel Kiss," or an unidentified figure sculpture. (1/2)
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  Telegram from Sally Fairweather to John Rhoden from February 19, 1955. (1/2)

  Telegram from Sally Fairweather of the Fairweather Hardin Gallery to John Rhoden from February 19, 1955 regarding the sale for Rhoden's sculpture, "Acrobats." (1/2)
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  Correspondence from Robert E. Schneider to John Rhoden from November 27, 1954. (1/2)

  Correspondence from Bob Schneider to John Rhoden from November 27, 1954 regarding gallery business and payments.