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Correspondence from Morris Feinstein to John Rhoden from June 1, 1960.

Correspondence from Morris Feinstein, architect, to John Rhoden from June 1, 1960 regarding the approval of a renovation plan for the Rhoden home at 23 Cranberry Street in Brooklyn, NY by the NY Department of Buildings.

Correspondence from William K. Block to John Rhoden from January 17, 1989.

Correspondence from William K. Block, Deputy Commissioner of the City of New York Department of Finance, to John Rhoden from January 17, 1989 regarding the 1989/1990 valuation of the Rhoden home at 23 Cranberry Street in Brooklyn, NY.

Correspondence from Evelyn Brownstein to John and Richenda Rhoden from April 5, 1960.

Correspondence from Evelyn Brownstein to John and Richenda Rhoden from April 5, 1960 regarding an insurance policy from Thomas O. Myers Co., Inc. related to their home at 23 Cranberry Street in Brooklyn, NY.

Correspondence from Edward Steinbauer to Evelyn Brownstein from April 4, 1960.

Correspondence from Edward Steinbauer of Thomas O. Myers Co., Inc. to Evelyn Brownstein, Esq., from April 4. 1960 regarding an insurance policy for John and Richenda Rhoden.

Correspondence from Bernard Reswick to Richenda Rhoden from March 28, 1960.

Correspondence from Bernard Reswick to Rechinda Rhoden from March 28, 1960 regarding the purchase of the Rhodens' home at 23 Cranberry Street in Brooklyn, NY.

Correspondence from Walter Henderer to Richenda Rhoden from March 17, 1960.

Correspondence from Walter Henderer to Richenda Rhoden from March 17, 1960 regarding the purchase of the Rhodens' home at 23 Cranberry Street in Brooklyn, NY.

Correspondence from Lamar Dodd to John Rhoden from December 13, 1953.

Correspondence from Lamar Dodd to John Rhoden from December 13, 1953 praising Rhoden and coordinating the purchase of Rhoden's Horses by the University of Georgia museum.

Correspondence from Joseph Amisano to "Adele" from Febraury 21.

Correspondence from Joseph Amisano to "Adele" from Febraury 21 regarding meetings and a show he went to with John Rhoden at Kraushaar Gallery.

Correspondence from Paul L. Essert to Claire Baldwin, Tom Van Sant, and Mary McDonald from may 27, 1965.

Correspondence from Paul L. Essert to Claire Baldwin, Tom Van Sant, and Mary McDonald from may 27, 1965 thanking them for a "wonderful gesture of friendship" and asking that they include Rhoden in his appreciation.

Correspondence from Hannah Hoedel to John Rhoden from December 14, 1959.

Correspondence from Hannah Hoedel, Secretary to David Dubinsky, president of the International Ladies' Garment Workers' Union, to John Rhoden from December 14, 1959 in response to a letter from Rhoden from December 5th in which he asks the I.L.G.W.U. to consider adding artist spaces to the Penn Station South housing development.

Correspondence from Konrad Prothmann to John Rhoden from January 9, 1959.

Correspondence from Dr. Konrad Prothmann to John Rhoden from January 9, 1959 regarding color slides that Rhoden borrowed for his travels and had not yet returned.

Correspondence from Peter A. Frasse & Co. Inc. to John Rhoden from August 3, 1956.

Correspondence from Peter A. Frasse & Co. Inc. to John Rhoden from August 3, 1956 regarding Rhoden's recent order with them.

Correspondence from Mark A. McCloskey to John Rhoden from May 9, 1955.

Correspondence from Mark A. McCloskey to John Rhoden from May 9, 1955 regarding Rhoden's preferred adjustments to an unnamed work.

Correspondence from Mark A. McCloskey to John Rhoden from March 22, 1955.

Correspondence from Mark A. McCloskey to John Rhoden from March 22, 1955 regarding a card and gift from Rhoden.

Correspondence from Mark A. McCloskey to John Rhoden from March 14, 1955.

Correspondence from Mark A. McCloskey to John Rhoden from March 14, 1955 regarding repairs to plaster casts of children.

Correspondence from Mark A. McCloskey to John Rhoden from March 2, 1955.

Correspondence from Mark A. McCloskey to John Rhoden from March 2, 1955 including well wishes and the following vague statement: "Bread is enclosed without butter". No additional documents were present with this letter.

Correspondence from Major General H.R. Harmon to John Rhoden from April 28, 1945.

Correspondence from Major General Hubert R. Harmon to John Rhoden from April 28, 1944 in which Harmon agrees to sit for a portrait by Rhoden.

Correspondence from Myrna Martin to New York City High School principals, art chairmen, and art teachers from September 18, 1981.

Correspondence from Myrna Martin, Assistant Director of the Museum of Modern Art Department of Education, to New York City Public High School principals, art chairmen, and art teachers from September 18, 1981 regarding museum passes for the 1981-1982 school year.

Correspondence from the Board of Examiners of the Board of Education to John Rhoden from November 7, 1977.

Correspondence from the Board of Examiners of the Board of Education of the City of New York to John Rhoden from November 7, 1977 informing Rhoden that he passed the examination for certification as a media specialist.

Correspondence from Ruth R. Frazier to Charles C. Mackey, Jr. from December 24, 1975.

Correspondence from Ruth R. Frazier, director of the Office of Continuing Education of the Board of Education of the City of New York, to Charles C. Mackey, Jr. of the Division of Teacher Education and Certification of the State Education Department from December 24, 1975 regarding John Rhoden's certification application.

Correspondence from John Rhoden to Charles Mackey from October 14, 1975.

Correspondence from John Rhoden to Charles Mackey of the University of the State of New York from October 14, 1975 regarding Rhoden's application for certification.

Correspondence from John Rhoden to Joseph Mangano from January 27, 1975.

Correspondence from John Rhoden to Joseph Mangano, chief of General Adult Education the State Education Department from January 27, 1975 regarding Rhoden's state teaching certification.

Correspondence from John Rhoden to Dr. Vincent Gazzetta from January 20, 1975.

Correspondence from John Rhoden to Dr. Vincent Gazzetta, director of the Division of Teacher Education and Certification of the New York State Education Department, from January 20, 1975 requesting state certification to validate teaching experience.

Correspondence from John Rhoden to the University of the State of New York from December 4, 1974.

Correspondence from John Rhoden to the University of the State of New York from December 4, 1974 regarding the requirements for the New York State Teachers Certification for industrial and vocational art, sculpture, and painting.

Correspondence from Mary C. McDonald to John Rhoden from March 3, 1967.

Correspondence from Mary C. McDonald, assistant director of the Board of Education of the City of New York, to John Rhoden from March 3, 1967 thanking Rhoden for his work on the 13th Annual Fundamental Adult Education Institute.

Correspondence from Mary C. McDonald to John Rhoden from May 17, 1966.

Correspondence from Mary C. McDonald, assistant director of the Board of Education of the City of New York, to John Rhoden from May 17, 1966 requesting that Rhoden take pictures at school events.

Correspondence from Harry Waterston to John Rhoden.

Undated correspondence from Harry Waterston, president of the New York Artists Equity Association, to John Rhoden regarding membership of the association.

Correspondence from Robert J. Spring to John Rhoden from December 18, 1975.

Correspondence from Robert J. Spring, President of the Modern Art Foundry, Inc. to John Rhoden from December 18, 1975 regarding the price, time, and weight details for casting unidentified works of art.

Correspondence from Giovanni Nicci to John Rhoden from May 19, 1958.

Correspondence from Giovanni Nicci of Giovanni & Angelo Nicci Fonditori Artistici to John Rhoden from May 19, 1958 regarding business with Rhoden's work in Rome.

Correspondence from Marie Miles to John Rhoden from May 12, 1956.

Correspondence from Marie Miles, secretary to Eleanore Saidenberg, to John Rhoden from May 12, 1956 regarding a letter from Wayne V. Anderson.

Correspondence from Giovanni A. Nicci to John Rhoden from September 21, 1954.

Correspondence from Giovanni A. Nicci to John Rhoden from September 21, 1954 regarding the delivery of bronzes to the American Academy in Rome and outstanding balances on John Rhoden's accounts.

Correspondence from Richard Stark to John Rhoden.

Undated correspondence from Richard Stark to John Rhoden Regarding the final payment for a sculpture of Rhoden's that Stark purchased at Galleria Schneider in Rome.

Correspondence from Eleanore Saidenberg to John and Richenda Rhoden.

Undated correspondence from Eleanore Saidenberg to John and Richenda Rhoden regarding a sale of Rhoden's work at the Saidenberg Gallery.

Correspondence from John Rhoden to Robert E. Schneider from January 14, 1955.

Correspondence from John Rhoden to Robert E. Schneider from January 14, 1955 regarding the sale of Rhoden's sculpture.

Correspondence from Margaret M. Mills to John Rhoden from 1977.

Correspondence from Margaret M. Mills, Executive Director of the American Academy and Institute of Arts and Letters, to John Rhoden from 1977 regarding the 1978 art awards.

Correspondence from Boyd Compton to John Rhoden from December 3, 1962.

Correspondence from Boyd Compton to John Rhoden from December 3, 1962 regarding Rhoden's time in Indonesia.

Correspondence from Boyd Compton to John Rhoden from May 8, 1961.

Correspondence from Boyd Compton to John Rhoden from May 8, 1961 regarding money for purchasing Bandung's sculptural materials.

Correspondence from Richard H. Kale to John Rhoden from January 4, 1960.

Correspondence from Richard H. Kale, manager of the travel service of the Rockefeller Foundation to John Rhoden from January 4, 1960 regarding travel arrangements to Indonesia.

Correspondence from Barbara C. McLean to John Rhoden from August 11, 1986.

Correspondence from Barbara C. McLean to John Rhoden from August 11, 1986 regarding an exhibition from the Institute of International Education that was cancelled due to lack of funding.

Correspondence from Theresa Granza to John Rhoden from September 27, 1984.

Correspondence from Theresa Granza to John Rhoden from September 27, 1984 regarding the selection committee for candidates for the Fulbright grants for sculpture in the 1985-1986 competition.

Correspondence from Richard W. Dye to John Rhoden from September 1, 1983.

Correspondence from Richard W. Dye to John Rhoden from September 1, 1983 inviting Rhoden to serve on the committee to review applications for Fulbright grants for sculpture for the 1984-1985, 1985-1986, and 1986-1987 competitions.

Correspondence from David Wodlinger to John Rhoden from July 3, 1956.

Correspondence from David Wodlinger, Director of the U.S. Student Department of the Institute of International Education, to John Rhoden from July 3, 1956 regarding a group exhibition of works of Fulbright sculptors at the Wellons Gallery.

Correspondence from Leon Kroll to John Rhoden from January 11, 1951.

Correspondence from Leon Kroll, Chairman for the Committee on Grants for Art of the National Institute of Arts and Letters, from January 11, 1951 regarding the exhibition of works by candidates for grants in art.

Undated list of John Rhoden's sculpture.

Undated list of John Rhoden's sculpture including weight, height, and material. A list of photographs, color slides, cameras, and backing cases are also listed with their weights.

Undated correspondence from Harold E. Howland to the Consulate General of Turkey.

Undated correspondence from Harold E. Howland to the Consulate General of Turkey regarding John Rhoden's trip to Turkey with the International Educational Exchange program of the Department of State.

Undated correspondence from Kiyomi Morimoto to John Rhoden.

Undated correspondence from Kiyomi Morimoto to John Rhoden regarding money left in Japan for chisels.

Correspondence from Eleanor Mitchell to John Rhoden, William A. Smith, Franklin Watkins, and Lamar Dodd from April 12, 1960.

Correspondence from Eleanor Mitchell to John Rhoden, William A. Smith, Franklin Watkins, and Lamar Dodd from April 12, 1960 regarding the visit of American fine arts specialists to the Soviet Union.