1902-1903 School Circular

Quick reference copy for school circular.

RG.03.04.24

1902

The Pennsylvania Academy of the Fine Arts

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Circular
OF

Committee on Instruction

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. SCHOOLS
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THE PENNSYLVANIA ACADEMY
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OF THE FINE ARTS

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PHILADELPHIA

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FROM Hi£ ARCHIVE~ OF .
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PENNSYLVANIA ACADEMY OF THE FINE
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FOU NDED 1806

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SEASON OF

19°2- 1 903

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Note important announcements as to
Cresson Fund Scholarships on page 10
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Committee on Instruction

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SCHOOLS

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THE PENNSYLVANIA ACADEMY
OF THE FINE ARTS

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FOUNDED 1806

SEASON OF

- 1<)02- 1903

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MA NA G EMENT O F THE SCHO O LS.

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FACU LTY .

SCHOOLS OF THE PENNSYLVANIA

JOHN H. PACKARD, M. n ., Chairman.
WILLIAM M. CHASE.

ACADEMY OF

CECILIA BEAU X.

FINE ARTS

1902 - 19 0 3

T HOM:AS P . ANSHUT Z.
HENRY J . THOVRON.

.

THE

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CHARLES GRAFLY.

lJ

HENRY McCAR TER.

T he nin ety-seventh year of th ese schools will
begin on Mo nday, October 6, 1902, and will
continu e until Saturday, May 30, I903. The
sc hool year is d ivided into two te rm s of seventee n weeks each, th e fi rst term beginning
Mo nd ay, October 6, 1902, a nd closing Saturday,
Janu ary 31, 1903; the second term beginni ng
Mo nday, February 2, )903, and closing Saturday,
May 30, 1903.

GEORGE McCLELLAN, M.D.
FRANK MILES DAY.
W ALTER COPE.

~'-~"

WILSON EYRE,
EDGAR V. SEELER.
EDWARD H. COATES,

Preside nt.

HARRISON S. MORRIS, Managi ng Di rector.
JOHN D. PIE RCE,

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ON
I NSTRUC-

T I ON.

,

.

T he schools a re open fro lll 9 o'clock, A.M.,
until 5 o'clock, P.M., da il y, except Sunday.
Aft ernoon and evening classes a re open from
4.30 o'clock, P.M., until 10 o'clock, P.M.

I-l OURS .

T he schools a re closed o n S undays, Thanksg iving Day, Christm as, New Yea r 7s Day, an d
W ashington's Birthday.

H OLIDAYS .

The schools a re under the immediate direction of the F acul ty, with the supervisio n of the
Committee on Instru cti on.

J\.'IANA G E-

JOHN H . PACKARD, M.D., Cha irman.
CHARLES HARE HUTCH I NSON.
T HEOPHILUS P . CHAN D LER.

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H ERBERT M. HO \VE, M. D.
EDWARD H . COA T ES, ex officio.
J OHN D. PI ERCE,
Secretary of th e Committee

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PENNSYlVAN\f\ ACADEMY Of 'THE FINE ARTS
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Cura tor.

HVGH H . BRECKENRIDGE,
Secretary of th e Facul ty.

COMM I T T EE

THE:

SCH OOL

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MENT.

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COURSES.

The Courses of the schools are as follows:

CLASSES .

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DAY
LlFR AND
HEAD
COURSE.

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DAY
COURSE,

Drawing from Cast.
First Section.
Second Section.
Still-life Painting.
First Section.
Second Section.
Modelling from Cast.
Composition.
Illustration.
Perspective Lectures.
Anatomy Lectures.

Cl_ASSES.

Drawing from Figure.
Modelling from Figure.
Composition.
Illustration.
Perspective Lectures.
Anatomy Lectures.

1 NSTRUCTORS .

Drawing and Painting
from Figure.
William M. Chase.
Drawing and Painting
from Head .
First Section.
Hugh H . Breckenridge.
Second Section. William M. Chase.
Cecilia Beaux.
Modelling from Figure
and Head.
Charles' GraAy.
Composition.
Henry J. Thouron.
Illustration.
Henry McCarter.
Perspective Lectures . Frank Miles Day.
Anatomy Lectures.
George McClellan, M. D.

C LA SSES.

ANTIQUE

5

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CLASSES.

Hugh H. Breckenridge.
Thomas P. Anshutz.

Thomas P. Anshutz.
Charles GraAy.
Henry J. Thouron.
Henry McCarter.
Frank Miles Day.
George McClellan, M. D.

CLASSES .

INSTR UCTORS.

CLASSES .

Drawing from Cast.
Drawing from Figure.
Modelling.
Problems in Design.
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LIFE

CO U RSE.

MEN'S
N I GHT LIFE
CO U RSE.

N I C HT
ANTI Q I I I1:

C t)U R:-iE.

INSTRU C T ORS,

Thomas P. Anshutz.
Thomas P. Anshutz.
Charles GraAy.
Frank Miles Day.
"Valter Cope.
Wi lson Eyre.
Edgilr V. Seeler.

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W01\:TEN 'S
AFTERNOON

I NSTR ue T ORS.

Drawing from Figure.
Modelling from Figure.
Composition.
Illustration.
Perspective Lectures.
Anatomy Lectures.

Drawing from Cast.
Thomas P. Anshutz.
Mode lling frum Cast. Charles Grany.
Composition.
H enry J. Thouron.
Illustration.
H e nry McCarter.
Perspective Lectures. Frank Miles Day.
Anatomy Lectures.
. George McCle llan, M.D.

INSTR UCTORS.

Hugh ' H . Breckenridge.
William M. Chase.
Charles GraAy.
Henry J. Thouron.
Henry McCarter.
Frank Mi les Day.
George McC lellan, M. D.

INSTRUCTORS.

William M. Chase.
Charles GraAy.
H enry J. Thouron .
Henry McCarter.
Frank Miles Day.
George McCle llan, M. D.

---.,~~----------------

COURSE IN
ARCH 1-

TECTURi\L

DESIGN.

ADVANCED

LIFE
PAINTING

CLAss.

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SICItTCH CLASS.

ILLUSTRA-

TlON.

MR. CHASa'S
TALKS.

ANATOMY
AND PER-

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7

In addition to the classes named in the
schedule, Mr. William M. Chase will conduct
his class in Painting from Life, for artists and
advanced students only, to be held three afternoons weekly.

higher study of art in the Academy's courses.
No specimens of work are required for admission to these classes.
The course will be open to all candidates over
twenty years of age who have spent at least
three years in the study of Architecture in an
office or in one of the following schools of
architecture, namely:
University of Pennsylvania,
Columbia University,
Massachusetts Institute of Technology,
Harvard University,
Cornell University.
Candidates for admission must make satisfac.tory demonstration of their ability in free-hand
drawing, architectural design and rendering, and
architectural history.
Of the thirty-four weeks, twenty-five will be
devoted to work in advanced architectural
design, and nine to study in the Antique
or Life Classes, either in drawing, painting, or
modelling.
The school year will be divided as follows,
beginning October 6th, 1902:
6 weeks Problem in Design.
3
Life or Antique.
Problem in Design.
6
3
Life or Antique.
Problem in Design.
6
3
Life or Antique.
Problem in Design.
7

The Costume Sketch Class will be under the
direction of Mr. Thomas P. Anshutz.
The Class in Illustration this year, as last, will
be under the instruction of Mr. Henry McCarter.

The talks to students given by Mr. Chase
during the past year have been a feature of the
course, and· will be continued for the coming
season.
The Lectures on Anatomy and Perspective
begin in the second week of November.

SPECTlVE.

A detailed schedule of classes wiil be found
on page 18.

ELEMENT-

ARY
ANTIQUlt

COURSE.

It is understood that the First Sections of the
Antique Drawing and Still Life Painting Classes,
with the Night Antique Class, are preparatory
ones, intended as a suitable introduction to the

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ELEMENT-

ARY
ANTIQUE
COURSE.

COURSE
IN ARCHITECTURAl.
DESIGN.

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COUJtB
IN ARCHI-

TECTURAL
DJtSlGN.

ADMIS-

SIONS.

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The Architects of the Faculty will give
weekly or semi-weekly criticisms of the work in
Architectural DeSign. The work in the Antique, or Life Classes, will be under the direction of the Academy Instructors in charge of
these classes.
The school W111' be open from 5 P.M. to 10 P.M.
every week-day.
The Directors of the Academy will devote
part of the Cresson Fund for Foreign Scholarships (see page 10) to students in the Architectural School, one or more travelling scholarships being awarded at the end of each school
year to students who may commend themselves
to the Faculty and the Directors by their work
in the School during the year.

I

All applications for admission and for promotion to higher classes will be acted upon by
the Faculty, with the concurrence of the Committee on Instruction, at the regular meetings
held on the Thursday before the last Wednesday of each month, excepting the months of
June, July, and August. All admissions and
promotions are on probation and subject to
reconsideration at the discretion of the Faculty. Befort! making application to the Faculty
for transfer from one class to another, students
must secure approval of. such application from
the instructor of the class in which they are
working.

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Pupils may enter the schools at any time
during the season, but are not permanently
assigned to classes until the first Faculty
meeting after their entrance.
All applications must be on file the day before the meeting of the Faculty.
It is an imperative rule that all work submitted
for examination for any purpose must be signed,
otherwise it ~iII not be considered.
To avoid loss, studies must be reclaimed
promptly after examination.
Those desiring to enter the Second Section
of the Day Antique Class must present signed
specimens of their work drawn from the solid
object. Those desiring to enter the Second
Section of the Still Life Painting Class must
present signed specimens of their work painted
from the solid object.
Students will be admitted to the Life and
Head Classes only by the action of the Faculty
after an examination of their work in Drawing
from the Figure.
Students admitted to a Day Life Class require
no further examination for admission to the
First Section of the Head Class.
Color work in a Life Class or a Head Class
will be permitted subject to the approval of the
instructor in charge.
Specimens of modelling of sufficient merit
are required for admission or promotion to the
Life Modelling Classes.
Day Life and Head Course students are privi-

ADMIS·

SIONS.
CONTINUED.

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ADMU-

SIONS:
CONTINUED.

NIGHT LIFE
MODELLING.

PARTIAL
COUItSES.

Students deSiring partial courses, including
one or more of the above classes, will be required to make a special application to the
Faculty; but in this case they will not be entitled to the privileges or rates, of tuition accorded to those taking the full course.
During the second term general Concours
will be held in all the regular classes on successive dates to be announced.

CItESSOK

By the terms of the wills of Emlen Cresson, of
Philadelphia, and his wife, Priscilla P. Cresson,
a Fund has been created as a Memorial Fund
to their deceased son, William Emlen Cresson,
Academician, the income of which is to be
applied by The Pennsylvania Academy of the
Fine Arts in sending pupils of merit of the said
Corporation to Europe to study art.
For the school year of 1902-19°3, the Academy
will thus have at its disposal a number of
Travelling Scholarships for' award to students
of the Schools in Painting and Sculpture and in
Architecture.

FOItEIGN
SCHOLAItSHIPS.

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The Night Life Modelling Classes will be
continued unless the attendance should fall
below six in any class,

CONCOUItS.

FUND FOR.

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leged to work without extra charge in all the
classes of the schools, including the evening
classes.
Day Antique Course students may work in
the Night Antique Classes without extra charge.

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It is expected that five of these Scholarships
of $1000 each will be awarded in May, 1903.
The Scholarships will be granted for two years,
and the term may be extended for a third year,
this being dependent on the results attained by
the holder of the Scholarship.
The work required each month in the Academy Schools from students in Painting and
Sculpture will be the principal factor in determining the award of these Scholarships. Candidates failing to submit such work will be
ineligible.
Participation in the annual Concou1's of both
the Antique and the Life and Head Courses will
also be required from students in Painting and
Sculpture as follows: Drawing from the Figure
on paper of Academy size, Painting from Head,
Modelling from Life, Composition, Drawing
from Cast, 'and Painting from Still-life- In the
cases of Perspective and Anatomy, there will be
examinations by the Instructors of these classes.
In the School of Architecture the awards
will be based on work in the Life or Antique
Courses as well as upon the Problems in Design.

The Charles Toppan prizes for the year 19021903 will be, respectively, $500 and $200.
These prizes were established in 1381 by the
gift of Mrs. Charles Toppan, Miss Harriette R.
Toppan, and Mr. Robert N. Toppan.
The prizes will be awarded only to student.<;
who have worked regularly in the Academy

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CRESSON
FUND FOR
FOREIGN
SCHOLARSHIPS.

CHARLES
TapPAN

PRIZES,

$500 AND $200.

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EDMUND
STEWARD~

SON PRIZE.

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Schools for at least two years, one of which
must be the year of the competition.
Prizes will not be awarded to the same person
twice in succession, and not more than twice
in all.
According to the positively expressed terms
of the gift, the drawing of the pictures will
receive the first attention of the judges. The
size of the canvas must not be less than twelve
inches nor more than thirty-six inches.
The works submitted must be· original paintings dealing with the subject or subjects named
by the Committee on Instruction, and all works
in competition must be, presented on or before
Sat)1rday, May 9, 1903_,
The subjects choseillfor the year 1902-1903 are
The News or A Song.
Pictures receiving the awards will become the
property of the Academy.
No work will be accepted without the approval
of the Cpmmittee on Instruction, and there is
no obligation to award a prize if in the opinion
of the ComInittee none of the works submitted
is of sufficient merit.
For these prizes participation in the Concours
is not required.

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The Edmund Stewardson Prize of One Hundred Dollars, in the Department of Sculpture,
will be awarded for the fourth time at the close
of the school year.
This is an annual prize, to be competed for

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by present students of the Academy with such
pupils of other art schools as are acceptable to
the Committee on Instruction. Having once received this award, a student becomes ineligible
for future competitions.
The subject for the competition shall be a
full-length figure from the Antique or Life,
either in the round or in relief, and will be
announced by the Committee on Instmction on
the first day of the competition.
Studies shall not be less .than two feet six
inches in height and not more than three feet
in height, and shall be made within eighteen
hours, during three consecutive days, in six
sessions of three hours each.
Each competitor shall privately draw by lot a
number, and shall enclose the same with his or
her name in a sealed envelope to the Secretary
of the Academy. Upon completion of the work.
the competitor shall place a corresponding
number upon the study submitted to. the Jury
of Award. When the subject is in high relief,
position in the competition room shall be determined by lot. No one except the competitors
shall be admitted to the competition room at
any time during the days of the competition,
nor shall any person except the judges be
present during their inspection of the studies.
The Judges or Jury of Award shall be three
professional sculptors, having no official connection with the Academy, or school or schools
whose pupils may have taken part in the

EDMUND

STEWARDSON PRIZE.

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THOU1tON
AWARDS IN

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COMPOSITION.

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competition. When the successful number shall
have been announced by the Judges, the Secretary shall, in the presence of one or more of
the Directors of the Academy, open the sealed
envelopes, and declare the name of the successful competitor. If no s~dy be satisfactory
to the Judges, the prize may, in their discretion,
be withheld; and when no award is made, the
amount of the prize may, in the discretion of
the Board of Directors of the Academy, be
added to the principal of the prize fund, or distributed with future prizes.
The clay models offered in competition must
be kept standing in good condition until otherwise ordered, and figures cast by the Academy
become its property.
The competition for the year 1903 will take
place on May 2S, 26, and 27.

one award of $so for general progress in the
work, the same to be decided by the Instructor
of the class. These awards not to be made
twice to the same student, and the same student
not to receive more than one of the awards the
same season. In the event of not making the
annual awards, or any portion of them, the
money is to accumulate until it shall amount to
the sum of $soo, when it shall be awarded, by
vote of the Faculty, as the result of a com·
petition in Composition upon a given subject,
to the successful student for a three months'
summer trip abroad, to include certain specified places, and galleries, and for the special
study of Composition.

In view of his experience as Instructor in
Composition in the Academy's Schools, Mr.
Henry ]. Thouron has generously decided to
found three Prizes to be awarded annually in
the Composition· Class, at the close of each
school year.
The terms of these prizes are as follows:
One of $so and one of $2S for the best and
second best groups of not less than three com~
position studies upon subjects given to the class
during the current season; the first to be
decided by the Faculty, the second by a vote of
the students then working in the Schools; and

Exhibitions of the Students' work are held
each year in the Fall and Spring.
The Travelling Scholarships and other prizes
will be awarded at the opening of the Spring
Exhibition of the Students.

THOURON
PRIZES IN
COMPOSITION.

EXHIBITIONS.

AWARDS.

FEES FOR REGULAR COURSES.

Day Life and Head Course
Day Antique Course . . .
Women's' Afternoon Life
Course . . . . . . .
Men's Night Life Course
Night Antique Course
Architectural Course . .

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* $30.00 per term.

FEES.

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12.00
12.00

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* Including any Antique

or Night Life Classes desired.
t Including any Night Antique Classes desired.

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FEES FOR SPBCIAL COURSES.

the classes are for sale in the schools at lowest
prices.
Payments must be made, strictly in advance,
to John D. Pierce, Curator.
Blank forms of application, and any further
information, may be obtained by addressing
Mr. John D. Pierce, Curator of the Schools.

Painting from Head . .
Drawing from Figure
Drawing from Antique .
Modelling from Life, Day
Modelling from Life, Night .
Modelling from Antique
Still-Life Painting
Composition.
Illustration
Perspective
Perspective
Anatomy.

$2S.00

per term.

20.00

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IS·00
10.00

BROAD STREET, ABOVE ARCH,

10.00

PHILADELPHIA.

IS·OO
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10.00 per
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course.

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A reduction of twenty-five per cent. from the
above rates will be made to students working
in two courses or two special classes.
No reduction from these rates will be made
on account of absence.
All new students upon entering the Academy
will be required to pay a matriculation fee of
$S.oo.

A student's ticket entitles the holder during
and after attendance at the schools to the
use of the Galleries, Special Exhibitions, the
Library, the Print Collection, and the Lectures
given from time to time under the auspices of
the Academy.
A payment of one dollar is required for the
use of lockers. Materials for study must be provided by the students. All articles required in

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20.00

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SCHEDULE OF CLASSES.
TUESDAY.

MONDAY.

Women's Life
Drawing.
Men's Life
Modelling.
Drawing from

Cast,

1St.

Drawing from
Cast, .d.
Illustration.

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WEDNESDAY.

Women's Life
Women's Life
Drawing.
t Men's LIfe
Drawing.
Men's Life
Modelling.
Drawing from
Modelling.
Drawing from
Cast) 1St.
Drawing from
Cast, 1St.
Still-Life Painting,
Cast, .d.
• d.
Miss Beaux's
Head Class.

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12 M.-I P.M., DAILY.

THUKSDAY.

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Modelling
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Drawing ffom

Cast.

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* Head Class
Drawing from
Cast, 1St.
Drawing from
Cast, .d.

***

PEN AND PENCIL SKETCH CLASS.

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Painting.
Still-Life Painting,
1St.

Men's Life

* Head Class.
Drawing from

Cast,

1St.

Drawing from
Cast, .d.

Drawing from
Cast, .d.

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ModelUng.
Advanced Life
Painting.
Still.LifePainting,
1st.

*Head Class.
Modelling
from Cast.

Drawing from
Cast, .d •.

Women's Life
Women's Life
Modelling.
Drawing.
Women's Life
Women's Life
Anatomy LecLComposltion.
Drawing.
Modelling.
Perspective
ture,
Lecture.
4-5 P ....
5 TO )0 P.M. ARCHITECTURAL DKSIGN.
Men's Ufe
Modelling.
Drawing
from Cast.
ModeUing
from Cast.

SATUltDAY.

t Women's Life
Women's Life
Drawing.
Drawing.
Men's Life
t Men's Life
Modelling.
Modelling.
Cast, 1St.
Drawing from
Miss Beaux's
Drawing from
Cast, 1St.
Head Class.
Cast, .d.
Still-Life Painting, Costume Sketch
.d .
*** Miss Beaux's
Class.
Head Class.

Men's Life
Men's Life

FRIDAY.

Women's Ufe
Drawing.
t Men's Life
Modelling.
Drawing from

Women's Life
Drawing .

Men's Life
Drawing.

Men's Life
Modelling.

Men's Life
Drawing.

Men's Life
Modelling.

Drawing from
Cast.

Drawing from
Cast.

Drawing from
Cast.

Modelling
from Cast.

Held in alternate two ...eeks from 9 to I. A.M., the Women's Life Modelling and Men's Life Drawing
being substituted from I to • P ....
Not beld on alternate two weeks wben Ibe Head Class meets from 9 to IO A ....
Critki_ on tbe second Tuesday 01 eacb month at 4 P.II., and on Ibe last Tuesday 01 eacb mODth at 8. II.
Held 00 the fint and third Tuesdays of eacb month at 4 .....
•• Held eacb alternate two weep from I to 4 P.... Criticisms IDoDtbly.
Held e«ry two ween.
-

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