1903-1904 School Circular

Quick reference copy for school circular.

RG.03.04.25

1903

The Pennsylvania Academy of the Fine Arts

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Circular

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Committee on Instruction

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SCHOOLS
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THE PENNSYLVANIA ACADEMY
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OF THE FINE ARTS

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BROAD STREET ABOVE ARCH

PHILADELPHIA

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PENNSYLVANIA ACADEMY OF THE FINE ARTS

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FROM THE ARCHIVES OF

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FOUNDED DO
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REPRODUCE WITHOUT PERMISSION

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SEASON OF

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1903- 1904
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Fund Scholarships on page 10

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Committee on Instruction

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SCHOOLS

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OF THE FINE ARTS

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Circular

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PHILADELPHIA
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FOUNDED 1806

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SEASON OF

1903- 1904

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MANAGEMENT OF THE SCHOOLS.

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FA C I TI. TY.

SCHOOLS OF THE PENNSYLVANIA

JO li N H . PACKAR D, M. IJ., Chai rm all .
WI LLI AM M. CH ASE.
TH OM AS 1'. ANS HUT Z.

ACADEMY

OF

THE

FINE ARTS

190 3- 190 4

CECI LIA BEA UX.

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C H ARLES GR AFL V.
J-IU G H H . BRECKENRIDGE.
H EN RY McCARTER.

HE NRY R. POORE.
GE OR GE McCLELLAN, M. D.
FRA N K MILES DAV.
WILSON E YRE .
EDGA R V . SE E LER.
EDW AR D H. COATES,

P resid ent, a ojJirio.

H ARR ISON S. MORRI S ,

Manag ing D irector,
ex ojJirio.

HU GH H. B REC KEN RIDGE ,
Secretary of th e Faculty.

to
COMl\ IlT T E E

ON
I NSTRt 1C·

T ION.

J O H N H. PACKARD, M. D. , Chairm an.
TH EO PHILUS P. C H AN DL E R .
H ERDE RT M. H OWE, M.D .
CH ARLES C. HARRI SON.
H E NR Y Z. ZI EGL E R.
E DWAR D H . COAT ES, ex <1Jio'o.
JOHN D. PIER CE,
Secretary of the Committee.

The nin ety-eighth ye;tr of th ese schoo ls will
begin o n Mo nd ay, Octo ber 5, 1903, and will
continu e until Saturday, ]\[ay 28, 1904. Th e
sc hool yea r is di vided into two term s o f seventee n week s each, th e first term beginning
Mo nday, Octo be r 5, 1903, a nd closin g Salurd ay,
J;tnu ;try 30, 1904; th e seco ne! term beginning
Monday, F ehru ary 1, 1904, a nd closin g S;tture!ay ,
May 28, 1904.
T he schools are o pen from 9 o' c lock A.~ I.,
until 5 o ' cloc k P.M ., d<1il y, exce pt .Sunday.
Afternoo n <111cl eve nin ~ classes are o pen frolll
4.3 0 o 'c1oclZ I' . ~I. , un til TO o 'cloc k r . M·.
Visito rs are adlllitted to th e schools o nl y
vVed nesdays a nd Fridays fro m 4 to 5 I ' . ill.

0 11

THE

SC II UO L
Y EAR.

II OURS .

V I S I TORS.

T he schools are closed o n S und ays , Th ank sgivin g Day, Chri stmas D ay, New Yea r's D ay,
and W ashington' s Birthday.

HO LI DAYS.

The schools a re under th e immedi ate d irecti o n of th e Faculty, with th e su pe rvisio n o f t he
COl11mittee o n Instru cti o n.

1\1ANAGE-

FROMTI1E. ARCHI'iE.S Of
PENNSYL'JAtHA ACADEMY Of THE FINE ARTS
00 NOT REPRODUCE W.ITHOUT PERMISSIOti

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CO URSES.

Th e Courses of the schoo ls are as fo llows :

CLASSES.
DAY

LIFE AND
HEAD
COURSE.

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nUC T ORS .

D raw ing a nd Paintin g
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from F igure.
Wi lli a m M. Chase.
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Drawing a nd Painting
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fro m H ead.
Wi lli am M. Chase.
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Cecili a Beaux.
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Mode llin g fro m Figure
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a nd Head.
C harl es G raR y.
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f-I e my R. Poore.
Compos iti o n.
<::>1;;)
Henry McCarte r.
Illustrati o n.
Pe rspective Lectures. F ra nk Mi les Day .
G eo rge McC lell an, M.D.
A nato my L ectures.

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CLA SSES.

Drawing from Figure.
Mod ellin g from Figure.
Composition.
Illustratio n.
Perspective Lectures.
Anatomy L ectures .
C L ASSES.

D raw ing from Figure.
Modelling from Figure.
Com pos itio n.
TIlus tratio n.
Perspective L ec tures.
Anatomy L ectures.

DAY

AN TI QUE
COU RSR.

Dmwi ng from Cast.
l' irs t Section.
Second Section.
Sti ll -li fe Painting.
Fi rst Secti o n.
Second Sectio n .
Mod ~ llin g fro m Cast.
Co mpos iti o n.
fIIu strati on .
Perspective Lectures.
A nato m y Lectures.

Drawing fro m Cast.
Modellin g from Cast.
COIllPosition.
IIln s tratio n.
Pers pective L ectures.
Anatomy L ectnres.

I NSTRUC T OHS .

Hu g h H . Breckenridge.
Th ~m as P. J, ns hutz. .
Hn g h H . Brec ke nri dge.
William lVI. C hase.
C ha rl es G ra Ry.
H e nry R. Poore.
Henry McCa rte r.
Frank Miles Day.
Geo rge McClell a n, M.D.

W illiam M. Chase.
Charl es G ra Ry.
Henry R. Poore.
H e nry McCa rter.
Frank l\li les Day.
Geo rge McC lell an, M. D.

\VO~ I EN' S

AFTERNOON
LIFE

COURSE.

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CI.ASSES.

CLASSES .

I NST RU CTORS.

C L ASSES.

D~a w in g fro m Cast.
Drawing from Figure .
Modellin g-.
Proble ms in Des ign .

I NSTRUCTORS.

Thomas P. Anshutz.
Charles G raRy.
H e nry R . Poore .
H e nry McCa rter.
F ra nk Mil es Day.
George McCl e llan,M. D .

!\TEN'S
NIG H T LT I'E
COU RSE.

INSTR UCTORS .

T ho mas P. Anshutz.
C harl es G raR y.
H e nry R. Poore.
H e nry McCarte r.
Frank Mil es Day.
Geo rge McC le ll a n,M . D.

N I G HT
ANT I QUE
COURSE.

1 NSTRUCTORS.

Thomas P. A ns hutz.
Thomas P . A ns hutz.
C harl es CraR y.
Frank IVliles Day.
Wilso n Eyre.
Edga r V. Seele r.

COURSE I N
ARC HITEC TI JHAL
DES I GN .

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COSTUME

SKETCH CLASS.

MR. CHASE'S
TALKS.

ANATOMY
AND PERSPECTIVE..

7

The Costume Sketch Class will be under the
. direction of Mr. Thomas P. Anshutz.

day ot" each month, excepting the months of
June, July, and August. All admissions and
promotions are on probation and subject to
reconsideration at the discretion of the Faculty. Before making application to the Faculty
for transfer from one class to another, students
must secure approval of such application from
the Instructor of the class in which they are
working.
Pupils may enter the schools at any time
during the season, but are not permanently
assigned to classes until the first Faculty
meeting after their entrance.
All applications must be on file the day before tht; meeting of the Faculty.
It is an imperative rule that all work submitted
for examination for any purpose must be signed,
otherwise it wiII not be considered,
To avoid loss, studies must be reclaimed
promptly after examination.
Those desiring to enter the Second Section
of the Day Antique Class must present signed
specimens of their work drawn from the solid
object. Those desiring to enter the Second
Section of the Still Life Painting Class must
present signed specimens of their work painted
from the solid object.
Students will be admitted to the' Life and
Head Classes only by the action of the Faculty
after an examination of their work in Drawing
from the full length figure, either antique or
life.

The talks to students given by Mr. Chase
during the past year have been a feature of the
course, and wiII be continued for the coming
season.
The Lectures on Anatomy and Perspective
begin in the second week of November.
A detailed schedule of classes will be found
on page 18.

ADMISSION
REQUIRE-

MENTS
ELEMENTARY

ANTIQUE
COURSE.

ADMISSIONS.

It is understood that the FirstSections of the
Antique Drawing and Still Life Painting Classes,
with the Night Antique Class, are preparatory
and intended as a suitable introduction to the
higher study of art in the Academy's courses.
Drawings or sketches from the solid object will
be required for admission to the schools. Resident applicants must prepare these in the school
rooms; those living at a distance should forward specimens made for the purpose.
All applications for admission and for promotion to higher classes will be acted upon by
the Faculty, with the concurrence of the Committee on Instruction, at the regular meetings'
held on the Thursday before the last Wednes-

ADMISSIONS.
CONTINUED.

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ADMISSIONS.

CONTINUKD.

NIGHT LIFE

MODELLING.

PARTIAL

COU1lSES..

CONCOUltS-

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Students admitted to a Day Life Class require
no further examination for admission to the
Head Class.
Color work in a Life Class or a Head Class
will be permitted, subject to the approval of the
instructor in charge.
Specimens of modelling of sufficient merit
are required for admission or promotion to the
Life Modelling Classes.
Day Life and Head Course students are privileged to work without extra charge in all the
classes of the schools, including the evening
classes.
Day Antique Course students may work in
the Night Antique Classes without extra charge.

The course in Architectural Design will be
open only to applicants over twenty years of age
who have spent three or more years in the study
of Architecture in an office or school, or both.
Graduates in Architecture, or holders of certificates of special scholarship in Architecture,
from Pennsylvania, Harvard, Columbia, Cornell, or The Massachusetts Institute of Technology will be admitted to the course without
examination. Other applicants must pass examinations in Freehand Drawing, in the History of
Architecture, and in Architectural Design and
Rendering.
The school year beginning October 5, 1903,
will be divided into five periods in Architectural Design, and three periods in Drawing,
Painting, or Modelling in the Antique or Life
Classes.
The Architects of the Faculty will give
weekly or semi-weekly criticisms of the work in
Architectural Design. The work in the An·
tique, or Life Classes, will be under the direction of the Instructors in charge of these
classes.
The school will be open from 5 P.M. to 10 P.M.
every week day.
No work will be accepted unless done in the
schools.
Students are not permitted to work more than
twelve hours in anyone week.

The Night Life Modelling Classes will be
continued unless the attendance should fall
below six in any class.
Students desiring partial courses, including
one or more of the above classes, will be required to make a special application to the
Faculty; but in this case they will not be entitled to the privileges or rates of tuition accorded to those taking the full course.
During the second term general Concours
will be held in all the regular classes on successive dates to be announced.

COURSE
IN ARCHI-

TECTURAL
DESIGN.

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CRESSON
FUNDFOIt

FORRIGN
SCHOLARSHIPS.

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By the terms of the wills of Emlen Cresson
and Priscilla P. Cresson, a Fund has been
created as a Memorial to their deceased son,
William Emlen Cresson, Academician, the income of which is to be applied by The Pennsylvania Academy of the Fine Arts in sending
pupils of merit of the said Corporation to Europe to study art.
For the school year of 1903-1904, the Academy
will thus have at its disposal a number of
Travelling Scholarships for awards to students
of the Schools, in Painting and Sculpture and
in Architecture.
It is expected that five of these Scholarships
of $rooo each will be awarded in May, 1904.
The Scholarships will be granted for two years,
and the term may be extended for a third. year,
this being dependent on the results attained and
shown by the holder of the Scholarship.
The work required each month in the Academy Schools from students in Painting and
Sculpture will be the principal factor in determining the award of these Scholarships. Candidates failing to submit such work will he
ineligible.
Painters will be required to present work each
month in Composition, in drawing or painting
from the Figure, in drawing or painting from
the Head; and to participate in the Concours
and examinations as set fmth below.
Sculptors will be required to present each
month work done in the Life Modelling Class

and a compOSItIOn in clay or wax. They
are required to participate in the Concours and
examinations as set forth below.
The requirements for the Night Classes are
the same as for the Day Classes, but Night Students will not be required to present drawings
from the Head, except in the Concours, which
for them will be held at night. There will be no
Still-life C011COU1'S for night students.
Participation in the annual C011COltrS of both
the Antique and the Life and Head Courses will
also be required from students in Painting and
Sculpture as follows: Drawing from the Fi~lre
on paper of Academy size, Painting from Head,
Modelling from Life, Composition, Drawing
from Cast, and Painting from Still-life. In the
cases of Perspective and Anatomy, there will be
examinations by the Instructors of these classes.
In the School of Architecture the awards
will be based on work in the Life or Antique
Courses as well as upon the Problems in Design.

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The Charles Tappan prizes for the year I9031904 will be, respectively, $500 and $200.
These prizes were established in I88! by the
gift of Mrs. Charles Toppan, Miss Harriette R.
Toppan, and Mr. Robert N. Tappan.
. The prizes will be awarded only to students
who have worked regularly in the Academy
Schools for at least two years, one of which
must be the year of the competition.
Prizes will not be awarded to the same person

CRESSON
FUND FOR
FOREIGN

SCHOLARSHIPS.
CONTINUED.

CHARLES
TOPPAN

PRIZES
$500 AND $200.

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CHARLES
TOPPAN
PRIZES.
CONTlNUED~

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EDMUND
STEWARDSON
PRIZE.

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twice in succession, and not more than twice
in all.
According to the positively expressed terms
of the gift, the drawing of the pictures will
receive the first attention of the judges. The
size of the canvas must not be less than twelve
inches nor more than thirty-six inches.
The works submitted must be original paintings dealing with the subject or subjects named
by the Committee on Instruction, and all works
in competition must be presented on or before
Saturday. May 7. 1904.
The subjects chosen for the year 1903-1904 are
Day Dreams or a \Vindow-Garden.
Pictures receiving the awards will become the
property of the Academy.
No work wiII be accepted without the approval
of the Committee on Instruction, and there is
no obligation to award a prize if in the opinion
of the Committee none of the works submitted
is of sufficient merit.
For these prizes participation in the Concou1's
is not required.

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The Edmund Stewardson Prize of One Hundred DoIlars, in the Department of Sculpture,
will be awarded for the fifth time at the close of
the school year.
This is an annual prize, to be competed for
by present students of the Academy with such
pupils of other art schools as are acceptable to
the Committee on Instruction. Having once re-

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ceived this award, a student becomes ineligible
for future competitions.
The subject for the competition shaIl be a
fuIl-length figure from the Antique or Life,
either in the round or in relief, and wiII be
announced by the Committee on Instruction on
the first day of the competition.
Studies shaIl not be less than two feet six
inches in height and not more than three feet
in height, and shaIl be made within eighteen
hours, during three consecutive days, in six
sessions of three hours each.
Each competitor shaIl privately draw by lot a
number, and shall enclose the same with his or
her name in a sealed envelope to the Secretary
of the Academy. Upon completion of the work
the competitor shaH place a corresponding
number upon the study submitted to the Jury
of Award. \Vhen the subject is in high relief,
position in the competition room shaH be determined by lot. No one except the competitors
shaH be admitted to the competition room at
any time during the days of the competition,
nor shaH any person except the Judges be
present during their inspection of the studies.
The Judges or Jury of Award shall be three
professional sculptors, having no official connection with the Academy, or school or schools
whose pupils may have taken part in the
competition. When the successful number shaIl
have been announced by the Judges, the Secretary shall, in the presence of one or more of

EDMUND
STEWARDSON
PRIZE.
CONTINUED.

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STEWARDSON

III:

CONTINUED.

PRIZE.

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THOURON
AWARDS IN

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COMPOSITION.

the Directors of the Academy, open the sealed
envelopes, and declare the name of the successful competitor. If no study be satisfactory
to the Judges, the prize may, in their discretion,
be withheld; and when no award is made, the
amount of the prize may, in the discretion of
the Board of Directors of the Academy, be
added to the principal of the prize fund, or distributed with future prizes.
The clay models offered in competition must
be kept standing in good condition until other~
wise ordered, and figures cast by the Academy
become its property.
The competition for the year 1904 will take
place on May 23, 24, and 2S.
As Instructor in Composition in the Academy's Schools, Mr. Henry J. Thouron has
founded three Prizes to be awarded annually
in the Composition Class, at the close of each
school year.
The terms of these prizes are as foHows :
One of $so and one of $2S for the two best
groups of not more than three composition
.studies upon subjects given to the class during
the current season; the first to be decided by
the Faculty, the second by a vote of the
students then working in the Schools; and
one award of $so for general progress in the
work, the same to be decided by the Instructor
of the class. These awards are not to be made

twice to the same student, and the same student
not to receive more than one of the awards the
same season. In the event of not making the
annual awards, or any portion of them, the
money is to accumulate until it shaH amount to
the sum of $soo, when it shaH be awarded, by
vote of the Faculty, as the result of a competition in Composition upon a given subject,
to the successful student for a three months'
summer trip abroad, to include certain specified places, and galleries, and for the special
study of Composition.

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THOURON
PRIZES IN
COMPOSITION.

Exhibitions of the Students' work are held
each year in the Fall and Spring.

EXHIBI-

The Travelling Scholarships and other prizes
will be awarded at the opening of the Spring
Exhibition of the Students.

AWARDS.

The income from the various Funqs of the
Academy makes possible low rates of tuition,
as follows:

FEES.

TIONS.

FEES FOR REGULAR COU.RSES.

Day Life and Head Course
Day Antique Course . . .
\Vomen's Afternoon Life
Course . . . . . . . . . .
Men's Night Life Course.
Night Antique Course
Architectural Course. . .

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*$30.00 per term.
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12.00
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Including any Antique or Night Life Cla!'Ses desired.

t Including any Night Antique Classes desired.

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FEES,

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vided by the students, All articles required in
the classes are for sale in the schools at lowest

FEES FOR SPECIAL COURSES.

Painting from Head ..
Drawing from Figure .
Drawing from Antique
Modelling from Life, Day .
Modelling from Life, Late
Afternoon . . . . . . . .
Modelling from Life, Night
Modelling from Antique.
Still-Life Painting
Composition
Illustration .
Perspective .
Perspective .
Anatomy . . .

$25.00

per term.

20.00

~

pri~es.

j

Payments must be made, strictly in advance,
to the Curator.
Blank forms of application and any further
information, may be obtained by addressing
John D. Pierce, Curator of the Schools.

1 5. 00
20.00

1 5. 00
12.00
1 5. 00

BROAD STREET, ABOVE ARCH,

10.00

PHILADELPHIA.

10.00
15·00
5·00
10.00

per course.

10.00

A reduction of twenty-five per cent. from the
above rates will be made to students working
in two courses or two special classes.
No reduction from these rates will be made
on account of absence .
All new stud~nts upon entering the Academy
will be required to pay a Matriculation Fee of

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$5. 00 .

A student's ticket entitles the holder during
and after attendance at the schools to the
use of the Galleries, Special Exhibitions, the
Library, the Print Collectioll, and the Lectures
given from time to time under the auspices of
the Academy.
A payment of one dollar is required for the
use of lockers. Materials for study must be pro.~

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SCHEDULE OF CLASSES.

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TUESDAY.

MONDAY.

'Lifi
omen.s
e
Dra~In!,.
Ii I Men
8 LIfe
Modelhng.
DraWIng from
Cas,t, 1St.
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Dra WIng from
Cast, .d..
IllustratIOn.

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WEDNESDAY.

Women's Life
Drawing.
Women's Life
t Men's Life
Drawing.
Modelling.
Men's Life
Drawing from
Modelllng.
Cast, xst.
Drawing from
Drawing from
Cast rst.
Cast, 2d.
Still-Life Painting,
Miss Beaux's
2d.
Head Class.

1_

12 M.-I P.M., DAILY.

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Men's Life
Drawing.
Women's Life
Modelling.
Modelling
from Cast.

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* Head Class

W~r:~,i~tife

Drawing from
Cast, .d.

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Women's Life
Modelling.
~ Composition.

Women's Life
Drawing.

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Women's Life
Modelling.
Anatomy Lecture,
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P.M.

5 TO 10 P.M.
Men's Life
Drawing,
Drawing from
Cast.

lIfen's Life
Modelling.
Drawing
from Cast.
Modelling
from Cast .

I t Women's
Life I
Drawing.
Women's Life

t Womel!- sLIfe

I

* Head Class.
Drawing from
Cast, 1St.

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t Men's Life ! Drawing.
Drawlflg.
Modelling.
Men's Life
t Men's Life
Drawing from
Modelling.
Modelling.
*** Miss Beaux's
Cast, 1st.
Drawing from
Drawing from I
Cast rst.
Head Class
Cast, .d.
,Still-Life Painting, Costume Sket~h
*** Miss Beaux's \
2d.
!
Class.
Head Class. I

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Modelling.
Still-Life Painting,
Drawing from
1st.
Cast,2d.
Drawing from
Cast,2d.

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SATURDAY.

FRIDAY.

PEN AND PENCIL SKETCH CLASS.

Men's Life

Drawing from
Cast, 1St.

THURSDAY.

Men's Life
Drawing.
Women's Life
Modelling.
Still-Life Painting,
1st.
Drawing from
Cast,2d.

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Head Class.
Modelling
from Cast.

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Women's Life
Drawing.
** Perspective
Lecture.

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Women's Life
Modelling.

Women's Life
Drawing.

ARCHITECTURAL DESIGN.

Men's Life
Drawing,

Menls Life
Modelling.

Men's Life
Drawing.

Drawing from
Cast.

Drawing from
Cast.

Drawing from
Cast.

I
I.

Men's Life
Modelling.
Modelling
from Cast.

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• Held in alternate two weeks from 9 to I. A.M., the Women's Life Modelling and Men's Life Drawing
being substituted from 1 to ~ P ....
N ot held on alternate two weeks when the Head Class meets from 9 to ro A ....
Criticisms on the second Monday of each month at ~ P.M., and on the last Monday of each month at 8 P ....
Held on the tirot and third Thursdays of each month at ~ P ....
..* Held .ach alt.Mlate two ....ks from I to ~ P.... Criticisms monthly.
Held every t ..o ....ks.
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