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List of sculptures with insurance values for the Whitney Foundation. Undated list of sculptures by John Rhoden with insurance values for the Whitney Foundation.
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Correspondence from Charles F. Jones to John Rhoden from April 29, 1955. Correspondence from Charles F. Jones to John Rhoden from April 29, 1955 informing Rhoden that he was not selected to be a Whitney Fellow.
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Correspondence from Hale A. Woodruff to John Rhoden from December 6, 1954. Correspondence from Hale A. Woodruff to John Rhoden from December 6, 1954 agreeing to write a letter to the Whitney Foundation on Rhoden's behalf.
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Correspondence from Robert C. Weaver to George Morrison from October 6, 1954. Correspondence from Robert C. Weaver to George Morrison from October 6, 1954 seeking suggestions for the Whitney Fellowship that was forwarded from Morrison to John Rhoden with a handwritten note informing Rhoden that Morrison gave his name.
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Correspondence from Robert C. Weaver to John Rhoden from May 10, 1950. Correspondence from Robert C. Weaver to John Rhoden from May 10, 1950 informing Rhoden that he was not selected to be a Whitney Fellow.
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Copy of a reference letter from O.M. for the Tiffany Foundation Fellowship on behalf of John Rhoden. Undated copy of a reference letter from O.M. (possibly Oronzio Maldarelli) for the Tiffany Foundation fellowship on behalf of John Rhoden.
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Correspondence from Hobart Nichols to John Rhoden from September 10, 1951. Correspondence from Hobart Nichols, director of the Tiffany Foundation, to John Rhoden from September 10, 1951 praising Rhoden for the quality of his report and discussing Rhoden's work at the American Academy in Rome.
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Correspondence from Emily Kalichstein to John Rhoden from January 6, 1951. Correspondence from Emily Kalichstein, secretary of the American British Art Gallery, to John Rhoden from January 6, 1951 regarding logistics for the exhibition of works by Tiffany Foundation fellowship recipients.
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Correspondence from Ala Story to John Rhoden from November 7, 1950. Correspondence from Ala Story, director of the American British Art Gallery, to John Rhoden from November 7, 1950 asking to include one of Rhoden's sculptures in their exhibition of works by the recipients of Tiffany Foundation fellowships.
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Correspondence from Hobart Nichols to John Rhoden from October 16, 1950. Correspondence from Hobart Nichols to John Rhoden from October 16, 1950 in which Nichols inquires as to why Rhoden failed to respond to his October 5th letter.
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Correspondence from Hobart Nichols to John Rhoden from October 5, 1950. Correspondence from Hobart Nichols to John Rhoden from October 5, 1950 regarding Rhoden's fellowship award of $1000 from the Tiffany Foundation.
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Correspondence from Margaret L. Montgomery to John Rhoden from November 4, 1949. Correspondence from Margaret L. Montgomery of Talladega College to John Rhoden from November 4, 1949 including a copy of a reference letter for the Tiffany Foundation fellowship written on Rhoden's behalf.
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Correspondence from James F. Mathias to John Rhoden from May 22, 1961. Correspondence from James F. Mathias to John Rhoden from May 22, 1961 notifying Rhoden of his Guggenheim Fellowship appointment.
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Correspondence from James F. Mathias to John Rhoden from May 22, 1961. Correspondence from James F. Mathias to John Rhoden from May 22, 1961 notifying Rhoden of his Guggenheim Fellowship appointment.
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Correspondence from Robert Beverly Hale to John Rhoden from December 15, 1954. Correspondence from Robert Beverly Hale, Associate Curator of American Art at the Metropolitan Museum of Art, to John Rhoden from December 15, 1954 in which Hale confirms that he sent a reference letter to the Guggenheim Foundation on Rhoden's behalf.
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Correspondence from John Rhoden to Henry Allen Moe from November 17, 1959. Copy of correspondence from John Rhoden to Henry Allen Moe from November 17, 1959 in which Rhoden asks Moe to reopen his application for the Guggenheim Foundation Fellowship.
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Correspondence from Bernie Weinberg to John Rhoden from October 20, 1954. Correspondence from Bernie Weinberg, professor of art history at Northwestern University, to John Rhoden from October 20, 1954 in which Weinberg enthusiastically agrees to write a reference for the Guggenheim Foundation Fellowship letter on Rhoden's behalf.
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Correspondence from John Rhoden to Professor Oronzio Maldarelli from September 26, 1954. Copy of correspondence from John Rhoden to Professor Oronzio Maldarelli of Columbia University from September 26, 1954 asking if Maldarelli would serve as a reference on Rhoden's behalf for the Guggenheim Foundation Fellowship.
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Draft of reference letter written on John Rhoden's behalf for the Guggenheim Foundation Fellowship from November 20, 1949. Draft of reference letter written by a member of the Talladega College community, possibly Margaret Montgomery, on John Rhoden's behalf for the Guggenheim Foundation Fellowship on November 20, 1949.
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Correspondence from Henry Allen Moe to John Rhoden from November 5, 1945. Correspondence from Henry Allen Moe to John Rhoden from November 5, 1945 informing Rhoden that he will likely be rejected for a Guggenheim Fellowship and suggesting that he reapply the following year.
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Flier for an exhibit and award ceremony for John Rhoden at the Veteran & NYVA Medical Center on February 21, 1995. Flier for an exhibit and award ceremony honoring the work of John Rhoden at the Veteran & NYVA Medical Center on February 21, 1995.
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Newsletter for the Eighteen Horses: Ninety Years of Equestrian Statuary exhibition at the Soldiers and Sailors Memorial Arch in Prospect Park from April 29, 1984. Newsletter for the Eighteen Horses: Ninety Years of Equestrian Statuary exhibition at the Soldiers and Sailors Memorial Arch in Prospect Park from April 29, 1984 including information on the exhibition.
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Correspondence from Robert Doty, curator at the Whitney Museum of American Art, to John Rhoden from May 28, 1971. Correspondence from Robert Doty, curator at the Whitney Museum of American Art, to John Rhoden from May 28, 1971 thanking Rhoden for the loan of Blue Eyes(Indonesian Legend) to the Contemporary Black Artists in America exhibition.
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Correspondence from David Driskell from Talladega College to John Rhoden, September 17, 1956. Correspondence form David Driskell, artist, scholar and curator, who at the time was teaching at Talladega College, to John Rhoden, September 17, 1956, asking for a small work for an upcoming exhibition.
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Correspondence from Harris K. Prior from the Munson Williams Proctor Art Institute to John Rhoden from November 10, 1954. Correspondence from Harris K. Prior from the Munson Williams Proctor Art Institute to John Rhoden from November 10, 1954, asking John to send photos of his work for an upcoming exhibition titled Italy Rediscovered.
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Correspondence from Rufus E. Clement, from Atlanta University Atlanta, GA, to John Rhoden, April 21, 1950. Correspondence from Rufus E. Clement, from Atlanta University Atlanta, GA, to John Rhoden, April 21, 1950 Informing Rhoden that he won the Edward B. Alford Purchase Award for Sculpture.
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Undated correspondence from Stanley Bleifeld from the National Sculpture Society New York to John Rhoden. Undated correspondence from Stanley Bleifeld from the National Sculpture Society New York, NY to John Rhoden, in which Bleifeld informs Rhoden that he has been rejected from an exhibition.
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Correspondence from Margaret Mills from the American Academy and Institute of Arts and Letters, New York to John Rhoden from December 16, 1977. Correspondence from Margaret Mills from the American Academy and Institute of Arts and Letters, New York to John Rhoden from December 16, 1977 in which Mills informs Rhoden that he has been rejected from an exhibition.
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Correspondence from Mary Louise Perkins from the Council on the Arts for Clinton County, New York to John Rhoden from August 17, 1976. Correspondence from Mary Louise Perkins from the Council on the Arts for Clinton County, New York to John Rhoden from August 17, 1976, in which Perkins informs Rhoden that he has been rejected from an exhibition.
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Correspondence from Margaret Mills of the American Academy of Arts and Letters in New York to John Rhoden from December 2, 1975. Correspondence from Margaret Mills of the American Academy of Arts and Letters in New York to John Rhoden from December 2, 1975, in which Mills informs Rhoden that he has been rejected from an exhibition.
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Correspondence from George McMillan, Jr. from Birmingham Museum of Art to John Rhoden from January 24, 1985. Correspondence from George McMillan, Jr. from Birmingham Museum of Art to John Rhoden from January 24, 1985, regarding an exhibition he attended at the museum.
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Correspondence from Sidney Burgess of Birmingham Museum of Art to John Rhoden from January 21, 1985. Correspondence from Sidney Burgess of Birmingham Museum of Art, Birmingham, AL to John Rhoden from January 21, 1985, regarding an upcoming exhibition.
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Correspondence from Sara Crowder of Birmingham Museum of Art to John Rhoden from February 29, 1984. Correspondence from Sara Crowder of Birmingham Museum of Art to John Rhoden from February 29, 1984, regarding an upcoming exhibition.
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Correspondence from Tony Harrison of Birmingham Museum of Art, Montgomery AL to John Rhoden from March 8, 1982. Correspondence from Tony Harrison of the Birmingham Museum of Art, to John Rhoden from March 8, 1982, regarding an exhibition for the following year.
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Correspondence from Richard Murray to John Rhoden from June 24, 1982. Correspondence from Richard Murray to John Rhoden from June 24, 1982, regarding an upcoming exhibition at Birmingham Museum of Art, Birmingham, AL.
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List of works to be borrowed from John Rhoden for Black American Artists at the Los Angeles County Museum of Art in 1975. List of works to be borrowed from John Rhoden by the Los Angeles County Museum of Art in Los Angeles, CA for the 1976 landmark exhibition, Two Centuries of Black American Art. The list includes the titles, dimensions, dates, and values of Rhoden's Population Explosion, Sphere of Life, Confrontation, Richanda, Safari, and Abstraction.
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Undated list of works in a catalogue, likely from the Interchurch Center. Undated list of works in a catalogue, likely from the Interchurch Center Exhibition of works by Richenda and John Rhoden from 1971.
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Correspondence from Robert Redpath, Jr. to the Exhibitions Committee of the Interchurch Center from June 16, 1971. Correspondence from Robert Redpath, Jr. to the Exhibitions Committee of the Interchurch Center from June 16, 1971, inquiring about further information on both John and Richenda Rhoden.
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Correspondence from Shirley Hardin to John Rhoden from April 20, 1955. Correspondence from Shirley Hardin to John Rhoden from April 20, 1955, regarding catalogues from his recent show at the Fairweather-Garnett Gallery and congratulating him on being selected to serve as a specialist for the U.S. Department of State.
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Correspondence from Shirley Hardin to John Rhoden from February 25, 1955. Correspondence from Shirley Hardin to John Rhoden from February 25, 1955, regarding payment for three sculptures.
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Correspondence from Sally Fairweather to John Rhoden from February 1, 1955. Correspondence from Sally Fairweather to John Rhoden from February 1, 1955, regarding two articles from Chicago newspapers about John Rhoden's exhibition.
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Correspondence from Shirley Hardin to John Rhoden from January 13, 1955. Correspondence from Shirley Hardin to Lightning Delivery Service, Inc. from January 13, 1955, regarding the shipment of John Rhoden's sculptures for the upcoming show, two pieces were damaged.
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Correspondence from Shirley Hardin to John Rhoden from January 5, 1955. Correspondence from Shirley Hardin to John Rhoden from January 5, 1955, regarding the sculptures selected for the upcoming show.
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Correspondence from Shirley Hardin to John Rhoden from December 21, 1954. Correspondence from Shirley Hardin to John Rhoden from December 21, 1954, regarding photographs of Rhoden's sculptures for an upcoming exhibition and the price of shipping for a the Caryatids sculpture.
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Correspondence from Sally Fairweather to John Rhoden from October 13, 1954. Correspondence from Sally Fairweather to John Rhoden from October 13, 1954, regarding an upcoming exhibition at the Fairweather Garnett Gallery, the exhibition had been delayed to middle of January 1955 instead of November 14, 1954.
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Correspondence from Sally Fairweather to John Rhoden from September 27, 1954. Correspondence from Sally Fairweather to John Rhoden from September 27, 1954, informing Rhoden of an upcoming studio visit to see his sculptures on October 5 or 6, 1954.
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Correspondence from Leopold Arnaud to John Rhoden from March 10, 1955. Correspondence from Leopold Arnaud, dean of the School of Architecture at Columbia University, to John Rhoden from March 10, 1955, informing Rhoden that he received an invitation to Rhoden's upcoming exhibition at Saidenberg Galleries.
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Correspondence from Jean Blackwell to John Rhoden from June 8, 1949. Correspondence from Jean Blackwell, Acting curator Schomburg Collection at the New York Public Library, June 8, 1949, regarding a need for John Rhoden to send a photograph for an upcoming exhibition.
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Invitation to an exhibition of paintings by Richenda Rhoden and sculpture by John Rhoden on May 28, 1963. Invitation from the Ambassador of the United States of America and Mrs. Jones to an exhibition of paintings by Richenda Rhoden and sculpture by John Rhoden on May 28, 1963 in the Bali Room of the Hotel Indonesia.
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News clipping from the Helsingin Sanomat newspaper from 1965. News clipping of an article about John Rhoden's exhibition at the Finnish-American Association in Helsinki from the Helsingin Sanomat newspaper in 1956.