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1904-1905 School Circular
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Circular
OF
Committee on Instruction
SCHOOLS
OF
THE PENNSYLVANIA ACADEMY
OF THE FINE ARTS
BROAD STREET ABOVE ARCH
PHILADELPHIA
•
FOUNDED 1805
SEASON OF
Note announcements as to Cresson
Fund Scholarships on page 9, and
as to Toppan Awards on page II
Circular
OF
Committee on Instruction
SCHOOLS
OF
THE PENNSYLVANIA ACADEMY
OF THE FINE ARTS
BROAD STREET ABOVE ARCH
•
PHILADELPHIA
FOUNDED r805
SEASON OF
1904- 1905
MA AGEMENT OF THE SCHOOLS.
SCHOOLS OF THE PENNSYLVANIA
fa
ACADEMY OF THE
FACl'LTY.
JOHN H. PACKARD, M.D., Chainllan.
THOMAS P. ANSIIUTZ.
WILLIAM M. CHASE.
CECILIA BEAUX.
CHARLES GRAFLY.
HUGH H. BRECKENRIDGE.
HENRY McCARTER.
HENRY R. POORE.
GEORGE McCLELLA , M. D.
FRANK MILES DAY.
PAUL PHILLIPPE CRET.
EDWARD II. COATES, President, ex officio.
HARRISON S. MORRIS, Managing Director,
190 4- 190
HUGH II. BRECKENRIDGE,
Secretary of the Faculty.
0"
INSTRl"C·
T JOr-;'.
JOHN H. PACKARD, M.D., Chairman.
THEOPHILUS P. ClIANDLER.
HERBERT M. HOWE, M.D.
ROBERT C. H. BROCK.
HENRY Z. ZIEGLER.
EDWARD H. COATES, ex officio.
JOHK D. PIERCE,
Secretary of the Committee.
,
The ninety-ninth year of these schools will
beg-in on Monday, October 3, 1904, and will
con tinu e until Saturday, l\Iay 27, 1905. The
schoo l year is divided into two terms of seventeen wee ks each, the first term beginning
Mond ay, Oc tobe r 3, 1904, a nd closing Saturday,
Ja nu ary 28, 1905; th e second term beginning
Mo nday, Ja nuary 30, 1905, and closing Saturday,
~[ay 27, 1905·
ex officio.
COMMITTEE
FINE ARTS
•
THE
SCHOOL
YEAR.
The schools are open fro m 9 o'clock A.M . ,
until 5 o'clock P.~I., daily, except Su nday.
Afternoon and evening classes are open from
4.30 o 'clock P.~I., until TO o'clock P.~1.
HOURS.
Vis itors a re a dmitted to the schools on ly on
\\'ednesdays and Fridays from 4 to 5 P.M.
VISITORS.
Th e schools a re closed o n Sundays, Thanksgiving Day, Christmas Day, New Year's Day,
and Washington's Birthday.
HOLIDAYS.
The schools are under th e immed iate direction of the Faculty, with the supervision of the
Committee on Instru ctio n.
MANA GE-
MENT.
4
CQURSKS.
The Courses of the Schools are as follows:
CLASSES.
DAY
LIFE AND
HRAD
COURSE .
5
INSTRUCTORS.
Drawing and Painting
William AI. Chase.
from Figure.
Drawing and Painting
William At Chase.
from Head.
Cecilia Beaux.
Modelling from Figure
and Head.
Charles Grafty.
Composition.
H enry R. Poore.
Illustration.
Henry McCarter.
Perspective Lectures. Frank Miles Day.
Anatomy Lectures.
George McClellan, M.D.
CLASSES.
Drawing from Figure.
Modelling from Figure.
Composition.
Illustration.
Perspective Lectures.
Anatomy Lectures.
CLASSES.
Drawing from Figure.
Modelling from Figure.
Composition.
Illustration.
Perspective Lectures.
Anatomy Lectures.
CLASSES.
CLASSES.
DAY
ANTIQUE
COURSE .
Drawing from Cast.
First Section.
Second Section.
Still-life Painting.
First Section.
Second Section.
Modelling from Cast.
Com posi tion.
Illustration.
Pe rspective Lectures.
Anatomy Lectures.
INSTR UCTORS.
.
Hugh H. Breckenridge.
Thomas P. Anshutz.
Hugh H. Breckenridge.
William M. Chase.
Charles Grafty.
Henry R. Poore.
Henry McCarter.
Frank Miles Day.
George McClellan, i\1. D.
Drawing from Cast.
Modelling from Cast.
Composition.
Illustration .
Perspective Lectures.
Anatomy Lectures.
,
CLASSES.
Problems in Design.
Drawing from Figure.
Modelling.
Drawing from Cast.
Perspective.
INSTRUCTORS.
William M. Chase.
Charles Grafty.
Henry R. Poore.
Henry McCarter.
Frank Miles Day.
GeorgeMcClellan, M.D.
WOMEN'S
AFTERNOON
LIFE
COURSE.
INSTRUCTORS.
Thomas P. Anshutz.
Charles Grafty.
Henry R. Poore.
Henry McCarter.
Frank Miles Day.
George McClellan, M.D.
MEN 'S
N IGHT LI FE
COURSE.
•
INSTRUCTORS.
Thomas P. Anshutz.
Charles Grafty.
Henry R. Poore.
Henry McCarter.
Frank Miles Day.
George McClellan, M.D.
NIGHT
ANTIQUE
COURSE.
INSTRUCTORS.
Paul Phillippe Cn§t
Thomas P. Anshutz.
Charles Grafty.
Thomas P. Anshutz.
Frank Miles Day.
COURSE IN
ARCHITECT URAL
DESI GN.
COSTL-;'IIE
SKETCH C LASS.
~1R. CHASE1S
TALKS.
\NATOMY
A::'\D PER-
6
7
The Costu me Sketch Class will be under th e
direction of !\Ir. Anshutz.
promotions are on probation and subject to
reconsideration at the discretion of the FacUlty. Before making any application for transfer
from one class to another, students must have
approval of such application from the Instru ctor
of the class in which they are working.
Pupils may enter the schools at any time
during the season but are not permanently
assigned to classes until the first Faculty
meeting after their entrance.
All applications must be on file the day before the meeting of the Faculty.
It is an imperative rule that all work submitted
for examination for any purpose must be signed,
otherwise it will not be considered.
To avoid loss, studies must be reclaimed
promptly after examination.
Those desiring to enter the Second Section
of the Day Antique Drawing Class must present
signed specimens of their work drawn from the
solid object. Those desiring to enter the Second
Section of the Still-life Painting Class must
present signed specimens of their work painted
from the solid object.
Students will be admitted to the Life and
Head Classes only by the action of the Faculty
after an examination of their work in Drawing
from the full length figure, either antique or
life.
Students admitted to a Day Life Class require
no further examination for admission to th e
Head Class.
The talks to students given by :\1r. Chase
durinothe past year have been a feature of the
b
•
course, and will be continued for the COl1111lg
season.
The Lectures o n Anatomy and Perspective
begin in the seco nd week of November.
SPECTIVE:.
A detailed sched ul e of Classes will be found
on page 18.
ADMISSION
f{
EQL'I R E-
MENTS.
ELEMENT-
ARY
A::'\TIQl"E
COURSE.
ADMISSIONS.
It is understood that the First Sections of the
Antique Drawing and Still-life Painting Classes,
\\·ith the l\'ight Antique Class, are preparatory
and intended as a suitable introduction to the
hio-her stud)· of art in the Academy's courses.
"
Drawings
or sketches from the solid object will
be req uired for admission to the schools. Resident appli ca nts must prepare these in the school
rooms; those livin g at a distance may forward specimens made for th e purpose.
All appli cations for admission and for promotion to higher classes will be acted upon _by
the Faculty, with the concurrence of the Committee on Instruction, at the regular meetings
held on the Thursday before the last \\'ednesday of each month. excepting the months of
June, July, and August. All admissions and
ADMISSIO:NS.
CO~TIr\UED.
AD MI SSIONS .
CO N TINUED .
NIGHT LIFE
MODELLING .
PA RT IA L
COURSES .
8
9
Color work in a Life Class or a Head Class
will be permitted, subject to the approval of the
instructor in charge.
Specimens of modelling of sufficient merit
are required for admission or promotion to the
Life Modelling Classes.
Day Life and Head Course students are privileged to work without extra charge in all the
classes of the schools, including the evening
classes.
Day Antique Course students may work in
th e Night Antique Classes without extra charge.
Faculty by students desiring admission to the
First Section.
The Second Section will consist of students
who have been promoted from the First Section ,
or who have been admitted directly as graduates
of recognized schools of Architecture or as
having equal qualifications.
The work of the students in this course will
consist chiefly of problems in design, but drawing from the antique or life will also be required.
Modelling and Perspective may be included if
desired.
The Night Life Modelling Classes will be
continued unless the attendance should fall
below six in any class.
Shldents desiring partial courses, including
one or more of th e above classes, will be required to make a special application to the
Faculty ; but in this case they will not be entitled to the privileges or rates of tuition accorded to those taking the full course.
CONCQURS.
During the second term general Conc01ws
will be held in all the regular classes on successive dates to be announced.
ARCI-IITECTU-
In the course in Architectural Design the students will be divided into two sections.
The First Section will consist of students who
are not fully qualified for the more advanced
work of the Second Section.
Satisfactory
exampl es of their work must be submitted to the
RAL DESI GN .
By the terms of the wills of Emlen Cresson
and Priscilla P. Cresson, a Fund has been
created as a Memorial to their deceased son,
William Emlen Cresson, Academician, the income of which is to be applied by The Pennsylvania Academy of the Fine Arts in sending
pupils of merit of the said Corporation to Europe to stu d y art.
Under this foundation, there are now abroad
fifteen students holding Cresson Scholarships.
For the school year of 1904-1905, the Academy
will have at its disposal a number of Travelling
Scholarships for awards to students of the
Schools, in Painting and Sculpture and in
Architecture.
These will consist of Long-term and Shortterm Scholarships, the number of each to be
determined by circumstances. The Long-term
Scholarships will be for the period of one year
ARCHITECTURAL DESIGN.
CONTINUE D.
CRESSON
F U ND FO R
F OREIGN
S CH O LARSHIPS .
CRBSSON
FUND FOR
FORE IGN
~SCHOLARSHtPS.
CONTINUED .
10
II
or mo re; the Sho rt-term Scholarships will be
for a period of four months, from June to September, inclu sive.
Of the Short-term S c holarships it is a condition
that students shall re turn to the Academy for
regula r study du ring the following school year,
at the e nd of which it is e xpected that they will
be competitors for Long-term Scholarships.
Participation in the a nnual Concoltrs of bo th
the Antique and the Life and H ead Courses will
also be required from students in Painting and
Sculpture as follows: Drawing from the Figure
on paper of Academy s ize, Painting from H ead,
:'I[odelling from Life, Composition, Drawing
from Cast, and Painting from Still-life . In the
cases of Perspective and Anatomy, there will be
examinations by the Instructors of th ese classes.
In the School of Arc hitecture th e awards
will be based on work in the Life o r Antique
Courses as we ll as upon th e Problems in D esign.
1\
The work required each m Ollth il1 the Academy Schools ./rom students il1 Painting and
Sculpture will be tlie principal./actor ill deferlIliui1lg tlie award 0./ these Scliolarships. Candidates ./ailiug to submit sllch work will be
illeligible.
Pain te rs will be requ ired to present work each
month in Composition, in drawing or painting
from th e Figure, in drawing o r painting from
the Head; and to participate in the COllcoltrs
and exam inatio ns as set fo rth below.
Sculptors will be required to present each
month work done in the Life Mo delling Class
and a composition in clay or wax. They
are required to participate in the COllcoltrs and
examinatio ns as set forth below.
T he requ ire m ents for the Night Classes are
the same as for th e Day Classes, but Night Students will not be req uired to present drawings
from the Head, except in the COllcollrs, which
for them wi ll be held at. nig ht. The re will be no
Still-life COllcours for nig ht stude nts.
•
The Charl es Toppan prizes for the year 19041905 will be, respectively, $400 and $300.
These pri zes were establis hed in I88! by the
gift of Mrs. Charl es Toppa n, l\liss H arriette R.
Toppan, and :'I1r. Robert . Toppan.
The prizes will b e awarded o nl y to students
who have worked regularl y in the Academy
Schools for at least two years, o ne of which
must b e the year of the competition.
Prizes will not be awarded to the sa me person
twice in succession, and not more tha n l\\'ice
in a ll.
According to the positively expressed te rms
of th e gift, the drawillg of the pictures will
receive the first attention of th e judges. The
size of the canvas must not be less than twelve
inc hes nor more than thirty-six in ches.
The works submitted must be origina l paintings d ealing with the subj ect or subjects named
CRESSON
FUND FOR
EU R OPEAN
SCIIQLARSlIIPS.
CONTI:SCED.
•
CHARLES
TOPPAN
PRIZES .
C HARLES
TaPPAN
PRI ZES.
CO :-.'TINUE D.
ED M UND
STEWARDSO N
SCU LPT lJRE
PR IZE.
I2
I3
by th e Committee on Instruction, and all works
in height, and shall be made within eighteen
hours, during three consecutive days, in six
sessions of three hours each.
Each competitor shall privately draw by lot a
number, a nd shall enclose the same with his or
he r name in a sealed envelope to the Secretary
of the Academy. Upon completion of the work
the competitor shall place a corresponding
number upon the study submitted to the Jury
of Award. When the subject is in hig h re lief,
position in the competition room shall be determined by lot. No one except the competitors
shall be ad mitted to the competition room at
any time during the days of the competition,
nor shall any person except the Judges be
present during their inspection of the studies.
The Judges or Jury of Award shall be three
professional sculptors, having no official connection with the Academy, or school or schools
whose pupils may have taken part in the
competition. ~' hen the successful numbe r shall
have been announced by the Judges, th e Secretary shall, in the presence of one or more of
the Directors of the Academy, open the sealed
envelopes, and declare the name of the successful competitor. If no study be satisfactory
to the Judges, the prize may, in their discretion,
be withheld; and when no award is made, the
amount of the prize may, in the discretion of
the Board of Directors of the Academy, be
added to the principal of the prize fund, or distributed with future prizes.
in competition must be presented on or before
Saturday, i\fay 6, I905.
The subjects chosen for the year I904-I905
are Energy a nd Idleness.
Pictures receiving the awards will become
the property of th e Academy.
1\0 work will be accepted without the approval
of the Committee on Instruction, and there is
no obligation to a,,'ard a prize if in the opinion
of the Com mittee none of the works submitted
is of sufficient merit.
For these prizes pa rticipation in the lO1lCOltrs
is not required.
The Edmund Ste wardson Prize of One H und~ed Dollars, in the Department of Sculpture,
mil be awarded for th e sixth time at the close of
the school year.
This is a n annual prize, to be competed for
by present stud ents of th e Academy with such
pupi ls of othe r art schools as are acceptable to
the Committee on Instruction. Having once received this awa rd, a student becomes ineligible
for future competitions.
The subject for the competition shall be a
f~ll-len~h figure from the Antique or Life,
eIther 111 th e round or in relief, and will be
announced by the Committee on Instruction on
the first day of the Competition.
. Studi.es shall not be less than two feet six
1I1ches 111 height and not more than three feet
•
,
EDMUND
STEWARDSON
SCULPTURE
PRIZ E .
CONTIN UED .
•
IS
ED~1U::-.'"D
STE WARDSON
SCULPTURE
PRIZE.
CONTINUED.
AWARDS , ....
COMPOSITIOX
CLASS.
The clay models offered in competition must
be kept standing in good condition until otherwise ordered, and figures cast by the Academy
become its property.
The competition for the year 1905 will take
place on ;\fay 22, 23, and 24.
The following awards, founded by Henry
]. Thouron, a former Instructor in composition
in the Academy Schools, will be made in the
Composition Class at the close of each school
year, the terms of said awards being as follows:
One of $50 and one of $25 for the two
best groups of not less than three compositions
upon subjects given to the class during the current season; the first to be decided by the
Faculty, the second by a vote of the students
then working in the schools; and one of $5 0 ,
~nd one of $25, the first for general progress
111 the study; the second for the work showing,
in its treatment of said subjects, the most poetic,
or best abstract, or idealistic point of view, the
same to be decided by the Instructor of the
class. The same awards are not to be made
twice to the same student.
In the event of not mak ing the annllal awards,
or any portion of them, the money is to accumulate until it shall amount to the sum of $500
when it shall be awarded, by vote of the Faculty:
as the result of a competition in Composition
upon a given subject, to the successful student
for a three months' summer trip abroad, to include certain specified places and galleries, and
for the special study of Composition.
Through the liberality of a member of the
Board of Directors ilnnual prizes of $15 and
$10 have been founded for the best and second
best groups of original studies made from living .
animals. These prizes are open to all students
of the Academy.
AWAR DS IN
COMPOSITION
CLASS.
CONTINUED.
ZOOLOGICAL
PRIZES.
SPECIAL
r-;OTICE.
Exhibitions of lhe Students' work are he ld
each year in the Fall and Spring.
EX HI Bl-
The Travelling Scholarships and other prizes
will be awarded at the close of the second
term.
AWARDS.
The income from tlJe varIOUS Funds of the
Academy makes possible low rates of tuition,
as follows:
FEES.
FEES FOR REGULAR COVRSES.
Day Life and Head Course
Day Antique Course
Women's Afternoon Life
Course.
Men's Night Life Course
Night Antique Course
Architectural Course
. * $30.00 per term.
'r
15. 00
"
t 15·00
t 12.00
"
12.00
10.00
"
"
'
.
• Including any Antique or Night Life Classes desired.
t Including any Night Antique Classes desired.
TIO~S.
17
16
FEES .
CO NTINUED.
FEES FOR SPE:CIAL COURSES.
Painting from Head
Drawing from Figure .
Drawing from Antique .
Modelling from Life, Day.
Modelling from Life, Late
Afternoon
Modelling from Life, Night
Modelling from Antique
Still-life Painting.
.
. Composition
Illustration .
Perspective.
Perspective
Anatomy
$25.00
per term.
15. 00
"
"
20.00
"
20.00
Payments must be made, strictly in advance,
to the Curator.
Blank forms of application and any further
information, may be obtained by addressing
John D. Pierce, Curator of the Schools.
BROAD STREET, ABOVE ARCH ,
15. 00
12.00
15. 00
10.00
10.00
[5. 00
5. 00
10.00
TO.OO
"
"
"
"
"
"
"
per course.
"
No reduction from these rates will be made
on accou nt of absence.
All new students upon entering the Academy
will be required to pay a Matriculation Fee of
five dollars.
A student' s ticket entitles the holder during
and after attendance at the schools to the use of
the Galleries, Special Exhibitions, the Library,
the Print Collection, and the Lectures given
from tim e to time und er the auspices of the
Academy.
A payment of one dollar is required for the
use of lockers. Materials for study must be
provided by the students. All articles required
in the classes are for sale in the Schools at
lowest prices.
PHILADELPHIA.
.
.
•
.
-
~
- -~.
.
SCHEDULE OF CLASSES.
MONDAY.
W omen's Life
Drawing.
Men's Life
Modelling.
Drawing from
l!
~
"I.
l!
Cast,
<
t.St.
Drawing from
Cast, zd.
e Illu stration.
0-
\V EONESDA V.
TUESDAY.
2 \Vomen's Life
Drawing.
:.! Men's Life
Modelling.
Drawing from
Cast, 1St.
Drawing from
Cast , 2d .
5Miss 8el\ux's
H ead Class.
\Vomen's Life
Drawing.
Men's Life
Modelling .
Dra wing from
Cast, 1St.
Still-Life P a inti ng,
2d.
12 M.-t P.M . , DA ILY .
~
... ,..
00
~
"
.
M en's Life
Drawing.
\V omen's Life
Modelling.
Modelling
from Cast.
I
Modelling.
Still-Life Painting,
Drawing from
Cast.2d.
~
0
'"
~
b
'"•
.
~
~
n
"I
~
\V a m en's Li fe
Mod elli ng.
a Co mpositi o n .
\Vomen's Life
M od ellint
An a t o my
cture,
\V a men' s Life
D rawing .
4- 5 P.M .
M e n's Life
Drawin g .
Dra wing from
Ca st.
Men' s Life
Mod elling.
Dra win g
fr om Cast.
fttf od ellin g
from Cast.
--
Drawing from
Cast,
1St.
\Va men's Life
Drawin g .
" P e rs p ect ive
Lec ture.
--
D ra wing fr o m
Dra wi ng fr om
Cast.
Drawing from
Ca st.
1 2 A .M . ,
H ead Class.
<
'"
~
•I
-
M odelling
from Cast.
\V amen's Life
Drawing.
\Vemen' s Life
Mod elling .
Men's Life
Drawing.
~ H eld in . ait ernate two weeks from 9 to
"I
l!
~
Drawing from
Cast, 2d.
.M en' s Life
M od e ll ing .
Ca st.
I
1 St.
I
~
--
Life
D ra wing .
~l e n' s
I
H ead Class.
:I
--
1\1en's Life
Drawint
Women's ire
Modelling.
Still- Life Painting.
Drawing from
Cast, 2d.
1St.
~
I
I
Drawing.
\V emen's Life
Drawing from
Cast, 2d.
\Vomen's Life
2 \Vomen's Life
\V omen's Life
Drawing.
Drawing.
Drawing.
2 l\len's Life
!! ~{en's Life
~fen's Life
Modelling.
Modelling.
~Iodelling.
Drawing from
Drawing from
Cast, :1St.
5 Mi ss Beaux's
Cast ISt.
Drawing from
Head Class.
'Still-Li fe Painting, Costume Sketch
Cast,2d.
S Miss Beaux's
Class.
2d.
Head Class.
2
AND PENCI L SKETCII CLASS.
l\ieD's Life
Head Class
Drawi ng from
Cast, 1St.
PEN
I
SATURDAY.
FRIDAY.
THURSDAY .
I
l!
~
~
""~
.
Men's Life
. M odelling.
~
Modelling
from Cast.
~
0
I
the \V om en ' s Life M od ellin g a nd l\'len 's Life Drawing
b el,* subs tituted fro m t to 4 P.!\l.
e ot held on a lt ernate twO weeks when th e H ead C lass meets fro m 9 to 1 2 A .M .
a Criticis ms on the second Monday of each month at 4 P.M., a nd on the last M o nday of ea ch month at B,'. M.
4 H eld on th e firs t and third T hursdays of each month a t 4 P .M .
a Held each alterna te two weeks from 1 to 4. P.M. Cr iticisms monthly
6 H eld every tw o weeks.
.
~
1
•
,
,
THE
PENNSYLVANIA ACADEMY
OF THE FINE ARTS
I
COURSE IN ARCHITECTURAL DESIGN
I
The Academy announces that through the co-operation of the
University of Pennsylvania and of the T Square Club, the course
in architectural design will be conducted as herein described.
The members of the Academy Faculty giving instruction in
this course will be:
Paul Phillippe CrN, Architectural Design; Thomas P. Anshutz.
Drawing from the Antique and Life: Charles Grafly, Modelling:
Frank Miles Day, Perspective.
The class is divided into two sections:
THE FIRST SECTION consists of persons of either sex who,
while not mere beginners, are still unprepared for advanced work.
Admission to the First Section will be obtained by the submission
of satisfactory examples of work to the Faculty.
THE SECOND SECTION may be entered by promotion from
the First Section. A graduate of a recognized school of architecture
or a student submitting evidences of equivalent qualification may be
admitted directly to the Second Section.
The following work will be done at the Academy: Drawing
from the antique or life, modelling, perspective, and in architectural
design, all nine-hour sketches.
For the convenience of students who are members of the T
Square Club, it has been arranged that all work in architectural
design, other than nine-hour sketches, may be done at the T Square
Club House. These students have formed a self-governing organization, to be known as the T Square Atelier of the Pennsylvania Academy
of the Fine Arts, and have elected Professor CrN as their patron.
Professor Cret's criticisms will be given at the rooms of the Club.
Students of this course who are not members of the T Square
Club will have facilities for doing their work in architectural design
at the Academy or the University as they may elect.
attend the criticisms at the Club.
They will
The problems in architectural design wi\l be identical in time
and subject with those given for the competitions held under
the auspices of the Society of Beaux-Arts Architects.
Students
desiring to send their work to New York for criticism and award in
the above-named competitions, will be at liberty to do so.
Through the bequest of Emlen and Priscilla P. Cresson, the
Academy is enabled to award annually to its students, certain
scholarships of the value of one thousand dollars per annum and
certain others of the value of five hundred dollars, tenable for four
months.
Students of the Course in Architecture are eligible for these
scholarships. The award is not made as the result of a special
competition, but is based upon the work of the entire year. No
student, however, will be considered who submits less than two
plan problems, three sketch problems, one archreology problem, and
three examples of work in modelling or in drawing from the
antique or life, done in three separate months.
By arrangement with the Managing Committee of the John
Stewardson Scholarship in Architecture, the problem for the competition for that scholarship will be identical in time and subject with
one of the more important problems of the Academy's course, so
that students of that course, if otherwise properly qualified for the
Stewardson competition, may take part therein by simply performing
their regular work.
It is also expected that arrangements will be made by which
the graduates of the School of Architecture of the University of
Pennsylvania, who are students in the Academy course, may take
part in the competition for the Alumni Fellowship by submitting in
competition one of the regular problems of the Academy course.
All students must enroll at the Pennsylvania Academy of the
Fine Arts and pay their dues of ten dollars per term (twenty dollars
per annum) to the Curator, receiving a membership card, without
which no student will be admitted to the classes. Those who have
not previously been students of the Academy or members of the
T Square Atelier, will be required to pay the Academy's matriculation fee of five dollars.
