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1910-1911 School Circular
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eng
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SCHOOL CIRCULAR
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THE
PENNSYLVANIA ACADEMY
OF THE FINE ARTS
BROAD STREET ABOVE ARCH
,
PHILADELPHIA
!
ONE HUNDRED AND FIFTH YEAR
SESSION
OF
1910-1911
I
MANAGEMENT OF
THE PENNSYLVANIA ACADEMY OF THE
FINE ARTS
PRESIDENT
JOHN FREDERICK LEWIS
VICE-PRESIDENT
CLEMENT B. NEWBOLD
HO NORAR Y VICE-PRESIDENT
"There is no such thing as a dumb
poet or a handleJI painter.
E. BURGESS WARREN
The eJIence
DIRECTORS
of an artist is that he should be articulate. "-SWINBURNE.
THEOPHILUS P. CHANDLER
ALFRED C. HARRISON
HERBERT M. HOWE, M.D.
CLARENCE C. ZANTZINGER
GEORGE II. McFADDEN
GEORGE D. WIDENER
CLEMENT B. NEWBOLD
T. DEWITT CUYLER
EDWARD T. STOTESBURY
CHARLEMAGNE TO\\"ER
THEODORE N. ELY
ARTHUR H. LEA
FRANK H. CAVEN
TREASURER
GEORGE H. McFADDEN
SECRETARY AND l\lANAGER
JOHN E. D. TRASK
CURATOR OF THE SCHOOLS
CHARLES F. RAMSEY
INDEX
Ja
P AGE
MANAGEMENT OF ACADEMY
FACULTY.
.
• .
. .
.
•
.
HISTORY AND AIM . .
•
.
3
6
ACADEMY'S MEDAL ROLL.
9
14
SCHOOL CALENDAR.
.
.
•
17
ROSTER OF CLASSES
.
6r
COURSES OF INSTRUCTION
DRAWING AND PAINTING (ANTIQ UE )
•.
. .
DRAWING AND PAINTING ( LIFE AND HEAD )
SPECIAL CLASSES (COSTUME SKETCH CLASS )
Mrss BEAUX'S CLASS .
.
.
.
. .
.
.
.
MR. PEARSON'S CLASS (COMPOSITIUN )
DR. MCCLELLAN'S (ANATOMY )
MR. DAY'S (PERSPECTIVE )
ILLUSTRATION DEPARTMENT
31
37
FEES (SUMMARY)
41
RULES OF SCHOOL (GENERAL )
41
SCULPTURE DEPARTMENT.
CLASS-ROOM RULES
.
.
•
51
..
TRAYELLING SCHOLARSHlPS
43
43
TOPPAN PRIZES
45
SCHOLARSHIPS AND PRIZES .
.
..... .
THOU RON PRIZES IN COMPOSITlON
47
STEWARDSON PRIZE IN SCULPTU RE
47
ZOOLOGICAL PRIZES
49
49
DRAWING PRIZE
.,
...
ApPLICATION FOR AD~IrSSrON .
HONOR ROLL
. . . . .
•
•
57
64
Club of Philadelphia, 1<)07; First Corcoran Prize, Washington Water Color
C lub,Iq08. Member of ~he International Jury of Award s, World's Fair, SI.
LOUIS , r904. Instructor 111 Drawing and Painting.
CECIUA BEAUX, LL D .
THE FACULTY OF THE SCHOOLS
HERBERT M. HOWE, M.D.
. .
Chairman, ex officio, as Chairman of the Committee on Instruction of the
Board of Directors.
THOMAS P. ANSHUTZ.
Born in Newport. Kentucky, October 5, 18SI. Studied at the Academy of
Design, New York, Pennsylvania Acadel~IY of the Fine Arts, and in Paris
under Doucet and Bouguereau. Instructor 111 the Schools slllee 188r; Honorable
Mention Art Club of Philadelphia, r9Ol; Silver Medal, SI. Louis Exposition,
1904' Walter Lippincott Prize, The Pennsylvania Academy of the Fine Arts,
1<)09; Gold Medal of Honor The Pennsylvania Academy of the Fine A~ts,
'909; Member Philadelphia Water Color Cl ub, and Academy Fellowship;
Instructor in Drawing and Painting.
GEORGE McCLELLAN, M.D.
Born in Philadelphia, October 29, 1849. Attended the University of Penn·
sylvania, Jefferson Medical College, graduated M.D., 1870; Fellow of the
College of Physicians of Philadelphia; author of Regional Anatomy in ils
Relation to Medicine and Surgery, and of Anatomy in its Relation to Art;
Professor of Applied Anatomy in Jefferson Medical College; Past President of.
the Contemporary Club; President of the Philadelphia Medical Club; Vice·
president of the Philobiblon Club; Instructor in Anatomy.
CHARLES GRAFLY.
Born in Philadelphia, December 3, r862. Studied in the Spring Garden
Institute, Philadelphia, Pennsylvania Academy of the Fine Arts, and in Paris.
Pupil of Ecole des Beaux·Arts , and of Chapu , Dampt, Bouguereau, and
Fleury. Member Society of American Artists. Honorable mention, Paris Salon,
1891; Medal, World 's Columbian Exposition, 1893; Medal, Atlanta Exposition, 1895; Pennsylvania Academy of the Fine Arts Gold Medal of Honor,
1899; Gold Medal, Exposition-Universelle, Paris, 1900; Gold Medal, PanAmerican Exposition, Buffalo; Gold Medal, Charleston Exposition, 1<)02;
Member of the International Jury of Awards, World's Fair, SI. Louis, 1<)04;
Member of the National Academy of Design, the Architectural League of
New York, the National Institute of Arts and Letters; Member and former
Vice-President the National Sculpture Society. Instructor in Sculpture.
HUGH H. BRECKENRIDGE.
Born ill Leesburg, Virginia, October 6, 1870. Secretary of the Faculty
and Instructor since 1894. Studied ill the Schools of the Pennsylvania
Academy of the Fine Arts, and under Bouguereau, Ferrier, and Doucet in
Paris. Awarded First Toppan Prize Pennsylvania Academy, and European
Scholarship. Member of the Jury for Pan-American Exposition , Buffalo',
Member the Philadelphia Water Color Club; the New York Water Color
Club; the Pennsylvania Academy Fellowship; Honorable Mention Paris
Exposition, '900; Medals , Pan-American Exposition, Buffalo, 1901, and Atlanta
Exposition, 1895; Corcoran Prize, WaShington, D. C., 1<)03; Gold Medal, Art
[61
,
. Born in Philadelphia, Pa. Studied at the Pennsylvania Academy of the
FlIle Arts. ~upil of William Sartain, Philadelphia, and the Julian and Lazar
Sc:hools, Pans. Awarded Mary Smith Prize, Pennsylvania Academy of the
FlIle Arts, 1885, 1887, 1891, and 1892; Gold Medal, Art Club of Philadelphia
1893; Dodge Prize, National Academy of Design, New York, 1893; Bronz~
Medal, Carnegie Instit ute, PittSburg, 1896; First Class Gold Medal, Carnegie
Institute, '900; Temple Gold Medal, Pennsylvania Academy of the Fine
Arts, '900; Gold Medal, Exposition-Universelle, Paris, 1900; Gold Medal,
Pan·American Exposition. Buffalo, H)OI; First Corcoran Prize , Society of
Washington Artists, 1<)02; Gold Medal, Universal Exposition , SI. Louis, 1<)04.
Member of the National Academy, New York, and the Societe Nationale des
Beaux Arts, Paris; Fellow of the Pennsylvania Academy of the Fine Arts,
Philadelphia; Honorary Member of the Philadelphia Water Color Club, etc.
Honorary Degree, Doctor of Laws, University of Pennsylvania, 19QR.
Instructor in Drawing and Painting.
FRANK MILES DAY.
Born in Philadelphia, April 5, 1861. B.S., University of Penllsylvania,
1883, studying architecture there as well as for three years in Europe. Fellow and Past President of th e American In stitute of Architects; H on.
:\1ember Royal Institute of British Architects; Trustee , Ameri can Academ y
in Rome; Member American Philosophical Society and National Institute
of Arts and Letters. Instructor in Perspective.
HENRY McCART ER.
Born in Norristown, July 5,1865. Studied in the Pennsylvania Academy
of the Fine Arts and under Puvis de Chavannes, Bonnat, :M erson, Courtois,
Rixens. Member Art Students' League, New York. Illustrato r on Scribner'S ,
Century, and other magazines. Instructor in Illustration.
JOSEPH T . PEARSON, Jr.
Born in Germantown, Philadelphia, February 6, 1876. Studied in the
Pennsylvania Academy of the Fine Arts and under J. Alden Weir. Instructor
in Compositioll and in Drawing and Pailltillg.
DANIEL GARBER.
. .
Born in North Manchester, Indiana, April " , 1880. Studied III the Art
Academy of Cincinnati, and in the Pennsylvania Academy of the Fine Arts.
Awarded First Toppan Prize Pennsylvania Acaden~y, 1904: and Cressol:
Travelling Scholarship, 1<)05-1<)07; First H allgart~n Pnze, NatIOnal Academ}
of Design, 1909. [nstru ctor in Drawing and Pamtlllg.
THE PENNSYLVANIA ACADEMY
OF THE FINE ARTS 1910-1911
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The Pennsylvania Academy is the oldest school in America devoted exclusively to the cultivation of the fine arts.
During the hundred and more years of its existence it has
aided in the training of many of the men and women whos~ names
are the most illustrious on the pages of American Art. Among its
f?rmer students are eminent painters-figure, landscape, and manne-mural decorators, illustrators, and sculptors of national reputation. In fact, its history is in no small measure the history of
American Art itself.
The School is under the immediate care of a Curator and
Committee on Instruction appointed by the President and Board
of Directors, together with a Faculty composed of representative
artists of the day, men of wide experience as teachers and eminently
qualified to discover and develop every latent talent which students
may possess.
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The aim of the Academy is not only to supply the best facilities
for the study of the Fine Arts in general, but also by means of regular courses of study to equip its students for any special line of
artistic work which they may desire to follow.
It wastes no time in preparing its students for admission to its
courses of study, but, presupposing that they have received primary instruction already, engages them at once and exclusively in
the study of the F ine Arts and bends all its energies in this direction alone.
It especially aims to instruct its students in co~rect Drawing,
and some of its largest prizes are based upon :hlS fun?amen~al
requisite to graphic art. It aims, furthermore, to lIlstruct ItS pupl.ls
in Color its harmony and contrast, and to create and de~elop 1Il
them a ~orrect color sense, also in composition, in perspective, and
in every other essential to a comprehensive study of the fine arts.
Lectures of general and special interest are given during th e
nd the students may attend them without extra charge.
year, a
[9]
The Academy's Permanent Collection of paintings and sculpture
is an important adjunct to the students' regular work.
The Permanent Collection of paintings and sculpture includes
the G allery of National Portraiture, the Temple Collection of
Modern American Paintings, and the Gibson Collection, which is
largely composed of works of the Continental schools.
Copying in th e galleries is permitted to students under reasonable regulations.
,
.1
The Annual Exhibitions held h y the Academy bring together
• •
the best examples of American painting and sculpture, and enable
the student to follow intelligently the various movements of
modern art, and study the technical methods by which the art of
the day is achieving its results. These t:xhibitions have been
recognized for many years as being the foremost in America.
During the past year they included:
An Exhibition of Water Colors composed of 362 examples
representing 121 different artists;
An Exhibition of Miniatures composed of 145 examples representing 78 different artists, and including also examples of foreign
miniaturists;
An Exhibition of Architecture by the T-Square Club of Philadelphia and the Philadelphia Chapter of the American Institute of
Architects, composed of 293 items, and representing 88 architects ; and finally,
The Academy's 105th Annual Exhibition of Oil Paintings and
Sculpture, composed of 495 paintings and 112 sculptures, and
rt:presenting a total of 370 artists. This Exhi bition was opened to
public view for six weeks and \ isited by 61,420 people.
The Academy is equipped in every way to teach the technique of Painting and Sculpture.
.
The instruction it afford s is fully eq ual from a technrcal standpoint to that obtainable in Europe. Its Faculty, collections, ~aller
ies, class-rooms, and eq uipment of models and casts are admIrably
fitted for their purpose.
TRA YELLING SCHOLARSHIPS
,
As far as instruction is concerned there is no .necessity ~J~at
ever for the student to leave America, but, by the h~eral provISIOn
of the wills of Emlen Cresson and Priscilla P., his wife, a fund has
[rr]
been created, as a memorial to th eir deceased son, William Emlen
Cresson, Academician, the income of which is to be applied by
the Academy in sending its most meritorious students to Europe.
The income is divided into scholarships of $500 each, awarded to
the students impartially upon the merits of their work.
if)
During the last year twenty-three students were awarded $500
each and sent abroad for a period of four months, from June to
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September inclusive, thereby enabling them to return to the
Academy during the fall and continue their studies .
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OTHER PRIZES
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Besides the Cresson scholarships, other substantial prizes are
offered to students as hereafter stated, and every incentive held out
to them to develop their talents to the uttermost.
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The Academy building is located in the heart of Philadelphia
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within one square of the City Hall and within two or three blocks
of the central city railroad depots. While it is convenient to the
business portion of the city, it is also readily accessible to th e
residential districts, and students can obtain good board at reasonable rates. Philadelphia is often called" The City of H omes,"
and of all the greater American cities it is probably the most
worthy of the name. Houses can be purchased or rented upon
easy terms, and apartments and studios obtained by the year or by
the month upon fair and reasonable rat es. The cost of living
is low.
The city contains, in addition to the Academy's ga llery, a
number of notable collections of paintings which are accessible to
students. Among the more important may be mentioned: The
Wilstach Collection in Fairmount Park; The Lankenau Collection at the Drexel Institute; the historical paintings of the
Historical Society of Pennsylvania, and of Independence Hall;
the collections of John G. Johnson, of Peter A. B. Widener, and
of the late William L. Elkins.
THE ACADEMY'S MEDAL ROLL
1893
1894
1895
1896
I898
1898
1899
190 1
1902
Academy Gold Medal of Honor
D. Ridgway Knight
1903 John S. Sargent
Alexander Harrison
1904 John W. Alexander
William 1\1. Chase
r90 5 William T. Richards
Winslow Homer
1905 Violet Oakley
Edwin A. Abbey
1906 Horatio '''Talker
Cecilia Beaux
1907 Edward W. Redfield
Charl es Grafly
1908 Edmund C. Tarbell
Henry J. Thouron
1909 Thomas P. Anshutz
James A.]\lac leill Whistl er
1884
1885
1887
1888
1889
1890
1891
1892
1894
1894
1!l95
1895
18 96
1896
1897
1897
Temple Gold Medal
George W. Maynard
1898 Wilton Lockwood
Charles Sprague Pearce
18 98 Edward F. Rook
Clifford Provost Grayson
1899 Joseph DeCamp
Charl es Stanley Reinhart
1899 Childe Hassam
Ann a Elizabeth Klumpke
1900 Ceci lia Beaux
William Henry H o we
1901 William M. Chase
Abbott H. Thayer
1902 Winslow Homer
Henry S. Bisbing
1903 Edward W. Redfield
James A.l\IacNeill Whistle r I 904 Thomas Eakins
John S. Sargent
1905 J. Alden \V eir
Edmund C. Tarbell
1906 Eugene Paul Ullman
John H. Twatchtman
1907 Willard L. Metcalf
Gari Melchers
1908 Frank W. Benson
J. Humphreys Johnston
1909 Frederick P. Vinton
George DeForest Brush
19 10 Howard Gardiner Cushi ng
John W. Alexander
Temple Silver Medal
18 3 Willi am Thomas Trego
1889 Arthur Parton
1884 Thomas Hill
1890 Edward L. Simmons
1885 William T. Richards
1891 Kenyon Cox
188 7 Alexander Harrison
I892 George Inness
1888 Howard Russell Butler
[I4J
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Walter Lippincott
1894 William Sergeant Kendall
190 3
1895 Edmund C. Tarbell
1904
18 96 William L. Picknell
190 5
r897 A lbert H erter
190 5
1898 James Jebusa Shannon
1906
1899 John W. Alexander
1907
00
19
Henry O. Tanner
I 908
01
19
Charles H. Davis
1909
1902 ' Valter MacEwen
1910
1879
1880
1881
1882
1883
1884
1885
1887
1888
1589
1890
189 1
1892
1894
1895
Prize
Frank \\'. Benson
]\larry Cassatt
Alexa nde r Stirling Calder
T . W. Dewin g
Chi Ide H assam
Marion Powers
James R. Hopkins
Thomas P. Anshutz
J. Alden W eir
Mary Smith Prize
Susan I-I. ]\Iac Dowell
1896 Elizabeth H. Watson
Catharine A. Janvier
1897 Elizabeth F. Bonsall
Emily Sartain
18<)8 Caroline Peart
Mary K. Trotter
1899 Carol H. Beck
Emily Sartain
1900 i\[ary F. R. Clay
Lucy D. Holme
1901 Janet Wheeler
Cecilia Beaux
1902 Elinor Earle
Cecilia Beaux
1903 Jessie '<\' il 1cox Smith
Elizabeth F. Bonsall
1904 Lillian l\I. Genth
Elizabeth W. Roberts
1905 Elizabeth Shippen Green
Alice Barber Stephens
1906 Alice Mumford
Cecilia Beaux
1907 Mary Smyth Perkins
Cecilia Beaux
1908 E li zabeth Sparhawk Jones
Maria L. Kirk
1909 :\1 artha \V alter
Gabrielle D. Clement5
1910 Alice rum ford Roberts
Jennie Sesnan Gold Medal
1907 Ernest La II"son
1903 yv. Elmer Schofield
1908 Ed\l'ard L. Warner
1904 Colin C. Cooper
1909 Theodore Wend el
1905 Edward \\T. Redfield
1910 Chi Ide Hassa m
1906 Albert L. Groll
Carol H. Beck Gold Medal
1910 Adolphe Borie
J909 John S. Sargent
,,
Char Ies W . B ec,
k Jr 0, Prize ( Water Color Exhibition)
l\[axfield Parrish
I goB
1905 Joseph Lindon Smith
I909 Ernest L. Blumenschein
06 Henry McCarter
19
19 07 Elizabeth Shippen Green
[ISJ
CALENDAR
One Hundred and Fifth Year Begins October 3, 19 10
T he school year is divided into two terms of 17 weeks each.
The first term will begin Monday, October 3, 1910, and close
January 28, 1911 ; the second term will begin Monday, January 30,
19 Ir , and close Saturday, May 27, 19II.
The schools are open from 9 o'clock
da il y except S unday.
A.M.
until 5 o'clock
Afternoo n and e\'ening classes are open from
until 10 o'clock P.iI!.
6.30
o'clock
P.M.
P.M.
V isitors are admitted to the school on Wednesdays and Fridays
fro m 4 to 5
P.M.
The schools are closed on Sundays, Thanksgiving Day, Christmas Day, New Yea r's Day, and Washington's Birthday. During
Christmas week the schools will be open, but no living models
wi ll be hi red nor criticisms given.
C. Leo;.,lie Thmsher
DRAWING (ANTIQUE), '910
THE COURSES OF INSTRUCTION
DEP ARTMENT OF ORA WING AND PAINTING
Dr~~~~ Courses ?f Instruction are divided into Departments of
gl and PaIntll1g; of Sculpture; and of lIIustration
In
eac Il of t lese depart men t,s t I
"IS certaIn prescribed work ' h' h
lere
must be ~one, but the departments are closely allied, the adv:l~~d
studel~ts 111 each being not only allowed but also recomm ended to
work In the others,
,
•
The general method of instruction is by criticism of the work
done, but the individuality of the student is not repressed by
fixed methods.
The aim is to help the student to observe accurately and record
truthfully what he sees, and as he sees it.
ANTIQUE COURSE
I n order that students who have had little or no training in
drawi ng may pursue their stllcl ies uncler the easiest conditions
and advance naturally to higher work, a preparatory Antique
Course is conducted, which includes drawing from the cast, draw[19]
Samuel Phillips
DRAWING (ANTIQUE), '910
1
ing a~d painting from still life, and lectures upon composition perspective,
.
I and anatomy. It comprises the folio'
wmg c Iasses,' and
gives t le student a comprehensive ran ge of study.
CLASSES
INSTR UCTORS
Drawing from Cast
Every morning and afternoon
.
'
every I1Ight
Composition
Hugh H. Breckenridge
Assisted by
Daniel Garber
Joseph T. Pearson, Jr.
Still-life Drawing and Painting
Monday, Wednesday and Friday afternoons
Perspective Lectures
Anatom y Lectures
Hugh H. Breckenridge
Assisted by
Joseph T. Pearson, Jr.
Frank Miles Day
George IcClellan,]\f. D.
Requirements for Admission
For admission to th e Antique Course drawings or sketches
from the solid object in any medium are required, and app licants
may prepare these in the school-rooms or forward examples made
for the purpose.
The Fee for the Antique Course
The fee for the Antique Course is $50 per term, the payment of
which fee entitles the student to work in the morning, afternoon, or
night, or a ll three.
5al1l uel Phillips
DRAWING (ANTIQUE), 19 '0
l
THE LIFE AND HEAD COURSE
The Life and H ead Course comprises all the advanced classes
in drawing and painting, and includes drawing and painting from
the Human Figure, and drawing and painting from the Head, and
from Sti ll Life, and lectures upon Composition, Perspective, and
An atomy.
I
It co mprises the fo ll owing classes:
CLASSES
Craig Johns
DRAWING (LIFE),
I910
,
Drawing and painting from the Figure.
For women, every morning, for men,
every afternoon, and for women,
Tuesday, Thursday, and Saturday
even ings, a nd for men, Monday, \Vednesday, a nd Friday nights
Drawing ancl painting from the Heacl.
For men, Tuesday, Thursday, and
Saturday mornings .. . . . . . . . .
For women, Tuesday, Thursday, and
Saturday afternoons . . . . . . . . . .
IN STR U CTOR S
Thomas P. Anshutz
assisted by
Daniel Garber
Thomas P. Ans hutz
Hugh H. Breckenridge
[23]
CLASSES
Drawing and painting from Still Life.
Monday, Wednesday, and Friday
afternoons
Drawing and painting from the Head.
Criticism dates to be announced during the term
Composition
Perspective Lectures
Anatomy Lectures
INSTRUCTORS
Hugh H. Breckenridge
assisted by
Joseph T. Pearson, Jr.
Cecilia Beaux
Joseph T. Pearson, Jr.
Frank Miles Day
George McClellan, M.D,
Requirements for Admission
Students will be admitted to the Life and Head classes only by
the action of the Faculty after an examination of their work in
drawing from the full-length figure, either antique or life.
\
)
(
Cra ig Johns
DRAWING (LIFE), '9 '0
The Fee for the Life and Head Course
The fee for the Life and Head Course is $50 per term, the
payment of which fee entitles the student to work in the Antique
Course, the Life Course, and the Classes in Sculpture, without
extra charge. Students in drawing and painting are recommended
to do a certain amount of modelling.
SPECIAL CLASSES
Costume Sketch Cia..
A Costume Sketch Class will be conducted throughout both
terms. It will meet on each Saturday morning between nine
o'clock and noon, and on each Tuesday night between seven and
ten o'clock. Sketches from the living model are made in black
and white, or in color. Members of any other class in the school
may attend the Costume Sketch Class without further charge. At
the close of each session the work of the students will be reviewed
by the instructor, on Tuesdays by 1\1r. Anshutz and on Saturdays
by 1\1 r. Pearson.
Samuel Phillips
PAINTING (LIFE), '9 10
. fob]' ect of this class is to teach .the
to.
TIle c Ilie
. student
h
h draw
readily, and grasp quickly, the whole compOSItIOn s own 1m, as
an ill ustration of character.
Miss Beaux's Class
Some time during the school year, Miss Beaux will conduct a
Portrait Class for members of the Life and Head Course. No
extra charge is made for this class.
Mr. Pearson's Class in Composition
Supplementary to the semi-monthl y criti cisms of compOSItIons,
by Mr. Pearson, there will be throughout the year special talks on
constructIOn and self-expression. The prin ciples of arrangement
in deco rative and pictorial compositions will be explained and
di scussed. No extra charge is made for this class.
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DRAWING (ANATOMY) , J909
Dr. McClellan's Lectures on Anatomy
The Lectures o n Anatomy begin in the second week of November, and a re open to students of any course ~ithout ~xtra cha rg~ ,
They are illustra ted with the stereopticon, wIth drawings made l~
the resence of th e class by the instructor, and als~ ~y means 0
~'
odel They fully cover the subject of artIstic anatomy,
t Ile IVlllg m
.
[29J
I
DEPARTMENT OF SCULPTURE
Ch T~e Classes in sculpture will be under the direction of Mr
ar es GraAy, and are as follows: For men every mornin . fo~
~rvohmen every afternoon; and for men and women every TU~~day
ursday, and Saturday night.
'
DRAWING
(ANATO~IY). 1910
Mr. Day's Lectures on Perspective
The Lectures on Perspective begin about the first week in
December, and are illustrated by drawings made in the presence
of the class. They are open to students of any course without
extra charge.
MODELLING, '9'0
,
I
I
The work of the Classes in sculpture consists of modelling from
the living model, generally in the round, but occasionally in relief,
and from both the full-length figure and the head only.
In addition to th e work from life, each student is required to
present two sketch-models of sculptural themes, when directed by
the Instructor. On these the stud ent will receive individual monthly criticism throughout th e balance of the school-year, in order to
develop the original themes to their fullest extent, as if the subjects
were to be finally execllted in full size.
Requirements for Admission
,
.
bo)
Specimens of modelling of sufficient merit are required for admission to these classes.
Students not sufficiently advanced for admission to life classes
are offered facilities for modelling from the antique cast, and as
soon as they have acquired sufficient proficiency to admit them to
hfe classes, they are immediately promoted without the payment
of any further fee.
Some practical knowledge of the use of clay and a true conception of form in the round are of manifest advantage to both painter
and illustrator.
Students in sculpture are permitted to work in th e drawing- and
painting classes and recommended to work therein , but admission
to the life drawing classes is, for sculptors, subj ect to th e same
req uirem ents as for painters.
The Night Class meets from 7 to 10 p.m. The work in this
class is identical with that done in the Day Classes except that the
working hours are less.
The Fees for Sculpture Classes
The fee for the Classes in Sculpture is $so per term. Students
are allowed to work in the Day Classes or Night Classes or in both
without further charge .
•
•
Albin Polasek
SCULPTURE,
19 10
DEPARTMENT OF ILLUSTRATION
The Class in Illustration will be under the direction of Mr. Henry
~cCart~r. Its purpose is to provide for the student such practical
l.nstruc~lOn as will enable him upon the completion of the course to
~mmedl~tely enter the professional field of magazine and book
~ llustrau.ng, ~ecorative and newspaper work. Instruction is given
In drawmg, III com position, and in the technique of all mediums
-pen, charcoal, black and white, tempera and oil.
Requirements 'for Admission
Students must have had some preparatory work in drawing to be
eligible for admission.
0
H
'"-
Students are admitted upon the exhibition of satisfactory work
to the Faculty.
H
(fJ
(fJ
...:
....l
u
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0
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t-<
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~
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....l
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,
•
The Class in Illustration will meet daily thr0ughout the school
year. Special rooms are set aside for their use.
The class draws from the living model. Individual criticism
is given with special regard to the illustrator's requirements, and
completed illustrations are made to subjects assigned to the class.
Upon the announcement of each of these subjects a general class
talk follows, and upon the completion of the work there is both
individual and general criticism.
In addition to the regular class work Lectures are given during
the yea r by practical specialists upon the various processes of
reproduction for the purpose of printing, and students are instructed
to work with the particula r process in view which is to be employed
to print their illustration.
Students in Illustration are permitted to compete for the Cresson
TraveIlin <Y Schola rships, and from those who do compete a certain
amount of work in the Life Classes is required. Admission to the
life drawing classes is subj ect, however, to the same requirements
from illustrators as from painters.
The successful result of the general art training given in the
Academy Schools, and the special training they give in illustration, are shown by the large number of Academy students who
have achieved distinguished success in the field of illustration.
I
The Fee for the Illustration Class
The fee for the Class in Illustration is $50 per term.
Illustrators will be required to present each month work done
in the Illustration Class and to participate in such Concoltrs and
examinations as may be announced during the season. Under the
direction of their Instructor, they are also required to do life-class
work in drawing and are entitled to attend the Life Classes ann the
Still-Life Classes without extra charge. They are likewise entitled
to attend the Lectures on Composition, Perspective, and Anatomy.
SUMMARY OF FEES
PER TERM
Antique Course
Life and H ead Painting Course
Illustration Course
Modelling Course,
$5 0
50
50
50
Locker rent, one dollar PER TERM.
The payment of $50 per term (togethe r with the matriculation fee of $5) cove rs
all the tuition fees.
(No extra charge is made on account of models. )
NOTE-All new students must pay in addition to the above fees a matriculation fee of five dollars.
Tuition fees will not be refunde d on account of absence.
GENERAL RULES OF THE SCHOOL
No student under sixteen years of age is eligible for admission.
R egular attendance by students of any course is not compulsory,
but no reduction from these rates will be made on account of
absence.
Gertrude Monoghan
ILLUSTRATlON CLASS ,
1910
A ll new students entering the Academy will be required, in
addition to the fees stated herein , to pay a matriculation fee of
five dollars, and the sum of one dollar PER TER~[ for the use of a
locker.
No other fees whatever are required from students. Materials
for study must be provided by the studen ts.
All articles required in the classes are for sale in the schools at
lowest prices.
A detailed schedule of classes will be found on page 6I.
,
SCHOLARSHIPS AND PRIZES
Travelling Scholarships
By the wills of Emlen Cresson and Priscilla P. Cresson, a Fund
has been created as a Memorial to thei r deceased son, William
Emlen Cresson, Academician, the income of which is to be applied
by The Pennsylvania Academy of the Fine Arts in sending pupils
of merit to Europe.
During the past year the Academy sent abroad twenty-three
pupils. There were 16 painters, 2 sculptors, and 5 illustrators.
1
•
,
j
The awards are divided among the various branches of instruction taught in the Schools, based upon the number of pupils
in each Course as one factor, and the standard of the work as
another factor. The award consists of $500 to each student, to be
expended in foreign travel and work, within the limits of the
Scholarship.
It is the intention of the Cresson Scholarships to give to the
students of the Academy the advantage of seeing some of the
important Galleries and Art Schools abroad, and the Academy
desires to extend the benefit of the Scholarships to as many
students as possible, provided they possess the necessary merit.
The trip abroad is limited to the summer vacation, a period of four
months, from June to September inclusive, so that students can
return to the Academy for study during the ensuing school year .
The Board of Directors, upon the recommendation of the Committee on Instruction, may, in case of exceptional merit, permit
a student to compete for the Cresson Scholarships again, or
lengthen the term to be allowed in foreign travel.
During the past year seven students were sent abroad for the
second ti me.
No student will be awarded a Cresson Scholarship who has not
studied at least two years in the Academy in the regular course in
Drawing and Painting, or in Sculpture, or in Illustration.
Plan of the Competition
II . Willard Urtlip
ILLUSTRATION CLASS,
19 10
The w01-k required each month in the Academy. Scltools .fr~m
sli&dellts in Painting, Sculpture, and Illustration, Will be tlte prl1lcipal .factor in determining tlte award o! tlles~ S~!t.olarsllips.
Candidates .failing to submit such work Will be l1leizglble.
[43]
:~inte:s will be required to present work each month in ComposItion,
. d rawlng
.
"
fm drawing or painting from the F'Igure, In
or
pamtl~g .rom the Head, and to participate ill such Concours and
exammatlOns a~ may be announced during the season.
. Sculp~ors will be required to present each month work done
m the Life Modelling Class. They are required to participate in
such Concours and examinations as may be announced during the
season.
THE CHARLES TOPP AN PRIZES
David E. Kornhallser
FIRST TOPPAN PRIZE, '9'0
The Charles Toppan prizes for the year 1910-19II will be
respecti vely, $300 and $200, and two honorable mentions of $I~
each.
These prizes were established in 1881 by the gift of Mrs. Charles
Toppan, Miss Harriette R. Toppan, and Mr. Robert N. Toppan.
The prizes will be awarded only to students who have previously received a Cresson Scholarship and who have been ill
regular attendance during the year of competition.
Any student having received one Toppan prize is debarred
from afterwards receiving another Toppan prize of the same or
lower value.
The work submitted must be original paintings, the unaided
work of the student without criticism, and all work in competition
must be presented on or before Saturday, April 29, I9 I I.
The subject selected for this year is "a scene or view in Fairmount Park, including one or more figures." No student may
submit more than one picture and the size of the canvas submitted must not be less than twelve inches nor more than thirty-six
inches in e ither dimension.
According to the positively expressed terms of the gift the
drawing of the pictures will receive the first attention of the
Judges. Pictures receiving awards will become the property of
the Academy.
Pictures shall be numbered by the Curator, and a memorandum
of the number and artist's name kept in a sealed envelope (no list
of numbers being kept), which shall be opened after the prize-winning pictures have been selected by the Committee on InstructIOn.
No signatures or ciphers shall be placed on canvas. or stretcher,
so that as far as possible the identity of the competitors shall be
kept secret while the competition is under way.
No work will be accepted without the approval of the CO?1mittee on Instruction, and there is no obligation to award a ~nze
if, in the opini on of the Committee, none of the works submitted
is of sufficient merit.
[45]
THE THOURON PRIZES
The following awards, founded by Henry J. Thouron, a former
Instructor in Composition in the Academy Schools, wi ll be made
at the close of each school year, the terms of said awards being
as follows:
o
A prize of $50 for a group of not less th an three compositions
upon subjects given to the class during the current season, and a
prize of $25 for a second similar group, the first to be decided by the
Faculty, the second by a vote of the students then working in the
Schools; and one of $50 and one of $25, the first for general progress
in study, the second for the work showing, in its treatment of said
subjects, the most poetic, or abstract. or idealistic, point of view,
the same to be decided by the instru ctor of the class. The same
awards are not to be made twice to the same student.
In th e event of not making th e annual awards, or any portion of
them, the money is to accumulate until it shall amount to the sum
of $500, when it shall be awarded, by vote of the Faculty, as the
result of a competition in Composition upon a given subject, to the
successful student for a three months' summer trip abroad, to include certain specified places and galleries, and for the special
study of Composition.
THE EDMUND STEWARDSON PRIZE
The Edmund Stewardson Prize of One Hundred Dollars, in the
Department of Sculpture, will be awarded for the eleventh time at
the close of the school year.
This is an annual prize, to be competed for by present students of the Academy with such pupils of other art schools as may
be approved by the Committee on Instruction. Having once received this award, a student becomes ineligible.
The subject for the competition shall be a full-.lengt~ figure
from the Antique or Life, either in the roun~ or 1I1 relIef, and
will be announced by the Committee on InstructIOn on the first day
of the Competition.
.
Studies shall not be less tha n two feet six inches in heIght. al~d
not more than three feet in height, and shall be. made. wlthll1
eighteen hours, during three consecutive days, in SIX seSSIOns of
three hours each.
d h II
Each competitor shall privately draw by lot a number, an s a
enclose the same with his or her name in a sealed envelope to the
Secretary of the A cademy. Upon completion of the work the
[47J
comp~titor shaH place a corresponding number upon the study
su~mttted. ~o t~e Jury of Award. When the subject is in high
reltef, pOSItion In the competition room shaH be determined by lot.
No one except the com petitors shall be admitted to the competition
room at any time during the days of the competition, nor shall any
person except the Judges be present during inspection of the studies.
The Judges or Jury of Award shall be thre~ professional sculptors, having no official connection with the Academy, or school or
schools whose pupils may have taken part in the competition.
When the successful number shall have been announced by the
Judges, the Secretary shall, in the presence of one or more of the
Directors of the Academy, open the sealed envelopes, and declare
the name of the successful competitor. If no study be satisfactory
to the Judges, the prize may, in their discretion, be withheld, and
when no award is made, the amount of the prize may, in the discretion of the Board of Directors of the Academy, be added to the
principal of the prize fund, or distributed with future prizes.
The clay models offered in competition must be kept standing in
good condition until otherwise ordered, and figures cast by the
Academy become its property.
The competition for the year 191 I will take place on March 20,
21, and 22.
ZOOLOGICAL PRIZES
From the income of the John H . Packard Fund established by
the children of the late John H. Packard, M.D., fo r many years
chairman of the Academy's Comm ittee on Instruction, annual
prizes of $30 and $20 will be awarded for the best and secon~ groups
of original studies made from living animals. These pnzes are
open to all students of the Academy.
THE PRIZE IN ORA WING
From the income of a fund established by. William K. RamborO'er Esq. as a memoriallo his sister, Aspasla Eckert Ramborger ~ wl~o for 'some years was a stud ent of the Academ:r' an AnIlua~
Prize of $25 will be awa rded for the best c1ra\\'111g 111 black an
white of a head from life by a pupil of the Academy who has not
been und er instructi on over two years.
Adolph W, Blondheim
PAINTING (LIFE),
1910
CLASS.ROOM RULES
Hours
The Schools will be opened for day classes at 9 o'clock a.m.,
al~d closed at 5 o'clock p.m., and for the Women's Evening
LIfe Class from 6.30 p.m. to 9.30 p.m. Exceptions to this rule will
be made on the dates of the sessions of the Composition Class.
At 6-45 o.'clock p.m. the Cherry Street entrance will be opened
for the evenmg classes, which continue until 10 o'clock p.m.
Holidays
The Schools are closed on Sundays, Thanksgiving Day, Christmas. Day, New Year's Day, and Washington's Birthday. During
Chnstmas week the Schools are open, but living models are not
hired, nor are criticisms given.
Visitors
The school-rooms are open for the inspection of visItors on
Wednesday and Friday afternoons, from four until five o'clock.
Students will not be called from the class-room unless in the
judgment of the Curator the matter is of urgent importance.
Students at work must not be disturbed.
No one will be permitted to remain in any of th e class-rooms
during study hours except the regular members of the class who
are doing the special work of that class.
Students are expected to be self-governing, and to k1l0W alld
obey tlte rules 0./ tlte Scltool ./rom principles 0./ Itonor.
Violation 0./ the rules will result in sllspellsion or dismissal./rom
the School.
Any conduct unbecoming a student is a violation of the rules,
but subject to this general provision the students are allowed every
reasonable liberty.
The property of other students must not be used without the
owner's knowledge and consent.
Monitors
lIenry L. Wol fe
PAINTING (LIFE),
1910
It shall be th e duty of the monitor to maintain order and, if
necessary, to report to the Curator any interference with the
work of the class.
Monitors shall se tl t' th I
and ventilated.
e la
e c ass-rooms are kept properly lighted
Th
.
of I e monitor of each class shall have charge of the model and
t le class-room during the session,
Life Classes
L"f Rcegular members only of the Life Classes are permitted in the
e lass rooms during the study hours.
Members of Life Classes must under no circumstances
.
speak
to models who are posing.
I
r
Positions in the Class-Rooms
Students w~o ar~ .not present at the hour when classes begin
must. take their positions in order of arrival. No student will be
permitted to select and reserve a position for one who is absent.
Monthly Review of Work
f
,
....
'
I )a\ id Fink eig reen
PAl TTl G (COMPOSITIO;.J ). 19 '0
Students are expected to submit at rnontllly w ter vals the work
done in all classes dm"ing that month. The studi es thus collected
will be classified and put up for exhibition in the class-rooms.
There will be at the same time a general review of the work of
each class by the respective instructor. A record of the work so
exhibited will be kept for use in determining the standing of
students at the end of the season, and for awarding prizes or
scholarships. Studies cannot be r ecorded or accepted for exhibition
unless presented at the Owatoy s desk within the following time
limits .For a morning review,
2 . 00 p. 11&. of tlte previolls day.
For an afterrlOon review, 9 .JO a. m. of the same day.
For an eveni1lg review, I 2.00 11001l, of the same day.
Students failillg to exltibit their work Wit/lOut presenting a
reasonable exCltse will be ineligible for tlte Cresson Scholarslzip
competition. Drawings will not be accepted when rolled or when
not carefully" fixed." Paintings must be thoroughly dry, and all
work must be signed witlt the student's fidl name and the name of
tlte class in which tile work was done. The studi es marked by th e
instructor are reserved by the Academy; to prevent loss, the others
should be reclaimed at the close of the criticism.
Care of Drawings and Materials
Work reserved by the various instructors should be reclaimed at
the close of the Students' Spring Exhibition. Studies not called
for by the beginning of the fall term will be destroyed.
Locker rent, one dollar PER TERM.
OCC1tPa1l~S lockers will be held responsible for damage done
to same Willie Ut their possession.
St~d~nts are cautioned not to leave personal property of any
descnptIOn about the school-rooms, as the Academy will in no case
be responsible for the loss of articles from the rooms or lockers.
All personal property should be marked with the owner's name.
The lockers are large steel closets fitted with combination locks,
a ne! students are expected to keep them closed.
Students will not be permitted to leave canvases, drawingboards, or other materials about the school-rooms, but must place
them, when not in use, in the racks especially provided for the
purpose.
01
Moving of Casts, etc.
Students must not move the casts, ('xcept those in the Antique
Modellin/{ Room. Any change desired in the position of casts or
other objects must be authorized by an instructor or the Curator,
and carried out under his direction.
The monitor in charge shall superintend and approve all
arrangements (]f still-life objects, but students desirous of having
any partiwlar subject a1Tanged may do so by reporting to the
monitor, 011 lIfonday mornings 01liy.
Plaster Casting
Casting in plaster will not be permitted in any of the schoo~
rooms. A special room will be assigned for this work upon applIcation to the Curator.
Lunch-Rooms
Luncheon must not be eaten in th e school-rooms.
rooms are provided in the basement.
.~
Lunch-
Sketching in Galleries
Students may sketch from the works in the Perm.anent Coll~c
tion of the Academy, but copies mllst not be made without speCial
permission from the management.
Library
v
-<=
Students may have free use of the Library on application to
the Librarian. The boo ks are not intended for olltslde use, and
must not be taken from the room.
Zoological Garden Tickets
Annual tickets for the Zoological Gardens may be obtained at
a small charge on application to the Curator.
[55J
APPLICATION FOR ADMISSION TO
THE SCHOOL
All applications for admission and for promotion to higher
classes WIll be acted upon by the Faculty, with the concurrence of
th e Committee on Instruction, at the regular meetings held on the
Thursday before th e first Monday of each month, excepting the
months of June, Jul y, and August. Students may enter the Schools
or be promoted to higher classes at any time during the season,
but a ll admissions and promotions are on probation and subject to
reco nsideration at the discretion of the FaCUlty. Before making
a ny application for transfer from one class to another, students
must have approval of such application from the instructor of the
class in which th ey are working.
All applications must be on fi Ie the day before the meeting of
the Faculty.
It is an imperative rule that all work submitted for examination
for any purpose must be signed, otherwise it will not be considered.
To avoid loss, studies must be reclaimed promptly after
examination.
Partial Course
Stud ents des iring partial courses, including one or more of the
above classes, will be required to make a special app lication to
the Faculty and Committee on Instruction; but in this ca~e they
wi ll no t be entitled to the privileges accorded to those tak1l1g the
full course.
All stud ents in any course who have not previously been students of the Academy will be required to pay the Academy's
matri culation fee of $5.
A student's ticket entitles the ho lder during attendance at the
Schools to the use of the Galleries, Special E.xhibitions, .the
Library, the Print Collection, and the Lectures gIven from time
to time under the auspices of the Academy.
Nina B. Ward
PAINTING (PORTRAIT),
I9IO
Payments must be made, strictly in advance, to the Curator.
NO ALLOWANCE WHATEVER WILL BE MADE ON ACCOUNT OF
ABSENCE.
Assistance in se
.
b d
.
cunng oar or rooms will be given upon
request. Th~ cost of living in Philadelphia is not high and suitable
accommodaho
. h'
,
.
. ns Wit m reasonable distance of the Academy are
readily obtamable, for both men and women
t 'Ion an d any further
' .mformatlOn
. regard. Blank forms of a
pprIca
mg the Schools may be obtained by addressing
BROAD STRRET,ABOVE ARCH,
PHILADELPHIA.
I
H elen A. Fl eck
PAINTING (PORTRAIT),
19 10
,
CHARLES F. RAMSEY,
Curator of the Schools.
To the students in the Schools the Academy's Reference Library
and Galleries are free.
The permanent collection of paintings and sculpture, including
the Gallery of National Portraiture, the Temple Collection of
Modern American Paintings, and the Gibson Collection, largely
made up of works of the Continental Schools, is of great value
as an assistance to study.
Copying in the Galleries is permitted under reasonable regulations.
Students are also given free access to the many current exhibitions which the Academy holds each year. These, and especially
the Annual Exhibition of Oil Paintings and Sculpture, are a source
of inspiration and a valuable index to the trend of artistic thought.
o
"a·
SCHEDULE OF CLASSES
MONDAY .
---
'">
TUESDAY.
WEDNESDAY.
FRIDAY .
--
SATURDAY.
Antique Class.
An tiq ue Class.
An tiq ue Class.
Women's Life Class. Women's Life Class. Women's Life Class.
Men's Head Class .
Illustration Class.
Illustration Class.
Illustration Class.
An tiq ue Class.
Antique Class .
Women's Life Class. Women's Life Class.
Men's Head Class .
Illustration Class.
Illustration Class.
Men's Modelling
Class .
Men 's Modelling
Class.
Men's Modelling
Class.
'--
Men's Modelling
Class.
12-I2,30 P.M. DAILY.
Antique Class. 2d . Antique Class . 2d .
Men's Life Class.
Men's Life Class.
Still Life Class. .d. Still Life Class. ,st.
Women'sHead Class.
Illustration Class.
Illustration Class.
Women's Modelling W omen 's Modelling
Class.
Class.
-.:..:
Perspective Lecture
'"o
w
I
'"wo
THURSDAY.
4-5 P. M.
Antique Class.
Men's Life Class.
Still Life Class. 1St.
..
"
"
2d.
Illustration Class.
Women's Modelling
Class.
Antique Class.
I
Antique Class.
Men's Life Class.
Antique Class. .d.
Men's Life Class
Still Life Class 1st.
"
"
..
2d.
Women's Head Class.
Illustrat ion Class .
Illustration Class.
Women's Modelling W omen's Modelling
Class.
Class .
Antique Clas".
Men's Life Class.
'"
>
I s:
J:;
STUDENTS' PEN AND PENCIL SKETC H CLASS.
I
I
!J:
~11
Women'sHead Class. '"
Illustration Class.
i<:
Women's Modelling .
Class.
Anatolny Lectu re,
4-5 P.M.
Women's Life Class.
IMen's Life Class.
Men's Modelling
Class .
Antique Class.
Women's Life Class.
Men's Head Class.
Illustration Class.
Costume Sketch
Class.
Men's Modelling
Class.
Antique Class.
Costume Sketch
Class.
Modelling Class .
Women's Life Class .
Antique Class.
Men's Life Class.
Antique Class.
Modelling Class.
Women's Life Class.
NOTE:
Com posi tien Class
Hours for Semimonthly c riticism
announced fro m
month to month.
s:'"
An tique Class.
Antique Class.
Men's Life Class.
'"
?
'".;.o
~
..,
I
~
Modelling Class.
I
.s:..,
o
As a temporary home for the Art Student
Philadelphia has un i que advantages .
Known as the" City of Homes," it affords
good living at a lower cost than is possible
in any other large city in the East.
In historical interest it is rich, and its
suburbs, easy of access, offer unusual
chance for out-of-door work. Opportunities
for general culture are varied and the
Academy is fortunately able to secure
special rates for its students to many of the
lectures and concerts given each season.
The Academy itself is centrally located
and within short walking distance from it
are good boarding-places. The two principal railroad stations are each within five
minutes' walk.
Recognizing that a comfortable living
place is an aid to serious study the management invites correspondence with students
from a distance and offers freely its information and aid.
Donald Blake
DRA WING,
1910
HONOR ROLL
1909-1910
AWARDS MADE MAY, 1910
SOME OF OUR FORMER STUDENTS
CRESSON TRAYELLING SCHOLARSHIPS
$500 awarded to each of the following
PAINTERS
* ANNIE T. LANG
* EDGAR L. PEARCE
* COR:-'ELIA BAXTER BARl' S
* SAMUEL PHILLIPS
* 1 ATIIANIEL ]. POUSETTE
LEOPOLD G. SEYFFERT
ADOLPH
'iV.
M.
ELENORE PLAISTED ABBOTT
C. LESLIE THRASH ER
CLIFFORD ADDAMS
GERTRUDE MONAGHAN
SCULPTORS
* BEATRICE FENTON
* CLYDE C. BATHURST
BLONDHEIM
ILLUSTRATORS
HELEN A. FLECK
JULIET
MILLARD M CGEE
HOWARD F. WHISLER
ROBERT N. LIENHARD
WHITE
ROSAMO:-'D R. J UNKIN
THOMAS P. ANSHUTZ
A.
MARGARETTA ARCHA11BAULT
VERNON HOWE BAILEY
MILTON BANCROFT
ALBERT W. BARKER
CECILIA BEAUX
JOHN J. DULL
THOMAS EAK.INS
WILLIAM J. EDMONDSON
F.
FRANK
ENGLISH
FLORENCE ESTJ!
WILSO" EYRE
RICHARD BLOSSO~1 FARLEY
STEPHEN
J.
CHARLES
H.
FERRIS
FROl\fUTH
CAROL H. BECK
A.
LOUIS BETTS
CHARLES L. FUSSELL
SALVATORE
F.
BILOTTI
B.
FROST
DANIEL GARBER
EDW ARD C. T REGO
HENR Y S . BISBING
WALTER GAY
JOSEPH FILEMYR
ROBERT BL UM
ALBERT D. GIHON
ALICE B. D OUGHTEN
J OHANNA M. BOERICRE
CLAREl'iCE M. GIHON
MARY E. H OPK I NS
BARUCH M. FELDMAN
EDWIN A. As BEY
ELIZABETH
F.
B ONSALL
W. W. GILCHRIST, JR.
ADOLPH BORIE
WILLIAM J. GLACKENS
ALEXANDER BOWER
CHARLES GRAFLY
J O HN]. B OYLE
CLIFFORD P . GRAYSON
SUSAN H. BRADLEY
ELIZABETH SHIPPEN GREEN
HUGH H. BRECKE"RIDGE
11RS. MARY HEARN GRIME S
HARRY BRICK
ESTHER M. GROOME
DAVID E. KORNHAUSER (rst Prize)
ISAAC BROOME
JOHN MCLURF. HAMILTON
NANCY M. FERGUSON (2nd Prize)
MRS. CHARLOTTE H ARDING BROWN
ALEXANDER HARRISON
ANNIE T. LANG (Honorable Mention)
CHARLES
l\lRS . l VIE MCGUIRE
* Awarded for the second time.
THE CHARLES TOPPAN PRIZES
N ATHA
-IEL
J.
POUSETTE (Honorable Mention)
THE HENRY J. THOURON PRIZES
HENRY L. WOLFE
MILTON V. BREITMA YER
VINCENZO PALMISANO
NANCY M. FERGUSON
F.
BROWNE
HELEN E. DOBBINS
EMILY C. BISHOP ( H onorabl e Mention)
CATHERINE
EVERETT L. BRYANT
ROBERT HENRI
MARY B UTLER
ELLA S. HERGESHEIMER
ALEXANDER S. CALDER
PA ULA B.
MRS. NANETTE LEDERER CALDER
LUCY D. HOLME
ARTHUR B . CARLES, JR.
TH OMAS SHIELD S CLARKE
KATHERINE
M.
EARL L. POOLE (rst Prize)
ELIZABETH F. G. FORBES (2nd Prize)
[64J
HARRISON
HIMMELSBACH
HELEN C. HOVEN DEN
ALBERT HUMPHREYS
M ARY CASSATT
COHEN
JOHN R. CONNER
COLIN CAMPBELL COOPER
KENYON Cox
WILLIA M EMLEN CRESSON
THE JOHN H. PACKARD PRIZE
N.
GEORGE ELMER BROWl'iE
GABRIELLE DEV. CLEMENTS
THE EDMUND STEWARDSON PRIZE
BIRGE HARRISON
MA RGARET CROWELL
CHARLES E. DANA
N I COLA D'AsCEKZO
GEORGE WALT ER DAWSON
BLANCHE D,LLAYE
PARKE C. DOUGIIERTY
FREDERICK JAMES
DAVID WILSON JORDAN
JAMES P. KELLY
\V.
SERGEANT KENDALL
H.
MIHRAN
FRANK
D.
KEVORKIAN
LEBRUN
KIRKPATRICK
RIDGEWAY KNIGHT
AUGUSTUS KOOPMAN
JAMES R. LAMBDIN
ALBERT LAESSLE
JOHN LAMBERT, JR.
CHARLES ROBERT LESLIE
WILLIAM
H.
LIPPINCOTT
[65J
SOME OF OUR FORMER STUDENTS (Continued )
EMILY
HENRY MCCARTER
SARAH Yocu~1 ~l cFADDEN
ELLEN .:\fACULEY
ANNA LEA ~r ERRITT
LESL I E
W.
~l ILLER
:-lORRIS M OLARSKY
W . ELMER SCHOFIELD
C HRISTIAN SCHUSSLE
EVERETT SHINN
WALTER SH I RLA W
MARIANNA SLOAN
THOMAS :MORAN
WILLIAM T. SMEDLEY
~ I ULLER
SA'IUEL ~I URRA Y
FREDERICK NUNN
VIOLET OAKLEY
GEORGE OSERTEUFFER
J E SS m
'WILLCOX SMITH
MR S. ALI C E
C HA RLE S
BARBER STEPHENS
H.
STEPHENS
E D M U ND STEWARD SON
TH O MA S S U LLY
AMY OTIS
HE"RY
SAM U EL SARTAIN
J O HN SL O AN
PETER ~ r ORAN
D . C.
SARTAIN
B.
PANCOAST, JR .
).r AX FIELD PARR ISH
O.
HE N R Y
TANNER
EMILY DRAYTON TAYL O R
'V.
~lRs. ALICE CORSON PA TTON"
F R ANK
JOSEPH T . PEARSON, JR.
P AU L
CAROLIXE PEART
WILLIAM T . TREGO
JOSEPH PENNELL
C A"R O LL S . TY S ON
EWLY R . P ERK I "S
MARY VAN OER VEER
MARY
FRED
R.
L.
K.
TAYLOR
M. THO"A S
PERK I NS
W.
PI TTS
FRED WAGNER
B. VAN I NGEN
HENRY R . POORE
WILLIAM C. WATTS
M A Y A. POST
F R EDE R I C K J. WAUGH
CHARL ES FREOERl(,K R A MSE Y
ID A WAU G H
EDWARD
W.
R EDF I ELD
B.
SAM UE L
WAUGH
~l ARGARET REO~ I O:-"'D
E.
\VILLIAM T. RICHARDS
JA N ET VVHEELER
HENRY
R.
RITTENBERG
MRS. ALICE MUMFORD R O B ERTS
ELIZABETH
W.
R OBERTS
KENT 'VETHERILL
F R AN K
R.
WILLIAM
WHITESIDE
H . WILLC OX
MR S. L O UISE WOOD WRIGHT
ALBERT R OSENT HA L
C HARLE S MORRIS YOUN G
PETER F . R OT H ER MEL
Er.IILIE ZECKWER
MRS. HOMER S T , G AUD EN S
[66J
