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1911-1912 School Circular
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eng
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PfNNSYLY,A.NIA A.CADfMY
or
THE fINI2 ARTS
/
,
rOUNDfD
1805
\
SCHOOL CIRCULAR
THE
PENNSYLVANIA ACADEMY
OF THE FINE ARTS
BROAD STREET ABOVE ARCH
PHILADELPHIA
•
,
•
ONE HUNDRED AND SIXTH YEAR
SESSION OF
19! 1- 19 12
•
J
.
.
•
•
MANAGEMENT OF
THE PENNSYLVANIA
ACADEMY OF THE
,..
• _
FINE ARTS
r
•
PRESIDENT
•
I
-
JOHN FREDERICK LEWIS
•
\
V I CE-PRESIDENT
C LE MENT B. NEWBOLD
"There is no such thing as a dumb
poet or a hfl11dltSJ painter.
H ONORARY VICE·PRESIOEl'T
The esst71ft
E. BUR GESS WARR EN
of an artist if that he fhould be articulate. "-SWINBURN E.
DIRECTORS
THEOPHILUS P. CHANDLER
ALFRED C. HAR RISON
HERBERT M. HOWE, M.D.
C LARENCE C . ZANTZINGER
GEORGE H. Mc FADDEN
GEORGE D . WIDENER
CLEMENT B. NEWBOLD
T. DE\VJTT CUYLER
RDWARD T. STOTESBUR Y
C H ARLEMAGNE TOWER
THEODORE N. ELY
ARTH UR H. LEA
FRANK H. CAVEN
TREASURER
GEORGE H. Mc FADDEN
SECRETARY AN D I\1ANA GRR
JOHN E. D. TRASK
CURATOR OF THE SCHOO L S
CHARLES F.
RA~ISE\,
I
INDEX
•
MANAGEMENT OF A CADE~I\'
FACULTV,
. ......
H ISTOR V At\' D A I ~I . .
PALl!
•
•
.
.
6
.
9
ACADEMY'S MEDAL R O LL .
SCHOOL CALENDAR . . .
3
14
.
17
COURSES OF INSTRU CTION
DRAWING AND PAINTING
( ANTJ(~ t;E )
...
DRAWING AND PAINTIN G ( LIFE AND HEAD )
.
19
23
SPECIAL CLASSES
COSTUME SKETCH CLASS .
.
.
.
.
MISS BEAUX'S CLASS .
.
.
.
. .
.
.
.
. •
.
•
MR. PEARSON'S CLASS ( COMPO SITION )
OR. MCCLELLAN'S ( ANATOMV )
I\1R. DAY'S ( PERSPECTIVE )
SCULPTURE DEPARTMENT . .
31
37
ILLUSTRATION DEPARTMENT
FEES ( SUMMARY )
.
. .
. .
41
RULES OF SCHOOL ( GENERAL )
CLASS-ROOM R ULES
.
..II
51
..
SCHOLARSHIPS AND PRIZES
TRAVELLING SCHOLARSHIPS
TOPPAN PRIZES
.....
.
THOURON PRIZES IN COMPOSITI ON
STEWARDSON PRIZE IN SC U LPT U R E
ZOOLOGICAL PRI Z ES
DRAWING PRIZE
PA I NTI NG ( PORTRAIT),
19 11
.
.
.
43
45
47
47
49
-19
ApPLICATION FOR AD~"SSION .
57
SCHEDULE OF CLASSES
61
HONOR ROLL
64
. ...
Expos~t ~on,
and Atlanta
ExposItion,. 18g5; Corcoran Prize, Washington, D. C., '903; Gold Medal Art
Club o[ PhIladelphia, 1907; First Corcoran Prize, Washington Water Color
C lub, 1908; Me~ber of the International Jury of Awards, World's Fair, St.
Louls~ 1904i Sliver Medal, Buenos Aires Exposition, 1910. Instructor in
DrawlI1g and Painting.
•
THE FACULTY OF THE SCHOOLS
HERBERT M. HOWE, M.D.
.
.n; '
Chairman, ex o.u .. ClO, a
Board of Directors.
s Chairman of the Committee on Instruction of t h e
THOMAS P. ANSHUTZ.
Born in Newport. Kentucky, October 5, 1851. Studied at the Aca~emy ?f
Ne, ' York Pennsylvania Academy of the Fine Arts. and In Pans
.
\
DeS lgn,
Doucet and Bouguereau. Instructor 111 the Schools slIlce 1881; Honorable
un d er
diS L . E
..
Mention, Art Club of Philadelphia, IqaI i Silver l\1e a
t.
OUIS
X,posltIOn,
1904' \Valter Lippincott Pri ze, The Pennsylvania Academy of the Fme Arts,
1<)09: Gold Medal of Honor, The Pelll~sylvania Academy o.f th" Fine Arts,
1m; Gold Medal , Buenos Aires ExpositIon, 1910; Member PhIladelphIa .W~ter
Color Club, and Academy Fellowship. Instructor In Drawing and Paltltlng.
I
•
•
I
•
GEORGE McCLELLAN, M. D.
Born in Philadelphia, October 29, 1849. Attended the University of Pennsylvania, Jefferson Medical College, graduated M.D., 1870; Fellow of th e
College of Physicians of Philadelphia; author of Regional Ana tomy in its
Relation to Medici ne and Surgery, and of Anatomy in its Re lation to Art i
Professor of Applied Analomy in Jefferson Medical College; Past President of
the Contemporary Club; President of the Philadelphia Medical Club; VicePresident of the Philobiblon Club. Instruclor in Analomy.
CHARLES GRAFLY.
Born in Pbila delphia, December 3, 1862. Studied in the Spring Garden
Inst itute, Philadelphia , Pennsylvania Academy of the Fine Arts, a nd in Paris.
Pupil of Ecole des Beaux-Arts, and of Chapu, Dampt, Bouguereau, and
Fleury. Member Society of American Artists. Honorable mention, Paris Salon 1
189 1; Medal, World 's Columbian Exposition, 18g3; Medal, Atlanta Exposition, 18g5; Pennsylvania Academy of the Fine Arts Gold Medal of H onor,
18g9; Gold Medal , Exposition-Universelle, Paris, 1900; Gold Medal, PanAmerican Exposition, Buffalo; Gold Medal, Charleston Exposit ion, 1902;
Member of tbe International Jury of Awards, World's Fa ir, St. Louis, 1904 ;
Gra nd Pri ze, Buenos Aires Exposition, 1910; Member of the Na tional
Academy of Design, the Architectural League of New York , the Nalional
Institute of Arts and Letters; Member and former Vice-President the National
Sculpture Society. Instructor in Sculpture.
HUGH H. BRECKENRIDGE.
Born in Lees?urg, Virginia, October 6, 1870. Secretary of the Fac ulty
and Instructor slllce 18g4. Studied in the Schools of the Pennsylvania
~ca.demy of the Fi~e Arts, and under Bouguereau, Ferrier, and Doucet in
ans. Awarded First Tappan Prize Pennsylvania Academy and European
Sch oars
I h 'Ip. ~ember of the Jury for Pan-American Exposition
'
, Buffa lo;
Member the PllIladelphia Water Color Club; the New York W ater Color
Club; the Pennsylvania Academy Fellowship; H onorable Ment ion , Paris
[6J
1900
i Medals, Pan·American Exposition, Buffalo,
1<}O1,
CECILIA BEAUX, LL.D.
. Born in Philadelphia.
Studied at the Pennsylvania Academy of the
FlI1e Arls. Pupil of William Sartain, Philadelphia, and the Julian and Lazar
S~hoo l s, Paris. Awarded Mary Smith Prize, Pennsylvania Academy of the
FlIle Arts, 1885, 1887, ISg1, and 18g2; Gold Medal, Art Club of Philadelpbia
18g3; Dodge Prize, National A>:ademy of Design, New York , 1893; Bronz~
Me~a l , Carnegie Institute, Pillsburg, 18g6; First Class Gold Medal , Carnegie
[nstltute, 1900; Temple Gold Medal, Pennsylvania Academy of the Fine
Arts, 1900; Gold Medal, Exposition-Universelle, Paris, 1900; Gold Medal ,
Pan-A.merican ~xposition, Buffalo, 1<)01 i First Corcoran Prize, Society of
Washll1gton ArtIsts, '90~ ; Gold Medal, Universal Exposition, St. Louis, 1904.
Member of the National Academy, New York, and the Societe Nationale des
Beaux Arts, Paris; Fellow of the Pennsylvania Academy of the Fine Arts
Philadelphia; Honorary Member of the Philadelphia Water Color Club, etc:
Honorary Degree, Doctor of Laws, University of Pennsylvania, I goB.
Ili structor in Drawing and Painting.
FRANK MILES DAY.
Born in Philadelphia, April 5, 186 .. B.S., University of Pennsylvania
1883, studying architecture there as well as for three years in Europe. Fel :
low and Past President of the American Institute of Architects; H o n.
Member Royal Institute of British Architects; Trustee, American Academy
in Rome; Member American Philosophical Society and National Institute
of Arls and Lellers. Instructor in Perspective.
HENRY McCARTER.
Born in Norristown , July 5,1865 . Studied ilt the Pennsylvania Academy
of the Fine Arts and under Puvis de Chavanlles, Bonnat, Merson , Courtois,
Rixens. Member Art Students' League, New York . lIIustrator on Scribner'S ,
Century, and other magazines. Instructor in Illustration.
JOSEPH T. PEARSON, Jr.
Born in Germantown, Philadelphia, February 6, 1876. Studied in the
Pennsylvania Academy of the Fine Arts and IInder J . Alden Weir. Bron ze
Medal, Buenos Aires Exposition, 1910; Jennie Sesnan Gold Medal, The Pennsylvania Academy of the Fine Arts, 1911 ; Second Hallgarten Prize, National
Acadernyof Design, New Vork, 1911; Honorable Mention, Carnegie Institute,
Pittsburg, 1911. Instructor ill Composition and in Drawing and Painting.
DANIEL GARBER.
Born in North Manchester, Indiana, April 11, 1880. Studied in the Art
Academy of Cincinnati, and in the Pennsylvania Academy of the Fine Arts.
Awarded First Toppan Prize, Pennsylvania Academy, 1904, and Cresson
Travelling Scholarship, '905-'907; First Hallgarten Prize, National Academ y
of Design, 1909; Bronze Medal, Buenos Aires Exposition, 1910 ; H onorable
Meution , Corcoran Gallery, Was hingtoll, 1910; '!\TaiteI' Lippincott Pri ze, The
Pennsylvania Academy of the Fine Arts, 191I. Instructor in Drawing and
Pa inting.
The Permanent Collection of paintings and sculpture includes
th e Gallery of National Portraiture, the Temple Collection of
Modern American Paintings, and the Gibson Collection, which is
largely composed of works of the Continental schools.
Copying in the galleries is permitted to students under reasonable regu lations.
The Annual Exhibitions held by the Academy bring together
the best examples of American painting and sculpture, and enable
the student to follow intelligently the various movements of
modern art, and study the technical methods by which the art of
the day is achiev ing its results. These exhibitions have been
recognized for many years as being the foremost in America.
During the past year they included:
An Exhibition of Water Colors composed of 678 examples,
representing 199 different artists;
An Exhibition of Miniatures composed of 138 examples, representing 75 different artists, and including also examples of foreign
miniaturists;
An Exhibition of Architecture by the T-Square Club of Philadelphia and the Philadelphia Chapter of the American Institute of
Architects, composed of S80 items, and representing II7 architects ; and finally,
The Academy's 106th Annual Exhibition of Oil Paintings and
Sculpture, composed of 375 paintings and 148 sculptures, and
representing a total of 303 artists. This Exhibition was opened to
public view for seven weeks and visited by 58,335 people.
The Academy is equipped in every way to teach the technique
of Painting and Sculpture.
The instruction it affords is fully equal from a technical standpoint to that obtainable in Europe. Its Faculty, collections, galleries, class-rooms, and equipment of models and casts are admirably
fitted for their purpose.
TRAYELLING SCHOLARSHIPS
As far as instruction is concerned there is lIO necessity whatever for the student to leave America, but, by the liberal provision
of the wills of Emlen Cresson and Priscilla P., his wife, a fund has
been created, as a memorial to their deceased son, \\,illiam Emlen
Cresson, Academician, the income of which is to be applied by
the Academy in sending its most meritorious students to Europe.
[II]
,
The in ome is divided into scholarships of $500 each, awarded to
the students impartially upon the merits of their work.
During the last year twenty-one students were awarded $500
each and sent abroad for a period of four months, from June to
September inclusive, thereby enabling them to return to th e
Academy during the fall and continue their studies.
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Besides the Cresson scholars hi ps, other substantial prizes are
offered to students as hereafter stated, and every incentive held out
to them to develop their talents to the uttermost.
The Academy building is located in the heart of Philadelphia,
within one square of the City Hall and within two or three blocks
of the central city railroad depots. While it is convenient to th e
business portion of the city, it is also readi ly accessible to the
residential districts, and students can obtain good board at reaso na bl e rates. Philadelphia is oiten called" The City of Homes,"
a nd of all the g reater American cities it is probably the most
II'orthy of the name. Houses can be purchased or rented upon
easy terms, and apartments and studios obtained by the year or by
th e month lIpon fair and reasonabl e rates.
The cost of living
is loll'.
The city contains, in addition to the Academy's gallery, a
nUlll be r of notable collections of paintings which are accessible to
studen ts, Among the more important may be mentioned: The
\Vilstach Collection in Fairmount Park; The Lankenau Collection at the Drexel Institute; the historical paintings of th e
H istorica l Society of Pennsylvania, and of Independence Hall;
the coll ections of John G. Johnso n, of Peter A. B. \Videner, and
of the late Willi a m L E lkins.
THE ACADEMY'S MEDAL ROLL
1893
1894
1895
1896
1898
1898
1899
190 1
1902
ACADEMY GOLD MEDAL OF HONOR
1903 John S. Sargent
D. Ridgway Knight
1904 John W. Alexander
Alexander Harrison
1905 William T. Richards
William M. Chase
1905 Violet Oakley
\,yinslow Homer
1906 Horatio "\Talker
Edwin A. Abbey
1907 Edward W. Redfield
Cecilia Beaux
1908 Edmund C. Tarbell
Charles Grafly
1909 Thomas P. Anshutz
Henry J. Thouron
James A.l\lacNeill Whistler 19 1I Willard L. Metcalf
1884
1885
1887
1888
1889
1890
189 1
1892
1894
1894
1!l95
1895
1896
1 96
1897
1897
TEMPLE GOLD MEDAL
18 98 Wilton Lockwood
George W . Maynard
1898 Edward F. Rook
Charles Sprague Pearce
Clifford Provost Grayson
1899 Joseph DeCamp
Charles Stanley Reinhart
1899 Childe Hassam
Anna Elizabeth Klumpke
1900 Cecilia Beaux
William Henry Howe
1901 William M. Chase
Abbott H. Thayer
1902 Winslow Homer
H enry S. Bisbing
1903 Edward W. Redfield
James A. MacNeill Whistler 1904 Thomas Eakins
John S. Sargent
1905 J. Alden Weir
Edmund C. Tarbell
1906 Eugene Paul U llman
John H. Twatchtman
1907 Willard L. Metcalf
Gari Melchers
1908 Frank \ ,y. Benson
J. Humphreys Johnston
1909 Frederick P. Vinton
Geo rge DeForest Brush
1910 Howard Gardiner Cushing
John W. Alexander
19lJ Richard E. Miller
188 3
1884
188 5
188 7
1888
TEMPLE SILVER MEDAL
William Thomas Trego
1889 Arthur Parton
Thomas Hill
1890 Edward L. Simmons
William T . Richards
1891 Kenyon Cox
Alexander Harrison
1892 George Inness
Howard Russell Butler
W ALTER LIPPINCOTT PRIZE
1894 William Sergeant Kendall 1897 Albert Herter
1895 Edmund C. Tarbell
1898 James Jebusa Shannon
1896 William L. Picknell
1899 John W. Alexander
[14]
190 I
1902
'903
1904
1905
1905
W ALTER LIPPINCOTT PRIZE- Continued
Henry O. Tanner
1906 Chi Ide II assam
Charles H. Davis
1907 Marion Powers
Walter MacEwen
1908 James R. Hopkins
Frank VV. Benson
1909 Thomas P. Anshutz
1\ Tary Cassatt
19 10 J. Alden V.'eir
A lexander Stirling Calder 19 1 I Daniel Garber
T. W. Dewing
1879
1880
1881
1882
1883
1884
188 5
1887
1888
1889
1890
1891
1892
1894
1895
1896
MARY SMITH PRIZE
Susan H. MacDowell
1897 Elizabeth F. Bonsall
Catharine A. Janvier
1898 Caroline Peart
Emily Sartain
1899 Carol H. Beck
Mary K. Trotter
I goo
Mary F. R. Clay
Emily Sartain
190 1 Janet Wheeler
Lucy D. Holme
1902 Elinor Earle
Cecilia Reaux
1903 Jessie Willcox Smith
Cecilia Reaux
1904 Lillian 1\I. Genth
Elizabeth F. Bonsall
1905 Elizabeth Shippen Green
Elizabeth W. Roberts
1906 Alice Mumford
Alice Barber Stephens
1907 Mary Smyth Perkins
Cecilia Beau x
1908 Elizabeth Sparhawk Jones
Cecilia Beaux
1909 Martha \,yalter
Maria L. Kirk
1910 Alice Mumford Roberts
Gabrielle D. Clements
19 TI Alice Ke nt Stoddard
Elizabeth H. Watson
I
goo
I'
:.
JENNIE SESNAN GOLD MEDAL
1908 Everett L. Warner
1903 \Y. Elmer Schofield
1909 Theodore Wendel
1904 Colin C. Cooper
1910 Childe Hassam
1905 Edward \Y. Redfield
19 I1 Joseph T. Pearsoll, Jr.
1906 Albert L. Groll
1907 Ernest Lawson
l!
CAROL H . BECK GOLD MEDAL
19 1 [ Edmund C. Tarbe ll
1909 John S. Sargent
19TO Adolphe Borie
CHARLES W. BECK, JR., PRIZE (WATER COLOR EXHIBITION)
t\
. f'"
1905 Joseph Lindon Smith
1906 Henry McCarter
1907 Elizabeth Shippen Green
1908 Maxfield Parrish
1909 Ernest L. Blumenschein
191O N. C. Wyeth
[IS]
CALENDAR
(>
One Hundred and Sixth Year Begins October
2. 191 1
The school year is divided into t\\"o terms of 17 weeks each.
The first term will begin Monday, October 2, 1911, and close
January 27, 191 2; the second term will beginl\Jonday, Jan uary 29,
19 12 , anel close Saturelay, l\'lay 25, 1912.
The schools are open from 9 o'clock
daily except Sunday.
until 5 o'clock
P.M.
Afternoon and evenin g classes are open from 6.30 o'clock
until IO o'clock P.~l.
P.M.
A.M.
Visitors are admitted to the school on Wednesdays and Fridays
from 4 to 5
P. M.
The schools are closed on Sundays, Thanksgiving Day, Christmas Day, New Year's Day, and \,lJashington's Birthday. During
Christmas \vee k the schools will be open, bllt no living models
\Vi ii he hired nor criticisms g iven.
j
i{. Burtclll C. K eel er
DRAWING (AN TIQUE ) ,
I9I I
\
•
THE COURSES OF INSTRUCTION
DEPARTMENT OF DRAWING AND PAINTING
The Courses of I nstruction are divided into Departments of
Drawing and Painting; of Sculpture; and of Illustration. In
each of these departments th e re is certain prescribed work which
must be done, but the departments are closely allied, the advanced
students in each being not only allowed but also recomm ended to
work in the others.
The general method of instruction is by criticism of the work
done, but the individuality of the student is not repressed by
fixed methods.
d
The aim is to help the student to observe accurately and recor
truthfully what he sees, and as he sees it.
•
ANTIQUE COURSE
Craig Jalms
DRA WI:-.JG (ANTIQUE), 19' I
..'
In order that students who have had little or. no tra1I11~~ III
drawing may pursue their studies under the easIest condlt.lOns
and advance naturally to higher work, a preparatory A~tlqUe
Course is conducted. which includes drawing from the cast, raw[ 19J
illg a ~ld painting from still life, and lectures upon co nlp ositioll persl:>ec tlve, and anatomy. It comprises the fo llowi ng classes: and
gives the student a co mprehensive range of stud y.
C LASSES
Draw ing from Cast
Every mo rning and afte rn oo n,
eve ry night
Composition
I
.
Still-life Drawing and P<linting
l\Ionday, \Vednesd<lY and Friday a fternoons
Pe rspective Lectures
A natomy L ec tures
I NSTRUC10RS
Hug h H. Breckenridge
Daniel Garber
Joseph T. Pearson, Jr.
Hugh H. Breckenridge
Joseph T. Pearson ,
Jr.
Fra nk l\Iiles Day
George l\[cC le ll an, !\I.D.
Requirements for Admission
For ad mission to th e Antiqu e Co urse drawings or sketch es
from th e solid object in a ny med ium are req uired, and app li cants
Illay prepare th ese in the sc hoo l-roo ms or forward examples made
for th e purpose.
R . Burton
r.
K <-e l('r
DRAWING (AN T1QUE), '9"
The Fee for the Antique Course
The fee· for th e Antique Course is 'Iso per term , th e payment of
which fe e e ntitl es the stu dent to work in th e mo rnin g, afte rnoon, or
night, or all three.
THE LIFE AND HEAD COURSE
The Life and H ead Course comprises all the advanced classes
in drawing and painting, and includes drawing and painting from
the Human Figure, and drawing and painting from the Head, and
from Still Life, and lectures upon Composition, Perspective, and
Anatomy .
•
It comprises the following classes:
CLASSES
Drawing and painting from the Figure.
For women, every morning, for men,
every afternoon, and for women,
Tuesday, Thursday, and Saturday
evenings, and for men, Monday, 'vVednesday, and Friday nights.
Drawing and painting from the Head.
Tuesday, Thursday, and Saturday
mornings . . . . . . . . . . . . . . . .
Tuesday, Thursday, and Saturday
afternOons. . . . . . . . . . , , , , . .
Fred N. Oonald,,<)11
DRAWING (LIFE),
1911
INSTRUCTORS
Thomas P. Anshutz
Daniel Garber
Thomas P. Anshutz
Hugh H. Breckenridge
[23J
CLASSES
I,
Drawing and painting from Still Life.
Monday, 'W ednesday, and Friday
afternoons
Drawing and painting from the H ead.
Criticism dates to be announced during the term
Composition
Perspective Lectures
Anatomy Lectures
INSTR UCTORS
Hugh H. Breckenrid ge
Joseph T . Pearson, Jr.
Cecilia Beaux
Joseph T . Pearson, Jr.
Frank 1\1iles Day
George McClell an, M.D .
Requirements for Admission
Students will be admitted to the Life and Head classes only by
the action of the Faculty after an exami nation of th eir work in
drawing from the full-length figure, either antique or life.
The Fee for the Life and Head Course
The fee for th e Life and H ead Cou rse is $50 per term , th e
payment of which fee entitles the student to work in the Antique
Course, the Life Course, and the Classes in Sculpture, without
extra charge. Students in drawing and painting are recom m ended
to do a cert ain amount of modelling.
SPECIAL CLASSES
Costume Sketch Class
A Costume Sketch Class will be conducted throughout both
terms. It will meet on each Saturday morning between nine
o'clock and noon, and on each Tuesday night between seven and
ten o'clock. Sketches from th e living model are made in black
and white, or in color. Members of any other class in the school
may attend the Costume Sketch Class without further charge. At
the close of each session the work of the students will be reviewed
by the instructor, on Tuesdays by Mr. Anshutz amI on Saturdays
by Mr. Pearson.
The chief object of this class is to teach .t~e student to. draw
readily, and grasp quickly, the whole composItIon shown hIm, as
an illustration of character.
:\'ath"lie )lorri!o
PAINTING (LIFE), 19'
r
Miss Beaux's Class
Some time during the school year, Miss Beaux will conduct a
Portrait Class for members of the Life and Head Course. No
extra charge is made for this class.
Mr.
Pearson's Class in Composition
The Class in Composition or Self Expression is conducted I,y
1r. Pea rso n. The a im is to e ncourage the stude nt by sympathy
a nd co-operation to express courageously and forcefnlly his impressions and conceptions.
No th eories or fo rm ulas as to what co nstitute or make a work of
a rt a re a tte mpted.
Th e Class is in fa ct a company of young artists each doing that
whi ch is native to him self, and meeting- frum week to week to exhibi t its work fo r comparison and open d iscussion.
Mural Decoration is given especial attention in th e Composition
Class. A subject with definite requirements is offered every oth er
wee k, a nd wheneve r possibl e, students are g iven an opportunity to
decorate a wall space.
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DR.-\\\T\G (.\:\ATO:-I\") , 19"
Dr.
McClellan's Lectures on Anatomy
The Lectures on Anatomy begi n in the second week of November, a nd a re open to students of any cou rse \~ithout ~xtra charg~.
They are illustrated with the stereopticon, wIth drawll1gs made 111
the presence of the class by the instructor, a nd als~ ~y means of
the living model. They fully cover the subject of artIstIc anatomy,
[29J
DEPARTMENT OF SCULPTURE
The Classes in sculpture will be under the direction of Mr.
Charles Grafly, and are as follows: For men every morning; for
women every afternoon; and for men every Tuesday, Thursday,
and Saturday night.
DRAWING (ANATOMY), '9'0
Mr. Day's Lectures on Perspective
The Lectures on Perspective begin about the first week in
December, and are illustrated by drawings made in the presence
of the class. They are open to students of any course without
extra charge.
I
SCULPTURE, STUDENTS' EXHlBITION
The work of the Classes in scu lpture consists of modelling from
the living model, generally in the round, but occasionally in relief,
and from both the full-length figure and th e head only.
In addition to the work from life, each student is required to
present two sketch-models of sculptural themes, when directed by
the Instructor. On these the student will receive individual monthly criticism throughout the balance of the school-year, in order to
develop the original themes to their fullest exte nt, as if the subjects
were to be finally executed in full size.
Requirements for Admission
Specimens of modelling of sufficient merit are required for admission to these classes.
[,
Students not sufficientl y ad vanced for ad mission to life classes
are offered fac ilities fo r modelling fro m the a nti que cast, a nd as
soon as th ey have acquired suffi cient proficiency to admit them to
Beatrice Fenh n
SCULPTURE (LIFE) , ' 9 "
life classes, they are immediately promoted without the payment
of any further fee.
Some practical knowledge of the use of clay and a true conception of form in the round are of manifest advantage to both painter
and illustrator.
Students in sculpture are permitted to work in th e drawing and
painting classes and recom mended to work therein , but admission
to the life drawing classes is, for sculptors, subj ect to the same
requirements as for painters.
The Night Class meets from 7 to 10 p.m. The work in this
class is identical with that done in the Day Classes except that the
working hours are less.
The Fees for SculptUJe Classes
The fee for the Classes in Sculpture is $50 per term. Students
are allowed to work in the Day Classes or Night Classes or in both
without further charge.
Beatrice Fen ton
SCULPTURE (PORTRAIT ), '9"
[35]
DEPARTMENT OF ILLUSTRATION
The Class in Illustration will be under the direction of Mr. Henry
McCarter. Its purpose is to provide for the student such practical
instruction as will enable him upon the completion of the course to
immediately enter the professional field of magazine and book
illustrating, decorative and newspaper work. Instruction is given
in drawing, in com position, and in the technique of all medinms
-pen, charcoal, black and white, tempera and oil.
,
Requirements
for Admission
Students must have ha<1 some preparatory work in drawing to be
eligible for admission.
Students are admitted upon the exhibition of satisfactory work
to the Faculty.
•
The Class in Illustration will meet daily throughout the school
year. Special rooms are set aside for their use.
The class draws from the living model. Individual criticism
is given with special regard to the illustrator's requirements, and
completed illustrations are made to subjects assigned to the class.
Upon the announcement of each of these subjects a general class
talk follows, and upon th e completion of the work there is both
individual and general criticism .
In addition to the regular class work Lectures are given during
the year by practical specialists upon the various processes of
reproduction for the purpose of printing, and students are instructed
to work with the particular process in view which is to be empl oyed
to print their illustration.
L ou i!>t'
()rI\
i;.:-
ILLUSTRATION CLASS. '9'1
Students in lllustration are permitted to compete for the Cresson
Travelling Scholarships, and from th ose who do compete a certain
amount of work in the Life Classes is required. Admission to the
life drawing classes is subject, however, to th e same requirements
from illustrators as from painter.
I
The Successful result of the general art training given in the
Academy Schools, and the special training they give in illustration, are shown by the large number of Academy students who
have achieved distinguished success in the field of illustration.
T he Fee for the Illustration Class
The fee for the Class in Illu stration is $50 per term.
I
r
Katherine Southwick
ILl.USTRATION CLASS,
1911
Illustrators will be required to present each month work done
in the Illustration Class and to pa rticipate in such COIlCOllrS and
examinations as may be announced during the season. Und er th e
direction of their Instructor, they are also required to do life.class
work in drawing and are entitled to attend th e Life Classes and the
Still-Life Classes without extra charge. They are likewise entitled
to attend the Lectures on Composition, Perspective, and Anatomy.
SUMMARY OF FEES
,
PE R TEl-!: \I
Antique Course
Life and Head Pa inting- Course
Illu stration Course
Modelling Course
$5 0
So
50
50
L ocker rent , one d olla r PER TERM.
The payment of $so pe r te rm (togeth er wit h the matriculatioll fee of 5S ) covers
al/ lhe tui tion fees.
(No extra c harge is made 011 account of mod e ls. )
NOTE-All new students must pay in addition to the above fees a matriculation fee of five dolla rs.
Tuition fees will not be refunded on account of absence.
GENERAL RULES OF THE SCHOOL
No st udent under sixtee n yea rs of age is e ligible fo r admission.
R egular attendance by students of any course is not compulsory,
but no reduction from these rates will be made on account of
absence.
All new students entering the A cade my will be req uired, in
addi ti on to the fees stated herein, to pay a matri culation fee of
live dollars, and the sum of one dollar PER TERM for the use of a
locke r.
No other fees whate ve r are requ ired from students. Material s
for stud y must be provided by the students.
All a rti cles required in the classes are for sale in th e schools at
lowest prices.
A detailed sc hedul e of classes will he fo und on page 61.
I'
Ka the rine Southwick
ILLUSTRATION CLASS ,
191 [
[.p]
SCHOLARSHIPS AND PRIZES
Travelling Scholarships
By the wills of Emlen Cresson and Priscilla P. Cresson, a Fund
has been created as a Me morial to their deceased son, William
Emlen Cresson, Academician, the income of which is to be applied
by Th: Pennsylvania Academy of th e Fine Arts in sending pupils
of ment to Europe.
During the past year the Academy sent abroad twenty-one
pupils. There were 14 painters, 1 sculptor and 6 illustrators.
The a wa rds are divided among the various branches of instructi on taught in the Schools, based upon th e nltmber of pupils
in each Course as one factor, and the standm'd of th e work as
another factor. The award consists of $500 to each student, to be
expended in foreign travel and wo rk , within the limi ts of the
S cholarship.
It is the inten tion of the Cresson Scholarships to give to the
students of th e Academy t he advantage of seeing some of the
impo rtant Gall eries and Art Schools abroad, and the Academy
desires to extend the benefit of th e Scholarships to as many
students as possibl e, provided th ey possess the necessary merit.
The trip abroad is limited to the summer vacation, a period of four
months, from June to September incl usive, so that students can
return to the Academy for study during the ensuing school year.
The Board of Directors, upon the recommendation of th e Committee on Instruction, may, in case of exceptional meri t, permit
a student to compete for the Cresson Scholarships again, or
lengthen the term to be allowed in fo reign trave l.
During th e past year fo ur students were sent abroad for the
second tim e.
No student will be awarded a Cresso n Scholarship who has not
studied at least two years in the Academy in the regular course It1
Dra wing a nd Painting, or in Sculpture, or in Illustration .
Plan of the Competition
Tlte work required eaclt mOlltlt in the Academy Schools from
stltdents in Paillting, Smlptzwe. a1zd It/ltstration, will be the pn'ncipal factor in determillillg tlte award of thes~ s,c!z.olarshij>J.
Candidates failing to submit such work wzll be meltgzble.
[43J
~);.linter.s will b<; required to present work each month in ComPO~lt~on,
drawing or painting from th e Figure, in drawing or
pallltl.ng ~rom th e H ead, and to participate in such COl/cours and
examlllatlons as may be annou nced during the season.
Sculptors will be required to present each month \I'ork done
ill the Life ;\Iodelling C1~ss .. They are required to participate in
~ \l ch COllcoltrs and examlllatlons as may be announced during the
season.
lIIustrators will be required to present each month work done
in the JIIustration Class. They are required to participate in such
COI/CO/l1-S and exami nations as may be announced during the
season.
1Il
THE CHARLES TOPPAN PRIZES
£"
"""
~
'.
The Charles Toppan prizes for the year 19II-1912 will be,
respecti\'ely, $300 ,md $200, and two honorabl e mentions of 100
each.
These prizes were established in 1881 by the g ift of Mrs. Charles
Toppan, Miss Harriette R. Toppan, and Mr. Robert N. Toppan.
The prizes will be awarded only to students who have previously received a Cresson Scholarship and who have been in
regular attendance during the year of competition.
Any student having recei ved one Toppan prize is debarred
from afterwards receiving ano th e r Toppan prize of the same or
lo\\'er value.
The work submitted must be original paintings, the unaided
work of the student without criticism, and all work in competition
must be presented on or before Saturday, April 29, 19 1I .
T he subject selected for this year is "an out-of-door picture including representation of water and one or more figures."
No
st udent may submit more than one picture and the size of the
canvas s ubmitted must not be less than twelve inches nor more
than thirty-six inches in e ither dimension.
According to th e positively expressed terms of the gift th e
drawill,t:· of the pictures will receive th e first attention of th e
] \ld ges.
Pictures receiving award s will become the property of
the Academy.
Pictures shall he numbe red by the Curator, and a memorandum
of the number aml artist's name kept in a sealed el1\'elope (no list
of numbers being kept ), which shall be opened after the prize-winnin g pictures have been selected by the Committee 011 Instruction .
No signatures or ciphers shall be placed on canvas or stretcher,
[45J
so that as far as possible the identity of the competitors shall be
kept secret while the competition is under way.
No work will be accepted without the approval of the Com~ittee on Instruction, and there is no obligation to award a prize
If, 111 the opinion of the Committee, none of the works submitted
is of sufficient merit.
THE THOURON PRIZES
followin)!; awards, found ed by Henry J. Thomon,
The
a former
Instructor in COlli position in the Academy Schools, will be mad e
at the close of each school year, the terms of said awards being
as follows:
A prize of $50 for a group of not less than three compositions
upon subjects given to the class during the current season, and a
prize of $25 for a second similar group, the first to be decided by the
Faculty, the second by a vote of the students then working in the
Schools; and one of $50 and one of $25, th e first for general progress
in study, the second for the work showing, in its treatment of said
subjects, the most poetic, or abstract, or ideali st ic, point of vie\\·,
both to be decided by the instructor of the class.
The same
awards are not to be made twice to the same student.
In the event of not making the annual awards, or any portion of
them, the money is to accumulate uutil it shall amount to the sum
of $500, when it shall be awarded, by vote of the Faculty, as the
result of a competition in Composition upon a given subject, to the
successful student for a three months' summer trip abroad, to include certain specified places and galleries, and for the special
study of Composition.
THE EDMUND STEWARDSON PRIZE
The Edmund Stewardson Prize of One Hundred Dollars, ill the
Department of Sculpture, will be awarded for th e e leven th time at
the dose of the school year.
This is an annual prize, to be competed for by present students of the Academy with Stich pupils of other art schools as may
be approved by the Committee on Instru ction. Having once received this award, a student becomes ineligible.
The subject for the competition shall be a full-length figure
from the Antique or Life, either ill the round or in relief, and
will be announced by the Committee on Instruction on the first day
of the Competition.
Studies shall not be Jess than two feet six inches in height and
not more than three feet in height, and shall be made within
[47J
,
f
\
e ighteen hours, during three consecutive days, in six sessions of
three hours each.
Each competitor shall privately draw by lot a number, and shall
enclose the same with his or her name in a sealed envelope to the
Secretary of the Academy. Upon completion of the work the
competitor shall place a corresponding number upon the study
submitted to the Jury of Award. When the subject is in high
relief, position in the competition room shall be determined by lot.
No one except the competitors shall be admitted to the competition
room at any time during the days of the competition, nor shall any
person except the Judges be present during inspection of the studies.
The Judges or Jury of Award shall be three professional sculptors, having no official connection with the Academy, or school or
schools whose pupils may have taken part in the competition.
vVhen the successful number shall have been announced by th e
Judges, the Secretary shall, in the presence of one or more of th e
Directors of the Academy, open the sealed envelopes, and declare
the name of the successful competitor. If no study be satisfactory
to the Judges, the prize may, in their discretion, be withheld, and
when no award is made, the amount of the prize may, in the discretion of the Board of Directors of the Academy, be added to th e
principal of the prize fund, or distributed with future prizes.
The clay models offered in competition must be kept standing in
good condition until otherwise ordered, and figures cast by th e
Academy become its property.
The competition for the year 1912 will take place on March 18,
19, and 20.
ZOOLOGICAL PRIZES
From the income of the John H. Pac kard Fund established by
the children of the late John H. Packard, M.D., for many years
chairman of the Academy's Committee on Instruction, annual
prizes of $30 and $20 will be awarded for the best and second groups
of original studies made from living animals. These prizes are
open to all students of the Academy.
THE PRIZE IN DRAWING
B11111l II . \{oc;enhalllll
RAM BORGER PRIZE DRAWING, '9' I
From th e income of a fund established by William K. Ralllborge r, Esq., as a memorial to his sister, Aspasia Eckert Ram borgel' who for some years was a student of the Academy, an Annual
Pri;'e of $25 will be awarded for th e best drawing in black a nd
white of a head from life by a pupil of th e Academy \\'ho has 110t
hee n und e r instruction over t\\'o years.
CLASS-ROOM RULES
H ours
The Schools will be opened for day classes at 9 o'clock a.m.,
and closed at 5 o'clock p. m., and for the Women's Evening
Life Class from 6.30 p.m. to 9.30 p.m. Exceptions to this rule will
be made on the dates of the sessions of the Composition Class.
At 6-45 o'clock p.m. the Cherry Street entrance will be opened
for the e vening classes, which continue until 10 o'clock p.m.
Holidays
The Schools are closed on Sundays, Thanksgiving Day, Christmas Day, New Year's Day, and \i\)'ashington's Birthday. During
Ch ristmas week the Schools are open, but living models are not
hired, nor are criticisms given.
Visitors
The sc hool-rooms are open for the inspecti on of vIsItors on
Wednesday and Friday afternoons, from four until five o'clock.
Students will not be called from the class-room unless in the
judgment of the Curator th e matter is of urgent importance.
Students at work must not be disturbed.
No one will be permitted to remain in any of th e class-rooms
during study hours except the regular mem bers of the class who
are doing the special work of that class.
Students are expected to be self-governing, and to kllOW alld
obey tlte rules of tlte School from principles 0.1 honor.
Violatioll 0.1 the rilles will result in suspension or dismissal from
the School.
Any condu ct unbecoming a student is a vio lation of the rules,
but subject to this general provision the students are a llowed every
reasonable liherty.
The property of other students must not be used without the
o,,·ner's knowledge and consent.
Monitors
It shall be the duty of the monitor to maintain order and, if
necessary, to repor t to tile Cu rator any interference with the
work of the class.
Monitors shall see that the class-rooms are kept properly lighted
and ventilated.
The monitor of each class shall have charge of the model and
of the class-room during the session.
Life Classes
Regular members only of the Life Classes are permitted in the
Life Class rooms during the study hours.
Members of Life Classes must under no cirClllllstances speak
to models who are posing.
Positions in the Class-rooms
Students who are not prese nt at the hour when classes begin
must take th eir positions in order of arrival. No student will be
pe rmitted to select and rese rve a position for one who is absent.
Monthly Review of Work
Stltdellts are exp ected to submit at 1Il0ntlily mfervals the work
done in all classes dzt1'ing that month. The studies thus collected
will be c1assifiec1 and put up for exhibition in the class-rooms.
There will be at the same time a general review of the work of
each class by the respective instructor. A record of the work so
exhibited will be kept for use in determining the standing of
students at the end of the season, and for awarding prizes or
scholarships. Studies cannot be recorded or accepted./01' exhibt'tiOll
miless pnsellted at the Otrator's desk witliin the ./ollowing time
limits:
2.00 p. m. 0./ the previolls day.
For a morning review,
For an a./terlZooll review, 9.30 a. m. 0./ the same day.
For a1l evening review, 12.00 1200n, 0./ the same day.
Students ./ailing to exhibit their work Wlt1101tl presenting" a
l-easonable exwse will be ineligible ./01' the Cresson Scholarship
competition. Drawings will not be accepted when rolled or when
not carefully "fixed." Paintings must be thoroughly dry, alld all
work must be signed with the student's fitll ?lOme and the name oJ
fhe classi1l wlIiclz the work was dOlle. The studi es marked by the
instructor are reserved by the Academy; to prevent loss, the others
should be reclaimed at the close of the criticism.
RaY lilond Theel
PAINTI1';G (STILL LIFE). 19"
Care of Drawings and Materials
Work reserved by the various instructors should be reclaimed at
the close of the Students' Spring Exhibition. Studies not called
for by the beginning of the fall term will be destroyed.
Locker rent, one dollar PER TERM.
Occupants oj lockers will be held respollsibLe jor damage done
to same while in their possession.
Students are cautioned not to leave personal property of any
description about the school-rooms, as the Academy will in no case
be responsible for the loss of articles from the rooms or lockers.
All personal property should be marked with th e owner's name.
The lockers are large steel closets fitted with combination locks,
and students are expected to keep them closed.
Students will not be permitted to leave canvases, drawing'boards, or other materials about the sc hool-rooms, but must place
them, when not in use, in the racks especially provided fo r the
purpose.
Moving of Casts, etc.
Stude1/ts must not move the casts, {'xcept those in the Antique
JJfodelling Room. A1Iy change desi1'ed in the position oj casts or
other objects 1n1tSt be authorized by an instructor or the Curator,
a?ld carried ou/under his direction.
The monitor in charge shall superintend and approve all
arrangements of stilL-life objects, but students desi1'ous oj havi1/g
any particular subject a1'1'atlged may do so by 1'eportillg to the
monitor, 011 JJfonday mornings 01/1y.
Plaster Casting
Casting in plaster will not be permitted in any of the schoolrooms. A special room will be assigned for this work upon application to the Curator.
Lunch-Rooms
Luncheon must not be eaten in th e school-rooms.
rooms are provided in the basement.
Lunch-
Sketching in Galleries
Students may sketch from the works in th e Permanent Collection of the Academy, but copies mList not be made without special
permission from the management.
...""
Library
Students may have free use of the Library on appl ication to
the Librarian. The books are not intended for outside use, and
must not be taken from the room.
Zoological Garden Tickets
Annual tickets for the Zoological Gardens may be obtained at
a small charge on application to the Curator.
[55]
APPLICATION FOR ADMISSION TO
THE SCHOOL
-
All applications for admission and for promotion to higher
classes will be acted upon by the Faculty, with the concurrence of
th e Committee on Instruction, at th e regu lar meetings held on the
Thursday before the first Monday of each month, excepting the
months of June, July, and August. Students may enter the Schools
or be promoted to hig her classes at any time during the season,
but a ll ad missions and promotions are on probation and subject to
reco nsideration at the d iscretion of the Faculty. Before making
a ny application for transfer from one class to anoth er, students
must have a pproval of such application from the instructor of the
class in which they are working.
All app lications must be on fil e the day before the meeting of
the FaCUlty.
It is a n imperati ve rule that all work submitted for examination
for any purpose mllst be signed, otherwise it will not be considered.
To avo id loss, studi es must be reclaimed promptly after
exa minatio n.
Partial Course
Students desiring partial courses, including one or more of the
above classes, will be required to make a special application to
th e Faculty a nd Committee on Instruction; but in this case they
will not be entitled to th e privileges accorded to those taking the
full course.
All students in any co urse wh o ha ve not previously been students of th e Academy will be req uired to pay the Academy's
matricul ation fee of $5.
A student's tick et entitles th e holder during attendance at the
Schools to the use of the Galleries, Special Exhibitions, the
Libra ry, the Print Collection, and the Lectures given from time
to time unde r the allspices of the Academy.
Payments must be made, stri ctly in advance, to the Curator.
NO ALLOWANCE WHATEVER WILL BE MADE ON ACCOUNT OF
1LIllie LOI\l!"trct:t
lLLUSTRATlON CLASS. 19 "
AB SENCE.
[57]
Assistance in securing board or rooms will be given upon
request. Th~ cost of li ving in Philadelphia is not high, and suitable
accommodations within reasonable distance of the Academy are
readily obtainable, for both men and women.
. Blank forms of application and any further information regardIng the Schools may be obtained by addressing
CH ARLES F. RAMSEY,
Curator.
BROAD STREET, ABOV E: ARCH,
PHILADELPHIA .
•
To the students in the Schools the Academy's Reference Library
and Galleries are free.
The permanent collection of paintings and sculpture, including
the Gallery of National Portraiture, the Temple Collection of
Modern American Paintings, and the Gibson Collection, largely
made up of works of the Continental Schools, is of great value
as an assistance to study.
Copying in th e Galleries is permitted under reasonable regulations.
Students are also given free access to the many current exhibitions which the Academy holds each year. These, and especially
the Annual Exhibition of Oil Paintings and Sculpture, are a source
of inspiration and a valuable index to the trend of artistic thought.
PAI NTWG (PORTRAlT).
19 1I
As a temporary home for the Art Student
Philadelphia has un i que advantages.
Known as the " City of Homes," it affords
good living at a lower cost than is possible
in any other large city in the East.
In historical interest it is rich, and its
suburbs, easy of access, offer unusual
chance for out-of-door work. Opportunities
for general culture are varied and the
Academy is fortunately able to secure
special rates for its students to many of the
lectures and concerts given each season.
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The Academy itself is
and within short walking
are good boarding-places.
pal railroad stations are
minutes' walk.
centrally located
distance from it
The two princieach within five
Recognizing that a comfortable living
place is an aid to serious study the management invites correspondence with students
from a distance and offers freely its information and aid.
I
HONOR ROLL
1910-191 1
AWARDS MADE MAY. 1911
CRESSON TRAVELLING SCHOLARSHIPS
$500 a warded to each of the following
ALEXIUS SZABO
PAINTERS
* NINA
B.
ELIZABETH
WARD
* HELEN THURLOW
* LEOPOLD G. SEYFFERT
F.
G. FORBES
SCULPTORS
HELEN E. DOBRINS
JOSEPH SACKS
CRAIG JOHNS
R. BURTON C. KEELER
ILLUSTRATORS
* FRED
NATHALIE MORRIS
N. DONALDSON
H . LAII'SON ADAMS
KATHARINE SOUTHWICK
RA YMOND THEEL
LOUISE ORWIG
J ULIUS T. BLOCH
DANIEL DONOHOE
JOSEPH GROSS~ [A K
HATTIE LONGSTREET
EDITH
CnARLES H. CULLEN
McMuRTRIE
* Award ed
for l he second time.
THE CHARLES TOPPAN PRIZES
,
.
NANCY M. FERGUSON (1S t Prize)
FRED
K
DONALDSON ( 21ld Pr i ze)
JLLIET M. WHITE
Eml'" RD
( Honorable M e ntion )
TREGO ( H o n o r ab le M e ntion )
THE HENRY]. THOURON PRIZES
GERTRUDE l\IONAGHAN
CHARLES WEISHAUPT
DA\' m
GERTRUDE LAMBERT
FINKELGREEN
THE EDMUND STEWARDSON PRIZE
l\'ina B. Ward
JOHN STORRS
THE JOHN H. PACKARD PRIZE
ED ULRE IC H ( 1St Prize)
[64]
EARLE
L.
POOLE ( 21ld Prize )
,
PAINTI G (PORTRAIT) . '9"
SOME OF OUR FORMER STUDENTS
EDW I N A. ABBEY
ELENORE PLAISTED ABB OTT
CL IP FORD ADDAMS
THOMAS P. ANSHUTZ
A.
MARGARETTA ARCH AMBA ULT
FRANK F. ENGLISH
WI LSON EYRE
ALBERT W.
RICHARD BLOSSO)'I FARLE'
BARKER
CECIL IA BEAUX
STEPHE" J . FERRIS
CAROL H. BECK
CHARLES H. FROMUTH
LouIS BETTS
A . B. FR OST
F.
BILOTTI
CH ARLES L. FUSSELL
E)'llL Y CLAYTON BI S H O P
DANIEL GARBER
HENRY S . BISBING
W A L TER GAY
ROBERT BLUM
ALBERT D. GIHON
JOHANNA M. BOERI CKE
CLARENCE
F.
BONSALL
M.
GillON
W . W. GILCHRIST, JR.
ADOLPH BORIE
WI LLIAM J. GLACKEN ,
ALEXANDER B OWER
CHARLES GRAFLY
JOHN J . BOYLE
CLIFFORD P. GRA )'SON
SUSAN H. BRADLEY
ELIZABETH SHIPPEN GREEN
HUGH H.
MAHY HEARN GRBtE S
BRECKENRIDGE
M.
J OHN W . BREYFO G LE
ESTHER
HARRY BRI C K
JOHN McLURE HA'llLTON
I SAAC BROOME
ALEXANDER HARRI SON
CHARLOTTE HARDING BR O WN
BIRGE H ARRISON
F.
BROWNE
GROOME
N.
CAT H ERINE
GEORGE ELMER BROWNE
ROBERT HENRI
EVERETT L . BRYANT
ELLA
MARY BUTLER
P AULA B.
ALEXANDER
S.
CALDER
NANETTE LED ERER CALDER
ARTHUR B. CARLES, JR.
MARY CASSATT
TH OMAS SHIELDS CLARKE
GABRIELLE DEV . CLEMENTS
KATHERINE M. COHEN
JOHN R. CONNER
COLIN CAMPBELL COOPER
!{ENYON COX
W,LL,AM EMLEN CRES SON
MARGARET CROWELL
CHARLES E. DANA
N,COLA D'AsCENZO
GEORGE WALTER DAWSON
BLANCHE D,LLAYE
PARKE C. DOUGHERTY
' 9'0
WILLIAM J. EDMONU SON
FLORENCE ESTE
CHARLES
SCULPTURE,
ELINO R EARLE
MILTON BANCROFT
EL I ZABETH
Albin Polasel;;
THOMA S EAKINS
VERNON HOWE BAILEY
SALVATORE
I
JOHN J. DULL
S.
HARRI SON
HERGESHEli\IER
HBH~IEL SBACH
LUCY D. H OLME
H ELEN
C:
R aVENDEN
MA RTHA HO VENDEN
ALBERT HUMPHREY S
FRE DERICK JAMES
EL IZABETH SPARHAWK J UNE::;
DAVIn" WILSO N J ORDA:-l'
JAMES P. KELLY
W. S ERGEANT KENDALL
MIHRA N
FRANK
H.
KEVORKIAN
LEBRUN
KIRKPATR ICK
D. RID GEWAY I(NIGHT
A UGUSTUS K OOPMAN
JA MES R. LAMB DIN
ALBERT LA ESSLE
J O HN LAMBERT, J R.
C HARLE S R OBERT LESLIE
[67J
SOME OF OUR FORMER STUDENTS (Continued)
WILLIAM
H.
LIPPINCO TT
W. ELMER SCHOFIELD
SARAH YOCUM MCFft DDEN
CHRISTIAN SCHUSSLR
ELLEN MACULEY
EVERETT SHINN
LESLIE W. MILLE R
FLORENCE S COVEL SHINX
MORRIS MOLAR SKY
WALTER SHIRLAW
PETER MORAN
JOHN SLOAN
THOMAS MORAN
MARIANNA SL OAN
D. C , MULLER
WILLIAM T. SMEDLE Y
SAMUEL MURRAY
JESSIE WILL CO X SMIT H
FREDERICK NUNN
ALICE BARBER STEPHE NS
VIOLET OAKLEY
CHARLES H. STEPHE NS
GEORGE OBERTEUF FER
G. F RANK STEPHEN S
AMY OTIS
EDMUN D STEWAR DSON
MAXFIELD PARRISH
ALICE KENT ST ODDARD
ALICE CORSON PATTO N
THOMAS SULLY
JOSEPH T. PEAR SON, JR.
HENRY O. TANNER
CAROLINE PEART
EMILY DRAYTON TA YLOR
JOSEPH PENNELL
FRANK VVALTE R TAYL OR
EMILY R. PERKIN S
PAUL K
MARY S. PERKI NS
WILLIAM T . TREGO
FRED L. PITT S
CARROLL S. TYSON
ALBIN POLASEK
MARY VAN DER VEE R
HENRY R. POOR E
W . B. VAN INGEN
MAY A. POST
FRED WAGNER
JAMES P RESTON
MARTHA WALTER
CHARLES FREDE RICK RAM SEY
WILLIAM C. WATTS
EDWARD W. R EDF IELD
FREDERICK J. WAUGH
MARGARE I' REDMOND
IDA WAUGH
FREDERICK K. M. REH N
SAMUEL B. WAUGH
WILLIAM T. RICHARDS
E.
HE.~RY R. RITTE N BER G
JANET WHEELER
ALICE MUMF ORD R OBERTS
FRANK R . WHITESID E
ELIZABETH W. ROBERTS
WILLIAM H. WILLCOX
ALBERT R OSENT HAL
LOUISE WOOD WRI GH T
PETER F. R OT HERMEL
CHARLES MORRIS Y OUNG
MRS. HOMER ST. GAUD ENS
EMILIE ZECKWER
EMILY SARTAIN
Joseph Sacks
PAINTING .( LIFE), '9'
J
SAMUEL SARTAIN
IIENRY MCCARTER
M.
THOM AS
K. KENT WETHERILL
" The one thing that makes the true
artist is a clear perception and a firm,
bold hand, in distinction from that imperfect mental vision and uncertain touch
which give us the feeble pictures and the
lumpy statues of the mere artisans on
canvas or in stone."- Holmes.
PRE SS OF
J. R. LIPPINCOTT COM PANY
P IlI LADR I PillA
•
