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1920-1921 School Circular
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•
•
SCHOOL
•
CIRCUL~R
•
lUI!
PfNNSYLYANIA ~CADI!HY
Of lUI! fIN!: ~RIS
fOUNDED 1805
PHILADELPHIA
1920-1921
•
•
SCHOOL CIRCULAR
ONE HUNDRED AND FIFTEENTH YEAR
THE
PENNSYLVANIA ACADEMY
OF THE FINE ARTS
BROAD STREET ABOVE ARCH
PHILADELPHIA
•
SUMMER SCHOOL
CHESTER SPRINGS, CHESTER COUNTY
PENNSYL VANIA
1920- 192 I
FOREWORD
"When artists attempt to set up among themselves an exclusive
cult based on a belief in some form of special dispensation, it means
that art is dead. When artists will forget to think of their occupation as a thing apart, and of themselves as distinct from mankind,
when they discover that they are craftsmen and belong to the great
company of masons and goldsmiths and carpenters, with Donatello
and Ghirlandajo and Michelangelo, then they will get back their
great traditions and come to their own again."
G. B. G.
•
THE PENNSYLVANIA ACADEMY OF THE
FINE ARTS
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CO
PRESIDENT
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JOHN FREDERICK LEWIS
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VICE-PRESIDENT
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CLEMENT B. NEWBOLD
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DIRECTORS
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THEOPHILUS P. CHANDLER
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. GEORGE H. McFADDEN
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CHARLEMAGNE TOWER
ARTHUR H. LEA
CLEMENT B. NEWBOLD
JOSEPH E. WIDENER
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EDW ARD T. STOTESBUR Y
ELI KIRK PRICE
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ALFRED C. HARRISON
JOHN H. McFADDEN
T. DEWITT CUYLER
FRANK H. CAVEN
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TREASURER
GI£ORGE H. McFAOOI£ N
SECRETARY
JOHN ANDREW MYERS
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CURATOR OF PAINTINGS
GILBERT S. PARKER
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CURATOR OF THE SCHOOLS
ELEANOR B. BARKER
RESIDENT l\'IANA GER, CHESTER SPRINGS SCHOOL
D. ROY MILLER
INDEX
PA G!::
MANAGEMENT OF THE ACADEMY
FACULTY . . . . • . .
.
. .
GENERAL ANNOUNCEMENT
.
.
.
•
8
.
.
SOME ADVANTAGES OF LOCATION
PHILADELPHIA CALENDAR.
.
J
.
II
.
15
17
CHESTER SPRINGS CALENDAR
INSTRUCTION
17
DRAWING AND PAINTING (ANTIQUE) . . . .
DRA WING AND PAINTING (LIFE AND J-I E AD)
SPECIAL CLASSES
MR. PEARSON'S CLASS (COMPOSITION).
.
19
23
.
27
MR. HALE'S CLASS ( CONSTR UCTIVE A NA TOMY)
27
MR. HARBESON'S CLASS (PERSPEC TIV E) . . .
MR.
CARLES'
CLASS
SCULPTURE
..
.
ILLUSTRATION.
.
SATURDAY
MORNI l\G
COSTU ME
27
SKETCH
27
31
37
FEES (SUMMARY)
39
RULES OF SCHOOL (GENERAL)
CLASS-ROOM RULES
39
.
55
SCHOLARSHIPS AND PRIZES
. . .
FREE SCHOLARSHIPS .
. . .
13
15 AND 4 1
TRAVELLING SCHOLARSHIPS
OTHER PRIZES .
TOPPAN PRIZES
.
.
.
.
.
.
• .
.
.
15
45
THOU RON PRIZES IN COMPOSITION.
45
STEWARDSON PRIZE IN SCULPTURE
47
STIMSON PRIZE IN SCULPTURE
49
PACKARD PRIZES
.
.
.
• .
.
.
.
.
.
49
51
LEA PRIZES
51
RAMBORGER PRIZE
THE CHARLES
M.
.
PRIZES (CHESTER SPRINGS) .
69
THE ACADEMY'S FREE HAND DRAWI NG PRIZ ES.
S3
CLASS-ROOM RULES . .
. ..
ApPLICA TION FOR ADMISSION .
.
SCHEDULE OF CLASSES.
.
.
.
.
55
56
THE SUMMER SCHOOL AT CHESTER SPRINGS
Wayne K . Crumling
PORTRAIT STUDY,
192 0
ACADEMY'S HONOR ROLL .
• • • .
• .
• .
HONOR ROLL OF THE ACADEMY'S S CHOOLS.
•
59
61
75
83
THE FACULTY (Continued)
JOSEPH T, PEARSON, Jr,
THE FACULTY OF THE ACADEMY
CHARLEMAGNE TOWER.
Chairman, ex-officio, as Chairman of the Committee on Instruc t ion of
the Board of Directors,
CHARLES GRAFLY,
Born in Philadelphia, December 3, ~862. Studied in th~ Spring Gard~n
Institute, Philadelphia, the Pennsylvama Academy of the Fme Arts, and In
Paris , Pupil of L'Ecole des Beaux Arts, ~nd of Chapu, Dampt, Boug u er~au
and Fleury, Member Society of ,Amen can .Artlsts. ~ ~)Dorab le mentIOn,
Pa ris Sa lon, 1891; Medal, World s Columbian .E xposltIon, 1893;. Medal.
Atlan t a Exposit ion, 1895; The P ennsylvania Academy of the Fme Arts
Gold Medal of H onor, 1899; Gold Medal, Exposition-Universelle, Paris,
1900; Gold Medal, Pan -American Exposition , Buffalo; Gold Medal, Charles ·
to n Exposition, 1902; Member of the International Jury of Awards, World 's
Fair, St. Louis , 1904; Grand Prize, Buenos Aires Exposition, 1910; George
D.Widener M emorial Medal. Pennsylvania Academy of the Fine Arts, 191 3,
T he Charles M. Lea F irst P rize, The P enn syl va nia Acad emy o f th e Fine
Arts ,1 9 I6; The Watro tts Gold Med a l, Na tiona l Aca d em y o f D esign , 1919;
Member of the National Academy of Design, the Architectural League o f
New York, the National Institute of Arts a nd Letters; Member the National
Sculpture Society; Member Municipal Art Jury of Philadelphia; M embel
of In ternationalJ ury of A ward, Panama-Pacific Exh ibil ion, 1915 . Instructor
in Sculpture .
I
·1
DANIEL GARBER.
Born in North Manchester . ludiana . Ap ril It, ,~80. Studied In tb. All
Academy of Cincinnat i. and in The Penns yl vania Academy of the Fine Ar to
Award ed First Toppan Prize, Pennsylvania Acad emy , 1904 , and CressOi .
Trav ell ing Scholarship, 1905-1907; First Hallgarten Prize , National Acad ·
emy of Design, 1909; Honorable Mention, The Art Cluh of Phil adel p~,i a.
[910; Honorable M ention , Carnegie Institute, Pittsburgh, 1910; Bronze
Med a l, Buenos Aires Exposition, 19'0; Fourth Clark Prize a nd Honora ble
Mentio n, Corcoran Gallery of Art. Washingto n, [910; Walter Lippincott
Prize, The Pennsylvania Academy of the Fine Arts, 19I1; Pot t er Palmer
Gold Medal. Art Institute oC ChicaRo, 191 [; Second W . A. Clark Prize and
Silver Medal. Corcoran Gallery oC Art. [912; Gold Medal, P anama-Pacific
[nternational Exposition, 1915; Second Altman P rize, National Academy of
Design, 1915 ; Shaw Purchase Prize, Salmag undi Cl u b, 19 16; Edward T .
Sto t esbury Prize , P ennsylvania Academ y of the F ine Arts, 19[8; Temple
G old Meda l, The Pennsyl vania Academ y of the F ine Arts, 19'9; First
Altman Prize for Figure, National Acade m y of Design , New York, 1919;
Member of th e National Academy of Design. Member of th e National Arts
and Salmagundi Clubs, New York. Instructor In Drawing and Painting
HUGH H. BRECKENRIDGE_
Born in Leesburg, Virginia, October 6, 1870. Studied in the Schools o f
Th e Pennsylvania Academy of the Fine Arts, and under B ouguereau , Ferrier .
and Doucet in Paris. Awarded First Toppan Prize, Pennsylvania Academy.
and European Scholarship. Medal, Atlanta Exposition. 1895; H onorable
Mention, Exposition-Universelle, Paris, 1900; Medals, Pan-American Exposit ion , Buffal o, 1901; Corcor~n Prize, Society of Washington Artists, 1903 ;
Gold Medal, Art Club of PhIladelphia, 1907; First Prize, Washington Water
Color Club, 1908; Silver Medal, International Exposition, Buenos Aires .
[910. Av.:arded Gold Medal. Panama-Pacifi c International Exposition ,
San F ranCISco , 1915, The WillI a m A. Cla rk P ri ze , Corcoran Gallery o f
Art, 19 16, The Ed ward T.S to tesbury Prize , The Penns ylva nia Acad emy o f
the Fine Art s, 1917 Th e P en nsy lva nia Acade my o f th e Fin e Arts Gold
Medal of H onor,.I91 9. Gold Med al, t he F ell owsh ip of the P enn SYlva ni a
Academy of the I' In e Arts. '.92 1. Th e J ennie Sesnan Gold Medal, The Pennsylvama Academy of t he FI~ e Ar ts , 192 0. Member of th e Jur y o f Selection
for t he P an -Ame n can ExpOSition , Buffa lo ' M ember of the New Yo rk Wate
Color Club , and t he Philadelphia Wate r C~lor Club . M ember o f the Jury of
SelectIOn of the UnIted S tates Section , D ep a rtment o f Art, and o f InternatIOnal J ur y of Awa rds, UnI ve rsal E xposit ion, St . Louis 1904 ' M ember
of the Mumclpal Art J u ry of Phil adelphia . Member Advisor y Committee
for P ennsylvania and the So uthern States, a nd o f t he Jur y o f Selccti
f
t7etKanN~a-PalIXc I nternat IOnal E xposit ion, Sa n Fra ncisco , I9[5; A ss~~ia~;
o
e a lona cademy of DeSign. I nst ruct or in Dra win g a nd Painting .
PHILIP L. HALE_
Born in Boston , May 21, 1865. Pupil of J. Alden Weir, the Julian
Academy and L'Ecole des Beaux Arts, Paris. M,ember of Art St udent. '
League , New York; St. Botolph C lub, Boston; 1he NatIOna l Arts Cl ub,
New York; The Art Club, Phil adelphi"; Th e Ar t Club, Sa n FranC ISco .
Honorable Mention, Pan-Am erican Exposition, Buffal~, 190[; B:o.nze
Medal , St. Louis Exposition. 1904; Gold Medal.. InternatIOn al EXposit IOn,
Buenos Aires, 1910; N orman Wait H a rns Silver Med al , Ch ICago Art
Institute 19 16' Proctor P ortrait Prize , Nationa l Academ y of DeS ign, Ncw
Yo rk 19;6' The C harles M . Lea Second Prize, Th e PennsylvaI1Ia ACllcl " my
of lh~ Fine'Arts , 1916; The Phil a d elphia Pri ze, T he Pennsylvania Academy
o f the Fine Arts, 1919. Associate Member of th e Nat IOnal A cadel~y of
D e~ ign - Member of the Int€rnational Juryof Aw ards , Panama-PaCifi c E xhibit ion , '[ 915. Instructor in Drawing , Painting and Constructive Anatomy.
HENRY McCARTER.
Born in Norrist own JUly 5 1865 St d' d '
h P
em y of the Fi ne Arts ' ~ nd u~de p' . u Ie. In t e enns ylvani a Aca dCourtois , Ri xe ns. Member ArtS;ud~;;:' dLe Chavannes , Bonn a t , Merson,
t o Scrib ner'S, Century Collier' s The Lond eadue,
~ ew Ydo rk. Contributor
Gold Med al, Panama:Pacific E'xhibition S.n Frap I ~, an oth er magaz ines .
i n Illustration.
(8)
•
an
rancIsco ,1 9I5·
Instructor
Born In Germantown, Philadelphia, February (), 1876. Studied In The
Pennsylvania Academy of the Fine Arts and under J AIde W I
F 11
hi P I T h p
'
.
n e r.
e ows p r ze,
e ennsylvaDla Academy of the Fine Arts 1910' B
Medal, Buenos Aires Exposition, 1910; Jennie Sesnan Goid Medal,ro~~~
Pen~sylvama Academy of the Fine Arts, 1911; Second Hallgarten Prize
Na~IOnal ~cademy of Design, New York, 1911; Honorable Mention, Car :
negle Institute. Pittsburgh. 19 I'; Inness G old Med al, Nati onal Acad emy of
Design,. New York, 191 5; G old Medal, Panama-Pacifi c I nt ern ational
EXP?SltIOn, San FrancIsco, ,1915; N orman W ait Harris Silver Medal, Art
Institute of Chicago, 19;~; remple Gold Medal. Th e Pennsyl van ia Academy
of t h e Fine Arts, 1916; lhe Edward T. Stot esbury Pr ize, Th e Pennsylvan ia
Academy of the Fine Arts, 19,6; The Carol H. B eck Gold M cdal. The
Penns ylvania Aca d emy of th e Fi ~e Arts , '917 ; The Pottcr Palmer Gold
M ed al, C hi ca go Art In stit u te, Chi cago , 191 8. Mem ber of the National
Acad emy o f DeSign. Instructor In Composition and in Dra wi ng and
Painting.
f
ARTHUR B. CARLES.
Schools of The
Born in Philadelphia, March 9, 1882. Studied in th e Awarded two
Pennsylvania Academy of the Fine Arts, a nd In P an s. 1905-1 90 7; 1St
European travelling scholarships, Pennsylvania Acad emy,
19 1
THE FACULTY (Continued)
Toppan Prize, Pennsylvania Academy, 1907; Norman W ait H arr is Bronze
Medal, Chicago Art Institute, 1912; Silver Medal, Panama-Pacific I nte rnational Exposition, 1915; Walter Lippincott Prize, The P ennsy lvania Academy
of the Fine Arts, 1917; The Edward T. Stotesbury Prize, The Pennsyl vania
Academy of the Fine Arts , 1919; The Pennsylvania Academy of the Fine
Arts Fellowship Prize , 1919. Instructor in Drawing and P aintinl1.
JOHN F. HARBESON, B.S., M.S.A.
Born in Philadelph ia, July 30, 1888. Atten ded the Un iversity of Pennsylvania. received B.S., 19 10 , and M .S.A. , 19II . Member American I nstit ute
of Architects. Instruct or in Perspective.
FRED WAGNER.
Born in Valley Forge, P en n sylvania, 1864. Studied in The Pennsylvania
Academy of the Fin e Arts. Awarded The Pennsylvania Academy of the
Fine Arts Fellowship Pri ze, 1914. Member of the Philadelphia Sketch
Club and Ph'ladel phla Water Color Cl ub. Instructor in Landscape.
lroJ
THE PENNSYLVANIA ACADEMY
OF THE FINE ARTS
~he Pennsylvania. Academy conducts the oldest schools in
Amenca devoted exclUSIVely to the cultivation of the fine arts.
The A~ademy also conducts at Chester Springs Chester C
Pennsylvama, what is believed to be the b est equip'ped 0
_0:,
Summer S ch
i ' hi
pen arr
00 In t S country. For details see page 61.
. Duri~g the .one ~undred and fifteen years of the Academy's
eXIstence It ~as aIded III the training of many men and women whose
names are Illustrious on the pages of American Art. Among its
former students are eminent painters-figure, landscape, and marine
~m ural decorators, illustrators, and sculptors of national reputatIon. Its history is in no small measure the history of American
Ar t itself.
The schools are under the immediate care of a Curator and
Committee on Instruction appointed by the President and Board
of D irectors, together with a Faculty composed of representative
artists of the day, who are experi enced teachers and eminently qualified to discover and develop every talent which students may
possess.
The Academy engages its students at once and exclusively in the
study of the Fine Arts, and aims to equip them with a thorough
knowledge of Correct Drawing, Color Value, Composition, Modelling,
Constructive Anatomy, and Perspective.
Lectures of general and special interest are given during the
year, and students may attend t hem without extra charge.
The Academy's Permanent Collection of paintings and sculpture
is an important adjunct to the students' regular work.
The P ermanent Collection includes the Gallery of National Port ra iture; t he Temple Collection of Modern American Paintings;
and the Gibson Collection, largely composed of works of the
Continental schools.
Copying in the galleries is permitted to students under reasonable regulations.
.
The Academy is equipped in every way to teach t~e technique
of Painting and Sculpture, and the instruction it affords ISfully eq ual
from a technical standpoint to that obtainable in Europe.
[u j
The Annual Exhibitions held by the Academy bring together
the best examples of current American painting and sculpture, and
enable student s to follow intelligently the various movements of
modern art, and to study the technical methods by which th
t f
.
h"
.
ear 0
t~ d ay IS ac levmg ItS resul~s. These exhibitions have been rccog111zed for rrany years as bemg the foremost in America. During the
past year they ineluded:
~n Exhibi.lion of Water Colors composed of 622 examples, representmg 215 different artists;
An Exhibiti on of Miniatures composed of 112 examples, repre'
senting 58 different a rtists;
The Academy's 1T5th Annual Exhibition of Oil Paintings and
Sculpture, composed of 360 paintings and 158 sculptures, representing a total of 333 artists. This Exhibition was opened to
public view for seven weeks and visited by 45,505 people.
A Special Loan Exhibition of Paintings, Drawings and Sculpture
by Representative Modern Masters was held from April 17 to r-.lay 9.
The Exhibition consisted of 256 examples of Paintings, Drawings
and Sculpture by ar tists whose influence has directed the development of art during the past seventy-five years. An unusual opportunity was offered by the assembling of these masterpieces for studying the modern movement in art beginning with the work of Courbet.
FREE SCHOLARSHIPS
Through the generosity of Mrs. Alexander Hamilton Ricc,
Twenty Scholarships in the Academy have been provided, entitling
the holders thereof to free tuition.
Ten of them are in memory of William L. Elkins, and ten in memory of George D. Widener.
Through the generosity of Edward Bok, a scholarship is available from the" Philadelphia Prize," established for the Academy 's
Annual Exhibition.
Under the will of Mary R. Burton, deceased, another free
scholarship is provided, and through the generosity of ~1rs. George
K. J ohnson , the Sarah Kaighn Cooper Free Scholarship has been
Manuel Azadigian
STILL LIFE.
1920
established.
.
The above Free Scholarships will be available thiS year for
returning students only, and are awarded solely for the purpose of
financially assisting those who would otherwise be unable to pursue
the study of art.
d f D'rectors
These Scholarships will be awarded by the Boar 0
I d th
. of t h e C omrm'ttee on InstructIOn an
e
upon the recommendatIOn
Faculty of the Schools.
[131
Octo~~;~i~:.nts
must fill in a prepared form and submit it before
This app.lication must be accompanied by a letter addr
to the Committee on Instruction stating in detail th
. essed
requesting Free Tuition.'
e necessIty for
TRAVELLING SCHOLARSHIPS
SO far as instruction is concerned there is no
·t
necessl
y whatever for .t h e student to leave America ' but , b y th e l·b
1
..
I era provIsIon
o f t h e Wills of Emlen Cresson and Priscilla P ·, h·IS WI·fe, a f und has
b een created, as a memorial to their deceased son W·ll·
' I lam E mien
.. .
C resson, AcademICIan, the Income of which is to b
.
..
e app 1·Ied by
t h e Aca d emy In sending ItS most meritorious students t E
Th·
. d··
.
0 urope.
e Income I.S IVI~ed Into scholarships of $500 each, awarded to
the students Impartially upon the merits of their work.
During the last year ten students were awarded Cresson
Scholarships.
o
N
C>
~
z
o
H
f-<
OTHER PRIZES
Besides the Cresson Scholarships, other substantial prizes are
offered to students as hereafter stated, and every incentive held out
to them to develop their talents to the uttermost.
H
[fJ
op..
SOME ADVANTAGES OF LOCATION
o
()
The Academy building is located in the heart of Philadelphia,
within one square of City Hall and within two or· three blocks of the
central city railroad depots. The new Parkway brings it within
easy reach of Fairmount Park and 3000 acres of beautiful scenery.
While it is convenient to the business portion of the city, it is also
readily accessible to the residential districts. Philadelphia is often
called" The City of Homes," and of all the greater American cities
it is probably the most worthy of the name. Apartments and studios
can be obtained by the year or by the month for reasonable rates.
The cost of living is low.
The city contains, in addition to the Academy's own gallery, a
number of notaLle collections of paintings which are accessible to
students. Among the more important may be mentioned: The
Wilstach Collection in Fairmount Park; The Lankenau Collection
at the Drexel Institute; the important paintings at the Historical
Society of Pennsylvania, and at Independence Hall; the collectIOns
of the late John G. Johnson, of Joseph E. Widener! and.of the.iate
William L. Elkins. Admission to Private CollectIOns IS obtamed
by appointment only.
.
To students attending the Academy, the Reference LIbrary and
the Galleries are free during the time of their attendance.
::g
[151
PHILADELPHIA CALENDAR
The One Hundred and Fifteenth Year
Begins October 4, 1920.
The school year is divided into two terms of 17 weeks each.
The first term will begin Monday. October 4. 1920, and close January 29,19 21 ; the second term will begin Monday, January 3 1,19 21 ,
and close Saturday, May 28, 19 2 1.
The schools are open from 9 o'clock a.m. until
daily except Sunday.
10
o'clock p.m.
Evening classes are open from 6.30 until 10.
,
Visitors are admitted to the school on week-days from 4 to 5 p.m.
The schools are closed on Sundays, Thanksgiving Day, Christmas Day, New Year's Day, Washington's Birthday and Good Friday.
During the Christmas holidays the schools will be open, but
from December 22 to J anuary 3rd no living models will pose and no
criticisms will be given. On the Saturday preceding Easter and on
Easter Monday no living models will pose and no criticisms will be
gIven.
CHESTER SPRINGS CALENDAR
The Chester Springs Summer School is open from April 1St to
October 1st. Criticisms are given between March and October.
During the Autumn and Winter months, special arrangements may
be made with the Resident Manager for working at the school.
Elmer G. Anderson
PORTRAIT STUDY.
1920
INSTRUCTION
in the Academy at Phl'lad eI p h'la IS
" gIVen III
, Dra '
' Instruction
,
P amtmg,
Sculpture, and Illust ration Th
d
Wlllg,
11' d d '
,
esc epartments are closely
a Ie an students 111 the Painting and Illustratl'o J
ddt
k '
'
n c asses are recomm en e, 0 wor 111 clay, ann sculptors are privileged to work'
t lle Pa1l1tmg classes.
III
o
N
'"
~
The general m et hod of instruction is by indi vidual criticism
of class work. The individuali ty of the student is not repressed by
fixed methods.
ANTIQUE ORA WING
In order that students who havc had comparatively little training in drawing may pursue their studies under the easiest conditions
and advan ce naturally to higher work, a prepara tory Antique Class
is conducted, which includes drawing from the cast, drawing and
painting from still life, and lectures upon composition, perspective,
and constructive anatomy , It comprises the following classes, and
gives the student a comprehensive range of stud y :
r19]
•
,
CLASSES
INSTRUCTORS
Drawing from Cast
Daniel Garber
Every morning and afternoon
every night
'
Composition
J
Still-life Drawing and Painting
~sePhhHT·BPearson,. Jr.
T
d
T
ug
. reckenndge
ues ay,. hursday and Saturday
mommgs and afternoons.
o
N
'"
~
John F. Harbeson
Perspective Lectures
Constructive Anatomy Lectures Philip L. Hale
Saturday Morning Costume
Arthur B. Carles
Sketch Class
Requirements for Admission
Upon request, application blanks will be furnished. These
blanks, carefully filled in, should be returned to the Academy before
October 1st. All new students, excepting those applying for admission to the modelling classes, must work in the Antique Drawing
Classes for at least one month after registration. After the first
month of work they will be classified by the Faculty according to the
merit of the Antique drawings they submit.
Fee for the Antique Classes
The fee for the Antique Classes is $75 a term. For Students
registered in the Academy Philadelphia Schools during the season
r2Il
of 19 1 9- 19 2 0, the tuition fee will remain
the tuition fee entitles the t d
as heretofore. Payment of
s u ent to work m the
.
noon, and evening classes St d t
.
.
mornmg, after.
u en s registered
A .
are permitted to work in th A .
m ntlque Drawing
extra charge.
e ntlque Modelling Class without
THE LIFE AND HEAD CLASSES
The Life and Head Classes offer th
.
stu dents to draw and paint fro th H e opp~rtumty to advanced
m e uman Figure, from the Head ,
and from Still Life, and to attend lectures on Composition, Perspect ive, and Constructive Anatomy.
In the Day Life Classes students will not be confined to criticisms from a single instructor but will have the advantage of receiving criticisms from several members of the Faculty as scheduled .
Weekly criticisms will be given during October and November by
Mr Pearson; during December, January and February by Mr. Hale;
and during March, April and May by Mr. Pearson.
The night Life Classes will be under the supervisiol1 of Mr. Garber.
SCHEDULE OF CLASSES
Alfred R. Mitchell
LIFE STUDY,
1920
INSTR UCTORS
Drawing and painting from Life. For
women: three hours daily, and Tues- Joseph T. Pearson, Jr.
day, Thursday and Saturday nights. Philip L. Hale
For men: three hours daily, and Mon- Daniel Garber
day, W ednesday, and Friday nights.
CLASSES
INSTRUCTORS
Drawing and painting from the Head.
M onday, Wednesday, and Friday Hugh H. Breckenridge
mornings and afternoons.
Drawing and painting from Still Life. Hugh H. Breckenridge
T uesday, Thursday, and Saturday
mornings and afternoons.
Composition
Joseph T. Pearso n, Jr.
Perspective Lectures
J ohn F. Harbeson
Constructive Anatomy Lectures
Philip L. Hale
Satu rday Morning Costume
Arthur B. Carles
Sketch Class
Requirements for Admission
I
Students will be admitted to the Life and Head Classes on presentation of drawings, from the Antique, which in the opinion of the
Faculty are of sufficient merit to warrant promotion. Application
for these classes may be made at the termination of the first month's
work or at any stated faculty meeting thereafter.
Fee for the Life and Head Classes
T he fee for the Life and Head Classes is $75 a term. For stu·
dents registered in the Academy's Philadelphia Schools during the
season of 19 19-1920, the tuition fee will remain as heretofore. Payment of the tuit ion fee entitles a student to work in the Antique
Classes , the Life Class, and the Classes in Sculpture, without extra
charge. All students in drawing and painting are r ecommended
to do a certain amount of modelling.
Helene Holdt
PORTRAIT STUDY ,
1920
SPECIAL CLASSES
Mr.
Pearson's Class in Composition
The Class i~ Composition or Self-Expression is conducted by
Mr. Pearson. 1 he object of the class is to encourage the student
to expr~ss courageously and forcefully his own impressions and
conceptIOns.
The class meets at stated. intervals to exhibit work for comparison and open discussion .
Mr_
Hale's Lectures on Constructive Anatomy
The Lectures on Anatomy begin about the first week of November, and are open to all students without extra charge. The
Instructor will illustrate his Lectures with the stereopticon and with
drawings made in the presence of the class, and also by means of
the living model. The subject of constructive anatomy is fully
covered in this course.
Mr.
Harbeson's Lectures on Perspective
The Lectures on Perspective begin about the first week in
November, and are open to all students without extra charge.
The Course consists of lectures upon the elements of linear
perspective illustrated by drawings made before the class. Pro.,
blems in drawing and painting from tl:c solid object and from nature
are given to the class at stated intervals. The principles of perspective as use:l by artists of various schools are demonstrated by
lantern prdjections of their \\'orks.
Mr.
Dora Reece
POR TRAIT STUDY.
1920
Carles' Costume Sketch Class
The Costume Sketch Class is conducted throughout both terms,
and meets Saturday mornings [rom nine o'clock until noon ..Sketches
from the living model are made in black and white, or 111 color.
Members of any class in the school may attend the Costume Sketch
Class without additional charge.
A Sketch Class meets also on Tuesday evenings, from seven
until nine o'clock , to work from a living model.
,
The chief object of the Sketch Classes is to teach students to
grasp and record quickly the spirit and character of the subj ect
presented .
.'
DRA WI NG FROM THE CAST BY THE SE CON D ANTIQUE CLASS
Beatrice C. Edgerl y
COMPOSITION.
1920
29
SCULPTURE
The Classes in Sculpture are under the direction of Mr Graft
and
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d are
T sch
d eduled as follows : F or men '. Life Cl'
ass every mormng
an
u es ay, Thursday, and Saturday nights. Portrait Class'
Monday, W ednesday and Friday Afternoons. For women : Lif~
Class every afternoon, and P ortrait Cla,s Monday, W ednesday and
Fn day mornmgs.
SCULPTURE STUDENTS' EXHIBITION
The work of the Classes in Sculpture con~ists of modelling, generall y in the round, from the full-length figure and from the head .
In addit ion to the work from life, students are required to
submit each month a composition sketch in terpreting subj ects
assigned by the Instructor.
Requirements for Admission
Aurelius Renzetti
LIFE STUDY (SCU LPTURE),
19 20
Photographs of work or sp ecimens of modelling of sufficient
merit are required for admission to these classes.
Students not suffi cien tly advanced for admission to the Life Class
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without the payment of an additional fee .
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Some practical knowledge of the use of clay and a true conception of form in the round are of manifest advantage to both painter
and illustrator.
Students in Sculpture are permitted to work in the Drawing and
Painting Classes, and are recommended to work therein, but admission to the Life Drawing Classes is, for sculptors, subject to the
,arne requirements as for painters.
The Night Life Class for men meets from 7 to 10 p.m. Criticisms are given once a week as in the Day Life Class.
Students are required to furnish their own clay, life modelling
stand and bucket for clay. The Academy will furnish one head
stand fo r each student.
Fees for Sculpture Classes
The fee for the Classes in Sculpture is $75 a term. For Students
registered in the Academy's Philadelphia Schools during the season
of 1919-1920 the tuition fee will remain as heretofore. Payment of
the tuition fee entitles a student to work in the Day Classes or Night
Classes or in both. Modellers are permitted to work in the Drawing
and Painting Classes without extra charge.
Gladys Edgerly
PORTRAIT STUDY (SCU LPTURE),
1920
(35]
•
ILLUSTRATION
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The Class in Illustration is under the direclion of l\Ir. McCarter.
Its purpose IS to provide t he student with such practical instruction
In Drawmg, Composition and Interpretation as will enable him to
en ter the professional field of magazine and book illustrating.
"-
Requirements for Admission
Students will be a'imitted to the Cla';s in Illustration upon
presentation of drawings from t hc Antique which, in the opinion
of the Facul ty, are of suffi cient meri t to warrant promotion.
The Class in Illustra tion wi ll meet daily throughout the school
year.
Living models are engaged for the morning and afternoon classes
and in dividu al criticism is given twice a week.
Students in Illust ration a re permi tted to compete for t he
Cresson Travelling Scholarships upon fulfilling the necessary
req uirements for com petit ion.
Admission to the Life Classes is subj ect to the same reqUlrem ents from illustrators as from painters.
The successful result of training given in illust ration is shown
by the large numb er of AcarJemy stud en ts II'ho have achieved
distinction in this important field.
Fee for the Illustration Class
Nathaniel S. Li ttle
GROUP I N COM PETITION FOR CRESSON TRAVELLING SCHOLARSHIP
(ILLUSTRATION)
The fee for the Class in-Illustration is $75 a term . F or Students
registered in the Academy's Philadelphia Schools during t he season
of 1919- 1920 the tuition fee will remain as heretofore.
Illustrators will be required to present each month work done
in the Illustration and Life Class and to participate in such concours
a nd examin ations as may be announ ced during the season. They
are entitled to attend tbe Life a nd Still-Life Classes and the Lect ures
on Composition, Perspective and Constructive Anatomy, withou t
extra charge.
1371
SUMMARY OF FEES
Antique Classes
Life and Head Painting Class
III ustra tion Class .
Modelling Classes
PER TERM
•
$75
75
75
75
For students registered in the Academy' s Philadelphia Schools during the
season of 1919 - 1920, the tuition fee will remain as heretofore.
Locker rent, one dollar a TERM.
Payment must be made in advance to the Curator.
No reduction will be made to students who desire to wo rk under one
instructor only, Or to take special criticis ms.
(No extra charge is made for the USe of models.)
NOTE.-All new students must pay, in addition to the above fees, a matriculation fee of five dollars.
The payment of $75 a term for tuition, $ 1 a term for locker rent, and the
matriculation fee of $5 covers aU fees, but does not cover the cost of materials.
No reduction will be made to students regist ering after a term has begun.
Tuition fees will not be refunded for any cause whatever .
GENERAL RULES OF THE ACADEMY
No student under sixteen years of age is eligible for admi ssion.
Regular attendance by students is not compulsory, but no
reduction from tuition rates will be made on account of absence.
Classes begin at 9 a .m . promptly, and students are urged to
start work early in order to utilize the best light of the day.
Materials for study must be provided by the students.
All articles required in the classes are for sale in the schools at
lowest p ri ces.
A detailed schedule of classes will be found on page 59.
/39]
SCHOLARSHIPS AND PRIZES
T ravelling Scholarships
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By the wills of Emlen Cresson and Priscilla P. Cresson, a Fund
has been created as a memorial to their deceased son, William
Emlen Cresson, Academician, the income of which is to be applied
by The Pennsylvania Academy of the Fine Arts in sending pupils
of merit to Europe.
During the past year the Academy awarded ten Cresson
Scholarships. Included in this number were six painters, two
sculptors, and two illustrators. These awards were made by the
Board of Directors upon the recommendat ion of the F aculty.
The awards are divided among the Painting, Illustration and
Sculpt ure Classes, and are based upon the number of pupils in each
Cla ss as one factor, and the standard of the work as another factor.
The award heretofore has consisted of Five Hundred Dollars to each
student· to be expend ed in foreign travel and study, bu t, on account
of th e increase in travelling expenses the board of Directors made the
follow ing announcem ent at the close of the school year, I920: "The
awards have been proportioned in the past so as to provide each
student with Five Hundred Dollars t o expend in actual t ravel and
travelling expenses, bu t on account of the increase in such expenses
the Academy announces that aU students going abroad this year
will be given Two Hundred Dollars additional for each scholarship."
It is the intention of t he Cresson Scholarships to give to the
students of the Academy the advantage of seeing some of the import ant Galleries and Art Schools abroad, and the Academy desires to
extend the benefit of the Scholarships to as many students as possible, p rovided t hey possess the necessary merit. The trip abroad
is limited to the summer vacation, a period of four months, from
June to September inclusive, so that students can return to the
Academy for study during t he ensuing school year. The Board of
Directors, upon the recommendation of the Committee on Instr uct ion , may, in case of exce ptional meri t , permit a student to compete
a second time fo r a Cresson Scholarship, a nd to receive a second
award of $5 00 . Unless some satisfactory excuse be accepted by the
Committee on Inst ruction, such second co mpetition and award
must be during t he year succeeding the first award, but all students
who have heretofore received one Cresson Travelling Scholarshlp
and who, by reason of the war, have been unable to enj oy the same,
are given Scholarships to The Pennsylvania Academy of the Fme
[4 I 1
A~ts'l carryfin g free tuition for the season of 1920- 1921 with the
?nvI ege 0 competing again in May, 1921, for a second Cresson
fravelllng Scholarship .
. The award of ~ Travelling Scholarship is not to be regarded as a
certIficate of proficIency. Students receiving an award fo r the first
time a re required to return to the Academy for further study and
to inspire and encourage their fellow -students.
No student will be awarded a Cresson Scholarship who has not
s tudied at least 16 months in the Academy and been registered for
both terms during t h e year of competition.
In estimating the total sixteen months of study necessary to
qualify competitors, time spen t at work at the Chester Springs
Summ er School will be counted, but no student will be eligible to
compete who is not registered in the Philadelphia schools [or both
terms of his competition year.
Requirements Governing the Competition
Work must be submitted each month by Competitors in the
Painting, Sculpture and Illustration Classes for review, and will be
the principal factor in determining the award of the Cresson Travelling Scholarships. Candidates failing to submit work as required
will be ineligible for receiving an award.
The date for each review is posted on the School Bulletin Board
at the beginning of every month. Students will not be given credit
for their work unless it is registered at the Curator's office on the
dates specified and wi t hin the following t ime limi ts:
For a morning review,
2 .00 p.m. of the previous day.
For an afternoon review, 9.30 a .m. of the same day.
For an evening review, 12.00 noon of the same day.
Painters will be required to present work each month in Composition, in drawing or p ainting from the Figure, and in drawing
or painting from the H ead .
Sculptors will be required to present each month work done in
Composition a nd from the Figure.
Illustrators will be required to present each m onth one head
m ade from the model in the Illustration class and at least three
drawings or paintings from Life during each term.
Students failing to submit the required work for review place
themselves out of competit ion, and can be reinstated only by action
of the Faculty.
All work hung in competition for the Cresson Trav~lling Schol~r
ships must have been m ade for and approved by the Instructors In
[ 431
whose classes the student is registered during his competition year,
and all competitors must participate in such concours and examinatIOns as may be announced during the season,
THE CHARLES TOPPAN PRIZES
The Charles T oppan prizes [or 19 2 1 will be, respectively, $3 00
and $200 , a nd two honorable mentions of $ [00 each,
These prizes were established in ISST by the gift of Mrs. Charles
Toppan, Miss Harriette R. T oppan, and lvIr. R obert N. Toppan.
The prizes will be awarded only to students who have previously
received a Cresson Scholarship and who have submitted each month
during the year of competition two Efe drawings from models posing
in the Academy, or two full-figure Antique drawings made in the
Acadcmy.
Any student having received one Toppan prize is debarred from
receiving another Toppan prize of the same or low;or value.
The work submitted in competition must be an original painting
in oil or water color, t he un aided work of the student without criticism, All work in co mp etition must be presented on or before Saturday, May 14, 1921The subject assigned for r>'lay, 1921 is: "An In terior with one
or more figures in which mere Portraiture is not the leading moti ve."
No student m ay submi t more than one canvas . Canvases submitted must not measure less than twelve inches nor more than
thirty-six inches in either dimension, and must not be framed
or glazed.
Canvases shall be numbered by the Curator, and a memora ndum of the number and artist's name kept in a sealed envelope (no
list of numbers being kept.) which shall be opened after the pri7,e winning canvases have been selected by the Committee on Inst ru ction . No signatures or ciphers shall be placed on canvaseS or st ret ·
ehers, so that the identity of the competitors shall be kept secret
while the judging is under way .
According to the positively expressed terms of the gift, the
drawing of the work submit ted will receive first consideration . .
No work will be accepted without the approval of the ComnllLtee
on Instruction. The Committee is not obliged to award prizes or
honorable mentions if, in its opinion, the work submitted is not of
sufficient merit to justify making the awards .
Wayne K, Crumling
F1RST TOPPA:-i PRIZE,
1920
THE THOURON PRIZES
The following awards, founded by the late H enry J. Thoufon,
a former Instructor in Composition, will be made as follows:
4S
A pri.ze of ~50 for a group of not less than three compositions
upon subjects given to the class during the current season
d
.
f $ f
. .
, an a
pnze 0 25 or a second slmllar group, the first to be decided by the
Faculty, the second by a vote of the students then working in the
and one of $50 and one of $25,
the first
for
I progress
Schools;
.
genera
III s~udy, the second for the work showing, in its treatment of said
subjects, the most poetic, or abstract, or idealistic point of v'
'd
, lew ,
b oth to b e d eCI ed by the instructor of the class. .
A competit~r is not eligible a second time for the same prize ,
and cannot receive more than one award the same season.
In the event of not making the annual awards, or any portion of
them, the money is to accumulate until it shall amount to the sum
of $500. This sum will be awarded by the F acult y to the student
submitting the best work in Composition upon a given subject. The
intention of the award is to give the successful student a threemonths' summer trip abroad, for the purpose of special study of
Composition in specified places and galleries.
THE STEWARDSON PRIZE
Franklin W atki ns
SECOND TOPPAN PRIZE,
1920
The Edmund Stewardson Prize of One Hund red D olla rs, in the
Department of Sculpture, will be awarded for the nineteen th time
at the close of the school year.
This is an annual prize, to be competed for by present students
of the Academy with such pupils of other ar t schools as may be
approved by the Committee on Instruction. H aving once received
this award, a student becomes ineligible for further co mpetition.
The subject for the competition shall be a full-leng th figure
from the Antique or Life, either in the round or in relief, and will
be announced by the Committee on Instruction on the fi rst day of
the Competition.
Studies shall not be less than two feet six inches in height, and
not more than three feet in height, and shall be made within eighteen
hours, during three consecutive days, in six sessions of three hours each.
Each competitor shall privately draw by lo t a number, and shall
enclose the same with hi s or her name in a sealed envelope to the
Secretary of the Academy. Upon completion of the work t he
competitor shall place a corresponding number upon the study
submitted to the Jury of Award. Positions in the competition room
shall be determined by lot. No one except the competitors shall be
admitted to the competition room at any time during the days of
the competition, and none except the members of the Jury shall be
present during the judging of the studies.
[47]
· The Jury of Award shall consist of three professional sculptors,
havmg no officIal connectlOn with the Academy, or school or schools
whose pupils m ay have taken part in the competition. When the
successful number shall have been announced by the chairman of
the Jury, the Secretary shall, in the prescnce of one or more of the
Directors of the Academy, open the envelope bearing that number
and announce the name of the s'.1ccessful competitor. If no study be
satisfactory to the Jury , the prize may, in their discretion, be withheld.
When no award is made, the amount of the prize may, in the discretion of the Board of Directors of the Academy, be added to the
principal of the prize fund, or distributed with future prizes.
The clay models offered in competition must be kept standing in
good condition until otherwi se ordered, and figures cast by the
Acad emy become its property.
The competition for the year I92 I will take place on March 7,
8, and 9·
THE STIMSON PRIZE
In memory of Emma Burnham Stimson, a fund has been
created for the award each year of a prize in sculpture of $roo.oo for
the best work done by the students in the regular course of the class.
The contest is open to students who have been registered for
three terms and who are members of the Life Modelling Classes,
but is not open to former studen ts who work in the class by special
permlsSlOn.
The subject for competition shall be a full-length figure from life,
in the round, not less than 2 feet 6 inches in height, and shall be made
during class hours as a part of the regular work in the class.
The work shall be submitted anonymously to a jury appointed
by the Committee on Instruction of the Board of Directors. The
jury shall not include any instructor in the School.
The contest for the year I921 will take place during the months
of January and February.
THE PACKARD PRIZES
Elmer C. Stoner
SECOND PACKARD PRIZE,
1920
From the income of the J ohn H. Packard Fund, established by
the children of the late John H. P ackard, M.D., for many years
chairman of the Academy's Committee on Instruction, annual prizes
of $3 0 and $20 will be awarded for the best and second best groups
of original studies m ade from living animals. These prizes are open
to all students of the Academy who have registered for both terms
of the school year. A student having once received a prize becomes
ineligible to receive the same prize a second time.
THE RAMBORCER PRIZE
From the income of a fund established by the late William K.
Ramborger, E sq., as a memorial to his sister, Aspasia Eckcrt Rambo~ger, who fo: some years was a student of the Academy, an annual
PrIze of $25 will be awarded for the best drawing in black and white
of a head from life by a pupil of the Academy who has not been
under instruction over two years, but who has been registered in
the Academy for both terms of the school year. Each competitor
may submit one unmounted drawing, and having once received an
award, becomes thereafter ineligible to compete again.
THE CHARLES M. LEA PRIZES
The Pennsylvania Academy of the Fine Arts will hold a Special
Exhibition of Drawings by Students of American Art Schools in
November, 1920.
Through the generosity of Charles M. Lea, a First Prize of three
hundred dollars and a Second Prize of one hundred and fifty dollars
will be awarded respectively to the best and second best drawings.
Drawings eligible for competition must be executed by students
regularly enrolled in any American School of Art which has a faculty
of at least two instructors.
The number of works entered by any competitor must not
exceed two .
The drawings must be upon white paper eighteen by twenty-four
inches in size and unframed.
The subject must deal with the human figure, either singly or in
composit ion , and be executed in black and white by pen, pencil or
hard crayon, but not in chalk or charcoal. The awards will be based
upon the precision, accuracy of delineation, proportion, detail,
simplicity, and picture quality of the drawings submitted.
The Jury of the Academy's Water Color Exhibition will make
the awards. They may withhold either or both prizes if in their
judgment the drawings are not of sufficient merit.
All entries must have the following information legibly written
on the back of the drawing: Name of the Artist; Address to which
the work is to be returned; Name of the School in which the student
is working; a nd the Signature of the Principal of that School.
Drawings must reach the Academy not later than Tuesday,
November 17, 1920.
Nathaniel S. Little
THE RAMBORGER PRIZE,
1920
[51]
•
THE ACADEMY'S FREE-HAN D DRAWING
PRIZES FOR THE HIGHER SCHOOLS OF
PHILADELPHIA AND VICINITY
,
,
Dora Reece
PORTRAIT STUDY,
1920
•
The Board of Directors of The Pennsylvania Academy of the
Fine Arts have established a system of prize awards for original Freehand Drawing by students of the higher schools of the city of Philadelphia and vicinity, The purpose of making these awards is to
stimulate interest in Free-hand Drawing, to discover those who
possess marked talent, and to offer them the advantages of study at
t he Academy,
A first prize of $10 and a second prize of $5 will be awarded by
the Academy upon 'the recommendation of the instructor of the school
where made, for the best and second bcst drawings made by regularly enrolled students of each schooL
The drawings must be madeflee-hand from a cast or other object
assigned by the instructor, and must be the unaided work of the
student, wi thout crit icism,
The dra wings must be made with lead pencil, charcoal or crayon
on white paper 19 inches by 25 inches in size, and must be signed on
the back with the name and address of the student making it.
The dra wings may be made at a ny t ime during the months of
March and April, but must be submitted to the instructor of the
school where made, and the prizes announced before the thirtieth
of Apri L
The two prize drawings from each school must be sent to the
Secretary of The Pennsylvania Academy of the Fine Arts, Broad
and Cherry Streets, Philadelphia , not later than May 15th. The
Faculty of the Academy will then judge the drawings submitted,
and award the final prizes as follows :
$2 5 for the best drawing; $ r 5 for the second; and $10 for Jhe third.
It is hoped that these awards, and the stimulus they afford, WIll
lead to a closer sympathy between the art instruction of the city's
higher schools and the work of the Academy itself.
CLASS-ROOM RULES
Hours
The Schools are open from 9 o'clock a.m. until 10 o'clock p.m.
M odels pose from 9 a.m. to 12 noon, from I to 4 and from 7 to 10 p.m.
At 5·30 p.m. the Cherry Street entrance will be opened for
members of the night classes.
Visitors
The school-rooms are open for the inspection of visitors on
week-day afternoons, from four until five o'clock.
Students will not be called from the class-room unless in the
judgment of the Curator the matter is of urgent importance.
No one will be permitted to remain in any of the class-rooms
during working hours except the regular members of the class who
are doing the special work of that class.
Deportment
Students are expected to be self-governing, and to know and obey
the rules of the Academy from principles of honor.
Violation of the rules will result in suspension or dismissal from
the Academy.
Any conduct un becoming a student is a violation of the rules.
The property of other students must not be used without the
owner 's knowledge and consent.
Monitors
It shall be the duty of the monitors to maintain order and, if
necessary, to report to the Curator any interference with the work
of the class.
Monitors shall see that the class-rooms are kept properly lighted
and ventilated.
The monitor of each class shall have charge of the model and
of the class-room during working hours.
Life Classes
Only members of the Life Classes are permitted in the Life
Class rooms during working hours.
Members of the Life Classes must under no circumstances speak
to models who are posing.
[ 551
Positions in the Class-rooms
Moving of Casts
-'ove the casls A ny change desired in the posiSiu denls IlIftS I 110 t . . . '
.
J
.
tl
b'1' ?cts must be authorized by an tnstrtlctor or t Le
11011 of casts or 0 L~r 0 ..'
c1lralo r , al/d carried oulunder Ills dlrecllon.
Students ~ho a.re not. present at the hour when classes begin
must. take thell' posltlOns 111 order of arrival. No student will be
permitted to select and rcserve a position for one who is absent.
Plaster Casting
Monthly Review of Work
Casting in plaster will not be permitted in any of the schoolrooms. A special room is provided for this work.
.
A general review of the work of each class will be held once a month
by the respective instructor. Studies submitted will be hung for exhibition in the class-rooms. A record of the work so exhibited will
be kept for use in determining the standing of students at the end
of the season. Studies cannot be recorded or accepted for exhibition
unless presented at the Curator's desk within the following time limits:
Lunch-rooms
Luncheon must not be eaten in the school-rooms. Lunch-rooms
are provided in the basement.
Sketching in Galleries
For a morning reivew,
2.00 p.m. of the previous day.
For an afternoon review, 9.30 a.m. of the same day.
For an evening review, 12.00 noon of the same day.
Students may sketch from the works in the Permanent Collection of the Academy, but copies must not be made without special
permission from the management.
The date for each review will be posted on the school Bulletin
Board at the beginning of every month. Drawings will not be accepted when roUcd or when not carefully" fixed." P aintings must
be thoroughly dry, and all work must be signed with the student's full
name and Ihe name of the class in which the work was done. Studies
marked by the instructor are reserved by the Academy until the
close of the spring term. In order to prevent loss, unmarked studies
should be reclaimed at the close of each review.
Library
Students may have free usc of the Library, upon application to
the Curator, between the hours of 3 and 5 p.m. Books must not
be taken from the room.
Zoological Garden Tickets
Annual tickets for the Zoological Gardens may be obtained, at
a small charge, from the Superintendent of the Gardens on presentation of a letter from the Curator.
Care of Personal Property
APPLICAnON FOR ADMISSION TO
THE SCHOOLS
Applicants for admission to the Schools in October should send
filled-in application forms to the Curator of thc Schools before
October 1st, but students may enter the Schools at any time.
All new students will be classified in the first or second Antique
Drawing classes. For those who have. had Life work before entering
the Academy's schools this classification will be only temporary, and
their drawings made in the Antique class will be considered by the
Faculty for admission to the advanccd classes at the first regular
Faculty meeting after registration.
(561
I
All personal property should be marked with the owner's name.
Students are cautioned not to leave personal property of any
description about the school-rooms, as the Academy will in no case
be responsible for the loss of articles from the rooms or lockers.
Large steel lockers, fitted with combination locks, are provided
for each student, and are expected to be kept locked.
Any damage done to a locker will be charged to the student
occupying it.
Students will not be permitted to leave canvases, drawingboards or other materials about the school-rooms, but must place
them, when not in use, in the racks especially provided for the purpose.
Canvases and Materials left at the Academy and not called
for by the beginning of the faU term will be disposed of.
1571
SCHEDULE OF CLASSES
MONDAY.
TUESDAY.
Antique Class.
Wom en 's Life Class.
Illustration Class.
Men's Modelling
Class.
Antique Class.
Women 's Life Class.
Head Class.
Illustration Class.
Composition Class.
Head M odelling
Class.
Men's Modelling
('lass.
Antique Class. 2d.
Men's Life Class.
Still Life.
Illustration Class.
Women's Modelling
Class.
Anti4ue Class. 2d.
Men 's Life Class.
Head Class.
Illustration Class.
Women's Modelling
Class.
Antique Class.
Men's Life Class.
Still Life.
Tllustration Class.
Women's Modelling
Class.
Antique Class .
'Women's Life Class.
>
Head Class.
iii: I Illustration Class.
I
Head Modelling
Class .
iii:
Men's Modelling
Class.
Antique Class.
Women's Life Class.
Illustration Class.
Antique Class.
'Men's Life Class.
Head Class.
Illustration Class.
W omen's Modelling
Class.
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---
- -
Perspective Lecture
4-5
.....
P.M.
---------
I
FRIDAY.
SATURlJAY.
Antique Class.
Women 's Life Class.
Head Class.
lllus tration Class.
Head Modelling
Class.
Men's Modelling
Class.
Antique Class.
Women's Life Class.
Illustration Class.
Costume Sketch
Class.
Men's Modelling
Class .
THURSDAY.
WElJNESDA Y.
Men's M odelling
Class .
Antique Class. 2d.
Men's Life Class.
Head Class.
Illustration Class.
Women's Modelling
Class.
1
- - - - - - - - - - -----1--------- -Anatom
y Lecture,
- - - - ----------- -
Antique Class .
Men's Life Class.
Still Life.
Illustration Class.
Women's Modelling
Class .
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- ----- ----- ------
4-5 P.M.
- - - - - - - - -- - -
Women's Life Class .
Women's Life Class .
--
---
Women's Life Class.
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Men's Life Class.
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Antique Class.
Costume Sketch
Class.
M odell in" Cl""s.
Antique Class .
Men's Life Cl ass.
Alternates every two weeks with M en' s Life Class .
'Alternates every two w eeks with W o m en 's Lire Class.
1
Antique Class.
Modellin", Class.
- - ---
Antique Class .
Men's Life Class.
Antique Class.
-
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THE ACADEMY'S SUMMER
SCHOOL AT CHESTER SPRINGS
The Pennsylvania Academy of the Fine Arts owns a tract of
40 acres at Chestcr Springs, Chester County, Pennsylvania, where
it conducts an open air school for fine art instruction.
Chester Springs is seven and one-half miles northwest of Phcenixville on the Pickering VaUey Railroad. It is a beautiful little village,
wlth postoffice, schools, stores and churches. The population is
purely native American.
The Academy's property is one-quarter of a mile from the station. It is about 300 feet above mean ocean tide level, supplied with
electnc light from Phcenixville and reached in about one hour and
thirty minutes by train service from the Rea:iing Terminal at
Philadelphia. It is north of the village, surrounded by typical
Pennsylvania farm land, the scenery of which is enriched by gently
rolling hills and by Pickering Creek with its mea:iows and valleys.
It is at the foot of a hill rising to the north over 500 feet, and includes
a number of buildings upon the hillside, affording ample studio
room, and separate dormitories for men and wom en .
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THE BUILDINGS AND GROUNDS
The men's building, known as the Washington Building, is a large
three-story stone structure, 146 feet long, with airy dormitories on the
second and third floors, private rooms for those who want them, and
contains on the first floor the main kitchen and general dining room.
The women's building, known as the Lincoln Building, is also
three stories in height, is 88 feet long, with similar airy dormitories
on the second and third floors, and with private rooms, and contains on the first floor a library and reading room used by all of the
students. It is about 60 feet to the eastward of the Washington
Building. Both are near the public road.
About 130 feet back of these two dormitory buildings, and .up
the side of the hill, is the main Studio Building, 78 by 49 feet, whlch
has upon the first fl oor a theatre or lecture room with dressing rooms
for men and women, and upon the second floor one large studio used
by the'·students in common, and several smaller ones, affordmg together ~ple space for all the students to work indoors in wet weather.
[61J
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The
· face,
. old Kimberton Road ' upon which the dorml·tones
Joms m front ~f the property, with t~e White Horse Road leading
down to the village. Fr.om the dormitory buildings there is a long
covered walk up the hillSide to the Studio, so that students are protected dunng wet. weather. Further west on the Kimberton R oa d .
a b out I 60 f ~et, IS the ~un~alow, affording additional dormitory
accommodatlOns, and wh1ch IS reserved for men who desire to live
together with greater freedom than they can in the Washington
Building.
On the opposite side of the Kimberton Road, at its junction with
the White Horse Road, is the Faculty Building, a double stone resi dence, used to accommodate resident teachers, and conveniently
near the main dormitories. Directly across the Kimberton Road ,
is a large and quaint one-story frame building called the Art Gallery,
used by the students to exhibit their work and in which are
accommodations for washing palettes and brushes and for making
frames.
Across the road from the dormitory buildings, in the large
meadow, are tennis courts and croquet grounds. In the centre of
the meadow, below the Washington Building, is the famous Yellow
Spring. Its waters are so heavily charged with iron that they color
the stones of the run leading from the spring. It gave the locality
the ancient name of the "Yellow Springs." Over the hill beyond
the meadow is a convenient quarry hole, with clear blue water,
where a bathhouse has been erected, so that students who know how
to swim may do so.
The drinking water for all of the buildings descends by gravity
from a spring rising near the top of the hill, the water being conducted by a piping system into concrete reservoirs, which can be
augmented by an auxiliary system, permitting water to be pumped
to the reservoirs from another spring, known as the Diamond Spring,
situated in the meadow far from the buildings, and the water of
which is of singular clearness and purity.
The countryside is remarkably paint able, wi th many attractive
old dwellings, quaint barns and spnng houses, with old trees, abundant woodland, creeks and ponds, and with beautiful views near at
hand. Directly in front of the Washington Building is a grove of
sycamores of great age, and back of it is one of the largest sycarr:ores
in Pennsylvania, possessing a mighty spread of limb and contall1l11g
in one of its large arms the iron prongs, now almost covered with
bark, which were used in the olden days for the bell to call t~e guests
to dinner, when the vVashington Building was used as an mn.
[63J
The chief object of the Academy in establishing a summer school
in the country is to supplement the work done during the Winter
in its Philadelphia schools by instruction in painting in the open
air, and to afford an opportunity for the study of art to school
teachers and to others who cannot spare time for study except
during the vacation months.
(
\
The methods of instruction are substantially the same as
those used at the Academy in Philadelphia, special attention,
however, being paid to landscape drawing and painting, to figure
painting in the open air, and to the study of sunlight and shade.
Students are taught to make .. studies" of nature rather than
.. sketches," and are also taught to carry on their work as far as
their abilities permit.
The general method of instruction is by individual criticism of
work submitted. The instructors will, from time to time, work with
the students for the purpose of assisting them in the selection and
interpretation of their subjects.
(
1651
CLASS-WORK O N THE HILL AT CHESTER SPRI N GS
...
•
-
..
••
THE MAI N STU oro AT CHESTER SPRINGS
-
CRESSON TRAYELLING SCHOLARSHIPS
To. compete fo r Cresson Travelling Scholarships students must
~e reg~stered for fo.ur t erms in the Academy's Schools. I n estimatmg thIS penod, tIme spent at work at the Summer School will
be counted, but no studen t will be eligible to compete wh .
d
am
.
not reg:stere in the Philadelphia Schools fo r both terms of the
competJtlOn y ear.
PRIZES
. A .Prize of $100 will be awarded for the best landscape drawing or
pamtmg done at the Chester Springs School by a regularly enrolled
student of the Academy , or by a student of the Chester Springs
School who shall have studied there for not less than one month·, a
second prize of $so for t he second best, and a third prize of $25 for
the third best. These prizes will be awarded about December 6th.
Work done by arri ved artists, who may be working at the School,
will not be eligible .
CRITICISMS
z
Criticisms will be given from time to time by different members
of the Faculty : by Fred Wag ner in April, May, June, July, August,
September and OctOber; by H enry McCarter in J une and September;
by Arthur B . Carles in Jul y ; by Hugh H . Breckenridge in September, and by ot hers as may be arranged.
ENROLLMENT
During the Summcr of t he School's th ird year, which began in
April, 1919, the total enroll ment was 169 students. I inety-five of
them had never studied at t he Academy in Philadelphia, and 13 of
them afterwards became stuuen ts in the Philadelphia Schools.
These 169 students were not all present at anyone time. During
April there were 4; May , 16; June, 58; July, 77 ; August, 96, and
September, 83.
.
Sixty students stayed two weeks ; twenty, three weeks; thIrty,
four weeks ; eleven, five weeks ; a nd others fo r longer stays up to. as
much as twenty-six weeks, the entire ~eason, in fact, dunng whIch
criticisms were given.
.
The students came not only from P ennsylvama, but from far
distant poin ts; from Ohio, seven; Georgia, five ; T exas, four ;.LoUlsiana, three; Virginia, two; Illinois, two; Cahforma, one ; . MISSOUrI ,
one; Tennessee, one ; Indiana, one ; l\Iississippi, one ; MIchIgan, one;
Canada, two; Japan, two; China, one. These are mstances merely,
[691
to illustrate the cosm opolitan character of the attendance. Among
our students were a number of a rt instructors who came to take
advantage of our landscape work.
RATES
The rates a re a s low as possible in v iew of present conditions
and include all ch a rges fo r board, lodging a nd instruction, but no~
for materials. The rates fo r board a n d lodging vary from $12.5 0 a
week for studen ts liv ing in t h e dormitories, to $15 and $22.50 a week
f o r priv ate room s. On account of the h igh cost of supplies, the minimum rat es cannot be r educed. T he table is simple and wholesome.
The Chest e r Sp rings School accepts serious students only and
not those who simply d esire a n a dvan tageou s place to board in the
country .
EQUIPMENT
The equipment of the sch ool a ffo rds ample studio room, and
includes separate dormitory b uildings for men and women.
The buildings are supp lied with hot a nd cold running water and
wi th electric ligh t.
The R ea d ing R oom s a re supplied with cu rrent magazines and a
library of se veral hund red volumes. T he R ecreation Hall is provided with a stage, footlights a nd dressing rooms. Within a few
minutes ' walk of the school is a con ven ien t quar ry hole of pure spring
wate r, in which studen ts who know how to swim may do so.
REQUIREMENTS AND RULES
Satisfactory references a re required from all applicants, and
as the students live in the buildings, confo rm ity with reasonable
regulations is necessary t o secure proper chaperonage. Students
are expected to know h ow to cond uct t hem selves from principles
of honor without specific rules.
Students are not allowed to smoke in the Studios or
Dormitories.
No student is accepted for a shorter stay tha n t wo weeks.
No student under 16 ycars of age is eligible for admission.
For further particula rs, addr ess
D. Roy l\1ILLER, R esident Manager,
.
Chester Sp rings, C h ester Co unty, P ennsylvallla.
B ell T elephone : Chester Spnngs, ro.
Co urtesy of Alber t W a rring t o n. Philad elphia Pho t o graphic Socie ty
A N OLD BUILDING, C HESTER SPRINGS
ELEANOR B. BARKER, Curator of Schools,
Pennsylvania A cadem y of the F me Ar ts,
Broad and Cherry St reets, PhIladelphIa .
Bell T elephon e : Spruce, 39 18 .
(7 1 J
NOTE
Chester Springs can be reached by AUTOMOBILE in several
different ways from Philadelphia:
ROUTE I : Out the Lancaster Pike to Malvern ; then under the
main line of the Pennsylvania Railroad down into the Chester
Valley, and still along the Lancaster Pike t o a school-house on the
right-hand side where the old Conestoga R oad unites with the
Lancaster Pike; then along the Conestoga to Anselma, and then
along the banks of Pickering Creek to Chester Springs.
ROUTE 2: From Philadelphia to Paoli by way of Montgomery
Avenue or the Lancaster Pike; thence to Valley Forge; thence to
Phcenixville, and from Phcenixville along the Kimberton Road to
Kimberton, and from Kimberton to Chester Springs.
ROUTE 3: From Philadelphia to Norristown, from Norristown
to Phcenixville or Valley Forge, and from thence to Chester Springs.
Time required: about an hour and a half.
Day visitors will be welcomed at any time, and upon notice
to the resident manager, lunch or tea may be obtained.
Bell Telephone-Chester Springs, 10.
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RAILWAY TIME TABLES
TRAINS FROM THE READI NG TER:-I DIAL. PHILADELPHIA
WEEK DAYS: Leave
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Arrive Chester Springs
4.25 a. m .
H
SUNDAY:
8.36 a. ffi.
4.06 p. m.
Leave
4 . 25 a. m.
8.36 a. ffi.
4.06 p. m.
. . . ..
. . . .
.
.
..
5.57 a. m.
10.00 a. m.
5.22 p. m.
Arrive Chester Springs
5.57 a. m.
9.52 a. m.
5.22
p. m.
TRAI NS FROM CHESTER SPRI:'\GS
Arrive Philadelphia
WEEK DAYS: Leave
6.33 a. m.
11.09 a. m .
5.58 p . m.
SUNDAY:
Leave
6.33 a.
ffi.
10.41 a. m .
5.58 p. m .
8.05 a . m.
I.53 p. m.
7.30 p. ffi.
Arrive Philadelphia
9.30 a . ffi.
12.27 p . m.
7.30 p. m.
SATURDAY ONLY
.
.
Arrive Chester Sprmgs 2.42 p. m.
Leave Philadelphla 1.25 p. m.
Arrive Philadelphia 4.35 p. m.
Leave Chester Spnngs 3.20 p. m.
All passengers must c h ange t ral'ns at
. '11 f Chester
Trains leave Phcemxvl e or '11 f r
Saturday only. leave Phcemxvl e fO
Sunday only. leave Phcemxvl 11 e or
4·55 p. m.
Phcenixvi11e
S · s _ 2 ._ 9 20 a. ffi. and 4.5 I p. m.
pnng.,.,. .
Chester Springs at 2 . IO p. ffi .
d
Chester Springs at 5.37. 9. 2 3 a. m. an
[73]
•
THE ACADEMY'S HONOR ROLL
Medals and Prizes Awarded in the Academy's Annual Exhibitions
1893
1894
18 95
1896
189 8
1898
1899
19 01
19 02
19 03
190 4
19 05
19 05
ACADEMY GOLD MEDAL OF HONOR
D. Ridgway Knight
1906 Horatio Walker
Alexander Harrison
19 07 Edward W. Redfield
William M. Chase
1908 Edmund C. Tarbell
Winslow Homer
19 09 Thomas P. Anshutz
Edwin A. Abbey
19I1 Willard L. Metcalf
Cecilia Beaux
19 14 Mary Cassatt
Charles GraRy
1915 Edward Horner Coates
(Awarded for eminent servi ces tathe Academy)
Henry J. Thouron
James A. MacNeill Whistler 1916 J. Alden Weir
John S. Sargent
1918 John McLure Hamilt on
John W. Alexander
19 19 Hugh H. Breckenridge
William T. Richards
19 20 Childe Hassam
Violet Oakley
1884
188 5
1887
1888
1889
189 0
189 1
189 2
1 894
1 894
18 95
1895
189 6
189 6
18 97
[897
189 8
[898
1 899
[899
1900
TEMPLE GOLD MEDAL
George W. Maynard
19 01 William M. Chase
Charles Sprague Pearce
1902 Winslow Homer
Clifford Prevost Grayson 1903 Ed ward W. Redfield
Charles Stanley Reinhart 19 04 Thomas Eakins
Anna Elizabeth Klumpke 1905 J. Alden Weir
William Henry Howe
19 06 Eugene Paul Ullman
Abbott H. Thayer
19 07 Willard L. Metcalf
1908 Frank W. Benson
Henry S. Bisbing
JamesA. MacNeill Whistler ,- 09 Frederick P. Vinton
19 10 Howard Gardiner Cushing
John S. Sargent
19 I1 Richard E. Miller
Edmund C. Tarbell
19 12 Emil Carlsen
John H. Twatchtman
19 13 Frederick Frieseke
Gari Melchers
19 14 W. Elmer Schofield
J. Humphreys Johnston
19 15 Charles W. Hawthorne
George DeForest Brush
19 16 Joseph T. Pearson, Jr .
John W. Alexander
19 17 George Bellows
Wilton Lockwood
19 18 George Luks
Edward F. Rook
19 19 Daniel Garber
Joseph DeCamp
19 20 Earnest Lawson
Childe Hassam
Cecilia Beaux
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TEMPLE SILVER
1889
1883 William Thomas Trego
1890
18 84 Thomas Hill
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1885 William T. Richards
18<)2
1887 Alexander Harrison
1888 Howard Russell Butler
MEDAL
Arthur Parton
Edward L. Simmons
Kenyon Cox
George Inness
[75)
W ALTER LIPPINCOTT PRIZE
Marion Powers
1894 William Sergeant Kendall 19 07
19 0B James R. Hopkins
1895 Edmund C. Tarbell
19 09 Thomas P. Anshutz
1896 William L. Picknell
19IO J. Alden Weir
1897 Albert Herter
19 11 Daniel Garber
IB9 B James Jebusa Shannon
19 12 Edward W. Redfield
I B99 John W. Alexander
19 13 Emil Carlsen
19 00 Henry O. Tanner
19 14 M. Jean McLane
1901 Charles H. Davis
19 15 William M. Paxton
I<}02 Walter MacEwen
19 16 Karl Anderson
1903 Frank W. Benson
19 17 Arthur B. Carles
1904 Mary Cassatt
1905 Alexander Stirling Calder 19 1B DeWitt M. Lockman
19 19 Colin Campbell Cooper
19 05 T. W. Dewing
19 20 Joseph DeCamp
1906 Childe Hassam
MARY SMITH PRIZE
18 79 Susan H . MacDowell
19 01 Janet Wheeler
1880 Catharine A. Janvier
19 02 Elinor Earle
1881 Emily Sartain
19 03 Jessie Willcox Smith
1882 Mary K. Trotter
1904 Lillian M . Genth
188 3 Emily Sartain
19 05 Elizabeth Shippen Green
IB84 Lucy D. Holme
1906 Alice Mumford
1885 Cecilia Beaux
1907 Mary Smythe Perkins
188 7 Cecilia Beaux
19 08 Elizabeth Sparhawk Jones
1888 Elizabeth F. Bonsall
1909 Martha Walter
1889 Elizabeth W. Roberts
19IO Alice Mumford Roberts
1890 Alice Barber Stephens
19 11 Alice Kent Stoddard
189 1 Cecilia Beaux
19 12 Elizabeth Sparhawk Jones
1892 Cecilia Beaux
19 13 Alice Kent Stoddard
1894 Maria L. Kirk
19 14 Nina B. Ward
1895 Gabrielle D. Clements
19 15 Gertrude A. Lambert
1896 Elizabeth H. Watson
19 16 Nancy M. Ferguson
1897 Elizabeth F Bonsall
19 17 Elizabeth F. Washington
1898 Caroline Peart
19 1B Helen K. McCarthy
1899 Carol H. Beck
19 19 Juliet Whi te Gross
1900 Mary F. R. Clay
19 20 Mildred B. Miller
JENNIE SESNAN GOLD MEDAL
19 03 W. Elmer Schofield
19 12 William L. Metcalf
0
19 4 Colin C. Cooper
19 13 George Bellows
0
19 5 Edward W. Redfield
19 14 Robert Spencer
19 06 Albert L. Groll
19 15 Carol S. Tyson, Jr.
190 7 Ernest Lawson
1916 Emil Carlsen
1908 Everett L. Warner
1917 Haley Lever
1909 Theodore Wendel
19 1 8 J. Alden Weir
1910 Childe Hassam
19 19 Charles H. Davis
19II Joseph T. Pearson Jr.
19 20 Hugh H. Breckenridge
[76]
Courtesy of 'the Philadelphia Photographic Society
THE TENNIS COURT MEADOW
CAROL H. BECK GOLD MEDAL
\
1909
19IO
19 11
19 12
19 13
19 14
John S. Sargent
Adolphe Borie
Edmund C. Tarbell
Joseph DeCamp
J. Alden Weir
Robert Henri
19 15
19 16
1917
19 18
19 19
19 20
Charles Hopkinson
Douglas Volk
Joseph T. Pearson Jr
Leopold Seyffert
Leslie P . Thompson
Eugene Spricher
THE PHILADELPHIA PRIZE
(
19 15 Lydia Field Emmet
19 16 Marie Danforth Page
19 17 Ernest Major
19 18 Paul King
19 19 Philip L. Hale
19 20 Alfred R. Mitchell
THE EDWARD T. STOTESBURY PRIZE
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19 16 Joseph T. Pearson, Jr.
19 17 Hugh H. Breckenridge
19 18 Daniel Garber
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MEMORIAL MEDAL
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19 19 Arthur B. Carles
19 20 Edward W. Redfield
19 13 Charles Grafly
19 14 Paul Manship
19 15 Albin Polasek
19 16 Edward McCartan
19 17
19 18
19 19
19 20
Atillio Piccirilli
Albert Laessle
J ess M. Lawson
Malvina Hoffman
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CHARLES W. BECK. JR.. PRIZE (Water Color Exhibition)
19 12 W. J. Aylward
19 0 5 Joseph Lindon Smith
19 13 Jules Guerin
1906 Henry McCarter
1914 Thornton Oakley
19 07 Elizabeth Shippen Green
19 16 Blanche Greer
19 08 Maxfield Parrish
19 17 H. Gi 1c.:s
19 09 Ernest L. Blumenschein
19 18 C. B. Falls
19IO N. C. Wyeth
19 19 Henry Reuterdahl
19 11 Jessie Willcox Smith
THE DANA GOLD MEDAL
19 Alfred Hayward
19
Francis
McComas
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THE PHILADELPHIA WATE~ COLOR PRIZE
19 18 Hayley Lever
Alice Scll ilie
19 19 Childe Hassam
Dodge McKnight
19 16
19 17 Gifford Bcal
[i9]
MINIATURE PAINTERS' MEDAL OF HONOR
19 16 Laura Coombs Hills
19 17 Lucy May Stanton
19 16
19 19
Margaret Foote Hawley
Emily Drayton Taylor
THE CHARLES M. LEA PRIZES
19 16
1st Prize, Charles Grafly
1916
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1917 1st Prize: Edith Sturtevant 2d Prize: Rowley W. Murphy
19 19 1st Prize : J ohn H. Crossman zd Prize: Susan A. Jones
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[801
HONOR ROLL
OF THE ACADEMY'S SCHOOLS
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1919-1920
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AWARDS MADE MAY, 1920
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$500 awarded to each 01 the following
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EARL K. BATES
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HYMAN F. CRISS
SCULPTORS
GLADYS C. EDGERLY
ALLESSANDRO COLA ROSSI
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SUSAN A . JONES
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HERMAN A.
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FRANK STAlIIATO
ILLUSTRATORS
ALFRED R . M ITCHELL
NATHANIEL LITTLE
Y AFFEE
MARIE LOUISE THATER
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THE TOPPAN PRIZES
WAYNE K. CRUMLING (1St Prize)
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FRANKLIN WATKINS (2nd Prize)
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WALTER W. JOSEPHS (Honorable Mention)
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THE THOURON PRIZES
HOWARD McALLISTER
RALPH TAYLOR
RAPHAEL SABATINI
HELEN P. WOLHAUPTER
THE STEWARDSON PRIZE
BENJAMIN T. KURTZ
THE STIMSON PRIZE
RAPHAEL SABATINI
THE PACKARD PRIZES
.)
BENJAMIN T. KURTZ (1St Prize
.
ELMER
C. STONER (2nd PrIZe)
.
THE RAMBORGER PRIZE
NATHANIEL LITTLE
In Character, in Manners, in Style,
and in all Things, the Supreme Excel-
lence is Simplicity.- Longfellow
•
PRESS OF
,. B. L I P [>I NCOTT CO M P ANY
PHI LA D ELPHI A.
I
