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1928-1929 School Circular
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SCHOOLS OF THE
PENNSYLVANIA
ACADEMY OF THE
FINE ARTS
LIST OF MEMBERS
PHILADELPHIA
1928
-
1929
SCHOOLS OF THE
PENNSYLVANIA
ACADEMY OF THE
FINE ARTS
r
This Circular contains information which
will be appreciated by many an art student.
When you have finished with it, will you
kindly hand it to some one who may be
in teres ted,
and oblige
THE PENNSYLVANIA ACADEMY
OF THE FINE ARTS
BROAD STREET ABOVE ARCH
PHILADELPHIA
ONE HUNDRED AND
TWENTY -THIRD YEAR
OPEN-AIR, COUNTRY, AND SUMMER
SCHOOL
CHESTER SPRINGS, CHESTER COUNTY, PENNA.
1928·1929
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"A s w hen a painter, pOl'ing on a
fa ce
D ivinely, thro all hindrance, finds the
man
Behind it, and so paints him that his
face,
The shape and color of a mind and
life
Lives for his children, ever at its
best ,"
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"No sudden inspiration can replace the long toil which is
indispensable to give the eyes a
true knowledge of form and of
proportion and to render the hand
obedient to the commands of
feeling, "-Auguste Rodin
•
THE PENNSYLVANIA ACADEMY OF THE
FINE ARTS
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PRESIDENT
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JOHN FREDERICK LEWIS
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VICE-PRESIDENT
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ARTHUR H. LEA
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DIRECTORS
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THEOPHTLUS P. CHAKDLER
THOMAS S. GATES
EDW ARD T. STOTESBURY
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ARTHUR H. LEA
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JOSEPH E. WIDENER
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HENRY S. DRINKER, JR.
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HENRY C. GIBSON
ALFRED G. B. STEEL
MARSHALL S. MORGAN
ELI KIRK PRICE
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WHARTON SINKLER
HERBERT J. TILY
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TREASURER
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HENRY C. GIBSON
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SECRETARY
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JOHN ANDREW MYERS
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CURATOR
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OF
PAINTINGS
ERNEST L. PARKER
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CURATOR OF THE SCHOOLS
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ELEA NOR A. FRASER
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SOLICITOR
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MA URICE B. SAUL
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RESIDENT
MANAGER,
CHESTER
SPRI NGS
SCHOOL
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D. ROY MILLER
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COM'MTTTEE ON
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INSTRUCTION
THEOPHILUS P. CHANDLER
THOMAS S. GATES
ARTHUR H. LEA
HENRY C. GIBSON
ELI KIRK PRICE
WHARTON SINKLER
THE FOUNDATION OF THE ACADEMY
The Pennsylvania Academy of the Fine Arts is the old~st art
. . .
. tl U l'ted States and actually dates Its eXistence
1l1stttutlOn In le I I
.
.
from 1791, when Charles "Villson Peale commenced hiS efforts to
orrranize in Philadelphia a school for the fine arts. It was formally
fo~nded in 1805, and chartered in 1806. 11r. Peale's first. efforts
resulted in the formation in 1794 of the Columbianum, and 111 1795
under the auspices of that Association there was held in Pennsylvania's old State House, now known as Independence Hall, the
first ~xhibition of paintings in Philadelphia. The Columbianum
wa s ultimately succeeded by the present Academy.
In 1805, in Independence Hall, where twenty-nine years earlier
the forefathers had signed the Declaration of Independence, seventyone public spirited citizens, of whom forty-one were lawyers, met
fo r formal organization. They prepared a Petition for the incorporation of the Pennsylvania Academy of the Fine Arts. The
gathering was a di stingui shed one, and included George Clymer, a
signer of the Declaration of Independence; Joseph Hopkinson, the
author of "Hail Columbia"; "William Tilghman, President of the
Court of Common Pleas, and afterwards, Chief Justice of Pennsylvania; Charles \il,Tillson Peale, William Rush and Rembrandt
Peale, artists; Alexander J. Dallas, District Attorney of the
United States; Joseph B. llcKean, Attorney General of the Commonwealth; William Lewis, Vvilliam lIeredith, \il,Tilliam Rawle,
Horace Binney, Simon Gratz, John Reynell Coates Richard Rush
Charles Biddle, John Redman Coxe and Edward Penington. Th~
obj ect of the association, quaintly and vigorously expressed in the
language of the day, was:
"To promote the cultivation of the Fine Arts, in the United
Sta~es of America, by introducing correct and elegant
cO~le s. from works of the first :Masters in Sculpture and
Pall1tll1g, and by thus facilitating the access to such
~tandards, and also by occasionally conferring moderate
ut honourable. premiums, and otherwise assistin the
and excIting
the efforts of the A r t'IS t S gragd ually
tStudiesf Id
.
o un 0 , enhghten, and invigorate the talents f
0
our
countrymen."
[6]
HERE FOLLOW EXAMPLE"" S 0 F THE
WORK OF SOME OF THE
ACADEMY'S STUDENTS:
J
j
1
•
•
Omer T. Lassonde
COMPOSITION (PAINTING) 1928
GROUPS IN COMPETITTON FOR FIRST CRESSON AWARDS (PAINTI)lG) 1928
••
ir
~..
-
-:---.
~
....
~
GROL' PS IN COMPETITlON FOR FIRST CRESSON AWARDS (PAINTING) 1928
INDEX
PAGE
ADVANTAGES OF LOCATION
ApPLICATION FOR AD~IISSI~~: ..............•....•••.... '" ..
21
CALENDAR
29
. . . . . .. . . •. . ....
. ... .•. •.... " .
..... ....
00
N
-
'"
CHESTER SPRINGS
P HILADELPlIIA
•. . .. . .•.. .. . . . .
. ..•.•••..
FACULTY
...............................•••......
27
27
. . . . . . . . . . .. . . . . , . . . . . . . . . . . . . . . ......... .
13
GENERAL ANNOUNCEMENT ......
. . . . . . . ..... . . . . . . . . .. .•....
. . .... 19
HONOR ROLL OF TIlE ACADEMY ........ . . . . . . . . . . . . . . . . .
105
.
HONOR ROLL OF THE ACADEMY'S SCHOOLS
.. . . . . . . . ..... .. . . 115
INSTRUCTION
DRAWING AND
ILLUSTRATION
. .. . . . . . . . . . . . . . . . . .
33
PAINTING (LIFE AXil HEAD) .. ::::: : :::: 3S
......... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. S-l
DRAWING AND PAI NTING
.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ....
MANAGEMENT OF THE ACADUIY . . . . . . . . . . . . . . . . . . . . . . . ....
RULES OF THE SCHOOL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .....
SCHEDULE OF CLASSES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
SCHEDULE OF FEES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. ..... .
SCULPTURE
•
47
5
80
84
31
SCHOLARSHIPS AND PRIZES
ACADEMY'S CHESTER SPRINGS AXcWAL EXHlBTTTOX PRIZES
97
ACADEMY'S FREE HAND DRA \\' ING PRIZES . . . . . . . . . . . . . .
78
FREE TUITION SCHOLARSHIPS .... . ... . . . . . . . . . . . . . . . . . .
58
76
75
7J"
LEA, CHARLES M., PRIZF:S
. . . . . . . . . . ... . ....... . • .. ...
PACKARD PRIZES . • . . . . . . . . . . . . . . . . . . . . . . . .•.. •.. . .....
R"AM BORGER P RIZE
. . . . . . . · · · · · · · · · ...•........•••.•....
STEWARDSON PRIZE IN SCULPTURE ......... ····· ·· •·· ···
STIMSON PRIZE IN SCULPTURE . . . . . . . . . . . . . . • . . . . . . • . . .
THOURON PRIZES IN COMPOSITlOX ....•........... •.. ...
TOPPAN PRIZES • • . • . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
TRAVELLING SCHOLARSHIPS .........•..•..........•....
SPECIAL CLASSES
MR. HARBESON'S CLASS IN PERSPECTIVE . . . . . . . . . . . . . . . .
MR. HARDING'S CLASS IN Mt:R ,\L DECORATION .........•
MR. LAESSLE'S CLASS IN CO;';STRUCTION ............•..•
MR. MCCARTER'S CLASS IN DECORATIVE PAll'TING .. ... .
MR. NUSE'S COSTUME SKE'rcn CLASSES . . . . . . . . . . . . . . . .
MR. POORE'S CLASS IN COMPOSITION . . . . . . . . . . . . .. ... •..
SUMMER SCHOOL AT CHESTER SPRINGS ...... " •..... , ...... ,
[ 11 1
71
75
68
6i
59
41
41
41
41
43
41
89
THE FACULTY OF THE ACADEMY
ARTHUR H, LEA,
Chairman, ex-officio, as Cha'lrman 0 f th e Committee on Instruction
of the Board of Directors,
CHARLES GRAFLY.
Born in Philadelphia, December 3, 1862. Studied in the Spring
Garden In stitute, Philadelphia, th e Pennsylvania Academy of the Fine
Arts, and in Paris. Pupil of L'Ecole des Beaux Arts, and of Chapu,
Dampt, Bouguereau and l"leury. 1\.fember Society of American Artists.
Honorable Mention, Paris Salon, 1891; ,1edal, World 's Columbian Ex,
pOSItIon, 1893; Medal, Atlanta Exposition, 1895 j The Pennsylvania
Academy of the Fine Arts Gold Medal of Honor, 1899; Gold lIledal,
Expositiol1-Universelle, Paris, 1900; Gold 'Medal, Pan-American Exposition, Buffalo; Gold M edal, Charleston Exposition, 1902; Member of the
International Jur y of Awards, \\'orld's Fair, St. Louis, 1904; Grand
Prize, Buenos Aires Exposition, 1910; George D. \Videner IVlemorial
Gold Medal , Penn sylvania Academy of the Fine Arts, 1913; The Charles
M. Lea First Prize, The P ennsyl vania Academy of the Fine Arts , 1916;
The Watrous Gold Medal, National Academy of Design, 191 9 ; The
Potter Palmer Prize and Gold Medal, Chicago Art Tnstitute, 192 1: Prize,
Concord Art Associa ti on, 1922; Gold Medal of llonor, Concord Art Association, 1923; The Spaulding Prize, the Chicago Art Institute, 1924;
~1:ember of the National Academy of Design, the Architectural League of
New York, the National In stitute of Arts and Letters; Member the
National Sculpture Society; Member Municipal Art Jury of Philadelphia ;
Member of International Jury of Award, Panama·Pacific Exhibition,
1915, Instructor in Sculpture,
HUGH H, BRECKENRIDGE,
Born in Leesburg, Virginia, October 6, 1870, Studied in the Schools
of the Pennsylvania Academy and with Bouguereau, ~errler and Do~cet
in Paris.
Awarded European Scholarship, Pennsylvania Academy; .~Irst
Prl·ze Pennsylvania Academy; ~Iedal, Atlanta ExpOSItIon,
T oppall,
, , '
900' M d I
1895; Honorable :Mention, ExpOSltion.Umversclle, Pans: 1
'. e a,
,
E
't'
Buffalo 1901' Corcordn Prize, SocIety of
Pan-Amen can
XpOSI lOn,
"
. '
907'
· t
A t' st 1903' Gold Medal Art Club of PhIladelphIa, 1
,
"
,
.
~f d I I t
W as h lI1g on r L 5,
First Pri ze, Wa,shington W ater Colo; ~ub'191:~~ ;G~t!v~1eda~, apan~;::
national ExpOSitIOn, Buenos AIres,
.
".
191-. Thl·rd \ViIliam A.
.
'I E
't'
San FranCISco
J,
Pacific Internatton3
XPOSI lOn,
~.'
D C 1916' Ed\\'ard
11
of Art \\ ash1l1gton, " ,
,
Clark Pri ze, Corc~ran Ga cry
,
'
111
of the Fine Arts, Philadel·
T. Stotesbttry Pnze, PennSYl~:l~~ :~a:: ;ol1or Pennsylvania Academy
phia, 1917; The Academy Go
e as
Go'ld ~,!<dal Pennsylvania
,
919' The Jenl11e esnan
.' ,
of the Fme Arts, 1 ,
' G O Id Medal Philadephia, 1920; The
Academy, 1920; The FellowshIp h
P 'ze 1926' Still Life ,fedal,
'
·
1
d
1
and
Pure
asc
n,
'
Locust CIllb G0 Id "e a
h.
DC' ~le111ber of the Jury
n
.
f A f ts "Vas IOg"tO ,
. "'
Washingtc·n SocIety 0
r IS ~
E
't'
Buffalo 1901; "Member of
,
h P A encan xPOSt L O n , '
.
of Selectl.n for t e an, 111 Club' The Philadelrhia Water Color Club,
th e New York Water Color
.'
I
f thc Fine Arts; ASSOCiate:
,
f h P nsylval1la Aca' emy 11
•
I h'
The Felll.wsblp 0 teen
' . Honorary :M cmbcr PbLiadc p la
of the National Academy of DesIgn,
[ 13 1
THE FACULTY (Continued)
Chapter. American Institute of Architects;, Connecticut Academy of th.e
Fine Arts; The \Vashington ociety of Artists; The Southern States Al t
League; The North Shore Arts Association; lIIember of the Jury of Selection, United States Section, Department of Art, and of the International
Jury of Awards, Universal Exposition, St. Louis, 1904;. Member of, the
Municipal Art Jury of Philadelphia; Member of the Advisory Committee
for Pennsylvania and the Southern States, and of the Jury of SelectIOn,
Department of Art, Panama-Pacific International Exposition, San Francisco 1915. Represented in the collections of the Delgado Museum of
Art, New Orleans; San Francisco Art Association, San Francisco;
Dayton l\fuseum Dayton, Ohio; Pennsylvania Academy of the Fine Arts;
Los Angeles 1\luseu111, Los Angeles, Cal.; St. Louis Club, St. Louis;
University of Virginia; Art Club of Philadelphia; University of Penn·
sylvania; l\lemorial Hall , Hartford, Conn.; University Club of Indianapolis; Jefferson Medical College, College of Physicians, College of
Pharmacy. Historical Society, Pennsylvania Hospital, Philosophical Society
and in the City Hall, Philadelphia; Court House Reading, Pa.; State
Capitol, Harrisburg, Pa. ; State Normal School West Chester, Pa., and
in collections in New York, Chicago, Pittsburgh, Cleveland, etc. Instruc·
tor in Drawing and Painting.
HENRY McCARTER.
Born in Norristown, Pa., luly 5, 1866. Studied in the Pennsylvania
Academy of th e Fine Arts, Philadelphia; Pupil of Puvis de Chavannes,
Bonnat and Alexander Harri son, Toulouse Lautrec, M. Roll, M. Rixens,
In Paris.
:M ember Fellowship Pennsylvania Academy of the Fine Arts,
Awards; Bronze l\1edal Pan -American Exhibition. Buffalo, 1901; Silver
Medal St. Louis Exhibition, 1904; Beck Prize, Philadelphia \Vater Color
Exhibition, 1906; Gold Medal for Illustrations, Second Gold Medal for
decoration and color, Panama ·Pacific Exhibition, San Francisco 1915
Instructor in DecoratlYe Painting.
'
,
DANIEL GARBER.
Born in ~or~h ~I.anche s ter, Tndiana, in 1880. Studied in the Art
Academy of Cmcmnah, and in The Pennsylvania Acade
f tl
F'
A
IVI b
.
my 0
le lIle
rts.
em er: Nalional Acadcmy of Design New York Lit· N t'
1
A t Cl b l'
" k C.
'
y,
a IOna
r s
u, ew.l or
tty; Salmagundi Club New York C't
Add
F' t II 11
.
I'
'
I y.
war e :
Irs
a
garten
Pl'Ize,
NatIonal
Academy
c£
Desigll
1909'
H·
11
M t'
C
.
.
'
,0110ra) e
. en lon, arnegle InstItute 1910' 4th W A Clal'k e P'
nze and Honor bl
lU_ent1on, Corcoran Gallery of Art, \\'ashin ton
.
a e
Art Club of Philadelphia, 1910; g
ExpOSItIon Buenos Aires 1910' '" It
L' .
' nternatlOnal
.
' "a er
Ipplncott P'
Th P
sylvanta . Academy of the Fine Arts, 1911; Potter Pal~~zeJ
e
cnn·
Art Institute of Chicago, 1911; 2nd W. A. Clark
.
er Gold Medal,
Corcoran Gallery of Art Wasil' t
D
e Pnze and Stiver Medal,
•
'
<
II1gon,
. C 19p· 2 d Al
for FIgure Painting National Acad
. [D "'.
.."
n
Prize
'
( em) 0
eSlgn N
Y k tman
C'
Gold :M edal Panama.Pacific lnternational ]<'x ~ ..ew or
lty, 1915;
1915; Shaw Prize, Salmagundi tluh N
y ... ·kPC.S.ltlon. San Francisco,
:M orris Prize, Newport, Rhode lslanci 1~~v6' or City, 1916; Harrison S.
Painting, National Academy of 1).'
N' 1st .Altman Prize for Figure
T S
eSlgn,
ew '0 k C't
. totesbury Prize The PCIIIlsyl
. A d
r
I y, 1917; Edward
,
vallla ca emy o [th e F'me Arts, 1918;
"),,r
•
~1enti~n,
[ 14]
'
,
••
.
Br~n~' ;r'~d!~I~, Hono~'able
THE FACULTY (Continued)
T~mple Gold Medal, The Pennsylvania Academy of th F'
First W. A. Clarke Prize and Gold Med 1 C
e Ine Arts, 1919;
Washington, D. C. 1921' First Alt
pa.' orCOran Gallery o[ Art,
"
man nze for Landsc p N .
a e,
ahonal
A cademy of Design New York C't
Philadelphia, 1923; 'Carnegie Prize,1
Club o[
O
eSlgn,. New
York City, N. Y. 1923; Third Prize Carnegie Insti;ute
1925. Represented: Metropolitan Museum of A t N
y , Ik~teCr~at.lOnal:
..
C'
r, ew or, tncmnab
A r t 1."-1
lty Art . Museum
St • Lo'
. Corcoran Gallery of Art
W
. useum;
.
I
UlS,
ashmgton, D. C.; UOlverslty of Missouri Columbia M . M
A'
Bro n M
. 1 P
'd
. , 0.,
ary nn
w
emona,
rOVl ence ' R . I.,' Art In 5 1't
.
P'
1 U t e, Ch'lcago; Carnegie
I
Newr
Yo k C"t
. M useum of
Anslttute,
t
d S Ittsburgh;
.
L National Arts Club,
1 y,
r 5 an . clcnce, os Angeles; The Pennsylvania Academy of the Fine
Arts;
Gallery
.
.of Art, Washington ' DC'
. ., Dun can Ph'l'
1 IPS M e·
. NatIOnal
mona.l CollectIOn, Washmgton ; Wilstach Collection, Memorial Hall, Philadelphia; Locust Club, Philadelphia; Metropolitan Museum Ne
Y k
C'
M
'
w
or
lty;
ulvane 1\1useum, Topeka, Kans. Instructor in Drawing and
Painting.
~at~:!:; ~~~:e:eda: ~rt
JOSEPH T . PEARSON, JR.
Born in Germantown, Philadelphia , February 6, 1876. Studied in
The Pennsylvania Academy o[ the Fine Arts and under J. Alden W eir.
Fellowship prize, The Pennsylvania Academy of the Fine Arts, 1910;
Bronze Medal, Buenos Aires Exposition. 1910; Jennie Sesnan Gold
Medal, The Pennsylvania Academy of the Fine Arts, 1911 ; Second lIallgarten Prize, National Academy of Design, New York, 1911: Honorable
Mention. Carnegie Institute, Pittsburgh, 1911; Innes Gold Medal , National
Academy of Design, New York, 1915; Gold Medal, Panama-Pacific International Exposition, San Francisco, 1915; Norman \Vait Harris. Silver
Medal, Art Institute of Chicago, 1915; Temple Gold Medal, The Pennsylvania Academy of the Fine Arts, 1916 ; The Edward T. Stotesbury
Prize, The Pennsylvania Academy o[ the Fine Arts, 1916; The Carol H.
Beck Gold Medal, The Pennsylvania Academy of the Fine Arts, 1917;
The P otter Palmer Gold Medal, Chicago Art Institute, Chicago, 1918;
Gold ~1edal, Sesqui.Centennial 1 nternational Exposition, Philadelphia ,
1926; ~Member of the National Academy of Design. Instructor in Drawing and Painting.
GEORGE HARDING.
Born in Philadelphia, October 2, 1882. Studied in the Pennsylvania
Academy of the Fine Arts, and with Howard Pyle, and independently
abroad. Has travelled extensively in foreign countries and is the author of
travel articles and the illustrator of fictional and descriptive work in
Harper's and other magazines. Assigned by the Unite.d. States \Var D.epartment to duty as artist with the American Expeditionary Forces 111
1918 and 1919. Has executed Mural Decorations in Banks, Hotels and
Theaters. Fellow of the Royal Geographic Society; Member of Nahonal
Society of Mural Painters; Architect ural League of New ~ork; T.he
Society of Illustrators; The Philadelphia Water Color Club, Phlladelphi3,
and of the Salmagundi Club, New York. Instructor In Illustration and
Mural Decoration.
[ 15 1
THE FACULTY (Continued)
HENRY R. POORE.
P UPI' 1 0 f Peter Morand and
9
Born in Newark, N. J., Marc h 21, 185.
Pennsylvania Academy of "the Fine Arts, Philade lphia; Nati~n al Aca em~
.
. , an d B_ougue rea u in Pans . Member..
of DeSign
New \ .ork ; LumlnalS
.
'National
.
. n , N ew ,J . ork , 1888', Salmagundi
ASSOCiate
Academy of D eSig
Cl ub' Lotus Cl ub' Un ion Internat ional des Deaux Arts et des Lettres;
Fello:vship P enns ):!vania A cademy of the Fine Arts, 1916; Nationa l ~rts
Club, New York; Animal Pa inters and Sculptors; League of Amencan
Artists. Awards: First Prize, American Art A ssociation ; Second Hallgar ten Prize, National Academy of Design, 1888; Bronze :Medal, .~an .
American Expositioll, Buffalo, 190 1; Silver .Medal, St. Loui s ExpOSItion,
1904; Gold Medal, American Art Society, Pbiladelphia, 1906 ; Gold
"M eda l, Buenos Aires, 1910; Silver 1\fedal, Panama-Pacific Exposition,
San Francisco, 1915.
Represented in I . J00 American :Masterp ieces. U
\\'ork: "Night of the Ta tivity," Fine Arts Academy, Buffalo; "Backlog
Reveries," Portland, Oregon; "The Hill," National Arts Club, New York
City; "Royal Stag Hounds," The Art Cluh, Philadelphia; "The Shore,"
City Afuseum, St. Louis; "In the l\1eadow," "Hounds in Sunlight," Art
Association, Indianapolis; "Study in Black and Red ," :i\1adison Art Assoc iation; HOld English Stag Hound, " Worcester l\iuseum; "l\farshland
Harvest," Tacoma Art Clu b; "New England Wastes," National Museum,
New Zea land; "The Far Hills," Government Purchase, Brazil; Author:
"Pictorial Compositi on," "The Pictorial Figure," "The Conception of
Art," "Art Principles in Preparation," ln structor in Composition.
THE FACULTY (Continued)
sylvania Academy of the Fine Arts 1928 111
Society, Fellowship o f Pennsylvania' Acad~my oe;"tbher:F:<atiAonal Sculpture
h'
A tAIl'
.
'
e m e rts; Philadel.
lance; S ociete les Amis de la Medaille d 'A t B
I
p la . r
BelgIUm; The New Society of Artists New York' The N t' r 'I Arudsse s,
f D'
N
"
a lOna
ca emy
o
eSlgn, ew Y~rk. Repres:nted in the collection of the P ennsyl vania
Academy of the Fme Arts, Philadelphia, Philadelphia Art Club C
.
h
' arnegle
J ft t P ' b
ns I u e, IUS urg , Peabody Ins titute, Baltimore, Metropolitan Museum
~ew York, Concord Art Association, Concord, Massachusetts. Instructo;
111 Sculpture (Summer School) and Construction.
ROY C. NUSE.
Born in Springiield, Ohio, February 23, 1885. Pupil of Duveneck,
Cincinnati Art Academy, Pennsylvan ia Academy of the Fine Arts,
A~vards: Cresson European Scholarship, Pennsylvania Academy of the
Fme Arts, 1917; Second Cresson, First T oppan and First Thouron
Prizes, Pennsylvania Academy of the Fine Arts, 1918; Medal, Philadel.
phia Sketch Club, 1921. Instructor in Drawing and Painting.
FRANCIS SPEIGHT.
Born in Windsor, North Carolina, 1896. Studied in the Corcoran
School of Art, Washington , D. c., and the Pennsylvania Academy of the
Fine Arts. Awards: Forei gn Travelling Scholarship, The Pennsyl vania
Academy, 1923; Second Foreign Travelling Scholarship, Tbe Pennsylvania
Academy, 1925; The Fellowship of the P ennsylvania Academy of the
Fine Arts' Gold Medal, 1926, Assistant In structor in Drawing.
JOHN F. HARBESON, B.S., M.S.A., R.A.
Born in Philadelphia, July 30, 1888. Attended the University of
Pennsylvania. Received B.S., 1910, and Arthur Spayd Brooke Gold
Medal in Design, 1910; lII.S.A., 1911; Cope Prize (P hiladelphia Chapter
A.LA. and T Square Club) 1913. Architect, Associate of Paul P . Cret.
~lember American Institute of Architects, Assistant Professor in Architectural Design, School of Fine Arts, L'niversity of Pennsylvania· Author
of "!he Study ~f Architec~l1ral Design," Pencil P oint Press,' N, Y.,
1926, Inst~uctor In ~~rspe:ctlve and Architectural Advisor in the Sculpture Class In CompOSItion.
ALBERT LAESSLE.
Born in Philadelphia, ~larch 28, 1877. Studied in the Sp'
G d
f
D
.
nng ar e n
11S Itute,
rexel Institute, Pennsylvania Academy of th F '
A
'th Ch I G fl
e me rts and
WI
ar es ra y. Awards: Stewardson Prize and C
T
'
res Son ravelhng
S h I h' p '
c cars IP, ennsyivama Academy of the Fine Art 1904' B
,ronze lIIedal J
B uenos A ·Ires, 19 10; Pennsylvania Academy of th s, .
Prize, 1915; Gold Medal, Panama.Pacific E
, " e FSme Arts ~ellowship
F·
S
xPO':'ll1on, an Franclsco 1915
ITst culpture Prize, Americanization Through Art PI '} d I h·'
;
The George D. Widener Memorial Gold Med I P
,
11 a e Pia, 19 16;
the Fine Arts, 19]8; lI onorable :M ention f a IS ~nnsYlvallla Academy of
Chicago, 1920; The Fellowship of the porI cu pture, Art In stitute of
..
ennsv vallla Ac d
f
Arts Gold ~Iedal, 1923; Gold Medal T h S'
.C
a ~my 0 th e Fine
Exhibition, Philad elphia, 1926; The 'Jam: .. ~sq~~·Celntennl~1 Internat ional
s .
c ees Pnze ,' I ' he P en l]""
1
[ 16 ]
Joseph Plavcan
ETCHING 1928
[ 17 ]
THE PENNSYLVANIA ACADEMY
OF THE FINE ARTS
00
-
'"
'"
The Pennsylvania Academy conducts the oldest schools in
America devoted exclusively to the cultivation of the Fine
Arts.
•
The Academy also conducts at Chester Springs, Chester
Co., Pennsylvania, what is believed to be the best equipped
Open-air, Country, and Summer School iII; this country. For
details see page 89.
During the one hundred and twenty-three years of the
Academy's existence it has aided in the training of many men
and women whose names are illustrious on the pages of
American Art.
Among its former students are eminent
painters-figure, landscape, and marine-mural decorators,
illustrators, and sculptors of national reputation. Its history
is in no sma ll measure the history of American Art itself.
The schools are under the immediate care of a Curator
and Committee on Instruction appointed by the President and
Board of Directors, together with a Faculty composed of
representative artists of the day, who are experienced teachers
and eminently qualified to discover and develop every talent
which students may possess.
The Academy is equipped in every way to teach the
technique of Painting, Sculpture, and Illustration and engages
its students at once and exclusively in the study of the Fine
Arts. Its aim is to equip them with a thorough knowledge of
Drawing, Color, Composition, Modelling, Construction, and
Perspective.
Lectures of gene ral and specia l interest are given during
the year, and visits are made to private collections, mu se um s.
etc., which st ud ents may attend without extra charge. During
the past year Philip L. Hale delivered a series of Lectures
on Dutch Art, 18th Century French Art, Pre-Raphaelites and
Japanese Art. Under the auspices of the Fellowship of the
Academy, the following lectures were given: By Ellis Ames
Ballard, Joseph Pennell, Etcher (illustrated); Walter Pach,
Modern Art in America and France (illustrated); Vaughn Flannery, Art in Advertising (illustrated) and by Albert Sterner, SoCjllled Modern Art,
p9 J
•
The Academy's Permanent Collection of paintings and
sculpture affords an opportunity for the study of examples of
famous masters and includes the Gallery of National Portraiture by Early American Painters; the Temple Collection
of Modern American Paintings; and the Gibson Collection,
largely composed of works of the Continental schools.
---
Copying in the galleries is permitted to students under
reasonable regulations.
The Annual Exhibitions held by the Academy bring together the best examples of cnrrent American painting and
sculpture, and enable students to follow intelligently the various movements of modern art, and to study the technical
methods by which the art of today is achieving its results.
These exhibitions have been recognized for many years as
being the foremost in America. During the past year they
included:
1
00
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-
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~
"Z
H
E-<
Z
L
H
«:
p.,
~
z
J
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H
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An Exhibition of \Vater Colors composed of 1,174 examples, representing 328 different artists;
An Exhibition of lIfodern Miniatures composed of liS examples, representing 62 different artists;
...:
~
0
An Exhibition of Work done by students at the Chester
Springs School, consisting of 80 paintings, 6 etchings and 61
sc ulptures, representing 48 different artists;
U
w
Q
....l
«:
~
The Academy's 123rd Annual Exhibition of Oil Paintings
and Sculpture, composed of 346 paintings and 136 sculptures,
representing a total of 347 artists. This Exhibition was opened
to public view for seven weeks and was vi sited by 26,449
people.
::.J
~
SOME ADVANTAGES OF LOCATION
The Academy building is located in the heart of Philadelphia, within one square of City Hall and within two or
three blocks of the central city railroad stations. The new
Parkway brings it within easy reach of Fairmount. Park and
3000 acres of beautiful scenery. While it is convement to the
business portion of the city, it is also readily accessible ~o the
residential districts. Philadelphia is often called "The CIty of
[ 21 ]
•
Bennett Durand
COMPOSITION (PAINTING) 1928
Cora P. Gibson
COMPOSITION (PAINTING) 1928
•
Homes," and of all the greater American cities it is probably
the most worthy of the name. Apartments and studios can
be obtained by the season or by the month at reasonable
rates. The cost of living is comparatively low.
The beautiful Central Library on the Parkway is within
walking distance of the Academy and affords the students excellent
opportunities for general reading and for research in art.
The city contains, in addition to the Academy's own gallery,
a number of notable collections of paintings and of sculptures
which are accessible to students. Among the more important may
be mentioned; The Philadelphia Museum of Art; The Wilstach
Collection in Fairmount Park; The Lankenau Collection at the
Drexel Institute; The John G. Johnson Collection; the important
paintings at the Historical Society of Pennsylvania, and at Independence Hall; The University of Pennsylvania Museum ; The
Private Collection of Joseph E. Widener (admission by appointment only).
To students attending the Academy, the Reference Library
and the Galleries are free during the time of their attendance.
Forrest F. Stark
COMPOSITION (SCULPTURE) 1928
Frank W. Long
COMPOSITION (PAINTING) 1928
•
l25 J
PHILADELPHIA CALENDAR
The One Hundred and Twenty-third
Year Begins
October 1, 1928
The school year
· is divided into two terms of 17 weeks each
TI1e fi rs t t erm begms Monday October I 1928
.
"
, and closes January
26 1929 I
,
; t 1e second term begins Monday, January 28 1929 d
'
an
closes Saturday, May 25, 1929.
. The schools are open from 9 o'clock a.m. until 10 o'clock p.m
datly except Sunday. Saturdays, 9 o'clock a.m. until 6 o'clock
p.m.
Evening classes are open from 7 o'clock until 10 o'clock.
Visitors are admitted to the school on week-days from 4 to
5 p.m.
The schools are closed on Sundays, Thanksgiving Day, Olristmas Day, Kew Year's Day, Wa shington's Birthday, and Good
Friday.
During the Christmas holidays the schools are open, but from
six o'clock p.m. December 23rd to nine o'clock a.m. January 2nd
no models are engaged to pose and no criticisms are given. On
the Saturday preceding Easter no models are engaged to pose
and no criticisms are given. No models are engaged to pose for
the last week of the second term.
Dorothy L. VanLoan
LIFE STUDY (PAINTING) 1928
CHESTER SPRINGS CALENDAR
The Academy's School in the country at Chester Springs is
open throughout the entire year.
( 27]
APPLICATION FOR ADMISSION TO THE
PHILADELPHIA SCHOOL
"
Application blanks are sent on reques t an d must be fill d .
and returned to the Curator before the t d
. e III
.
s u ent may regIster
S tu d ents may regIster for the first t
'
erm 0 f t he season. of
1928- 1929 a f ter September 15th 1928 0
October 1st, 1928.
,.
asses meet Monday,
Students may register for the second term aft er J anuary 13th
1929. Classes meet Monday, January 28th, 1929.
'
No reduction in tuition is made for those registering alter a
term has begun.
Students must register in person.
REQUIREMENTS FOR ADMISSION
Alice G, Harris
PORTRAIT STUDY (PAINTING) 1928
. No student under sixteen years of age is eligible for admisSIon.
No student is eligible for admis sion unless possessed of a
High School education or its equivalent.
Satisfactory references as to personal character are required
and, in addition, each student is deoired to furni sh a doctor's certificate of health. This measure safeguards every student accepted
by the school. A full length snapshot is required for identification.
CLASSIFICATION OF NEW STUDENTS
All new students except those applying for admission to
the modelling classes, must work on trial in the classes in Antique
Drawing, Composition, Construction, Costume Sketch, and Still
Life. With the approval of the instructor in each of these classes,
application for promotion may be made to the Faculty at anyone
of the Stated Monthly Meetings. \V ork submitted with the
application must include at least one example from each class.
For admission to the Life Modelling Oasses, photographs of
work or specimens of modelling of sufficient merit are required.
ROOMS AND BOARD IN PHILADELPHIA
The Academy's Philadelphia Schools are Day Schools only
y
and no responsibility for Students is assumed by the .Acaden:
beyond the limits of the School buildings. However, assIstance III
.
.'
request The cost of
secunng board or rooms IS gIven upon
'.
.,
··
. Ph'l
d I h' . n0 t high , and accommodatIOns wIthInd
I a e p la IS
I IV1l1g 111
reasonable distance of the Academy are available for both men an
women.
[ 29 )
SCHEDULE OF FEES
PAYMENT MUST BE MADE IN ADVANCE TO
THE C RATOR
The school season consists of two tern1S o f seventeen weeks
each.
Tuition, per term .... .
Locker Rent, per term' : ............. .. .... . $87.50
....... .. . ... ...... 1.00
All new students must pay a matriculation fee of five dollars.
The payment of $87.50 a term for tuition, $1 a term for
locker rent, and the matriculation fee of 5 covers all fees, but
does not cover the cost of material s.
For students regi stered in the Academy's Philadelphia School
during the season, 1925-1926, and continuously since then, the
tuition fee will remain as heretofore. For students registered in
the Academy's Chester Springs School for four months during
the summer of 1926 and registered in the Academy's Philadelphia
School for both terms of the season of 1926-1927 and continuously
since then in the Philadelphia school, the tuition fee will remai n
as heretofore.
No extra charge is made for the use of model s.
Promotion entails no additional fee.
No reduction is made to students registering after a term
has begun.
No reduction is made to students who rlesire to take special
criticisms, to work in the night classes only, or to work under one
instructor only.
The payment of the tuition fees entitles the student to work in
the Day Gasses, the Night Gasses, or in both, and to attend
lectures on Perspective.
~Jary Imogene Robinhold
LIFE STUDY (PAINTING) 1928
TUITION FEES ARE NOT REFUNDED FOR ANY
CAUSE WHATEVER
.
t f fees but stuThe Academy accepts checks 111 paymen o .
have
dents are advised that all checks which they wIsh to
cashed in Philadelphia should be in the form of drafts on a
philadelphia
•
ban~,
INSTRUCTION
Instruction in the Academy at Philadelphia is given in Drawing, Painting, Sculpture, Illustration, and Mural Decoration. These
departments are closely allied and students in the Painting and
Illustration classes are privileged to work in clay, and sculptors
are privileged to work in the Painting classes.
The general method of instruction is by individual criticism
of class work. The individuality of the student is not repressed
by fixed methods.
DRAWING AND PAINTING
Instruction is given in Drawing from Casts (head and full
figure), Construction (from model). Composition (black and
white or in color), Still Life (painting), Costume Sketch (painting or drawing), Decorative painting, and Perspective.
For fees, see Schedule, page 31.
SCHEDULE OF CLASSES
INSTRUCTORS
Drawing from Cast; Every Daniel Garber
morning and afternoon, every Francis Speight
night, excepting Saturday.
Decorative
Painting;
Friday Henry McCarter
monungs and afternoons.
Composition ; Wednesday afternoons.
Henry R. Poore
Still-Life Drawing and Painting;
Tuesday, Thursday and Saturday mornings and afternoons.
Hugh H. Breckenridge
Perspective; Monday afternoons.
John F. Harbeson
Construction;
noons.
Albert Laessle
Robert Joy
LIFE STUDY (PAINTING) 1928
Tuesday
after-
Costume Sketch Class; Saturday
mornings.
Roy C. Nuse
[ 33
J
TIlE LIFE AND HEAD CLASSES
The purpose of these classes is to give the student thorough
instruction in the technique of painting.
The day Life Classes are under the supervision of Mr. Pearson and Mr. Garber.
The night Life Classes are under the supervi sion of Mr.
Garber.
SCHEDULE OF CLASSES
Dorothy L. Van Loan
LlFE STUDY (PAIN TING) 1921r
INSTRCCTORS
Advanced classes in drawing and
painting from Life; For women:
three hours daily excepting
Saturdays.
Joseph T. Pearson, J r.
For men: three hours dail y excepting Saturdays.
J oseph T. Pearson, Jr.
First classes and Advanced classes.
.
For women: weekday evelllngs
excepting Saturdays.
Daniel Garber
For men: weekday evenings excepting Saturdays.
Daniel Garber
First classes in drawing and painting from Life ; For women:
three hours daily excepting
Saturdays.
Daniel Ga rber
For men : three hours daily excepting Saturdays.
Daniel Ga rber
Advanced classes in drawing and
painting from the Head ; Mon.
day and Wednesday mornmgs
and afternoons and Saturday
mornll1gs.
Hugh H. Breckenridge
First classes in drawing and painling from the H ead ; l[onday,
Wednesday, and Friday mornings and afternoons.
Roy C. Nuse
Drawing and painting from Still
Life; Tuesday, Thursday, and
Saturday mornings and afternoons.
Hugh H. Breckenridge
[ 35 J
Decorative Painting; Friday mornings and afternoons.
Composition; W ednesday afternoons.
Henry McCarter
Henry R. Poore
ItEQtJtRE:ME:NTS FoR ADMISSIoN TO FIRST LIFE
AND HEAD CLASSES
A student may apply for promotion to the First Life and First
Hea~ classes by submittin~ to the Faculty at a stated monthly
meet1l1g, a group of draw1l1gs and paintings. each one of which
has received the approval of the Instructor of the class in which
the work was made.
Tully Filmus
LIFE STUDY (PAINTING) 1928
W al ter 1. Anderson
PORTRAIT STUDY (PAINTING) 1928
Perspective; Monday afternoons.
John F. Harbeson
Construction; Tuesday afternoons. Albert Laessle
Costume Sketch Class; Friday Roy C. Nuse
morn1l1gs and afternoons and
Saturday morn1l1gs.
[ 36 1
The group must consist of at least; one drawing from the ful1
figure Antique, one painting from the Stil1 Life Class, one painting from the Saturday Morning Sketch Class, one drawing from
the Construction Class and one Composition in black and white
or in color. If the Faculty finds the group of insufficient merit to
warrant promotion, the student may prepare another group for
submission to the Faculty at any subsequent meeting.
ADVANCED LIFE CLASS
Application for admission to the Advanced Life Class must be
accompanied by a drawing from Life and a painting in full color
from Life.
[ 37 ]
•
Omer T . Lassonde
PORTRAIT STUDY (PAINTING) 1928
Robert C. Eddinger
PORTRAIT STUDY (PAINTING) 1928
ADVANCED HEAD CLASS
Class must
Application for admission t~ the t~dV~:~~d a~:a~ painting in
be accompanied by a drawing rom
e
.
t
. ther
full Color from the Head.
be made for promotIOn 0 el
Separate application must
one or both of these advanced classes.
SPECIAL CLASSES
OPEN TO ALL STUDENTS WITHOUT EXTRA CHARGE
Mr. McCarter's Class in Decorative Painting
The Class in Decorative Painting meets once a week for criticism of work submitted. The object of the class is to study
Decorative Design and Color, and to encourage the student to
express forcefully his own impressions and conceptions.
Mr. Poore's Class in Composition
The Class in Composition meets twice every month for cntlcism of Individual work and consideration of the principles of
Composition. Work in composition is compulsory.
Mr. Harding's Class in Mural Decoration
Mr. Harding will conduct a class in Mural Decoration from
November to April, both inclusive. Students competing for
Cresson Travelling Scholarships are eligible to submit work for
entrance to this class.
Mr. Laes sle's Class in Construction
This class receives instruction through lectures given by Mr.
Laessle and through criticisms of individual work made from the
living moclel, in whatever meclium the instructor may select. In
this class, special attention is paid to the proper placl~g of. masses
controlling movement and line. \Vork in construction IS compulsory.
Mr. Harbeson's Class in Perspective
Henry Cooper
PORTRAIT STUDY (PAINTING) 1928
PRIVILEGES
Students in the First and Advanced classes are entitled to
work in the Antique Drawing, Still Life, Night Life, Decorative
Painting, Composition, Construction, Saturday Sketch, Perspective,
and Sculpture Classes. All students ill drawing and paillting are
recommended to do a certaill am01lllt of modelling. This entails ItO
additional fee.
For admission to the Life Mode1\ing Qass, see page 53.
For Schedule of fees, see page 31.
[40
I
The course consists of instruction in the elements. of linear
perspective shaclows proj ected by artificial and natura: hght~ a~d
before the dC fass.
rto erefle ctions ,'illustrated by drawings mader db'
t
rom na ur
f rlems in drawing and painting from the so I 0 lec a.n . I
to the class at stated intervals. The pnnclp es 0 pe
are given used by artists of various schools are demo.nstr~ted by
spective as
f h'
ks "Vork in perspective IS comlantern projections 0 t elr wor .
pulsory.
[ 41 I
Mr. Nuse's Costume Sketch Class
The Costume Sketch Gasses a
terms and meet Friday
,
re conducted throughout both
.
mormngs and aHern
th I"
oons and Saturday
morl1lngs. Sketches fro
.
.
m
e IVlllO' model
and whIte, or in color.
'"
are made 111 black
Frank Conchee
SATURDAY SKETCH (PAINTING) 1928
Dorothy L. Eisenbach
COMPOSITION ( PEN AND TNK) 192 8
Tuesday Evening Sketch Class
A Sketch Class meets on Tuesday evenings, from seven until
nine o'clock, to work, from a living model, without criticism,
Fra_nk Conchee
SATURDAY SKETCH (PAINTING) 1928
The chief obj ect of the Sketch Gasses is to teach students to
grasp and record quickly the spirit and character of the subject
presented.
[ 43
1
Margaret R. Gest
COMPOSITION (PAINTING) 1928
Ellen M. McCullen
COSTUMED MODEL (ILLGSTRATION) 1928
Leon F. Derbyshire
COMPOSITION (PAINTING) 1928
•
,
SCULPTURE
The Classes in Sculpture are under the direction of Mr.
Grafly, and are scheduled as follows: For men: Life Class, three
hours daily, except Saturdays, and Monday, Wednesday and Friday
nights. Portrait Class, three hours Tuesday, Thursday and Saturday. For women: Life Class, three hours daily, except Saturdays, and Monday, Wednesday, and Friday nights. Portrait
Class, three hours Tuesday, Thursday, and Saturday.
--
L
Sylvia
_
-
-
~
~
Borst
COMPOSITION (SCULPTURE) 1928
Ch~rles
The work of the Classes in Sculpture consists of modelling,
enerally in the round, from the head .and from the full-length
g
. . .
.
a week 111 each class.
figure. CritIcisms are .glvel: once
I Ad isor Talk in the
Mr Harbeson Will give an Informa
v
y .
Composition Classes when the subject announced may be 1I1terpreted
architecturally.
H. Rudy
PORTRAIT STUDY (SCULPTURE) 1928
[47 J
•
•
Sidney R. Mudge
COMPOSITION (SCULPTURE) 1928
Henry Ewertz
COMPOSITION (SCULPTURE) 1928
r ~
-
r
-
--~
Sylvia Borst
COMPOSITION (SCULPT URE) 1928
Sylvia Borst
(;9Mf O ?ITIQN (?CULfTU~E), 19~§
.
Charles H. Rudy
C-gMPO?ITIQN (?CULPTUR-E) 19~5
REQUIREMENTS FOR ADMISSION
Photographs of work or specimens of modelling of sufficient
merit are required for admission to the life modelling classes.
Students not sufficiently advanced for admission to the Life
Class are required to model from casts. When they have acquired proficiency, they are admitted to the Life Class without
the payment of an additional fee.
00
Both Painters and Illustrators would manifestly profit by the
added appreciation of form and proportion gained by working in
the Sculpture Classes.
N
'"
~
Students in Sculpture are permitted to work in the Drawing
and Painting Classes which include Composition, Construction,
Decorative Painting, Perspective, Saturday Sketch, and Still Life,
and are recommended to work therein (without extra charge);
but admission to the Life and Head and Illustration Classes is,
for sculptors, subject to the same requirements as for painter s
and illustrators.
The Night Life Class meets from 7 to 10 three evenings per
week. Criticisms are given once a week as in the Day Life Class.
Students are required to furnish their own clay, life modelling
stand, and bucket for clay. The Academy furnishes one head
stand for each student.
For fees see Schedule on page 31.
•
[ 53 1
ILLUSTRATION
The Class in Illustration will meet daily throughout the school
year.
Life models are engaged for the morning and afternoon
classes under Mr. Pearson and Mr. Garber. Costume models
are engaged for the morning and afternoon classes under Mr.
Harding. Individual criticism is given once a week.
. Illustration is under the direction of Mr. HardThe Class 111 •
. de the student with such practical
IS
to
proVI
Its
purpose
mg.
REQUIREMENTS FOR ADMISSION
A student may apply for promotion to the Illustration Class
and the First Life Classes by submitting to the Faculty at a stated
monthly meeting, a group of drawings and paintings, each one of
which has received the approval of the Instructor of the class
in which the work was made.
The group must consist of at least; one drawing from the
full figure Antique, one painting from the Still Life Oass, one
painting from the Saturday Morning Sketch Class, one drawing
from the Construction Class, and one Composition in black and
white or in color. If the Faculty finds the group of insufficient
merit to warrant promotion the student may prepare another group
for submission to the Faculty at any subsequent meeting.
Application for admission to the Advanced Life Oasses must
be accompanied by a drawing from Life and a painting in full
color from Life.
Illustrators are entitled to work in the Night Life, Still-Life,
Decorative Painting, Composition, Sketch, Perspective, and Construction Classes, without extra charge.
For Schedule of fees, see page 31.
,
I
Benton M. Spruance
GROUP IN COMPETITION FOR FIRST CRESSON AWARD
(ILLUSTRATION) 1928
instructi~n in Drawing, Composition and Interpretation as will
~nable ~Im to enter the professional field of magazine and book
Illustrating.
[ 54 )
J
I
I
Emidio Aogelo
DRAWING (ILLUSTRATION) 1928
[SS]
Thelma Mae Zohe
GROUP IN COMPETITION FOR SECOND CRESSON AWARD
(ILLUSTRATION) 1928
Lawrence B. Kritcher, Jr.
DRAWING (ILLUSTRATION) 1928
THE WILLIAM EMLEN
TRAVELLING
SC~~{!~~H~:SMORIAL
SCHOLARSHIPS AND PRIZES
Through the generosity of Mrs. Alexander H~milton .R~ce,
twenty Scholarships in the Academy have been prov~ded, entitilI1g
the holders thereof to free tuition. Ten of them are 111 memory of
William L. Elkins, and ten in memory of George D. Widener.
By the liberal provisions of th
.
Priscilla P., his wife a Fu d h be wills of Emlen Cresson and
, n as een creat d
.
their deceased son, Wil1iam E I C e as a memorial to
.
m en resson A d "
ll1come of which is to be applied b Th
,c~ emlclan, the
the Fine Arts in sending pu '1 y f e ~ennsYlval1la Academy of
PI s 0 ment to Europe.
Under the will of Mary R. Burton, deceased, a free scholarship is provided, and through the generosity of Mrs. George K.
Johnson, the Sarah Kaighn Cooper Free Scholarship has been
established. A Scholarship has also been established in memory
of Elizabeth H. Thomas.
The above Free Scholarships are available this year for returning students only, and are awarded solely for the purpose of
financially assisting those who would otherwise be unable to
pursue the study of art.
Returning students are those who have been registered in the
Academy's Philadelphia schools for both terms of the school year
immediately preceding the application for a Free Scholarship
and who have fulfilled all class requirements during that year, or
those students who have been registered at the Academy's Chester
Springs School for the two consecutive seasons of four months
each im~ediately preceding the application, or those who have
been registered for a total of eight months in either or both
schools between Oct. 1, 1927, and Oct. 1, 1928, and have fulfilled
the scheduled requirements.
These Scholarship~ are awarded by the Board of Directors
upon the recommendatIOn of the Committee on Instruction and
the Faculty of the Schools.
. Applicants must fill in a prepared form and submit it together
With not more than four examples of their work to the Curator of
the Schools
before September 22nd. Th'IS app I"IcatlOn must be ac.
co~pan~ed by a letter addressed to the Committ
I
.
statmg m detail the necessity for requesting Freee~ o.~. nstr~c~I~~1'
length snapshot and a doctor's certificate of
u~ IOn.
.~ phYSical condition
must accompany the application.
F10rence M. Foote
COMPOSITION (PAINTING) 1928
During the past year the Academy awarded twenty-three
Cresson Scholarships. Included in this number were thirteen
painters, four sculptors, and six illustrators. These awards
were made by the Board of Directors upon the recommendation of the Faculty.
[ 58 ]
[ 59)
d' .ded among the Painting, Illustration,
h
The awards are )V)
b
d upon the standard of t e
and are ase
h
and Sculpture CI asses,
b of contestants from eac
work, as one factor, and the Hum er
Class as another factor.
abroad is limited to the summer vacation, a period of four
months, from June to October, so that students may return to
the Academy for study during the ensuing school year. The
Board of Directors, Upon the recommendation of the Committee on Instruction, may, in case of exceptional merit, permit a student to receive a second Cresson Scholarship. Unless some satisfactory excuse be accepted by the Committee
on Instruction, a second scholarship must be competed for
during the year succeeding the first award.
The award of a Travelling Scholarship is not to be regarded as a certificate of proficiency. Students receiving an
award for the first time are requir ed to return to the Academy
for further study after having travelled abroad in accordance
with the terms of the award.
Students receiving a second award are expected to return
to the Academy for further study during the school year next
succeeding the award.
New students registering during the season of 1921-1922
and thereafter will not become eligible to compete for a
Cresson Travelling Scholarship llntil they have completed twentyfour months, or six terms, (not necessarily consecutive) of study
in the Academy's Schools.
Students who have been registered previous to the school
year of 1921-1922 will be eligible to compete for a Cresson
Travelling Scholarship after sixteen months of study in the
Academy's Schools.
Eleanor C. Finnesey
GROUP IN COMPETITION FOR FIRST CRESSON AWARD
(PAINTING) 1928
In estimating the total number of months necessary to
qualify competitors, time registered in the Chester Springs
School is counted (provided certain requirements have been fulfilled) equivalent to a similar length of time in the Philadelpllla
Schools.
The award of a scholarship provides each student with
one thousand dollars to expend in actual travel and travelling
expenses. The remaining one hundred and seventy-five dollars
of the a ward covers tuition for the ensuing school season.
All students in competition for Cresson Travelling Scholarships must be registered in the Schools for the eig~t months
-October to May, both inclusive-of their Competition Year.
During Competition year no change in registration from one
class to another is permitted.
It is the intention of the Cresson Scholarships to give to
the students of the Academy the advantage of seeing some of
the important Galleries and Art Schools abroad. The trip
Every student awarded a C,'eSSOI! Travelling Scholarship must
sail for EltrOpe 011 or before JUlie 16th of the year of Award.
Otherwise the scholarship is revoked.
[60 I
[ 61
1
•
Leon F. Derbyshire
LIFE STUDY (PAINTING) 1928
J a flJes A. McLean
fORTRAn' STUDY (PAINTING) 1926
REQUIREMENTS GOVERNING THE CRESSON
COMPETITION
Hen ry Cooper
GROUP IN COMPETITION FOR SECOND CRESSON AWARD
(PAINTING) 1928
All students entering the Competition are required to sign
at the Curator's office as Competitors before the October review, 1928.
Students who intend to compete are recommended to
study at the Chester Springs School, in order to receive instruction in painting sunlight in the open.
Work must be submitted each month by Competitors in
the Painting, Sculpture, and Illustration Classes for review.
Competitors failing to submit work as required will be ineligible for receiving an award.
Drawings and paintings must not exceed thirty-six inches
in either dimension.
Reviews take place the third week of each month beginning with October. (Second week of December and :May.)
To receive credit for their work, students must register it
during review week before 5 o'clock of the following days:
Tuesday:-Construction. Life.
Wednesday:-Illustration and Illustrati on Head. (Review
the following day).
Wednesday:-Composition before 10 A. M. on any date
scheduled that month for Mr. Poore's criticism.
Friday:-Costume Sketch, Portrait, Still Life. (Review the
following day.)
Painters are required to regi ster each month beginning
with the October Reviews, work from the Figure in drawing
or painting, from the Head in drawing or painting, one Composition, one Costume sketch from Mr. Nuse's sketch class,
one example of work from the Construction class and, each term,
one painting from Still Life.
Illustrators arc required to register each month beginni~g
with ~he October Reviews, one head made from the model 111
the Illustration class, one drawing or painting from the mo.del
in the Life Class, one example of work from the Construction
Class, and, each term, one Illustration.
Sculptors are required to regi ster each month a Composition (subject assigned) a study from the Figure, one example
from the Construction Class, and, each term, one study from
the model in the Head Class.
[ 65 1
.
D wings and Sculptures from the Figure
ll
paintmgs
ra,
.'
hAd
A
'b f om models posmg 10 t e
ca emy's
and Head mus~ II e rgaged Paintings, drawings, and sculp_
en·
C
Sch 00Is, as officlad yare
ineligible for use in the resson comtures not so rna e
petition.
cannot be registered more than once.
The same war k
SDrings School. No work will be considered eligible which
has not been made during the current school season and registered in the Curator's office for one of the specified reviews.
Competitors in the Life and Head Painting classes must
attend the Class in Composition, and must do the work required in the Construction and the Perspective Classes. Competitors in Illustration and Sculpture must do the work required in the Construction and Perspective Classes.
THE CHARLES TOPPAN PRIZES
Tulie Speight
FIRST TOPPAN PRIZE (1928)
Studen ts failing to sub ml. t teh
'
.
reqUired
work for review
place t.hemselves out of competition and can be reinstated only
by actIOn of the Faculty.
ncte d as to the amount and
. AI1 competitors are u nres t'
varIety of work th
h'I"
'd d h
ey ex I )It m their Competition Groups proVI. \ ~ ey do not exceed the space allotted to them bu; each
pam er s group must include a landscape made at the Chester
r 661
The Charles Tappan prizes for 1929 are: first prize, $300,
second prize, $200, and two honorable mentions of $100 each.
These. prizes were established in 1881 by the gift of Mrs.
Charles Tappan, Miss Harriette R. Tappan, and 1fr. Robert
N. Tappan.
The prizes are awarded only to students who have previously received and used a Cresson Scholarship. Competitors
who fulfill all of the requirements for a second Cresson
Travelling Scholarship will, at the same time be considered
eli g ible to compete for a Tappan Prize. Competitors who are
not in Competition for a Second Cresson Travelling Scholarship are required to submit each month during the year of
competition two life drawings from models posing in the
Academy, or two full-figure Antique drawings made in the
Academy.
Any student having received one Toppan prize is debarred
from receiving another Tappan prize of the same or lowd
value.
The work submitted in competition must be an original
painting, in oil, or water color, the unaided work of the student without criticism. All work in competition must be submitted without signature or mark of identifi cation and must be
presented orL or before Saturday, May 12, 1929.
The subject assigned for May, 1929, is: "A Landscape
with one or more figures (human or animal) which are subordinate." N a student may submit more than one canvas.
Canvases submitted must not measure less than twelve inches
nor more than thirty-six inches in either dimension, and must
not be framed or presented under glass.
Canvases are numbered by the Curator, and a memorandum of the numbers and competitors' nall1cs arc kept ill a
[ 67 J
which is opened after the prize-winning cansea I ed enve I0 pe
. '
l selected by the CommIttee on Instructton.
vases h ave beel
According to the positively express~d terms of the gift,
the drawing of the work submitted WIll receive first consideration.
The Committee on awards i1\ not obliged to award prizes
or honorable mentions if, in its opinion, the work submitted
is not of sufficie nt merit to justify making the awards.
Season, an~ a prize o£ $25 for a second similar group, the first
to be decIded by .the Faculty, the second by a vote of the
students
then worktng in the Schools', and one o,"Ii'
< "50
and one
f $
d f
o 25, the first for general progress in study th
th
k h .
.
' e secon
or
e :,'or s OWl11g, 111 it~ trc~tment of said subjects, the most
poetIc, or abstract, or Idealtstic, point of view, both to be
decIded by the I11structor of the class.
WaJter I. Anderson
HONORABLE MENTION TOPPAN PRIZE COMPETTTION
Fred E. F1anigan
SECOND TOPPAN PRIZE (1928)
THE THOURON PRIZES
The foHowing aIwards, founded by the late Henry].
Thouron, a former nstructor' C
..
111
Omposltton,
are macle as
follows;
.A. prize of $50 for a group of not less than three composlttons Upon subJ'ects gIven to
the class during the current
[ 68]
A competitor is not eligible a second time for the same
prize, and cannot receive more than one award the same
season.
In the event of not making the annual awards, or any
portion of them, the money is to accumulate until it shall
amount to the sum of $500. This sum will be awarcled by the
Faculty to the student submitting the best work in Composition upon a given subject.
[69 ]
\
The intention or the award is to give the successtul stliden t. a three-months' summer trip abroad, for the purpose of
specIal study of Composition in specified places and galleries.
THE STEWARDSON PRIZE
The Edmund Stewardson Prize of One Hundred Dollars
'
the Department of Sculpture, will be awarded for the
twenty-ninth time at the close of the school year.
This is an annual prize, competed for by present students
of the Academy with such pupils of other art schools as may
be approved by the Committee on Instruction. Having once
received this award, a student becomes ineligible for further
competition.
The subject for the competition is a full-length figure
from Life in the round.
Studies must not be less than two feet six inches in
height, and not more than three feet in height, and must be
made within eighteen hours, during three consecutive days, in
six sessions of three hours each.
N one except the competitors are admitted to the competition room at any time during the days of the competition, and
none except the members of the Jury are present during the
judging of the studies.
Each competitor draws a number by lot. This number
determines the competitor's position in the competition room
and a corresponding number is placed upon an envelope which
contains the competitor's name and is deposited sealed, with
the Secretary of the Academy. Upon completion of the work
the competitor places a corresponding number upon the study
to be submitted to the Jury of Award.
The Jury of Award consists of three professional sculptors, having no official connection with the Academy, or any
other schools whose pupils may have taken part in the competition. When the successful number has been announced by
the chairman of the Jury, the Secretary, in the presence of one
or more of the officials of the Academy, opens the envelope
bearing that number and announces the name of the successful
competitor. If no study be satisfactory to the Jury, the prize
may, in their discretion, be withheld. When no award is
made, the amount of the prize may, in the discretion of the
Board of Directors of the Academy, be added to the principal
of the prize fund, or distributed with future prizes.
.In
Harry Rosin
STEWARDSON PRIZE (SCULPTURE) 1928
[ 71
J
The .clay models offered in competition must be kept
standl11g 111 good condition until otherwise ordered and figures
cast by the Academy become its property.
The competition for the year 1929 takes place on March
4. 5 and 6.
THE STIMSON PRIZE
r
In memory of Emma Burnham Stimson, a fund has been
created for the award each year of a prize in sculpture of
$100.00 for the best work done by the students in the regular
course of the class.
The contest is open to students who have been registered
for three terms and who are members of the Life Modelling
Classes, but is not open to former students who work in the
class by special permission. Time spent at work in the Sculpture Classes at the Chester Springs Summer School, not exceeding four months, will be counted.
The subject for competition is a full-length figure from
life, in the round, not less than two feet six inches in height
and must be made during class hours as a part of the regular
work in the class.
The work must be submitted anonymously to a jury appointed hy the Committee on Instruction of the Board of
Directors. The jury mu st not include any instructor in the
School.
The contest for the year 1929 takes place during the
month of January from the 2nd to 25th, inclusive.
THE PACKARD PRIZES
From the income of the John H. Packard Fund, establi shed by the children of the late John H. Packard, M.D., for
many years chairman of the Academy's Committee on Instruction, annual prizes of $30 and $20 are awarded for the
best and second best groups of original studies made from
living animals. These prizes are open to all students of the
Academy who have registered for both terms of the school
year. A student having once received a .prize becomes ineligible to receive the same prize a second time.
Henry Ewertz
STIMSON PRIZE (SCULPTURE) 1928
THE RAMBORGER PRIZE
From the income of a fund established by the late vViIlia:n
K. Ramborger, Esq., as a memorial to his sister, Aspasla
[ 73 J
I
I
I
I ........
l
.... --
... -
"
~
,
--
, ~
,
Ro~ert M. Cronbach
FIRST PACKARD PRIZE (SCULPTURE) 1928
EXAMPLES SELECTED FROM THE CRONBACH GROUP
AWARDED FIRST PACKARD PRIZE
•
Paul D, Webb
DRAWING (ILLUSTRATION) 1928
THE WEBB GROUP
EXAMPLES SELECTED FRO~SON SCHOLARSHIP
AWARDED A SECOND' CRE
I
who ror
some years Was a student ot the
.
Eckert l\.am orger,
.
f $25'
warded for the best Ime
lual prIze 0
IS a
f
d h't of a head from life by a pupil 0
Academy, an am
.
I'll black an w I e .
t I
d raW1l1g
I
t been under instructIOn over ,\ 0
the Academy who las no . t d I'n the Academv for both
1 I
been regIs ere
.
years, but w 10 las
I 1 year Each competitor may subof the curren t sc 100
.
d
terms
d
d
ling
Havin""
once
received
an
awar
,
mit one ut1mounte
ra"'·"
.
a student becomes thereafter ineligible to compete agam.
-h
b
THE CHARLES M. LEA PRIZES
The Pennsylvania Academy of the Fine Arts .holds a
Special Exhibition of Drawings by Students of Amencan Art
Schools in November, 1928.
.
A first prize of two hundred dollars, a second pnze of one
hundred and fifty dollars and a third prize of one hundred
dollars are awarded respectively to the best, the second best
and the third best drawings.
Any student having received one Lea prize is debarred
from receiving another Lea prize, of the same or lower value.
Drawings eligible for competition must be executed by
students regularly enrolled before Novem.ber 1st, 1928, in any
American School of Art which has a faculty of at least two
instructors.
A competitor may not submit more than two drawings.
The drawings must be upon white paper eighteen by twentyfour inches in size unmonnted and unframed.
The subject must deal with the human jig1t1"e, (not the head
only) either singly or in composition, and be executed in black
and white by pen, pencil, or hard crayon, but not in chaUl 01"
charcoal. The awards are based upon the precision, accuracy of
delineation, proportions, detail, simplicity, and picture quality of
the drawings submitted.
Members of the Jury of the Academy's Water Color Exhibition make the awards. They may withhold any or all
prizes if in their judgment the drawings are not of sufficient
merit.
All entries must have the following information legibly written
on the bacll: name of competitor; address to which the work is to
be returned; name of the school in which the student is working
and the signature of the Principal of that school.
Drawings must reach the Academy not later than Saturday,
November 17, 1928.
[ 76]
Henry Ccoper
FIRST LEA PRIZE. 1927
THE PENNSYLVANIA ACADEMY OF THE FINE ARTS
)
"'\,
~~
1.
"
\
/}
I
,
"\
I
,.::Y
./),11
' .
I
\
,
)
\
I
...
Edward R. Strawbridge
Robert Volz
SECOND LEA PRIZE, 1927
THIRD LEA PRIZE, 1927
THE PENNSYLVANIA MUSEUM
AND S C H 0 0 L OF
INDUSTRIAL ART
THE PENNSYLVANIA
ACADEMY OF THE
FINE ARTS
FREE- HAND DRAWING PRIZES FOR
THE ACADEMY SCHOOLS OF PHILADELPHIA
THE HIGHER S
AND VICINITY
,
The Academy's Free-hand Drawing Prizes for the
Higher Schools of Philadelphia and Vicinity.
. t
of The P enllsyIva ni a Academy of the Fine Arts
f'
awards for original Free-hand
The Dlrec ors
l" h d system a pnze
.
b
have esta IS e a
h h' h r schools of the city of Phll.
b students of t e Ig e
k'
h
"t
The
purpose
of
rna
mg
t
ese
Drawll1g
y
.
.
.
d' mediate VIC1l11 y.
.
.
t in Free-hand Drawing, to discover
adelphia an I~
awards is to stImulate 1l1 te re\ I t and to offer them the adthose who possess mar l<ed a en ,
vantages of study at the Academy.
.
f $10 and a second prize of $5 are awarded by
A first pnze a tl recommendation of the illstrltetor of the
.
b
the Academy upon le
school w Ilere ma de, fa r the best and second best drawmgs y regularly enrolled students of each school.
The drawings must be made f1·ee-hand from a c~st or other
. d by the instructor and must be the unaided work of
abJ·ec t asslgne
the student, without criticism.
The drawings must be made with lead pencil, charcoal or
crayon on white. paper 19 inches by 25 inches in size and unmounted.
I.
Aerrnan Renger
FIRST PRIZE. LA FRANCE ART INSTITUTE
The drawings may be made at any time during the months of
March and April, but mu st be submitted to the instructor of the
school where made, and the prizes announced before the thirtieth
of A[,ril, 1929.
The two prize drawings from each school must be sent to the
Secretary of The Pennylvania Academy of the Fine Arts, Broad
and Cherry Streets, Philadelphia, not later than May 15th, 1929.
The Faculty of the Academy will then judge the drawings submitted, and award the final prizes as follows:
$25 for the best drawing; $15 for the second; and $10 for the
third.
All entries must have the following information legibly written
on the back; name of the competitor; name of the school in which
the student is working, and the signature of the Principal of the
school. Drawings will be returned to the schools from which
received.
Thomas F. Beal
It is hoped that these awards, and the stimulus they afford,
will lead to a closer sympathy between the art instruction in the
city's higher schools and the work of the Academy itself.
[ 78
I
SECOND PRIZE, NORTH
EAST HIGH SCHOOL
Helen Kosinec
THIRD PRIZE. SIMON
GRATZ HIGH SCHOOL
RULES OF THE SCHOOL
HOURS
til 10 p m. except on
The Schools are open from 9 a. m. un
.
Saturdays when the closing hour is 6 o'clock. Models pose from
9
to 12 noon from 1 to 4 and from 7 to 10 p. m.
a. m.
, promptly , and students are urged to
Classes b'"
egm a t 9 a .m
start work early to utilize the best light of the day.
Regular attendance by students is not compulsory, but 110 redl/etion fr011l tuition rates is made on account of. absence.
At 5.30 p. m. the Cherry Street entrance wl11 be opened fer
members of the night classes.
MATERIALS
~raterials for study must be provided by the student. Al1
articles required in the classes are for sale in the school store at
lowest prices. AU sales are for cash only.
DEPORHIENT
Studellts are expected to be self-governing, and to know alld
obey the rl/les of the Aeadelll)I from principles of hOl1or.
Violation of the rules will result in s1lspension aI' dismissal
from the Academy.
Any conduct unbecoming a student is a violation of the rules.
The property of other students must not be used without the
owner's knowledge and consent.
MONITORS
It shall be the duty of the monitors to maintain order and, if
necessary, to report to the Curator any interference with the work
of the class.
Monitors shaU see that the class-rooms are kept properly
lighted and ventilated.
The monitor of each class shall have charge of the model and
of the class-room during working hours.
LIFE CLASSES
Only members of the Life Classes are permitted in the Life
Class-rooms during working hours and then only when working
from the model posing.
Members of the Life Classes must un ler no circumstances
speak to models who are posing.
[801
POSITIONS IN THE CLASS-ROOMS
Students who are not present at the hour when classes begin
must take their positions in order of arrival. No student will be
permitted to select and reserve a position for one who is absent.
Students absent from three meetings of the Life Class, from
one meeting of the Costumed Model Class in l11ustration, or from
two meetings of the Head Class, wil1 forfeit their positions unless
arrangements were made previously with the monitor of the class.
MONTHLY REVIEW OF WORK
A general review of the work of each class is held once a
month. A record of the work submitted is kept for use in determining the standing of students at the end of the season and
their eligibility for entering the Cresson Competition.
Students in the class drawing from head casts wil1 register
each month, one drawing from the Cast, one drawing from the
Construction Class, and one Saturday Sketch (drawing or
painting) .
Students in the class drawing from the full-figure cast will
register each month, one drawing from the Cast, one Saturday
Sketch (drawing or painting), one drawing from the Construction Class, one Composition and each term one Stil1 Life.
Students in the Life and Head, l11ustration, and Sculpture
classes wil1 register the same as work required of the Cresson
Competitors (see page 65).
Reviews take place the third week of each month beginning
with October (second week of December and May). To receive
credit for their work, students must register it during review
week before 5 o'clock of the fol1owing days.
Tuesday :-Construction and Life.
Wednesday:-Illustration and l11ustration Read. (Review the
fol1owing day.)
Wednesday:-Composition before 10 o'clock on any date
scheduled for Mr. Poore's criticisms.
Friday:-Costume Sketch, Portrait, Still Life. (Review the
following day.)
The date for each review will be posted on the school Bulletin
Board at the beginning of every month. Drawings are not accepted when rolled or when not carefully "fixed." Paintings must
be thoroughly dry, alld all work 11I11St be signed with the stl/dellt's
[ 81 ]
filII 11(1111(' (llId tile 1/(11111' of tile class ill ~('hich tile work was dOlle.
'tudies marked by the Curator are rescrved by tire Academy for
all illdejillite period.
In order to prevent loss, unmarked studies
should be reclaimed at the close of each review.
APPLICATION FOR PROl\fOTION
Students may apply for promotion at the regular Faculty
meetings, but before doing so they must obtain the approval of
the instructors under whom they are working.
MOVING OF CASTS
Studcllts must 1I0t 1IIove the casts. Any change desired in the
"ositioll of casts or other objects lIIuSt be C1utlrori::;ed by an instructor or the curator, alld carried out wIder his dil'ection.
PLASTER CASTING
Casting in plaster wi ll not be permitted in any of the schoolrooms. A special rooll1 is provided for this work.
LUNCH-ROOMS
Luncheon must not be eaten in the school-rooms.
rooms are provided in the basement.
Lunch-
CARE OF PERSONAL PROPERTY
All personal property should be marked with the owner's
name.
Students are cautioned not to leave personal property of any
kind about the school-rooms because the Academy will in no case
be responsible for the loss of articles froll! the rooms or lockers.
Large steel lockers, fitted with combinatioon locks are provided for each student, and are expected to be kept locked.
Any damage done to a locker will be charged to the student
occupying it.
Students are not permitted to leave canvases and drawingboards about the school-rooms, but must place them, when not in
use, in the racks especially provided for the purpose.
Canvases and Materials left at the Academy and not called
for by the beginning of the fall term will be disposed of.
LIBRARY
Students may have free use of the Library, upon application
(0 the Librarian, between the hours of 3 and 5 p. m. Books must
not be taken from the room.
ZOOLOGICAL GARDE TICKETS
Annual tickets for the Zoological Gardens may be obtained at
a small charge, from the Superintendent of the Gardens on presentation of a letter from the Curator. Single admission tickets
may be obtained from the Curator.
PRIVILEGES FOR STUDENTS
A student's ticket entitles the holder during attendance at the
Academy to free admission to the Galleries, Special Exhibitions
and Lectures, and to the use of the Library and Print Collection.
VISITORS
The school-rooms are open for the inspection of visitors on
week-day afternoons from 4 until 5 o'clock.
Students are not to be called from the class-room unless in
the judgment of the Curator 'lie lIIoller is of Itrgent importanc·c.
No one is permitted to remain in any of the class-rooms during
working hours except the regular members of the class who are
doing the special work of that class.
Telephone calls are not reported to students. Messages are
placed in students' mail boxes.
Application forms and any further information regarding the
Schools may be obtained by addressing
ELEANOR A. FRASER,
BROAD STREET, ABOVE ARCH,
Curator
PHILADELPHIA
SKETCHING IN GALLERIES
Students may sketch from the works in the Permanent Collection of the Academy, but copies must not be made without special
permission from the management.
[ 82]
[ 83 J
SCHEDULE OF CLASSES
for
~
~
NEW STUDENTS
~
g
THURSDAY
--
FRrDAY
Antique .
Antique.
Antique.
Antique.
?'"
WEDNESDAY
TUESDAY
MONDAY
Antique.
Antique.
Still Life.
Still Life.
SATURDAY
Costume Sketch.
11:00
Decorative Painting.
'"
Still Life.
-
-
-f
Antique.
Antique.
Antique.
Construction.
8
Antique.
Antique.
Antique.
Still Life.
Decorative Painting.
Still Life.
Still Life.
"' ...
Composition.
Perspecti ve.
88
-
•
...,
-
~
Antique.
Antique.
Antique.
Antique.
Antique.
Costume Sketch.
o
g
I
SCHEDULE OF CLASSES FOR FIRST PAINTERS
Morning and Afternoon Classes Exchange on January 21st, 1929
MONDAY
-0
~
8'"
-
Men.
Women.
Head.
Life.
TUESDAY
THURSDAY
WEDNESDAY
Still Life.
Head.
Life.
Still Life.
Life.
FRIDAY
Head.
Still Life.
Life.
Still Life.
SATURDAY
Costume Sketch.
11:00
Decorative Painting.
Still Life.
Life.
Costume Sketch.
Still Life.
11 :00
Decorative Painting.
-
-!
8
Men.
Life.
Construction.
88
,...., ....
~
~
~
o
8
-
Life.
Still Life.
Head.
Still Life.
Life.
Still Life.
Women.
Head.
Construction.
Still Life.
......
Life.
D ecora tive Painting.
Life.
Still Life.
Head.
Still Life.
Decorative Painting.
-
Men and
Women.
Men.
Perspective.
Composition.
--Life.
Costume Sketch.
Life .
Life.
Life.
Life.
Women.
Life.
Costume Sketch.
I Life.
Life.
Lif".
Life.
SCHEDULE OF CLASSES FOR ADVANCED PAINTERS
Morning and Afternoon Classes Exchange on January 21st, 1929
~
g;
-
~10NUAY
\VF.U, EsnA \'
1--
Life.
Life.
Men.
TL"ESDAY
'"
THURS1)AY
Life.
L ife.
Still Life.
~
...,
8
-
-
~AT\;RDAY
FRIOAY
,
Lif(".
Head.
Still Life.
11 :00
Still Life.
Decorative P ainting.
Still Life.
C'o~tume
.
1I «:d.
Still Life.
H ead.
\\'omen.
1\len.
i8
Head.
Construction.
H ead .
I
Still Life .
Life .
Costume Sketch.
Still Life.
Life.
,
Perspective.
Decorative Painting.
Still Life.
Life.
.
I
1
Men and
Women.
Still Life.
Decorative Painting.
Construction.
Life.
Life.
"' ...
88
11 :00
Decorative Painting.
,
Still Life.
Women.
Head.
I
-
-
Sketch.
Composition.
-
I
M en .
....
Cost ume Sketch.
Life.
Life.
Life.
Li fe.
Life.
Life.
Life.
Life .
~o
8
Women.
Costume Sketch.
Life.
-
Life.
SCHEDULE OF CLASSES FOR ILLUSTRATORS
Morning and Afternoon Classes Exchange on January 21st, 1929
Men.
8'"
.g
~
I
MONDAY
TUESDAY
WEDNESDAY
THURSDAY
Costumed Model.
Life.
C'oftumed Model.
Life.
Costumed Model.
Life.
Cost umed Model.
Life.
SATURDAY
FRIDAY
Costumed Model.
Life.
Costume Sketch.
11:00
Decorative Painting.
\Vornen.
Costumed Model.
Life.
Costumed Model.
Life.
Costumed Model.
Life.
Costumed Model.
Life.
Costume Sketch.
Costumed Model.
Life.
11:00
Decorative Painting.
-8
...
Men.
Life.
\Vomen .
8
"' ...
8~
Costumed Model.
Cmtumed Model.
Life.
Men and
Women.
Perspective.
Men.
Life.
Costu med Model.
Decorative Painting.
Life.
Construction.
Costumed Model.
Life.
Costumed Model.
Costumed Model.
Life.
Life.
Costllm~d
Model.
Construction.
Life.
(,o~tumed
Costume Sketch.
Life.
Life.
Life.
Life.
Life.
Life.
Life.
!1odel.
Costumed l\1odel. C'mtumed Model.
Decorative Painting.
Life.
Life.
~
~
00
" 8o
~
~
-
Life.
Women.
Life.
Costume Sketch.
Life.
.
. .
SCHEDULE OF CLASSES F OR SCU LPTORS
Morning and Afternoon Class e s A ltern ate Every Fou r W e eks
~
gg
-
TUESDAY
MONDAY
...
M en.
8'"
Women.
...
Men.
8
Wome n.
...~
Life.
Life.
WED NESDAY
Life.
TIlUR5DAV
FRIDAY
Life.
H ead
SATURDAV
Life .
J lead.
'll cad .
.
Construct ion.
H ead.
H ead .
H ead .
~
Li fe .
Construction.
Life.
Li fe.
Life.
Life.
..88
"'
Men and
Women .
P erspective.
Composition.
...
~...
Men.
Life.
Life.
Life.
8
Women.
Life.
Life.
Life.
Q
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,
THf.: ACADEMY'S SCHOOL AT
CHESTER SPRINGS
The Pennsylvania Academy of the Fine Arts owns a tract of
158 acres at 01ester Springs, Chester County, Pennsylvania, where
it conducts an open-air school for instruction in the Fine Arts.
Chester Springs is seven and one-half miles northwest of
Phcenixvi lle on the Pickering Valley Railroad, and about forty
mi les northwest of Philadelphia and is reached in about one hour
and thirty minutes by train service from the Reading Terminal in
Philadelphia. It is a beautiful little village, with post office, schools,
stores and churches. The population is purely native American.
The Academy's property is one-quarter of a mile from the station. It is about 300 feet above mean ocean tide level and is north
of the village, surrounded by typical Pennsylvania farm land, the
scenery of which is enriched by gently rolling hills and by
Pickering Creek with its meadows and valleys. It is at the foot
of a hill rising to the north over 500 feet, and includes a numbet
of buildings upon the hillside, affording ample studio room, and
separate dormitories for men and women. Electric light is supplied from Phcenixville.
THE BUILDINGS AND GROUNDS
The men's building, known as the Washington Building, is a
large three-story stone structure, 146 feet long, with airy dormitories on the second and third floor s, private rooms for those
who want them, and contains on the fir st floor, the main kitchen
and general dining-room.
The women's building, known as the Lincoln Building, is also
three stories in height, is 88 feet long, with similar airy dormitories
on the second and third floors , also with private rooms. It contains on the fi rst floor a library and reading room used by all of
the students. It is about 60 feet to the eastward of the Washington Building. Both are near the public road.
Across the road from the Lincoln Building, and slightly to the
east of it, stands the New Studio, a substantial stone building,
the dimensions of which are 42 by 37 feet. One large studio occupies the whole upper floor. It is lighted by a north sky-light,
and contains a large stone fire-place for use on cool or rainy days
in spring or fall. A balcony opening on the south side affords an
extended view of the meadow through which runs the Pickering
Creek.
[ 91 J
\
l
In the basement of this building is another room, which also
contains a large stone fire-place.
In the meadow below the New Studio Building are tennis
courts and near these are the croquet grounds.
About 130 feet back of these two dormitory buildings, and up
the side of the hill, is the main Studio Building, 78 by 49 teet,
which has upon the first floor a theatre or lecture room with
dressing rooms [or men and women, and upon the second floor
one large studio used by the students in common, and several
smaller ones, affording together ample space for all the students to
work indoors in wet weather.
The old Kimberton Road, upon which the dormitories face
joins in front of the property, with the White Horse Road leading
down to the village. From the dormitory buildings there is a long
covered walk up the hillside to the Studio, so that students are
protected during wet weather. Further west on the Kimberton
Road, about 160 feet, is the Bungalow, affording additional dormitory accommodations.
On the opposite side of the Kimberton Road, at its junction
with the White Horse Road, is the Faculty Building, a double
stone residence, used to accommodate resident teachers, and conveniently near the main dormitories. Directly across the Kimberton Road, is a large and quaint one-story frame building called
the Art Gallery, used by the students to exhibit their work and
in which are accommodations for the washing of palettes and
brushes, for the making of frames, and like purposes.
In the meadow below the Faculty Building is the ~ew Bath
House and Swimming Pool. It is of concrete construction and
enclosed by a wall eight feet high. The dimensions of the building
are 125 feet by 30Y, feet. At the west end there are dressing
rooms for the men; while at the east end there are dressing rooms
for the women. All the dressing rooms are provided with clothes
hooks, benches, mirrors, and shelves to hold the toilet articles.
The Pool itself is 87 feet long by 21 feet wide. At is deepest
end under the diving board, it is 7 feet deep; while at the shallow
end it is 4 feet 3 inches deep for the use of those who do not
swim. The Pool is fed by the waters of the Pickering Creek, the
level of which has been raised above the pool by a dam. The
sheet of water formed by the dam is a picturesque addition to the
landscape. The out-of-door portrait class sometimes poses a
model in a boat on the dam. The dam is 125 feet wide and about
400 feet long, and over the breast the water of the creek falls
upon a series of steps.
[ 93]
In the centre of the meadow below the Washington Building
is. the. famous Yellow Spring. Its waters are so heavily charged
with Iron that they culor the stones of the run leading from the
spring. It gave the local itl' the ancient name of the "Yellow
Springs."
Thc dr.inkin.g. water for all of the buildings descends by gravity
from a spring nsmg near the top of the hill, the water being conducted by a piping system into concrete reservoirs, which can be
augmented by an auxiliary systcm, permitting wat.er 'to be
pumped to the reservoirs from another spring, known as the
Diamond Spring, situated in the meadow far from the buildings,
and the water of which if of singular clearness and purity.
The countryside is remarkably paintable, with many attractive old dwellings, quaint barns and spring houses, with old trees,
abundant woodland, creeks and ponds, and with beautiful views
near at hand. Directly in front of the \Vashington Building is a
grove of sycamores of great age, and back of it is one of the
largest sycamores in Pennsylvania, possessing a mighty spread of
limb and containing in one of its large arms the iron prongs, now
almost covered with bark, which were used in the olden days to
support the bell which called the guests to dinner, when the \Vashington Building was an inn.
The chief object of the Academy in establishing a school in
the country is to supplement the work done during the \Vinter in
its Philadelphia schools by instruction in painting and sculpture
in the open air, and to afford an opportunity for the study of art
to school teachers and to others who cannot spare time for study
except during the vacation months.
The methods of instruction are substantially the same as those
used at the Academy in Philadelphia, special attention, however,
being paid to landscape drawing and painting, to figure painting
in the open air, and to the study of sunlight and shade. Students
are taught to make "studies" of nature rather than "sketches" and
are also taught to carryon their work as far as their abilities
permit.
The general method of instruction is by individual criticism
of work submitted. The instructors will, from time to time, work
with the students for the purpose of assisting them in the selection
and interpretation of their subjects .
ClmSSON TRAVELLH\G SCHOLARSHIPS
To compete for Cresson Travelling Scholarships students mu:t
be registered for six terms in the Academy's Schools. In est 1-
[ 9S
J
mating this period, time registered in the Chester Springs S h I
coo
. I
. .
is counte d eqUiva ent to a ~Im"ar length of time in the Philadelphia
~chools: but no student WIll be. eligible to compete who is not regIstere~ III the Schools fo~ ~he eight months-October to May, both
inclusIve-of the competItIon year.
All students entering the Competition are required to sign
at the school office as competitors before the October review, 1928.
PRIZES
A Prize of $100 is awarded for the best drawing or pall1tl!lg
done at the Chester Springs School by a regular enrolled student
of the Academy, or by a student of the Chester Springs School
who shall have studied there for not less than one month; a second
prize of $50 for the second best, and a third prize of $25 for the
third best. These prizes are awarded about December 6th. \Vork
done by arrived artists, who may be working at the School, is not
eligible.
CRITICISMS
Criticisms in the Drawing and Painting classes are given from
time to time by different members of the Faculty: by Joseph T.
Pearson, J r., in June, July, August and September; by Daniel
Garber in June, July August and September; and in Illustration,
by George Harding in June, July, August and September.
Criticisms in the Sculpture classes are given by Albert Laessle
in June, July, August and September.
Mr. Garber conducts a class in etching.
Throughout this season Mr. Garner will gIve field criticisms
in landscape.
Mrs. Miller will give instruction in water color.
Mr. Dilloway will give a course in normal art.
SPECIAL LECTCRES
During the Summer of 1928 Special Lectures will be gl\'en
by persons eminent in art.
E:\ROLDIE:\T
During the Summer of the School's eleventh year, which began
in April. 1927, there was a total enrollment of 159 students. 115
had never studied at the Academy in Philadelphia, and 10 of them
afterward became students there.
The students came not only from Pennsylvania, but also f.rom
.
.
A nzona,
.
I ; Ca I'f
'a 2', Colorado"
2' Connecticut,
d,stant
POll1ts:
I oml,
. .
· Florida " 2' TIlIl101s , 2;
. . 0 f C0 Ium b
1; Delaware, 2; D,stnct
la,"J.
[ 97]
Indiana, 1; Kentucky, 2; Louisiana, 1; Maryland, 4; Massachusetts, 4 ; Michigan, 2; Minnesota, 1; Missouri, 2; New Jersey,
10; New York, 27; North Carolina, 1; Ohio, 10; Oklahoma, 1;
Pennsylvania, 56; Rhode Island, 2; South Carolina, 2; South
Dakota, 1; Texas, 2; Virginia, 8; \Vest Virginia, 2; Wisconsin,
2; Russia, 1.
only.The intention of the Academy is to accept serious students
The rates arc as low as possible, since they include both
board and tuition. But these rates do not inclUde the expense of
clothing-laundry, and materials for drawing, painting, and sculpture. The latter may be purchased at the school store.
The rates, payable one week in advance, for board and lodging
including tuition vary Irom $20.00 a week, for students living in
the dormitories, to $23.00 or $27.00 a week for private rooms.
During the 'Winter months, special rates will be given to those
students who are regi stered at the Academy in Philadelphia.
Rooms may be reserved at any time, but such reservations
must be confirmed by letter which will reach the school two weeks
before the date arranged for occupancy. Otherwise the management will be at liberty to dispose of the room.
THE SCHOOL I~ WI~TER
The school at Chester Springs will remain open for the benefit
of those who wish to work during the "'inter. Students and arrived artists will be eligible for admission.
Winter affords a splendid opportunity to paint the bare trees
with or without snow. "'hen snow co\'ers the landscape, the
country is converted into a veritable fairyland; and the colors of
early Spring are an added charm.
In
classes
model.
A class
addition to a class in landscape painting, there will be
in Portraiture, Life, Still Life and from the costumed
The mediums used will be oil, water color and etching.
in sculpture will be opened.
EQUIPMENT
The equipment of the school affords ample studio room, and
includes separate dormitory buildings for men and women, an
Exhibition Hall and a Swimming Pool.
The buildings are supplied with hot and cold running water
and with electric light.
(""rte;) of Albert Warrington, Philadelphia Photographic Society
AN OLD BUILDIXG. CHESTER SPRINGS
The Reading Rooms are supplied with current magazines and
a library of several hundred volumes. The Recreation Hall is
provided with a stage, footlights and dressing rooms.
[ 99
J
REQUIREMEKTS AND RULES
Satisfactory references are required from all applicants, and,
in addition, a doctor's certificate of health is desired. This
measure safeguards every student accepted by the School. As the
students live in the buildings, conformity with reasonable regulations is necessary to secure proper chaperonage. Students are expected to know how to conduct themselves from principles of
honor without specific rules.
Students are not permitted to smoke inside the buildings.
This is an absolute rule and is necessary to guard against fire and
insure cleanliness.
No student will be received at the School unless all arrangements for accommodations have been previously made with the
management. Students must not come to the School until their
applications have been accepted and their accommodations provided.
No student is admitted for a shorter stay than two weeks except by the special consent of the lIanager.
No student under 16 years of age is eligible for admi ssion.
For further information regarding the Chester Springs School
address
D. Roy MILLER, Resident Manager,
Chester Springs, Chester County, Pennsylvania.
Bell Telephone: Chester Springs, 10.
PHILADELPHIA AND READING
TIME TABLE
Trains from the Reading Terminal, Philadelphia
.
\VEEK DAYS: Leave
Arrive Cheste r Spnngs
8.36 a. m . ........................... 1~.00 a. m.
4.05 p. m ............................. J.15~. m.
SUNDAY:
Leave
Arrive Chester Sprmgs
3.45 a. m ........... ..... . ........... . 6.10 a. m.
8.36 a. m ...... . . ...... .. ... .... . ..... 9.47 a. m.
4.05 p. m .............................. 5.15 p. m.
Trains from Chester Springs
.
.
'WEEK DAYS: Leave
Arrive PhIladelphIa
m.
6. 11 a. m .. . . . . . . . . . . . . . . . . . . ...... 17.25
52 a.. m.
12.14 p. m ..... . .... ... ... .......... i32 p. m.
6.11 p. m ............... ,. ·..\'r~i;,~ . pj,il~del~hia
SUNDAY:
Leave
6,57 a. n1 ,. , ............ , . , .. , .. . . ,. I?9.30
08 a.. m.
m.
1~:i i ~: ~:: ~~~~;~~~: 61;1~': :::'. '. :'.'. '.". 7·.32~. m.
-Le'lve PI11a
'1 d ep1la.
I I' 1 25 p.m
Arrive "
Q1ester
m.
.
1 Springs
dl h' 2.35
4~0 p. J11
Leave Chester Springs 3.21 p. m.
Arnve PhI a e p la , p, ,
( 101
J
•
1\1111 passengers for Chester Springs must change trains at Phcenixe.
VI
Trains leave Phcenixville for Chester Springs at 5.20, 9.23 a. m.
and 4.55 p. m.
Saturday only, leave Phcenixville for Chester Springs at 2.15 p. m.
Sunday only, leave Phcenixville for Chester Springs at 5.50, 9.23
a. m. and 4.55 p. m.
This Schedule is Eastern Standard Time.
Subject to Change.
NOTE
Chester Springs can be reached by AUTO~IOBILE in several different
ways from Philadelphia.
ROUTE 1. Out the Lancaster Pike to Malvern; then under the main
line of the Pennsylvania Railroad down into the Ch!'ster Valley,
and still along the Lancaster Pike to a school-house on the righthand side, where the old Conestoga Road unites with the Lancaster
Pike; then along the Conestoga Road to Anselma, and then along
the banks of the Pickering Creek to Chester Springs.
ROUTE 2. From Philadelphia to Devon Garage by way of Lancaster Pike; thence to Valley Forge; thence to Phcenixville, and
from Phrenixville along the Kimberton Road to Kimberton, and
from Kimberton to Chester Springs.
ROUTE 3. From Philadelphia to orristown, from Norristown to
Phrenixville or Valley Forge and thence to Chester Springs.
Time required: about an hour and a half.
Day visitors will be welcomed at any time, and upon notice to the
resident manager, lunch or tea may be obtained.
Bell Telephone-Chester Springs, 10.
[ 103]
•
HONOR ROLL OF THE ACADEMY
MEDALS AND PRIZES AWARDED IN THE ACADEMY'S
ANNUAL EXHIBITIONS
ACADEMY GOLD MEDAL OF HONOR
1893
1894
1895
1896
1898
1898
1899
1901
1902
1903
1904
1905
1905
D. Ridgway Knight
Alexander Harrison
William M. Chase
Winslow Homer
Edwin A. Abbey
Cecilia Beaux
Charles GraRy
Henry J. Thouron
James A. McNeil Whistler
John S. Sargent
John W. Alexander
William T. Richards
Violet Oakley
TENKTS COURTS
1906
1907
1908
1909
1911
1914
1915
Horatio Walker
Edward W. Redfield
Edmund C. Tarbell
Thomas P. Anshutz
Willard L. Metcalf
Mary Cassatt
Edward H. Coates
(Awarded
1916
1918
1919
1920
1926
for eminent services
the Academy)
to
J. Alden Weir
John McLure Hamilton
Hugh H. Breckenridge
Childe Hassam
Frank \V. Benson
TEMPLE GOLD MEDAL
1884
1885
1887
1888
1889
1890
1891
1892
1894
1894
1895
1895
1896
1896
1897
1897
1898
1898
1899
1899
1900
1901
1902
1903
1904
LA N ()SCA PE
'LA
George VV. Maynard
Charles Sprague Pearce
Clifford Prevost Grayson
Charles Stanley Reinhart
Anna Elizabeth Klumpke
William Henry Howe
Abbott H. Thayer
Henry S. Bisbing
Jas. A. MacNeil Whistler
John S. Sargent
Edmund C. Tarbell
John H. Twatchtman
Gari Melchers
J. Humphreys Johnston
George DeForest Brush
John W. Alexander
Wilton Lockwood
Edward F. Rook
Joseph DeCamp
Childe Hassam
Cecilia Beaux
William M. Chase
Winslow Homer
Edward W. Redfield
Thomas Eakins
1905 J. Alden Weir
1906 Eugene Paul Ullman
1907 Willard L. Metcalf
1908 Frank W. Benson
1909 Frederick P. Vinton
1910 Howard Gardiner Cushing
1911 Richard E. Miller
1912 Emil Carlsen
1913 Frederick F rieseke
1914 W. Elmer Schofield
1915 Charles VV. Hawthorne
1916 Joseph T. Pearson, J r.
1917 George Bellows
1918 George Luks
1919 Daniel Garber
1920 Earnest Lawson
1921 Leopold Seyffert
1922 William L. Lathrop
1923 Walter Ufer
1924 William Glackens
1925, Clifford Addams
1926 Haley Lever
1927 Leon Kroll
1928 James Chapin
[ 105
1
DUCKS ON A POND IN THE GARDEN
(Courtesy of the Philadelphia Eve'n ing Bulletin
POOL BY THE DIAMOND SPRING
1883
1884
1885
1887
1888
TEMPLE SILVER MEDAL
William Thomas Trego
1889 A rth ur P arton
Thomas
Hill
1890 Ed ward L. Simmons
.
Wilham T. Richards
1891 Kenyon Cox
Alexander Harrison
1892 George Inness
Howard Russell Butler
1894
1895
1896
1897
1898
1899
1900
1Q01
1902
1903
1904
1905
1905
1906
1907
1908
1909
1910
WALTER LIPPI~COTT PRIZE
William Sergeant Kendall
1911 Daniel Garber
Edmund C. Tarbell
1912 Edward W. Redfield
William L. Picknell
1913 Emil Carlsen
Albert Herter
1914 M. Jean :McLane
James Jebusa Shannon
1915 William M. Paxton
John \711 . Alexander
1916 Karl Anderson
Henry O. Tanner
1917 Arthur B. Carles
Charles H . Davis
1918 De Witt 11. Lockman
\-\'alter MacEwen
1919 Colin Campbell Cooper
Frank \V. Benson
1920 Joseph DeCamp
Mary Cassatt
1921 Irving Couse
Alexander Stirling Calder
1922 Irving R. Wiles
T. W. Dewing
1923 Charles \Y. Hawthorne
Childe Hassam
192-l Edward Dufner
Marion Powers
1925 E. ~Iartin H ennings
Jame s R. Hopkins
1926 Robert Vonnoh
Thomas P. Anshutz
1927 Guy Brown \\'iser
J. Alden Weir
1928 Feodor Zakharov
. 1IARY SMITH PRIZE
1879
1880
1881
1882
1883
1884
1885
1887
1888
1889
1890
1891
1892
1894
1895
1896
1897
1898
1899
1900
1901
1902
1903
1904
Susan H. McDowell
Catherine A. Janvier
Emily Sartain
Mary K. Trotter
Emily Sartain
Lucy D. Holme
Cecilia Beaux
Cecilia Beaux
Elizabeth F. Bonsall
Elizabeth W. Roberts
Alice Barber Stephens
Cecilia Beaux
Cecilia Beaux
Maria L. Kirk
Gabrielle D. Clements
Elizabeth H . Watson
Elizabeth F. Bonsall
Caroline Peart
Carol H. Beck
Mary F. R. Clay
Janet \Vhecler
El i nor Earle
Jessie Willcox Smith
Lillian M. Genth
1905 Elizabeth Shippen Green
1906 Alice Mumford
1907 ~fary Smythe Perkins
1908 Elizabeth Sparhawk Jones
1909 Martha " 'alter
1910 Alice Mumford Roberts
1911 Alice Kent Stoddard
1912 Elizabeth Sparhawk Jones
1913 Alice Kent Stoddard
1914 Nina B. Ward
1915 Gertrude A. Lambert
1916 Nancy 11. Ferguson
1917 Elizabeth F. Washington
1918 Helen K. McCarthy
1919 Juliet White Gros s
1920 Mildred B. Miller
1921 Katherine Patton
1922 Mary Townsend Mason
1923 Isabel Branson Cartright
1924 Lillian B. Meeser
1925 }Iary Butler
1926 \Venonah Bell
.
1927 Pearl Aiman Van SClver
1928 Laura D. S. Ladd
[ 109 1
JENNIE SESNAN GOLD MEDAL
1903
1904
1905
1906
1907
1908
1909
1910
1911
1912
1913
1914
1915
W. Elmer Schofield
Colin Campbell Cooper
Edward W. Redfield
Albert L. Groll
Ernest Lawson
Everett L. Warner
Theodore Wendel
Childe Hassam
Joseph T. Pearson, Jr.
William L. Metcalf
George Bellows
Robert Spencer
Carol S. Tyson, Jr.
1916
1917
1918
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
Emil Carlsen
Haley Lever
J. Alden Weir
Charles H. Davis
Hugh H. Breckenridge
Charles Morris Young
George Oberteuffer
Aldro T. Hibbard
Walter Griffin
Walter Emerson Baum
Charles Rosen
John R. Grabach
Kenneth Bates
CAB-OL H. BECK GOLD MEDAL
1909
1910
1911
1912
1913
1914
1915
1916
1917
1918
John S. Sargent
Adolphe Borie
Edmund C. Tarbell
Joseph DeCamp
J. Alden 'Weir
Robert Henri
Charles Hopkinson
Douglas Yolk
Joseph T. Pearson, Jr.
Leopold Seyffert
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
Leslie P. Thompson
Eugene Speicher
George Bellows
Ellen Emmet Rand
Lilian Westcott Hale
Sidney E. Dickenson
William James
Alice Kent Stoddard
John C. Johansen
William M. Paxton
THE ED\;I,' ARD T. STOTESBURY PRIZE
1916
1917
1918
1919
1920
1921
Joseph T. Pearson, Jr.
Hugh H. Breckenridge
Daniel Garber
Arthur B. Carles
Edward W. Redfield
William M. Paxton
1924
1925
1926
1927
1928
Joseph Capolino
Charles Morris Young
Leopold Seyffert
Leslie P. Thompson
Aldro T. Hibbard
GEORGE D. WIDEN ER MEMORIAL GOLD MEDAL
SUMMER MORNING
1913
1914
1915
1916
1917
1918
1919
1920
Charles Grafty
Paul Manship
Albin Polasek
Edward McCartan
Atillio Piccirilli
Albert Laessle
Jess M. Lawson
Malvina Hoffman
1921
1922
1923
1924
1925
1926
1927
1928
Evelyn Beatrice Longman
Beatrice Fenton
Brenda Putnam
Arthur Lee
Walker Hanco~k
Adolph A. Welllman
Katherine W. Lane
Albert Stewart
[ 111 ]
THE FAIRMOUNT PARK ART ASSOCIATIO~ PRIZE
1925 Albin Polasek
1928 Mary E. Moore
1926 C. P. Jennewein
THE JAMES E.
1927 Jess Lawson Peacey
~lcCLEES
PRIZE
1928 Albert Laessle
CHARLES W. BECK, Jr., PRIZE (Water Color Exhibition)
1905 Joseph Lindon Smith
1917 H. Giles
1906 Henry McCarter
1918 C. B. Falls
1907 Elizabeth Shippen Green
1919 Henry Reuterdahl
1908 Maxfield Parrish
1920 F. Walter Taylor
1909 Ernest L. Blumenschein
1921 George Wright
1910 N. C. Wyeth
1922 Ethel Betts Bains
1911 Jessie Willcox Smith
1923 Nat. Little
1925 Edward H. Suydam
1912 W. J. Aylward
1913 Jules Guerin
1926 Frederic A. Anderson
1914 Thornton Oakley
1927 James Preston
1916 Blanche Greer
"- '. 'r./'..
SXO\\, ON THE Al."n·MN LEAVES
-.
.- '..
-
*
.
•
•
EARLY SNOW
. ,.
. .,.
THE DAN A GOLD :MEDAL (Water Color Exhibition)
1918 Francis McComas
1923 Charles H. Woodbury
1919 Alfred Hayward
1924 Frank W. Benson
1920 M. W. Zimmerman
1925 William Starkweather
1921 John R. Frazier
1926 Charles H. B. Demuth
1922 Wilmot E. Heitland
1927 Paul Gill
1915
1916
1917
1918
1919
1920
1921
THE PHILADELPHIA WATER COLOR PRIZE
(Water Color Exhibition)
1922 Birger Sandzen
Alice Schille
1923 Frank \\!. Benson
Dodge 11cKnight
1924 \V. Emerton Heitland
Gifford Beal
1925 Florence Este
Hayley Lever
1926 ~mil J. Bistran
Childe Hassam
1927 11. Lois ~[urphy
John R. Frazier
Francis 11cComas
1924
1925
1926
1927
THE JOHN FREDERICK LE\VIS PRIZES
(Water Color Exhibition)
2nd Prize
1st Prize
Titus (William Auerbach-Levy)
D. R. Fitzpatrick
Ruth Gruenberg
James House, J r.
\Vvncie King
William Cotton
Be;' 1fessick
William Auerbach-Levy
THE ALICE McFADDEN EYRE GOLD MEDAL
(\Vater Color Exhibition)
1926 Edward Howard Suydam
1924 George Bellows
1927 Frederick G. Hall
.1925 Herbert Pullinger
[ 113 1
,
eRE PAINTERS' MEDAL OF HONOR
;\I!.:\I:\T
'b"
)
(:\finiature Exhl Ili on
b Hills
1916 Laura C00111 s ton
1917 Lucy May St~ne Hawley
1918 Ma:garB F,~on Tador
1919 EmIly R r\~, ~ h '
1920 .Ma~l J . St ~acn
1921 Mana . r
THE CHARLES
1916 1st Prize, Cha rles Grally
1922
1923
1924
1925
1926
1927
]\1.
HOXOR ROLL OF THE ACADEMY'S SCHOOLS
A. Magaretta Archmbault
Rosina C. Boardman
Harry L. Johnson
Anna Hurlburt Jackson
Clara Shepard Shisler
Rebecca B. P. Patterson
LEA PRIZES
1916 2nd Prize, Philip L. Hale-
THE CHA.RLES ~L LEA STCDENT PRIZES
1st Prize
1917 Edith Sturteyant
1919 John H. Crosman
3rd Prize
Ralph Smith
Ruth H. Deal
Semour Bigelow
Beatrice M. Dwall1
Edward Shenton
Sarah Langly
Luigi Spizzirri
Sarah Langly
Glenna Latimer
Luigi Spizzirri
Edwin B. Rosskam
Eleanor Beckman
Glenna Latimer
Paul D. Webb
Betty Welsh Pau}
Mildred Smith
Edward Biberman
Robert Crowther
Allen A. F. Thomas Haral Arensbach
Ruth H. Reeves
Henry Cooper
Edw. R. Strawbridge Robert Voltz
1st Prize
1920
1921
1922
1923
1924
192j
1926
1927
2nd Prize
Rowley W. Murphy
Susan A. Jones
2nd Prize
1927,1928
AWARDS MADE MAY, 1928
CRESSON TRAVELLIKG SCHOLARSHIPS
PAINTERS
SCULPTORS
MORRIS A. BLACKBURN
FLORENCE CANNON
*HENRY COOPER
':'Ih:NRY E\\,ERTZ
CARL COZINGTON
*CHARLES H. RUDY
ROBERT C. EDDINGER
FORREST F. STARK
TULLY FIL~IUS
ELEANOR FI:-INESEY
ILLUSTRATORS
*FRED E. FLANIGAN
*£:-1[010 AXGELO
*MARGARET GEST
LAURENCE B. KRITCHER, JR.
ALICE G. HARRIS
HELEN ~I. OWEX
OMER T. LASSONDE
BENTON ~L SPRUANCE
JAMES A. McLEAN
MARY bWGENE ROBINOLD
*PAUL DAVID \"EBB
*DOROTHY L. VAN LOAN
*THEDIA ~IAE ZOHE
THE THOURON PRIZES
LEO X F. DERBYSHIRE
DOROTHY EISENBACH
ROBERT VOLZ
THE STEWARDSON PRIZE
HARRY ROSIN
THE STIMSON PRIZE
HENRY EWERTZ
THE PACKARD PRIZES
(lst PRIZE)
ROBERT ~I. CROXBACH
(2nd PRIZE)
DOROTHY L. , ',\X LOAN
THE RA1IBORGER PRIZE
HERBERT \V. JOHXSOX
Joseph PJavcan
*SECOXD .-\ \\',\RD
ETCHING 1928
[ 114 1
[ J1j
"
1
"'He is great who is what he is
from nature and who never reminds us of others.' The secret
of the highest power is simply the
uniting of the outer agencies of
Expression with the Power that
works from within. Are you a
painter? Then in the degree that
you open yourself to the power
of the forces within, will you become great instead of mediocre.
You can never put into permanent
form inspirations higher than
those that come through your own
sou!."
-Ralph Waldo Trine
[ 116]
ANNUAL MEMBERSHIP IN
THE PENNSYLVANIA ACADEMY
OF THE FINE ARTS
NAL members are such persons as contribute $10 annually
for the maintenanc e of the Academy.
A
-
L I F E
MEMBERSH IP
Life members are those who contribute the sum of $100. Annual and
life members are admitted to all th e
public exhibitions and lectur es at
the Academy. have a right to use
its library. subj ect to the regulations of the in stitution. and recei\'e
an admission ticket. They ha \'e all
the privileges of stockholders except
the right to yote. Checks may be
sent to Henry G. Gibson, Treasurer,
at the Academy.
I !l7 ]
LIFE MEMBERS-(Continued)
LIFE MEMBERS
HALLOWELL, Mlss EMILY
HALSTEAD, MRS. DAVID
HAMILTON, CHARLES L.
HAMILTON. MRS. CHARLES
Corrected as of Jlllll! Fifteellth
ACKER, MRS. FI ~LEYII
R DR. FR,-\NCIS
~l S SAR.,H
, \ DLE.
D
EE
G.
•\LTEMl'S.;,. ,,! R~ . CAROLINE FOERDERER
ARTt.lAN , 1\
. .
. \ TKINSON, A. \\ '.
IV. \\ .
L.
ATTERB "RY.
ACSTIN. \\'ILLIA M
BALCH. THO!.IAS \\TILLING
BARNRY , CHARLES D.
BEARDWOOD. JR .. ilIRS. JOSEPH T.
B EATTY. )[RS. JOHN E.
B EEGER. DIMXER
BEIK, A l'Gl"ST
BELL h., S,u.n:EL
B ENs~N,
E. X.
HARRY A.
JR ..
B ERWIND.
BIDDL E. )lI ss _-\UCE )lchluRTRIE
BIDDLE, ~h ss CONSTANCE E.
BIDDLE, LOrIS A.
B IDDLE, LY~FORD
T.
RODINE, SAMUEL
BO ERICKE, GIDEON
BOERTCKE, JOHN
BRAUN, JOIIX F.
J.
E,
M.
A.
THEODORA
CARSON, H AMPTON
L
t RTER • MRS.
T
.
~ARSTAIRS, J. HASELT~NE
\l'll.trAM
ASSATT, ROBERT K
SAM~EL
.
1 . , F REDERICK T
CHAl\'DLER , R
CHANDLER, THEOPlIILUS
').hs T
CHICHEST~R ~ :\I~'
CLARK. C.)(
~ LARK, ~Irss
DARTHELA
C LARK, HERBERT
CLARK, PERCY H
L
.
CLARK, \\"ALTON .
CLAY
)IRs II"
'1i' '.
ALTON
TR T F .
CLO ' , RS. :lIARY
THIEn,
C I.OTHIER
COATES
-
':\1"
\i;"
S\,\c
ORRIS
ILL lAM
[ 11 8 1
P
.
.
GEOPHILU S P.
S.
EORGE MASON
CLARK, EDWARD \\' ALTER
LARK
HUTCHINSON, SYDNEY
L.
M.
R
.
H.
E.
B.
MUTCH MORE, MRS. MARY
NICHOLS. MRS. H. S. PRENTISS
NORRIS, GEORGE W.
PARKER, THOMAS B.
PASSMORE, L1NCOLN K .
PATTERSON , ::\lR s . FRANK
P ENROSE, DR.
JEANES, ISAAC W.
JEFFERYS, MRS. EDWARD
11.
JENKINS, MRS. CHARLOTTE \'{.
JENKINS, THEODORE F.
TOHNSON, MRS. ALBA B.
JOHNSON, ELDRIDGE
JOHNSON, MRS.
O.
MOORE, CLARENCE B .
MORGAN, F. CORLIES
MORGAN, MARSHALL S .
MORRIS, EFFItol"GHAM B.
MORRIS, HENRY S.
MORTON, ARTHUR V.
Moss, FRAN K H.
T.
PAUL, A. J. DREXEL
PI ERCE, M ISS M ARY B.
ISM AN, FELIX
EAVENSON, MRS. W,LLIAM J
EISENLOHR, CHARLES J.
.
ELKINS. JR., GEORGE W.
FITLER,
L
CARSON, ~rRS. HAMP~ON
C.-'RSTAIRS, D.J\NIEL H
HANDLER
HORST, GEO. D.
R.
GEORGE K.
JOHNSQN. MRS. LAWRENCE
JONES, MRS. J. LEVERING
B.
CHARLES
P EPPER. DR. O. H. PERRY
PEROT, JR., T. ~IoRRI S
PETERSON,
ARTHUR
PFAHLER , DR. GEJRGE
PIT CAIRN. RA YMOND
POTTS, W fLLlA M )1.
E.
POW ERS, TH OMAS HARRIS
PRI CE, JR .,
SERGENT
J.
JONES, LIVINGSTON ERRINGER
JUSTICE, MRS. WILLIAM
\"1 .
KAY, MISS ANNA R.
KEATOR, MRS. JOHN FRISBEE
KEEN, EDWIN F.
KELLY, MISS MARGARET K.
FAGAN, MISS EMMA LOWRY
FAIRCHIL,J), JR., SAMUEL E.
FARREN. MISS CAROLINE
FELS, l\IAURICE
FELS, SAMUEL S.
FIELDING, MANTLE
FrELDING, MRS. MANTLE
CANER. HARRISON K
c.h,.PP, SETH Bl'NKER'
CARLON, MI SS RUTH
('CASTNER, J R.,
DAWES, JAMES H.
DE KRAFFT, WILLIAM
DERBYSHIRE, MRS. W. H.
DERCVM, DR. FRANCIS X.
DICK , MRS. EVANS R.
DISSTON, WILLIAM DUNLOP
D'OLIER, MISS ALICE CONRAD
DONNER, W. H.
RVIN.
RS. SPENCER
ESHNER, DR. AUGUSTUS A.
EVELAND, SAMUEL S.
JOSEPHINE
BRt:'EN. :JfISS CATHERINE
BRYANT, HENRY G.
BURT, MIS S
HARVEY, JOHN S. C.
HARVEY, R. WISTER
HATFIELD, HENRY REED
HENRY , MRS. CHARLES "VOLCOTT
}{INCHMANN, MARGARETTA S.
HIRES, CHARLES E.
HOEY~ FRANCES ELY
HOLAHAN, M1SS MARION F.
I-fOLLAR, MRS. WILLIAM H.
EE~NGLISHM' MRS. CHANCELLOR C.
BROCK, MISS ALlCE G.
BROMLEY, )bs. H u n S.
BROWN, JR., MRS. JOHN A.
MOORE, MRS. A.
HARRIS, ALAN C.
I-TARRIS, HENRY "FRAZER
HARRIS, JOHN NlcARTHUR
A.
BISL ER, GrST.'"
BLAIR. ~IR s. ANDREW ALEXANDER
BRAZI ER, MISS
COLEMAN, MISS FANNY B
COLLINS, HENRY H.
CONNER, MRS. CAROLINE Y M
CONVERSE, MISS MARY E '
•
CO PE, MISS CAROLINE E ..
COUNTESS OF SANTA EULALIA
COXE, MRS. HENRY BRINTON
COXE, JOHN LYMAN
CUMMINGS, J. H.
CURTIS, CYRUS H. K.
DOUGIIER;;, REJV, CARDINAL D. J.
D REXEL, lURS. OHN R.
Du PONT, MRS. IRENEE
Du PONT, MRS. W,LLIAM KEMBLE
BIDDL E, J[RS. EDWARD
BIDDL E, Em\" ARD
L.
HARDING, J. HORACE
HARRAH, CHARLES J.
MATTSON, MRS. CR.\RLES RANDOLPH
1IAULSBY, l\!ltss l\:lATILDA
l\1E.IGS. MRS. ARTHUR V.
IVIONTGOMERY, ROBERT L.
!vIOORE, ALFRED
LAVINO, E. J.
LAWRENCE, MRS. HENRY HAYDOCK
LEA, VAN ANTWERP
LEACH,
MISS MAY ATHERTON
LEWIS, JOlIN FREDERICK
LEWIS, MRS. JOHN FREDERICK
LEWIS, TTTEODORE J.
LEWIS, MRS. WILFRED
LIPPINCOTT, GEORGE
L 'IPPINCOTT, J. BERTRAM
LIPPINCOTT, OL1VER C.
LLovD, MRS. HORATIO GATES
LLOYD, JR., MALCOMB
LORIMER, GEORGE HORACE
LUDINGTON, CHARLES H.
LYNCH, EDWARD D. C.
\V ILL! A M W.
FLAGG, JR., STANLEY G.
FLAGG, JR., MRS. STANLEY GRISWOLD
FOERDERER, PERCIVAL E.
FOSTER, MRS. FRANK BRISBIN
Fox, MISS HANNAH
FRAZIER, GEORGE H.
FROMOUTH, AUGUST G.
Ft:GUET, HOWARD
F eRNESS, MRS. HORACE HOWARD
McKEAN,
GATES. THOMAS S.
GAZZAM. HON. JOSEPH M.
GEIST, C. II.
GRST, JOHN MARSHALL
GIBSON , M,ss MARY K.
THOMAS
:MCKEEHAN, MRS. C. WATSON
:MADERIA. LOUIS C.
MADERIA. 1I1RS. LOUIS C.
MAGEE, GEORGE \\/.
MALLERY, OTTO T.
MALONEY, MARTIN
MARKOE, MRS. JOR"
MARTIN, JUDGE J. \\'ILLIS
:MATHER, CHARLES E.
MATTEossrAN, MRS. H. B.
GLENDIXNING, ROBERT
GRAVES, NELSON Z.
GREENE, MRS. \VILLIAM HOUSTON
GRIBBEL, lOHN
GRISCOM . ·MRs. CLEMENT A.
GROVE, HENRY S.
GWIN N, MRS. JOHN
•
REA, SAMUEL
REILLY, :r..1R. GARRETT LLOYD
REILLY .
j\!IIss
:M ARION
RICE, MR S. ALEXANDER HAMILTON
RIDDLE, MRS. AMELIA BRILL
RILE Y, LEWIS A.
ROBERTS, M RS. CHARLES
ROBERTS, 1\fI SS ELLEN CUTHBERT
ROG ERS, MRS. A.
ROSENT HAL, ALBERT
Ross, T. EDWARD
ROSSMASSLER, MRS. R ICHARD
RUSH, BENJAMIN
SAUL, l\r."URICE B.
SAUTER, WI LLIAM F.
SCATTERGOOD, :M RS. THOMAS
SCHAFFHAUSER, MRS. CHARLES
S CHMIDT, EDWARD A.
SELLERS, ALEXANDER
SELLERS, HOWARD
SHAND, A. C.
SHARPE, MI SS MARY A.
SHEPPARD, HOWARD R .
SINEX , JOHN H.
SITER, DR. E. HOLLIN GSWORTH
SLATTERY, JOSEPH A .
SMITH, ALFRED PE.R CIVAL
SMITH,
SMITH,
SMITH,
SMITH,
SMITH,
C. MORTON
lIbs. C. MORTO"
G. ALLEN
MRS. GEORGE M.
HORACE E.
SMITH, LEWIS LAWRENCE
SOUTHERN, ilbs. F.
L.
[ 119 1
LIFE MEMBERS-(Continued)
Sp.\LDJ~G, ~ ras.
~
.~
~ 1'.\Rl\S.
STETSON, • R., •
~
.• '
y . U"GHAN,
•
~TOKr.:S.
""
\YH.\RTON
STORK, CHARLE~fRS R!l.LPH
STRASSBt'RG ER ...\
:
. R
SrRAWBRIDGE, FR.U.CIS
STR.<l.WBRIDGE, FREDERIC
.
STRAWBRIDGE. ROBERT E.
B.
If
SWIFT. JOHN B.
SYKES, JOHN P.
N.
THOMPSON~ )'IRs. E MMA L
THO)fSO~. ~hss
AN:"'E
THo:.r50~, CL.'\:RKE
TnOMSOK.
GRAHA M
BART9"
FRA\'K
J.
TOWNSEND,
TOWNSEXD . JOR!'>
\\ .
TRt!~BA.l"ER, HORACE
.T.
\ -AX DYKE,
YAN PELT,
E.
A.
CIIARLES
P.
JOSEPH R.
CLAREN CE A.
" 'ARDEN, \VILLIAM G .
\\'EBB, CHARLES J.
\\'ELsn. FRANCIS RALSTON
WHEELER, lIhss JANET D.
\NHITM ER, ROBERT F.
WHITNEY, l\iRS. W. BEAUMONT
WIDENER, GEORGE D.
\VmENER, JOSEPH E.
W lDENER, MRS. JOSEPH E.
WILLIAMS, DAVTD EVANS
'WILLIAMS, MRS. DAVID EVANS
\VILSON, DR. \\'. REYNOLDS
WINDRIM, JOHN T.
\Y 000, lIiRS. CHARLES 111.
\VOOD, ;\1Rs. EDWARD F. R.
ANNU AL MEMBERS
\\r AINWRIGJIT,
" "" ARDEN, 1\[ RS.
\\'ALTER P.
TAYLOR, H OLLIKSHEAD
T Et'BER, )'1Rs. IMRE
"ALKENBl'RG,
VAUCLAIN, SAMUEL ~I.
•
~ ."
1s:\,\('
B
1"
TOHN
\ ",YN
L.
C
\\tFLIA
ifo;
""ILLIAM
SI'ROl'L,
CT'RR
.::".
•
PHILIP
\VOODMAN.
A.
CLAYTON
\VOODWARD, MRS. GEORGE
\VORRALL, MRS. NATHAN Y.
\VRIGHT, ;\iRS. RAYMOND D.
B.
W.
:M ISS GERTRC DE
V AN R ENSSELAER, ALEX:'~DER
YOUNG, MRS. CHARLES
YOUNG, CHARLES \V.
MORRIS
Con'ected as of hwc Fifteenth
ABBOTT, MRS. EDWIN
M.
AnBOTT, MISS GERTRUDE
J-\BERLE, HARRY C.
ADAMS, MRS. HARRY CLIFTON
ADAMSON, CHARLES
ADGB,R, :Nhss WILLIAN
ADLER, DR. CYRUS
ALBRECHT, EMIL
ALBREClIT, NICHOLAS
ALDEN, EZRA HYDE
ALLEN, MRS . ALFRED REGINALD
ALLEN, JR., CLTfFORD P.
ALLEN, FREDERICK
n.
ALLEN, MISS GERTR"DE
S.
ALLEN, 1\fRS. :MARIE :McKEAN
ALLEN, PERRY S.
ALLEN, l\fRS. WILLIAM F.
ALLEN, 1\1RS. \VIIoLIAM ~.
ALLWEIN~ JEROME A.
ALPERN~ l\1AXWELL
ALTENEDER, THEODORE
ANDERSON,
W. S.
ANDREWS, SCHOFIELD
A rPLETON, HEN R Y LEWIS
ARCHAMBAULT, A. lVIARGARETTA
ARCHER, MRS. F. MORSE
ARMSTRONG, 1\1RS. F. WALLIS
ARNETT~ WILLIAM W.
ARNOLD, MISS CORIN NE B.
ASAM, HENRY
ASHnROOK, W TLLIAM S.
ASIlHURST, JOHN
ASHMAN. CHARLES T.
ASHTON, LEON ARD C.
ASHTON, n.IRs. THOMAS G.
ATKINSON.
POWELL
J.
ArCH, JOHN F.
AVSTIN, MISS AGNES B.
_\USTIN, Y[RS. ES"ONDE
AUSTIN, DR. J. HAROLD
nABBTTT~
DR.
BARRITT,
MRS.
BABCOCK,
DR.
JAMES
NILES
H.
A.
S.
\"1. \V AYNE
BACHMAN, DE FOHFST L,
BACHMAN, FRANK H.
BACHMAN, MRS. VVILLTA~[
BACON, FRANCIS L.
BAILEY, JR., GRORGE
BAILEY, JAMES B.
BAILEY, MRS. JAMES B.
BAILY, ALBERT L.
BAIN,
]R.,
MRs.
lIE"R"
BAINS, EDWARD
BAIRD, lIIRS. EDGAR \V .
BAIRD~ JOSEPH
BAIRD. OLlVER floPKDISON
BAKER. FRANK
BALANO, MRs .
E.
P. H.
BALDSTERTON, MRS. JOHN PECK
BALDT, VlTO ThIl.
BALDWIN~ DR. KATE \\'.
[ 12U
i
BALL, l\!IJss KATHERINE
ilALL, THOMAS 1\1.
BALLARD, ELLIS AMES
BARINGER, MrLTON F.
BARKSDALE, MRS. H. M.
BARNES, MRS. JOHN
BARNES, JOHN HA]'[PTON
BARNETT, HARRY NEWTON
BARNEY, POPE
BARRATT, ALFRED
BARTHOLOMEW, MRS. ALLEN
BARTLETT. N. EMORY
BARTON, JR., MRS.
BATEMAN, THOMAS
BATES,
D. M.
R.
H. H.
H.
BATON , HEl'ORY E.
BAUMERT, CHARLES A.
BAYARD , S. ).lcKEAN
BEALE, ED\\ ARD F.
BEALE, LEOXARD T.
BEATH, E. R.
BEAUMONT, CHARLES O.
BEDFORD, J.
CLAUDE
BEFRs, 1fRs. EDWIN C.
BEHAL, :M RS. HARRY S.
BETTLER, ABRAliAM 1\1.
BELDING, MRS. \VILLTAM
SQ U I RE
BUL, JOHN C.
BELL, MISS LA"RA
BELMONT, E. A.
BELMONT, LOUIS A.
BEMENT, ReSSEL
BEMENT, \\OlLLIAM P.
BENCKER, RALPH B.
BENNETT, STAKLEY
BENSON, RE\,. LO U IS F.
BERGNER, GUSTAVCS \\'.
BERNHEfMER. l\IRs. LEO G.
BESSOI'<, 1IlSS ..:\DELE V.
BIDDLE, ::\hss CATHARIXE :\1.
BIDDLE, i\[RS. EDW .-\RD \V.
BIDDLE, l\IRs. FRANCIS B.
BIGELOW, FREDERICK S.
BISHOP, .MRS. RrCHARD E.
RLABON, l\lRs. GEORGE C.
BLACK, FRANCIS F.
BLACK13URNE,
l\lRs. IDA
BLACKISTO~ , l\Irss HARRIET E .
BLACKISTON , ·M ISS :MARIA
S.
BLAND. DR. PASCAL BROOK
BLIGHT,
E.
SPEKCER
BLINN, JR .. CHARLES P.
BLOCH, .ARTHUR
BLOOD, Ht:NRY
BOBROW, HARRY
BOCHMANN. CHAR LES F .
BOCKleS, l\IORRIS R .
BODINE, IHISS ALI CE
BODINE, \VILLIAM B.
llOERl(KE. ~ftss CLARA r\.
BOERICKE. HAROLD
nOE-RICKE, 1\IRs. OSC.\R E.
J.
[ 121
I
EMBER8-(C
M
ANNUAL
C
BOGER.
RO BERT\\" .
B K EDWARD
. C
B~L';' ~lRS. JOHN .
r~.
EDW","
M~s
HERMAN
1
•
A
BO 'NSCHLlR. EDWIN·
ER
BOO.Kl\I\J· , CHARLES
BORIE,
R.,
H
BORST, GEORGE
BOWEN, SA)1U~LB .
BOW ER, FRANK
. L
E.
L.
:B
BOWER, DGR. }OfV""N;ELL PHILLIPS
BOWMAN, EN.
BOYD MISS ELSIE
BOYD' libs. PETER
BOYD' ~1Rs. \VILLLUd
BoYE~. MRS. HENRY
Fil.
BBDBCR¥, MRS. WM.
BRADFORD, ~lRS. JOHN
BR.\:\SON, DR. THOMAS
.
BRAl'N, ~1Rs. CHARLES
BRAUN, MRS. WILLIAM
•
BREGi', MRS. LOUIS
BRENGLE, HENRY G.
BREUIL, MRs. JAMES F.
i' 111
ERE\\'ER, FRANKLIN
BREYER, HENRY W.
N.
O.
BRILL, FREDERIC W.
BRINGHURST, R. R.
BRINTON, CLARENCE C.
BROCK, HENRY G.
BROCKIE, ARTHUR H.
BROMLEY, JOSEPH H.
BROOKE, ~iRS. ROBERT E.
BROOKS, \V1LLIAM
BROWN, ANDREW
HENRY
V.
BROWN, ~hs. CHAMP C.
BRO\\'~J ?1RS. CLARENCE ~I.
BROWN, :M RS. FRANC]S SHUNK
BROWN, JAMES CROSBY
BROWN, JR., J. 1\1ARECHAL
BROWN, RICHARD P.
BROWN, SAMUEL B.
BROWN, MRS. SUTHERLAND
BROWN, \VILLIAM FINDLAY
BROWN, MRS. WILSON H.
BROWNE, MRS. JOHN C.
I~ROW NING, MRS. EDWARD
B RUNKER, ROBERT J.
BRYANT, MRS. WALTER H.
BeCK, JAMES CLIFTON
BBUCKLEY, JTR., MRS. EDWARD S.
UCKLEY, . R., EDWARD S.
BUDD, EDWARD G.
Bl'DWOnH, W. S.
RURK, HENRY
Bl'RNS, JOlIN L.
BURPEE, MRS. FRANK H
EU.RR, DR. CHARLES W .
BURROWS, HORACE
G
.
BUSCH, MRS. HENRY' E
BUSCH, MIERS
[ 122
I
'
F.
DAY,
nAY,
B.
COLEMAN, B. DAWSON
COLEMAN, MRS. LEONARD W .
COLKET, MRS. C. HOWARD
COLLINS, PHILIP S.
COLTON, MRS.
MILTON
COLTON, RALPH L.
COLVERT) MRS. W ILLIAM C.
COMDES, HORACE M.
COMBS, MRS. J OHN FRANCIS
CONVERSE, J OHN W.
COOK, MRS. GUSTAVUS WYNNE
COOKE, MRS. C. A . M.
COOKE, 2ND, MRS. JAY
COOKE, JAY
COOKE, MORRIS L.
COOPER, SAMUEL W.
COOPER, MRS . WALTER L
COPELAND, CHARLES
CORBUS, MRS . FREDERICK G.
COR FIELD, WILLIAM D.
CORNELL, HOWARD E .
CORSON, NEWTON W.
COSTELLO, PETER E.
COTTRELL, MISS E. S.
COVER, JR., MRS . THOMAS
COVERT, MRS. WILLIAM C.
COWPERTHWA.IT, CHARLES T.
COXE, MRS. CHARLES E.
COXE, HENRY B.
COXE, WHITWELL W.
CRANE, MRS. T. I.
CRAWFORD, ANNE E.
CRAW FORI>, MISS H. J.
CREIGHTON, EDWARD B.
CREIGHTON, THOMAS
CROOKES, MRS . HAROLD
CROSBY, EVERETT U.
CROUT, WILLIAM J.
CROWDER, MISS EMMA A.
C'ROWLEY, J AMFS L.
CROZER, JR . , GEORGE K.
CULVER, THEODORE B.
CUNNINGHAM, WILFRED H.
CURTIN, \V. W.
CUYLER, MRS. THOMAS DE WITT
J.
CAMPBELL, JOSE.PH A .
CAMPBELL, ~RS. l\1:ASON
CAMPBELL, ~1ILTON
CANER, JR., lIARRISON K.
CANER, JR., MRs . HARRISON
CANFIELD, JOHN M.
CARPENTER, MRS. CRAS. E .
CARPENTER, YIRs. JOHN T.
CARR, HARVEY F.
CARTY) ANDREW
CARY, MR. C. REED
CASEY. EDWARD E.
CASTLE, JA)IES ~1.
CASTLE, \\'ILLIAM H.
CATHARINE, JOSEPH
CATLIN) SHELDON
CAVEN) FRANK H.
CAVENY, ~·ILLIA:M: E.
CHAMBERLIN, W. B.
CHAMBERS) FRANCIS TAYLOR
CHAMBERS,
HOWARD
CHANDLEE, EDWARD E.
CHANDLER, P. M.
CHANDLER. MRS. P. M.
CHAPMAN, HENRY
CHAPMAN, MRS. LUCIA POLK
CHAPMAN, S. H.
CHASE, EDWARD T.
CHILD, CHARLES S.
CHILDS, ~IRs. GEO.RGE W.
CHURCH, ARTHUR L.
CLAPHAM, ~1Rs. H. C.
CLAPP, MRS. ALGERNOO< R.
CLAPP, MRs. B. FRANK
CLAPPER, MRs . S. M . D.
CLARK, MRS. CHARLES HEBER
CLARK, 1\l.s. C. SEWALL
CLARK, 3RD, MRS. EDWARD
CLARK, MRs. JOHN G.
CLARK, MRS. JOSEPH S.
CLARK, JOSEPH S.
CLARKE, JACOB ORIE
CLARKE, JAMES H.
CLARKSON. MISS MARY E.
CLAY, THOMAS W. W.
eLA YTON J MRS. PAUL
CLEMENS, CARL
CLEMENS, MRS. FRANK G.
CLOSSON) MISS ELIZABETH W .
CLOTHIER, 'vV ALTER
CLOTHIER, MRS. WILLIAM
CLYDE, MISS MARGARET
COALE, THOMAS E.
COAI...E, WILLIAM ELLIS
COBDEN. MRs. A. B.
COCHRAN, MRS. JAMES W.
COCHRANE, MIss KATHERINE L ..
COFFIN, MRs. MARY R.
v,-.
•
BRIGHAM, MARTIN E.
BRIGHT, MISS ANNA LI"N
BRILL BYRON
CADWALADER, ::\.h ss S .
CALDWELL, MISS FLORENCE
C ALLAJIAN. GRIFFlN C.
CALVIN) \ VILLIAM H.
J.
C.
B. H
BRACKEN, FRANCIS
(''''HEN, DR A. J.
COHEN, JR ., J. SOLIS
COHEN, MRS. S. SOLIS
COLAHAN, 3RD, MRS. J.
CADWALADER, ~IISS MARY H.
,
ClIARLES
BOND,
1\1RC: HENRY
-' RD t l
BON NELL,
BONSALL.
ANNU AL MEMBERS-(Continued)
BUTLER. ~\ lRs. EDGAR H .
Bl'TL.ER, ) 1 J55 l\l ARY
BCTTON. JOSEPH PRIESTLEY
BUZBY, CHARLES E.
II.
'In.LER
BOESl-lORE. ~
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J.
W.
J.
DALE, EDWARD C.
DANA, MRS. CHARLES E.
DANIEL, C. A.
DANNENBAUM, EDWIN M.
DANNENRAUM, HERMANN
DARLINGTON, MRS. WILLIAM M.
DARROW, GEORGE POTTER
D'AsCENZO, NICOLA
DAVENPORT, MRS. RUSSELL W.
DAVIS, BERNARD
DAVIS,
MISS EON A
DAVIS, JR., HENRY
DAVIS, MALCOLM I.
C.
L.
DAVIS, MEYER
DAVIS, 3RD, PAUL A.
DAVIS, RODNEY
DAVIS, WILLIAM A.
DAWSON, GEORGE WALTER
AfRS.
CHARLES
CHARU'S
DAY, MRS. FRANK )llLES
DAY, MRS. RICHARD H.
DEACON, MRS. BEN]AMI}t
DEARDEN, EDWARD C
DEARNLEY, MRS. ELI'ZABETH
DE COURSEY, MRS. HOUSTON
DERON, JULES
DE KOZLOWSKI , MRS. ~IARYAN
DELANY, CHARLES
DE LONG, FRANK E.
DE LONG, WARREN B.
DENNY, J, M.
DENNY, WILLIAM F.
DEN WORTH, RAYMOND K
DE SCHWEINTZ. DR. G.
DETWE.ILER, OSCAR L.
DEWEES, ARTHUR N.
DI CK, LEW IS R.
DICK , MRS. W ILLIA>1 A.
E.
DICKEL, WILLIAM
L.
DICKEY, MISS ELOISE P.
DICKEY, JR., JOHN
DICKINSON, O. B.
DILLON, JAMES L.
DINTENFA55, BE~JAMIX
DISMANT, 11RS. 1\IARION H.
DISSTON, FRANK
Dl5STON , MRS. J ACOB S.
DISSTON , JR., JA COB S.
D]SSTON J WILLIAM
DrXON,
MRS. GEORGE DALLAS
DOAK, MRS. SAMUEL E.
DOBBINS, MISS MARY A.
DOERR, F. W.
DOLAN, MRS. CLARENCE W.
DOLAN, H. YALE
DOLAN, MRS. THO>BS
D'OLIER, FRANCIS
DONAHUE, JOHN W.
DONN ER, MRS. \V. H.
DOONER, RICHARD T.
DORNAN, WILLIAM
DOUGHERTY, 11R S. GERALD A.
DOUGHERTY, JR. , THOM ..I,.S H.
DOUGHTEN, MRS. HENRY W.
DOUGHTEN, WILLI.4.M \V.
DOUGLAS. MRS. GEORGE W.
DOUGLASS . MRS. F. 11.
DREXEL, GEORGE W. CHILDS
DREXEL, MRS. GEORGE \V. CHILDS
DRUEDING, HENR Y G.
D'SINTER, MRS. A. F.
DUANE, RUSSEL L
DUDLEY, 1\1Rs. CHARLES B.
JR.,
J.
DUDLEY,
FREDERICK
A.
DULL, JOHN J.
DUNHAM. R EV. JAMES
H.
DUNN, l\fRS. GEORGE G. \RRET T
D UNN, ]\IIRs. HOVSTON
Du PONT, MISS AMY E.
Du PONT, MRS. FRANCIS 1.
EADES, MR S. PERSIS B.
EARLE
1\1]55 ELINOR
EARLF.Y, ~fRs. THOMAS
EASBY,
1\1RS.
FRANCIS
B.
H.
[ 123
I
ANNUAL MEMBERS-(Continued)
. lR "ILLI.\l\I
E."B' . . . , 1 'I1RS.
H• E•
TOSEPH
\\ Ie" 'r'~ R·'S.u.ll'EL
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FR,\XKU:"
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EELLS. ;\IRs. \ .\L TE
.
EHRET, HARRY S.
~\DOLPH
Fr CHHOLZ.
EISENHOWER. \\ ILLI.AS R.
.
~IRS. JOHN
1\r.
ELLIOT. 'fRS. G. 'If.
ELLJOTT, qEORGE A.
EU':lNS, \\rrLLIAM
J.
ELLIOTT.
ELWY"\', THO~L~S LAXGDOX
ELY, MISS GERTRt:DE S.
TRO)L'\S
EXGLlSH, E. SCHl"YLER
ENGLISH. FRANK G.
ENGLISH. MRS. FREDERICK
\V.
ERNST, ~f1ss ~I.-\RIE
ERSNER, DR. ~Lo\TTHEW
ESLER, B. MORGAN
ETHERINGTON, BeRTON
i\1Rs. GEORGE B.
EVANS. TnOMAS
EVANS,
\Y.
E.
F.
FELTON,
FELTON,
SA~1UEL
E. C.
S.
J.
SIBLEY
~ELTON, JR., S ..u.IUEL K.
F-,ELTOl'i, JR., \VILLIAM C.
F~ERNBERG, CHARLES E.
rERNBERGER, ~1Rs. SAMUEL
~ESSF.NDEN, )'1RS. GLADSTONE
1< INCKl~L, Mrss ELIZA R,
F[NKENAUER, FRED E RICK
w.
FISCHER, ~hs ..\. KOERTING
IS HER, ~1Tss EDITH T
FISHER
RE'""
F
J
.~.~ .. [\'IX F'
RAN CIS
~IS1iER, TH011AS
IF'ISRER, \V TLLI.Ul RIGHTER
• ISKE. !\l RS. E R
}'ISLER, JOHN'
.
ITZGERALD, T HO~lAS M
F ITZHUGH, TR., DR T .
FLAXGAIN M
D' ROMAS
FLAVEI L
RS'
O~ALD
F
. - ,dRS. T HOM I\S
LEISHER, ALFRED \\-.' •
\A"
[ 124 I
C.
S.
FRANKS, J. B.
FRAZER, ROUERT
FRAZIER, 1\1RS. B. W.
FREEDLEY, MRs. CHARLES VV.
FREEMAN, NIRs. FRANCES \rVILSON
FREEMAN, MRS. HAROLD A.
FREEMAN, MRS. MELANCTHON M.
STEPHEN
FUNK, MRS.
J.
J.
P.
ALBERT
FRANKEL. ~\RMIN A.
FRANKENFIELD, SAMUEL
FUGUET,
FINKl~NACER, JR. THEODORE
~IRTll. MRS. S. :.\1. L.
fITZGERALD. JOHX
M.
MRS. SAMUEL MILLER
MRS . WALTER JACKSON
FREIHOFER, WILLIAM
FRENCH, ERNEST W.
FRENCH, MRS. THOMAS E.
FRICK, CHARLES G.
FRJ EDMAN N, :VIRS. LIONEL
FRIZZEL, MRS. CHARLES F.
FROME. A. R.
FRY, JAMES \'-1.
FRY. WILFRED \V.
FRYBERGER, MRS. P. S.
FR\,ER~ THEODORE B.
FELL, ~1Rs. ROBERT G.
FELS, ~hs.
I
ELL\VOOD
FREEMAN,
FANSLER, THOMAS L.
FARINA, PROF. PASQCALE
FARNUM, GEORGE L.
FARRINGTON, C.
FELIN, CHARLES
T.
FR.\NCINE, l\iRS .
FRANK, AUGUST
FREEMAN,
HENDRTK
FARR, MRS. WILLIAM
S.
FREEMAN. PAUL
EVANS, DR. \VILLIAM
EYRE. 11Rs. LAURENCE
D.
EDWIN A.
:i).iAVRTCE T.
SAMUEL
N. E .
HAROLD F.
GALBRAITH, GILBERT
GALLAUDET, JOHN C.
GALLOWAY, GRACE
GARRETT. ALFRED C.
GATES,
AY
GADE,
GEARY, ·:\1RS.
E
GEMBERLING, J. B.
GGIERHARD, DR. ARTHUR
''': SSLER. DR , CHARLES
GFST,
\\'ILLIAM
P.
•
H.
Vv.
GETCHELL, MISS L. S .
~IIADIALIJ COL. DINSHAH
'-'I BBS,
GEORGE
MRS.
GILBERT,
GILKES,
MRS.
HARE, 1\1RS. HORACE
HARMON, \\rILLIAM H
L.
GILLINGHAM, HARROLD E.
GIMBEL, CHARLES
GJ MBI!:L, DANIEL
G1 MnEL~ 1'vlRs. ELLIS A.
Gr Mlll!:R, DUDLEY G.
GINTHER, MLtS. FRAXCIS S.
GIRVIN, Dn. JOHN H.
GLASGOW, JR., WILLI'AM A.
GLASGOW, JR., MRS. WILLIAM
GLOVER, MISS DEBORAH
GODFREY, FRANCIS Y.
GODFREY, WILLIAM S.
GOHEEN , JOHN p,
GOLDSMITH, MRS. EDWIN ),1.
GOODIN, CHARLES ELLIS
GOODMAN, JR .. 1VIRs. ,"VT LLIA}'I
GORDING, H. BENJAMIN
lIARN ED,
HARPER ,
HARPER ,
HARPER,
A.
E.
P.
SYLVANIA
REYNOLDS O.
HANSELL, lR" IToWARD F.
HANSON, M1SS LILLL'\~ C.
R.
MRS.
EM MA
E.
HEPBURN, \V. HOR.\CE
HEPPENSTALL, SA~[
P.
S.
\Y ILLARD
H.<NTHORN. JOSEPH
NATHA;IEL
HENRY, MRS. T. CIHRlTOK
HENSEL, ~[RS. E. CAYEN
HIWTZ. JR .. I\lRS. J. HENRY
TTAMILTON, CHARLFS R.
HAMMER, MRS, A. " -lESE
HANCOCK, l\[RS. ELISHA ATTIERTOS
HAN COCK, JAMES
HARBISON, TnOMAS B.
I-IARDOCK, BENJAMIN
HARDY, WILLIAM
)'IRs.
E.
T.
HENDERSON, GEORGK
HENDERSON, GEORGE :1\1.
HENRY, l\fRS. S;'I;OWDEN
HADDON,
BURTON
HARTLEY, \VIr_LIAM R.
HARTMAN, E. T.
HASKINS, HAROLD
JHTASTI NGS, ~IRs. ROBERT
ATFIELD, DR. CHARLES
HENDERSON,
1\I.
GUCKFS, PHILIP F..
GUNTHORP, JR., MRS. \YIlLlA"
:HANCOX,
L.
HECKSCHER , GUSTAVE A.
HECKSCIIER. }'lRS. STEVEKS
HEEBNER, rvfRS. CH :\RLFS
HEEBNER. 1\115S Jl1LfA E.
HELME, \VJLLIA M E.
HEMSLEY, l\IRs. FREDERICK
JR. , F. S.
CHARLES K.
HAESELER , MRS. ALBERT
HAGMAN, W. J.
HAGSTOZ, ARTHUR T .
HAHN, CIIARLFS C.
~1RS.
HAcSER. F.
HAY", :\1RS. CHARLES
HEBARD, D. L.
HEBERTON, CRAIG
HECKER, OSCAR
GROFF, l h. HENRY C.
GROOME, :\lRs. JOHN (' .
GROTH, DR. GENEVA E.
GROVES,
e,
JR., MR. GEORGE
HATHAWAY,
BANCKER
r.
MARY H.
HAKRIS, T. STEWART
HARRIS, WALTER C.
HARRISON, JR., CH.'\RLES
GEORGE L.
HARRISON, l\'lRs. HARRY VVALN
IIARRISO~, l\1RS. THEODORE L.
HARRITY, )ifRS. \VILLlAM F.
GRIBBEL, W, GRIFFEN
GRTBBELJ MRS. W. GRIFFIN
GRIEST, MRS. THOMAS H.
GRIFFITH, MRS. J. P. CROZER
GRIFFITH , MRS. ROBERT
GRIFFITHS, VVILLIAM
GRlSCOMB, RODMAN F.
JAMES RUSSELL
HARRISON, JR.,
GREENWALD, J\lr RS. ROSALI~D R,
GREENWELL, 1\i[RS. JOHN
GREE.NWOOD, MRS. l)A~IEL R.
GREENWOOD, RICHARD
J.
.
.
11.
11 ARR1SON,
GRAY, ROBERT C.
GRAY, DR. ROBERT L.
GRAY, WILLIAM C.
GREENE, MISS SALLIE HOLSTON
GREENOUGH, CORNELIA
MRS.
CU.RENC~ L
HARRIS, ).ofRs.
IT ARRIS, ?I-IRs.
GORDON, llON. JAMES GAY
GRAMMER, MRS. C. E.
GRIBBEL,
F
10llN
n
G.
.
~IRs. \VILLIAM Ross
HARRIS , EDWARD ),IOXROE
"F.::-'.\".\RD
HALLOWELL, MRS. J. \V ALL.ICS
HALSEY, MRS. EDWARTt B.
JOHN \V.
T
S.
KATE
HAIBACK ... MRS. PHILIP
HAINES, MRS. THOMAS L.
ITALLJ CLEMENT H.
HALL, MISS ELLEN
HALLAHAN, l\!IRS. CHARLFS
S.
T
GeARY, \Iy.-ILLIAM H.
GEG£~ REI M ER
ACOB
GEIGER, )iRS. ' JTORACE
1\f,ss
GILLILAND. MRS. C.
FOLWELL, NATHAN T.
FOOTE, W ARREN M.
FORD, BRl.'CE
FORD. MRs. BRUCE
FORD. IV[Rs. FRANK
FORSYTHE, MRS. WILLIAM
FORTNER. LoUIS B.
FOSTER. EDGAR If.
FOULKE, MRs. WTLLIAM G.
FOULKROD, JR.} JOHN
FOWLER, CHARLES H.
Fox, JR., 1\1RS. ALEXANDER
Fox. MRS. CALEB F.
Fox, DR. HERBERT
Fox, SR., I\lRS. SAMUEL M.
FRAME,
C.
ELY, YAN HOR:\"
ELY, ::\hs. \\'lLLlAM XnvBoLD
EZERMAN,
GILLESPIE,
J.
~rITCHELL
ELLIS \V ILLIAM S.
ELLlOON, )IRs. \\rILLIAM RODMAN
ELYERSON, JR .. ?lbs. JAMES
ELY, DR.
ARTHUR ..:\ .
DAVID T.
J.
TR ...:\t\TON
EICHLER . •
EISI'MAN,
FLEISHER,
FLEISHER,
FLI':lSHER.
FLEISHER,
FLEISHER,
ANNU AL MEMBERS-(Continued)
HERING, \\-. E.
ITERKNFSS, J. SMYLIE
HERR, ~IRS. HERBERT
T.
DR. CHEESEMAN A.
i\bs. HERBERT T.
MRS. SAMl"EL W.
HERRICK,
HERSHEY,
HESS,
HETHERINGTON.
~1RS.
ALBERT
HETZEL, GEORGE C.
IIETZELL, ISAAC D.
HEYL, JOHN B.
HIBBERT, W. W.
HILLMAN, l\IRs, JOHN HERBERT
HINCHMAN, l\IRs. CH:\RLES S.
ThRST, DR. nARTON COOKE
HITCH, DR. DAVID :M ARSHALL
HOFFMAN. BENJA),!I:\' R.
HOFIIEIMER, S. D.
ITOKANSO::-l, OSCAR )'IoNS
HOLLADAY, l\IR S. CHARLES
IJOLLINGSH EAD,
~IRs.
fB,
I. \\.
HOLLI:-JGSWORTH , ).[RS, JOHN'
HOLMAN, 1\£Iss LOUISE K.
HOOD, 1\IRs. GEORGE GOWEN
HOOD. JAM ES E.
HOPKINSON, JR., EDWARD
P.
[ 125 I
G.
ANNUAL MEMBERS-(Continued)
S.
,"R
}.: ... NKLIN.
HOR'"
HON~,. J 01St:::C~ ·KF.NX ET H
HOR:-;t;R. 1
S\'tl'F.L
H OR ;\' fR, • R. . ...' TOMAS
·SBY
'IRs.
I IOR:-;~
','
\[
H ORST ~t.o\N~ • •
11
RS.
" -lLLJ.\M
H•
HOl'STON, S. F.
ROWE. GEORGE
Y
lI OWELL 3 )IRs ...~ l'H RE
HOWELL, :MRS. CJ-Lo\RLES H.
HOWELL EDW.-\RO 1. H.
JIm\ t-;.LL: l\1RS. L.O\RDNER
IIOWELL, STACEY B.
HeDDELL, ~rlSs H ELEX.o\
Hl·EY. ~\RTJIl'R B.
HCGHES, \\"ILLJAM HEXRY
HtlLTBERG. GRA;\'T
HCN'\', \VILLIAM R.
Ht'XSBERGER, )'IRS. AMBROSE
Ht:NT,
~lRs. lRY~" L.
HrXTOX, RE\". "JLLIAM
IIl'RD, ~lRs. \\' .U.TFR E.
HUTCHINSON, J. B.
L.
HL\TT, GENERAL CHARLES
E.
ILLOWAY~ )fRs. BERNARD . \ .
INDAHL, MAl'RITZ C.
IXGERSOLL, CHARLES EDW1\RD
INGERSOLL, HENRY ~rCKEAN
I \'GERSOLL, R. STl'RGIS
l"GERSOLL, DR . \r YLLYS K .
I RWIN, ~IRs. H. DE\\ 1ITT
ISEMINGF.R 3 l\iRS. JOHN
J ACKSOX,
:\iRS. ALBERT
JACKSON.
W.
JAeons,
J OH N
A.
c.
JACOBS, RE UBEN
JA NSEN, JR., \\1 ALDE~rAR
.T.O\RECKI, DR. EDWIN A.
]EANES, MRS. ISAAC W .
JEFFORDS, \V ALTER M.
JENKENS, ~fRS. A. SIDNEY
F.
JENKINS. CHARLES
JENKS, JONATHAN
JENNINGS, J OSEPH
JOHNSON, GEORGE
C.
W.
JOINER, R EV. FRAXKLIN
J OLLEY, JOSEPH H .
JONES. HORACE C.
JONES, WILl.IAM
CLAYTO~
IV
\YI1~LJAM
JUMP, DR. HENRY
.
D.
]t'STI, lI'hss A l:GlJST.< E.
KAELKER, RI CHA RD
15.o\NE, M ISS FLOREXCE BAYARD
K EEN, G"REGORY J3
KEEN, HARRY R ..
KEEN, DR.
~EFNAN,
W. W.
MRS. EMILY
M RS. SIDNEY
KF.1TII,
KELl_EY. FR ANK
JR.,
KELSEY,
MISS K ATE
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K ELLEY,
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JR.,
)IRs.
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K ERLIN, \\~ ARD D.
KERNS. DR. SAMUEL P.
KERNS} 1\IRs. \V IT. LIAM
K ERR, W,LL,AM M.
KERRIGAN, JOSEPH
K ETCHA M,
OR)IAN
KETTERLINtTS , ].
J.
LETORIERE, MRS. FERDINAND
LEWIS.
L.
LEWIS, FRANCIS
L.
)! CE"ERY, MRS. ~1. J.
FR AN KLI~
)I c G oWlN, MRS. R. S.
JlICGlJIRK, ::-IR S. JOHN T
JAMES
S:
SELl"" B.
B.
)I c I LHEXNY, FR.-\NCI:5
HOWARD
~I cILHENNY , )I ISS
)Ic1NNE S, WALTER S.
)I cI "TIRE, A. RE ED
, !cKECHNEY, )bs. IV. G.
)IcK ENZIE, DR. R . TAIT
) [CKINLAY, ARCHI BALD
)I c KI NLEY, ALBERT E.
)f c KINN EY, ~I RS. WALTER
)l c LEAN. WILLIA>! L.
B.
II .
A.
lI c)IILLAN,
l\1RS.
M COWEN ,
1'1.
LYON . ABRAHAM
B.
Lyo"s,
M I SS ANN A E.
,I.
G.
FREDERI CK
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~fA C FARLAND , \\~ILLIA:\r
:\IACFARLANE,
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)fADERTA, l\iRS. CAMPBELL
]\[AGILL, lIb s. S. N .
~IA LLON, JAMES P.
::\[ ALOXE. EOWIX
W.
B.
~IARK LAND, GEORGE
:M ARKS, ALBERT B.
)'fARO N, A LFRED C.
]\[ ARSDEN
:MARSHAL~,
·M ARSHALL
~IARSHALL :
L.
N RS. BIDDLE R.
DR . GEORGE !'IORLE'i
l\I RS. GEORG E
M,
TIlRS. MARY E.
)[ARTIN, JOHN C.
lIl ARTIN, lIIRS. JOR" C.
~IAR TJN, :l'iR S. R OBF.RT T.
)I.<RTIN, TH OMAS S.
[ 127
•
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)[ACQUEE", STEPHEN . \ .
)IAR K. F .
H.
C. W.
::\IACFARLANE, A.fRS. JAM ES D.
l fACGREGOR, N ORMAN R.
?\IACKENZI E, JR., DR. GEORGE
LOUGHLIN, JOliN K.
Loux , DR . II. K.
LOWBER, 11[ ISS E. ' V.
LoWBER , MRS . HENRY SERGEANT
LUCAS, JAMES F .
LUDLUM, DAVTD S.
LUKENS, MRS. CHARLES
LUKENS , JR., MRS. LEWIS N .
LYNCH , JIbs. EDWARD D. C.
LEA, ARTneR H.
LEA, MRS. ARTHlJR H .
B.
) 1cS HEA. " ' ALTER Ross
~I C \"lTTY, ALB ERT E .
;\I CYITTY, :lbs . A. E.
M ACeALLA, W. A.
)lACCO\', W. LOGAN
)f ACFARLAND, }'IRS. FRA:\KLlN
HERMAN
LOEB, MRS . MAX
LOENING, MRS. R. R.
LOGAN, JOIlN "V.
LOGAN , MISS 1'vIARIA DI CKIN SON
LOGAN, ROBERT R .
LONGACRE, JAMES BARTON
LONGAKER, DR. DANI EL
LON GSTRETH, 1\fRS. IToWARD
LONGSTRETH, MRS. N. LU CAS
LONGSTRETH, JIbs. W ILLIAM
LOOM1S, J OlIN TAYLOR ,
LOTHROP, EBEN W .
LOUCHEIM, STUART F.
LOUD, 1\llss )fARY FRANCES
:\lRS. LEI GHTON
)[ CilIlLUX, ,I RS. THOMAS
)f C)[ULLIN, JR., D .w lD
LODOR, J..fISS ELMIRA
LOEB,
J.
::\I cFADDEN,
LIPPINCOTT, MISS MARY W.
LIPPINCOTT, JR . , PAUL S.
LIT, MRS. SAMUEL D.
LIT, COL. SAMUEL D.
LIVEZEY. JOliN R.
LLOYD, STACY B.
LLOYD , l\IRs. V\r ILLIAM H.
N.
EDMOND
~[ CDOWELL3 SAMSO~
F.
LIPPINCOTT, ALFRED
LIPPINCOTT, GEORGE
ETHEL
LEAMING, MRs.
NINA
l\iRS.
D.
),I cDoWELL, SAYTF.L
LIGGET, MISS J A"E S.
LINK, »IISS HARRIET J.
ALLE~
EDWIN
1.EWIS,
LIGGET, J R. ,
LAUGHLIN, MRS. ANNA LIVEZY
LAVINO,
D.
LIEBER , MRS. WILLIAM A.
LIEDHOLM, M. W.
\Y E5TRY
CONRAD
~I! CC
DR EARY, JR.,
D.
GEORGE
)iR S. GEORGE
EVITT, JR ., J OliN J.
M c D OWELL, )1. E.
MORRIS J.
LICHTENBERGER.
::\bs.
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LEWIS, MRS.
MISS
J. E.
)I CCREARY,
LEWIS, DR. O. G . L.
LEX , MRS. WM. HENRY
LIBERMAN , ALEXANDER
LAESSLE, DR. HENRY A.
LAFFERTI. E. J.
LUORE. JOHN A.
LAIRD, DR . WARREN P.
LAKE, lIfRs. ORVILLE B.
LANDE"BERGER, C. H .
LAPLAC E, CATHERINE B.
LAR GE , ~IRS . JAMES
LARt:E, )!RS . WALTER M.
LAUER,
SHIPPE~
MISS ANNA
LEWIS, AN N A V.
LEWIS, FRANCIS A.
HARRY
LATS HAW.
~IcCLEES,
)kCLELLAN, JliR S. GEORGE
:M CCLELLAN, )h ss }1 ARY
)I CCLOl'D, CHARLES ~l
~I CCLURE, )1RS. C Il ARL~S A
:M CCOWN, ALLISON E
.
:ll cCOY, J OSEP H D. .
)I CCRACKEN, 1I1RS. ROBERT T.
ROBERT \ V.
LESTER, MRS. J. DYSART
KI RBY. C HARLES P.
KLAl"OER, CHARLES Z.
L . U ; DER, ~flss
)I CCARTH Y, l\IISS EDITH
:I[ CCARTHY, J. 11..
L":S LEY, MRs.
KIEFERLE, MRs . CHARLES J .
KILDt:FF, l\1Rs . W. D.
KIMB ALL. GRACE L.
KIM BER, 'VILLIA" 111. C.
K I"G, :lII SS LYDIA E.
KI::-J G, PA UL
KREIDER,
., CC ALL, RI C HARD
~r CCARTER, C. HO\\' ARD
LEINBACH, DR. PAUL S.
LEISENRING, EDWARD B.
LENNIG, FREDERICK
LEONARD, RICHARD D .
LESHER, AMOS Y.
II.
P.
\V.
K LAt:DER, GEORGE C.
KLEIN . DR. THOMAS
KLI~E, HENRY S.
K NEASS. STRICKLAND L.
KX OWLES, NATHANIEL
K )n.'p, SR.} JACOB
K OC H, )fR. ALBERT J.
KOE CKER, lIItss LF.ONORA
K OELLE, \V ILLIAM F. B.
K OHN, IRVIN G
K om" MRS. ISIDORE
K OHN, JOSEPH
K OLB, lIhs. E. G.
K OLB, MRS. LOUIS J.
K OSOVE, A. HARRISON
KRAt:SS , SYDNEY L.
) 1cC AH AX. ~\I RS . T nOMAS C.
~lc ( AHA!\ , JR . , \VIJ .LJAM J
~II C\ALL, MRS. GEORGE
.
LEE-OS, ART H UR N .
LEEDS, MORRIS
LEES, :MRS. l\I. ZOLLER
LEGGE, PERCY A.
LEIGHTON~ ARCHIBALD O.
:M OORHEAD
CHARLES
'MAn~L A.
~1 RS. F~LlSllA
l\II ss
Lt::E . J R.,
KENNEY, )IISS ELI.EN JOE
KEXT, ~IRs. A. ATWATER
LADD. ~IRs .
J ORDAN, AUGlJSTl'S
JORDAN,
KENX}' DY,
KENNEDY,
LEAS.
KREIER, GEORGE J.
KREWSO". JAMES
K U MM ERLE. GUSTAV C.
K UNKLE, JAMES E.
K lJ RRIE, )fRs. GEOI<GE R.
K U RTZ, \YILLIAM FULTON
)1.
J OHNSON, lIIIss ~I.\RY
JOHNSO>l, MORRIS W.
ANNUAL MEMBERS-(Continued)
KLSDIG. H. EVERT
KEKXEDY, ) [ RS . ..."DAVIDSON
KENNEDY, JR . , FRANK G.
J
ANNUAL
M EMBERS-(Continued)
)fORTlMOORE,
",IRS
:.\L\RTl~.·
TliO..\fAS
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H.
~[ASLA~D. FR"~" KC .
T
'JIASOX, .\LFRED
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MASTERS, :;\[ISS JESSI
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THER
GILBERT
, 1.\
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\
. :11
]fATTIiEWS, r LLEN _ • .
l'tIATTHE\\'S. CHARUS
M \ULE CHARLES P."
J.
:;\I~l'LE~
EDML'ND \\.
1\1AURY. JAMES ROBB
MAWSO!\, JOH1\" R.
MAXWELL, CHARLES
",f '" YER ell ;o<TON O.
1f~A';'T;ER. THO)lAS J.A.MES
iLp.ASEY, \rIT.Ll.'\)l 1L
J.
F.
l\IEBl'S. CHARLES
l\[EDARY . .h .. )'1rLTOX BEX:\ETT
}\b:GARGEE, ::\fRS. GEO. ~r.
)fr.IGS,
ILL1.'\)1 ~1.
"T
J.
:liEuo",
JA"ES_ T.
'[ERCER
DR. \, ,\RREX
C.
ifERCER: JR., WILLDM
R.
~lERRICK.
Jhss
HARRIET rRAXCES
E.
;II RS. E.
MERTZ. OSCAR
)[EYLE,
}\flCHELL, SR., FREDERICK ].
}l1DDLf.TO~. '\hss CLAR<\.
MIDDLETON, :lTRS. C. K.
:.\fJDDLETON, G. PLAKTOU
MILES, MISS l\fARY M.
MILLER. E. CLARENCE
lIflLLER, E. SPENCER
).[ILU~R, GEORGE
1\.fll.LER, \TERNON B.
)'flLLS, ).[RS. PAUL DE.\'CKL\
1IILNE.
JR.,
FRUCIS F.
MINDS. l OIlN H.
)fOERK. FRANK N.
)'fOFFETT, LOUIS B.
1JOFFLY, \\Tll,UAM T.
~10LTHAN, E. H,
~10!\T!I.Gl'E. ~hss Il'LIA
MONTGOMERY, ROBERT L.
'MONTGOMERY, }[RS. THO")I.>\S LYNCH
-M ONTGO}'fERY, \YILLTAM J.
MONTGOMERY, JR., \V. \y'.
MOODY, }\fRS. LEWIS F.
MOORE, EDGAR
B.
}1001~E, MRS. EDWARD
)'fOOR£, llENRY
T.
~
McKNIGHT
D.
MOORE, ~hs. H.
MOORE, DR. PHILIP
H.
MOORE, \VlLLJAM G.
).!OOREHOUSE. RORERT
).TORAN, )'hs. ('YF'!L
T.
~IRs.
l\fORTON, :;'\IRs • .i\ RTHUR
l\IoPLTON,
ALSTON
n.
V.
MUCKLE. COL. JOHN S.
:i\fUDGE, DR. LEWIS SEYMOUR
~rt'IR. MRS. JOHN W.
~Il!LFORo. SPENCER K.
~IuNOz, ~1Rs. ADOLPF C.
l\rURPJ{Y~ THOMAS E.
:MURRY, JOSEPH
V.
l\{USSELl\IAN, :MRS. CLARENCE
l\lUSTIN, l\IRs.
BURTON
MYERS, GEOJWE DEB.
J.
NASSAU, MRS. CHARLES F.
NATHANSON, 1\iR5. HARRY
M.
NAX, \vVILLTAM
NAYLOR, JR., FRANCIS H.
NEILSON, ~1RS. HENRY ROSENGARTEN
NEILSON, 1\iR5. LEWIS
NESBIT, 1\IR5. TrrORPE
NEVIN, :'11 os . CHARLES W.
NEVIN, 1\:1R5. \VILLIAM L.
Nn\'BOLD, ~1rss ANNA S.
NE\VnOLD, 1\[R5. ARTHUR
E.
E.
NEWBOLD, JR., ARTHUR
NEWBOLD, 1\[R5. TRENCHARD E.
NEWHALL, \V lLLIAM PETERSON
NEWHALL. AIRs. VIM. PRICE
NEWLAND, :MRS. NANCY T.
NIBLO. REV. JAMES M.
NILES. MISS MARY B.
NIXON, MRS. HORACE F .
NORRTS, JR., CHARLES C.
NORRTS, JOHN
NORRIS. MRS. S. WALTER
W.
OAKFORD, JAMES
OAKLEY, l\IRs. IMOGEN
B.
O.DYKE, W. AUSTIN
O'CONNOR. A. E.
OELBERMANN,
'vV. D .
A.
A. H.
OLMSTEAD, ROBERT
O'NEAL, DR .
ORLADY, GEORGE. PHILIPS
ORR, GEORGE P.
PACKARD, GEORGE R.
PACKARD, MRS. GEORGE
R.
PACKARD, 3RD, NIRS. JOHN
PAGE, GEO. BISPIrAM
H.
PAINE, GEORGE H.
PAISLEY, HARRY E.
PAKRDOONr, HAIG HERANT
PALEN, DR. GILBERT S.
PARDEE, ~(RS. CALVIN
PARK, MRS. LAIRD W.
PARKER, ~1RS. ALVl~ A.
3RD, C. E.
'.jl0RISON, ).LISS S. AGXES
:'f0RRELL, RICHARD B
PARKER, J. BROOKS B.
PARSLY, MRS. L. FULLER
PASSMORE, ELLlS PUSEY
)fORRIS .\. SAl'XDERS'
MORRlS.
CHRISTOPHER
~;ORRIS. CASPER \Yrsv.R
ORRIS, 'EDWO\Rn H
PATTERSON, GEORGE STUART
PATTERSON, T. H. HOGE
PATTON, CHARLFS S.
:11 ORGA~.
r.
~~ORRIS,
JR., F. W . .
11oRRIS,
ORRIS,
h .. , ).hs. HENRY
).hss LYDIA T.
[ 128 I
PATTON, MRS. JOHN W.
J.
RODMAN
Ip) AXON, l\IRs. HEN RY
EACOCK, ),fARY T.
PAUL,
PEARSO~,
J. A.
ANNUAL
CHAR?LES
D.
MEMBERS-(Continued)
PEARSON, MRS. JOSEPH T.
PEASE, HENRY H.
PECK, ARTHUR
PEIRCb:, HAROLD
PEIRCE, JR., TnOM.\S ~i.
PEIRCE, WILMOT GRANT
PEIRSON, MRS. \ V ALTER
PEMBERTON, JR., CLIFFORD
PENINGTON, ~1RS. ALBIN G.
PEPPER , GEORGE VI{ HARTON
PEPPER, DR. WILLIAM
PEPPER, MRS. WILLIAM PLATT
PERCIVAL, DR. MILTON F.
PERKINS, E. STANLEY
PERKINS, MRS. EDWARD L.
PERKINS, HELEN C.
PERKINS, MRS. T.
H.
DUDLEY
PEROT, MISS ANNIE L.
PEROT, MRS. L. KNOWLES
PERRY, EDWARD R.
PETZOLD, ADOLPH
PEW, MRS . J. HOWARD
PEW, JR"
N.
PFEIFFER, DR. DAMON B.
PFOUTS, EARL
PHARO, MRS_ WALTER \ \T.
PIIELLI~R, MRS. WILLIAM "R.
PH ELLER, MR. W ILLIAlIl R.
PHILLIPE, B_ PEMBERTON
PHILLIPS, W 'ILLIAM
PIERCE, F . G.
PIERSOL, DR. GEORGE MORRIS
PILE, ell ARLES H.
P1LE, MISS MAY ASHTON
PLATT, ] OH N O.
PLUMLY, MISS IIELEN VIOLA
POLK. MRS. A. M.
POLLOCK, MISS HENRIETTE S.
POLLOCK, MRS. WALTER ,V.
PORTER, JR . , MRS. CHARLES A.
PORTER, HENRTETTE E.
POTH, HARRY A.
POTSDAMER, JOSEPH S.
POTTER, MRS. BEVERLEY R.
POTTER, JAMES
POTTER, W. WOODBURN
POTTS, DR. CIIARLES S.
POTTS. CHARLES WILLIAM
POTTS, MRS. HARR1S0N 1.
POTTS, I-]ORACE MILES
POTTS. MRS. THOMAS C.
POWELL, CHARLES S.
POWERS. EUCENE S.
POWERS. MRS. FRED PERRY
PRICE, WARWICK JAMES
PRICHARD. MRS. FRANK P_
PUTNAM, EARL B.
J.
J.
RADOCK. MISS LAVINIA M .
RADER, 'l\i[RS_ ARCHIBALD
RADFORD,
COL. CYRUS
F.
S.
A.
RAMSPACKER, DR. THEODORE
J
READ,
Acon L.
READ. ROBERT F.
REASER, DR. H. M.
F.
C
HARLES H~
REED, JR., HO~1E.R
REED, 111SS l..lLLlAN R .
REILLY, ~IISS HELEK
REILLY. MRS_ JOHN
REILLY, MRS. JOSEPH H.
REX. MRS. OLIVER PAYSON
RE YNOLDS, GEORGE
RHOADS. CHARLRS J
H. HOADS, GEORGE- A ..
RnOADS, JOSEPH
RHOADS, MRS. LOGAN
RHOADS, WILL1.'\M E.
RrCH, MRS.
T.
HUDSON
RICHARDS. MRS. SAMUEL B
RICHARDSON, MISS GRA CE p'.
RICHARDSON, TALBERT N.
RICHARDSON, )'hs. "'-ALTER C.
RICHARDSON , \\"lLLIAM ~L
RICHMOND, ~[RS. H. \\"ARR EX
RICHMOND, :\lrss ~I. LOLISE
RIDGWAY, THOMAS
RIDLEY, ALBERT C.
RiEDER, JOSEPH
RIEHLE, FREDERICK A.
RIESMAN , DR. DAVID
RI5T.lNE , l\hs_ Ca,\RLES S.
RITCHIE, ~IRs. C. LOTHROP
RIVIN US, i\IRs. E. FLORENS
ROBERT S, :\1..R5. ALGER:-.rON BRO(Ji\t>
ROBERTS , CHARLF.S H.
ROB.ERT S, GEORGE W. B.
ROBERTS, :VIRS. HOWARD
ROBERTS, OWEN
ROBERTS , SPENCER
J.
ROBERTSHAW. OSCAR
ROBINETTE, itorRS. EDW. B.
ROBINS, :i\fIss :\IARGARET X.
ROBINS, ~[RS. THOMAS
ROBINS, THOMAS
ROBINSON, AXTHON), "-.
ROBINSON, ~IISS RACHEL G.
ROCKWELL,
F. W.
ROEDER, :1\1RS. CAROLiNA H.
ROHNER, HENRY
ROM MEL 1\IRS. LEWIS AL'DEKltI·.!!)
ROOSEVE{T, MRS. NrCHOL\S (;.
ROSE, JOHN CONKLlN
ROSgNBACH,
M. P.
ROSENBACH, PHILIP H.
ROSENBAUM, LEON
ROSENBAUM. S.\MUEL R.
ROSENGARTEN, ADOLPH G.
ROSENGAR TE'N, GF.ORGE D.
ROSENGARTE~ . J. CLIFFORD
ROSIN, MRS. SIGMU"D ~l.
Ross. J. ANDERSON
Ross~ TOSEPH
l\[RS. JOSEPH
ROTAN , ~IRs. ELLWOOD
ROTHERM EL, JR., P. F.
ROWLAND, :Nbs. \VrLLI,:]\[ O.
ROYDHOl'SE, GEORGE \\.
RUBJCAM, R.n·]'(OKD
,
RUDOLPHY, DR. JAY BESSEN
RUFF, ADOLPH G.
Ross,
RADIITZ, LAZAR
RAI NEAR, NIRs. F. R.
RAKESTRAW, MRS. FRED
REBER. J. HOWARD
RECKEFVS, JR., DR.
REED. ANXA )1.
J.
[ 129
;
J
EMBERS-(Continued)
ANNUAL M
R UM PF • GUSTA"
'\f
\VJ LLIAM
RUMPf, • ;S~N BROE CK
R UNK. 1-1.
.. CHARLES G.
R UPt:RT, ~r[R S~ M ... RY SWIfT
R UPERT, ..., IS
R USBY, JOHN ~r.
R USH MIsS J ULIA
RVSSUL. CltARLES
RUST, HARRY B.
SAILER,
:\fRS.
\ JAC "SO';
\v
.
SHIRLEY, 11.s . H AROLD
J.
J.
,
\\' ILLIAM.
I
ScnAFFER,
SCHAMBERG. DR. JAY
SCHAUM, l\fRS. FLETCHER
F.
SCIIICK, MARTHA
K.
SCIIOLES. MISS SARAH
J,
SMEDLEY, \ VlI.LTER
SMF.DLEY, \V. EDWARD
SMEDLEY, \VILLIAM H .
E.
SCnWA"RTZ, ANTHONY
SCRWA"RTZ, .hI., ~{RS. CHARLES
SCHW .\ RZ, -:\fR S. \V IlLIAM T.
SCHWARZ, M R. \VILLl AM T.
SCHWEIZER,
OTTO
SCOTT. :\'fRS . ALEXANDER II.
SCOTT, ~hs. EDGAR
SCOTT, MISS HANNA L.
SMITH, 1\1:RS. CHARLES
\V.
S.
SCOTT, DR. R. DOUGLAS
SCOTT, \VILLlAM P .
SCRANTON. GEORGE E.
SCULL, \VI LLTAM C.
SEAL, :\ftss HARRIET F.
SEELAUS, GCSTAV HENR Y
SEELER, }'fRS. EDGAR ' •.
SEISS, lVhss L. J OSEPHIXE
SELIG, SOLOMAN
SELLERS, H ORACE \\' ELLS
SE){PLE, ~1:RS. ~1ATT H FW
SERRILL, MI SS ANNA ~f.
SERRILL, \Y I LLJAM T.
SESSLER, 1\f RS. CHARLES
SEWAI.L, ARTlH' R \ "1.
SEWELL, IVh s. \VI LLIAM J OYCE
SH ANNON, ~lJ ss AMANDA J.
SHARP, )1RS. H ARRY S.
SHARP, )"lRS. \V AtTFR P.
SHARPE. DR . TOliN S
SHARPE, )IR s. ' L~o NE'LSON
[ 130 I
W.
SMITH, MRS. EDWARD W.
SMITH, MRS. ERNEST B.
SMITH, 1\hss ETHFL
SMITH, HOWARD WAYNE
SMITH, J ESS I E \tVIL COX
S;\UTH, l\1ARY GRUBB
SMITH, DR. S. :lI CCUEN
SMITH, lIlRS. WALT ER H .
SMITH. MRS. W1LLIAM K.
SMU C KER, EDWIN M.
SMYTH, CARROI.T.
SNELLEN BURG, H ARRY
SN E LLENBURG, J OSE PH N.
SNELLENDURG, MR S. MORTON
SNOWDEN, LOU ISE H.
SOMERS . :lIRS. O . V.
SPEISER, MA URICE J.
SPI C KLER, C. A.
SeIEGLE. MI SS 1IIMA M.
SPI!-:K, \ VILLIAM
SPOFFORD, ERNEST
STAFFORD, C. GORDO!'i
ST AFFORD. EDGAR S.
STAGER. OS CAR T.
STARR, :M RS. EDWARD
STARR, 1\1lss SARA H LOGAN
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