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1961-1962 School Circular
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RG.03.04.01
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eng
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he Pennsylvania Academy of Fine Arts
1961 ~ 1962
The Pennsylvania Academy of Fine Arts
History
The Pennsylvania Academy of the Fine Arts is the oldest art inst itution in the United States. Its origin dates from 1791 , when
Charles Wilson Peale initiated efforts to organize a school for the
fine arts in Philadelphia, which resulted in the formation of the
Columbianum in 1794. In 1795, under the auspices of that
association, the first exhibition of painting in Philadelphia was
held in Pennsylvania 's old State House, better known today as
Independence Hall. The Columbianum was ultimately succeeded
by the present Academy. In 1805, in Independence Hall, seventyone public spirited citizens met for formal organization. The
gathering was a distinguished one, and included the artists
Charles Wilson Peale, William Rush, and Rembrant Peale. At that
meeting the petition for the incorporation of The Pennsylvania
Academy of the Fine Arts was prepared. The charter was obtained
in May of 1806, creating the new organization " To promote the
cultivation of the Fine Arts, in the United States of America
[and to] enlighten and invigorate the talents of our countrymen ."
Officers
FRANK T. HOWARD
President
ALFRED ZANTZINGER Vice President
C. NEWBOLD TAYLOR Treasurer
Directors
MRS. LEONARD T. BEALE
HENRY S. DRINKER
DAVID GWINN
J. WELLS HENDERSON, JR .
R. STURGIS INGERSOLL
ARTHUR C. KAUFMANN
HENRY B. KE EP
JOHN F. LEWIS, JR.
JAMES P. MAGIL L
MRS . HART McMICHAEL
SYDNEY E. MARTIN
JOHN W. MERRIAM
C. EARLE MILLER
MRS. HERBERT C. MORRIS
GEORGE B. ROBERTS
HENRY W. SAWYER, 3rd
JOHN STEWART
C NEWBOLD TAYLOR
FRANKLIN C. WATKINS
WI LLIAM COXE WRIGHT
ALFRED ZANTZING ER
Committee on Instruction
JOHN W. MERRIAM, Chairman
DAVID GWINN
JAMES p , MAGILL
Faculty Representative
MRS. ELIAS WOLF
Representing Philadelphia City Council
MRS. RICHARDSON DILWORTH
FREDRIC R. MANN
Representing the Faculty
DAVID SELLIN, B.A .. M .A.
Born in Philadelphia, April 13, 1930. Painting at Otte Skold's Atelier, Stock'
holm, Sweden, 1946·47; Germantown Friends School, 1948; B.A. in Art History,
Honors, Distinction, PBK, Univ. of Pennsylvania 1952; Painting at Royal Acad·
emy, Stockholm, Sweden , King Gustav V Fellowship, American Scandinavian
Foundation, 1952·53; Graduate study, Asst. Instructor in Art History, Univ. of
Pennsylvania, 1953.56; teaching in Rome, Italy, Summers, 1955·56; M.A. in
Art History, Univ. of Pennsylvania , 1956; Fulbright, Univ. of Rome, Italy,
1956.57; Asst. Curator of Paintings, Phila. Museum of Art, 1958·60.
JOHN W. McCOY
MAURICE B. SAUL
Women's Committee Representat ive
Administrator of the Schools
Representing the Women's Committee
JOSEPH T . FRASER, JR.
GEORGE B. ROBERTS
Dire ctor and Secretary
Solicitor
Staff
CATHERINE R. NEWBOLD Secretary
Librarian
ETHEL P. ASHTON
Storekeeper
MARY S. MORGANTHAU
Calendar
Fall 1961
Registration and Orientation of New Students ..... Septem ber 5-6
Classes Begin for All Students .................. Septem ber 7
Deadline for Report from Returned Traveling Scholars
October 1
Stimson Competition Opens ... __ ... _ ..... . ...... October 30
Stimson Judging and Award .... _ . .. _ .. . _...... November 22
Thanksgiving Holiday ................ _ ..... November 23 -24
Grading ................................... December 18
Scholarship Awarding (Spring 1962) ... _ .. _ ...... December 21
End of Fall Term .... . .... .. ........ __ .. .. ... December 22
Christmas Recess
Spring 1962
Registration for New Students ... .. . _ . . _......... January 8-9
Classes Begin .... . ...................... . ...... January 8
Holiday ........ . .............. . .. . .......... February 22
Stewardson Competition and Award ..... February 28, March 1, 2
Deadline for Application for Traveling Scholarships .. . .. March 15
·
J ud gmg
. ... .. ......... . .............. . April 9
Toppan Pnze
Pnze
.
S
i t'Ions . . . .. . . _ •.... . .... - ..... - .. . April 12
·
e ec
S pnng
Grading ... ....... . ............. _.. _ .. __ ..... ' . April 16
Holiday ....... . .............. .. . _ .. __ .......... April 20
Cresson Competition Placement ..... . ............ April 23-27
Pre-Registration, Fall 1962 .................. ··.· April 23 -27
Awarding of 1962 (PAFA) Tuition Scholarships ........ April 26
Judgment for Cresson, Ware, Schiedt ... . .............. May 1
Exercises for Awards . ...... . ................ _ . _ .... May 2
End of Spring Term .... . .................. . ..... . .. May 4
Faculty
Francis Speight
Instructor in Drawing and Painting (on leave 1961~62)
Born in Windsor, North Carolina. 1896. Studied in the Corcoran School of
Art, Washington. D. C., and The Pennsylvania Academy of the Fine Arts.
Awards: Cresson Fo rei gn Traveling Scholarships, 1923 and 1925, The P.A.F.A.;
The Fellowship of The P.A.F.A. Gold Medal , 1926; First Prize in Landscape
Society of Washington Artists, 1929; The Fellowship of The P.A.F.A. Prize, 1930;
First Hallgarten Prize, National Academy of Design, 1930; M . V. Kohnstamm
Prize, The Art Institute of Chicago, 1930; Landscape Prize, Connecticut Acad·
emy of Fine Arts, 1932; Third W. A. Clarke Prize and Bronze Medal, Corcoran
Gallery of Art, Washington, D.C., 1937; Gold Medal Philadelphia Sketch Club,
1938; The Jennie Sesnan Gold Medal , The P.A.F.A., 1940; The Academy Fellow·
ship Prize, 1940; First Altman Prize Landscape, National Academy , 1951;
Second Altman Prize Landscape, National Academy, 1953; Orbrig and Altman
Prizes 1955; First Altman Prize 1958, National Academy; $1 ,000 Grant Na·
tional Institute of Arts & Letters, 1953. Member: National Academy of Design;
National Institute of Arts & Letters. Represented in public and private
collections.
Walker Hancock
Instructor in Sculpture
Born in St. Louis, 1901. Studied in the St. Louis School of Fine Arts and The
Pennsylvania Academy of the Fine Arts. Doctor of Fine Arts, Washington University 1942. Awards: Edmund Stewardson Prize, P.A.F.A., 1921; Cresson
Traveling Scholarship, 1922 and 1923; Widener Memorial Gold Medal, P.A.F.A.,
1925; Awarded Fellowship i n the American Academy in Rome, 1925; P.A.F.A .
Fellowship Prize, 1932; Helen Foster Barnett Prize, National Academy of
Design, 1935; National Scu lptu re Society Prize for Bas -relief, 1941; Anonymous Prize. National Academy of Design , 1949; J . Sanford Saltus Medal
Award, 1953; Art Alliance Medal of Achievement , 1953; Herbert Adams Me·
morial Award, 1954; Academy Gold Medal of Honor; Proctor Prize, National
Academy of Design, 1959. Member: Architectural League of New York; The
Fellowship of The P.A.F.A.; National Sculpture Society; National Academy of
Design; National Institute of Arts and Letters. Sculpture-in-Residence, American Academy in Rome, 1956·57. Works: John Paul Jones, Philadelphia;
Monumental Rhytons, Girard :ollege Chapel; 4 Groups, Soldiers Memorial.
St. Louis, Mo.; Penna. R.R. War Memorial, Philadelphia . Busts: Hall of Fame,
N.Y.U.; Library of Congress; Mellon Institute, Pittsburgh; American Academy
of Arts & Letters. Medals: Air Medal, Air Mail Flyers Medal, Society of Medal·
ists, 1940; Frank P. Brown Medal, Inaugural Medals, 1953, 1957.
Roswell Weidner
Instructor in Drawing and Painting
Born in Reading, Pa., 1911. Studied at The Pennsylvania Academy of the
Fine Arts, and the Barnes Foundation. Awarded Cresson Traveling Scholarship, 1935; First Charles Toppan Memorial Prize, 1936; Honorable Mention
Philadelphia Sketch Club, 1936; Terry Art Institute of Florida 1952. Fellow~hip Prize, Pennsylvania Academy of the Fine Arts~ 1942. Repr~sented: Read.
Ing Museum, Philadelphia Museum, Pennsylvania Academy of the Fine Arts ,
Pe.nn State University. Prints: Library of Congress, Metropolitan Museum and
pnvate collections.
Harry Rosin
Instructor in Figure Construction and Sculpture
Born in Philadelphia, December 21, 1897. Studied in The Pennsylvania Acad.
emy of t he Fine Arts and in Paris. Awarded: Stewardson Prize for Sculpture;
Cresson Traveling Scholarship, 1926; Widener Gold Medal, 1939; P.A.F.A.
Fellowship Prize, 1941. Fellowship of P.A.F.A. Gold Medal , 1942. Award of
$1,000 from American Academy of Arts and Letters, 1946; Go ld Medal Award ,
Philadelphia Regional Show, 1950; Bouregy Prize, Audubon Artists 1956.
Deerfield Academy figure of student, 1953; Connie Mack figure, 1956.' Repre~
sented by work for the French Government on the Island of Guadaloupe,
French West Indies; a building in Tahiti; The Samuel Memori al, Philadelphi a;
private and public collections.
Edward Shenton
Instructor in Experimental Drawing
Lecturer in Creative Writing as related to the Art Student
Born in Pottstown, Pennsylvania , November 29, 1895. Studied in the Philadelph ia Museum School of Art; Pennsylvan i a Academy of the Fine Arts; Pupil
of Thornton Oakley; Henry McCarter; George Harding. Awarded : Lea Prize
1922; Cresson Traveling Scholarship, P.A .F.A ., 1922, 1923. Represented: IIlus.
trations "Scribner's," "Saturday Evening Post." " The Yearling," 1937; "Cross
Creek," 1942; "Face of a Nation," 1939; "Dune Boy," 1943; Brady's Bend ,
1946; "Still Meadow" and "Sugar Bridge," 1954; 1953 U.S. War Memorial
Murals in Belgium and France; " Big Wood s," 1955.
Franklin Chenault Watkins
Instructor in Painting and General Coach
Born in New York City, in 1894. Studied in The Pennsylvania Academy of the
Fine Arts. Awarded : Two Cresson Traveling Scholarships, P.A.F.A.; First Prize,
Carnegie International Exhibition , 1931; Bronze Medal, Paris International
Exposition , 1937; Bronze Medal, Musee de Jeu de Paume, Paris, 1938, Corc:>ran Gold Medal, 1939; Second Prize, Unrestricted Division, International
Art Exhibit, Golden Gate International Ex position 1939; Temple Gold Medal ,
P.A .F.A. , 1944; P.A.F.A. Gold Medal of Honor, 1949; Ret rospective exhibition
Museum of Modern Art, N .Y., 1950. Member: National Institute of Arts and
Letters; Advisory Board, John Simon Guggenhei m Memorial Foundation. Life
Fellow Member-Elect National Academy of DeSign , American Academy in
Rome. Artist-in-Residence American Academy in Rome 1953-54. Doctor of
Fine Arts Degree from Franklin and Marshall 1954. Citation 1st Philadelphia
Festival , Philadelphia Art Alliance Medal of Achievement. Represented: Museum of Modern Art ; Whitney Museum of American Art; Metropolitan Museum, N.Y.; Corcoran Gallery of Art, Phillips Gallery, Washington, D.C.;
Smith College Collection; Randolph Macon College; Albright Art Gallery,
Buffalo, N.Y.; Rodin Museum ; P.A.F.A ., Philadelphia Museum of Art, Phila ·
delphia , Pa .; Newark Museum , Santa Barbara Mu seum; Detroit Institute of
Art; Murdock Collection, Wichita , Kan.; Friends of Art , William Rockhill Nelson
Gallery. Kansas City, Kan.; Intern.ationa l Business Machines.
John W. McCoy, B.F.A.
Instructor In Water Color
Born in Pinole, California, 1910. Studied Cornell UniverSity, N.Y., Pennsylvania Academy of the Fine Arts, American School of Fontainbleu, France and
private studios of N. C. Wyeth in Chadds Ford, Pa . Student of Landislas
Medgys and Despujols, Paris. Awarded-American Water Color Society: 1st
Hon. Mention 1946, Obrig Prize 1947, Whitmer Award 1955, Grumbacker Prize
1958; Audubon Artists: Hon. Mention 1948, Grumbacker Prize 1956; Nat.
Academy of Design: Obrig Prize 1951; Philadelphia Water Color Club: Pa.
Week Exhibition 1st Prize 1951, Phila . Water Color Club Prize 1956; Del. Art
Center Prizes 1954, 1955; Chester County Art Assn. 1st Prize 1940, 1943;
Baltimore Water Color Club 2nd Prize 1948. Member National Academy of
Design , Ame rican Water Color Society, Philadelphia Water Color .Club, Au~u
bon Artists, Fellowship of P.A.F.A ., Director of Wilmington Society. of FI~e
Arts. Murals in Nemours Building, Wilmington, Del., and Metropolitan life
Insurance Building, New York City. Represented: Delaware Art Center;
P.A.F.A., Pa. State Collection, Harrisburg, Pa. ; State Teachers College, West
Chester, Pa .; Newark Museum, Montclair Museum, N.J.; Tel Aviv Museum,
Israel; Farnsworth Museum, Rockland, Maine.
Walter Stuempfig
Instructor in Composition and General Critic
Born in Philadelphia, 1914. Studied at The Pennsylvania Academy of the Fine
Arts . Awarded: Cresson Traveling Scholarship, 1935. Represented in public
and private collection. Member: National Academy of Design; National Insti tute of Arts and Letters.
Hobson Pittman
Instructor in Painting and General Critic
Born in Tarboro, North Carolina, January 14, 1900. Studied Pennsylvania
State University, University Park, Pa .; Carnegie Institute of Technology (Art
School), Pittsburgh, Pa.; Columbia University, New York, N.Y. Traveled ex'
tensively abroad in 1928, 1930, 1935, 1948 and 1955·56. Awards: Honorable
Mention San Francisco World's Fair, 1939; Schiedt Memorial Prize, The Pennsylvania Academy of the Fine Arts, 1943; Dawson Memorial Medal, The
P.A.F.A., 1944; Second Prize, San Francisco Palace of Legion of Honor, Ameri.
can Exhibition, 1947; Fourth Clark Prize, Corcoran Gallery of Art, 1948; Third
Prize, Carnegie Institute, American Exhibition, 1949; First Prize, Flower Painting, Butler Art Institute, Youngstown, Ohio, 1950; Saltus Gold Medal, National
Academy of Design; Second W. A. Clarke Prize, Corcoran, 1953; First Prize,
Butler Institute of American Art, 1955; Guggenheim Award for Travel and
Study Abroad, 1955·56; Brevoort-Eickemeyer Prize, Columbia UniverSity, 1960.
Memberships: Philadelphia Water Color Club; Philadelphia Art Alliance; Artists Equity Association; National Academy of Design . Represented in Metropolitan Museum of Art; The P.A.F.A., Whitney Museum of Art; Brooklyn Museum; Phillips Memorial Gallery, Washington; Virginia Museum of Fine Arts;
Nebraska Art Association; Butler Art Institute, Youngstown, Ohio; Cleveland
Museum of Art; Carnegie Institute; Brooks Memorial Gallery, Memphis, Tenn.;
Addison Gallery of American Art, Andover, Mass.; Philadelphia Museum of
Art; John Heron Art Museum, Indianapolis, Ind.; Santa Barbara Art Museum,
Santa Barbara, Cal. ; Wilmington Society of Artists, Wilmington, Del.; International Business Machines Collection of American Painting; Pennsylvania
State University, University Park, Pa.; Montclair Museum of Art, Montclair,
N.J .; Toledo Museum of Art, Toledo, Ohio. Abbott Collection; National Institute
of Arts and Letters. Cranbrook Academy; North Carolina State Museum,
Raleigh, N .C.; Florence Museum of Art, Florence, S.C.; Encyclopedia Britannica Collection.
P.A.F.A. 1952 to present. Awarded the William Emlen Cresson European
Traveling Scholarship in 1928 and 1929; John Simon Guggenheim Memorial
Fellowship in Painting and Graphic Arts 1952; John Gribbel Prize 1942, Print
Club; John Gribbel Honorable Mention , 1944, Print Club; Honorable Mention
American Color Print Society 1943; Third Prize American Color Print Society
1944; Honorable Mention Northwest Print Makers, 1943; Gold Medal Award
Fellowship P.A.F.A. 1949; Mary S. Collins Prize 1950, Print Club; Lessing J.
Rosenwald Prize 1950. Print Club; Harrison S. Morris Prize 1951 , Equity
Regional P.A.F.A .; Honorable Mention Philadelphia Art Alliance 1952; Honorable Mention National Serigraph Society 1953; Thornton Oakley Prize,
P.A.F.A., 1955; Pyramid Club Award, 1960; Zimmerman Prize, P.A.F.A ., 1960.
Represented: Philadelphia Museum of Art, oils and prints; The Pennsylvania
Academy of the Fine Arts and The Capehart Collection, oils. Prints in U.S.
State Department, Brooks Memorial Art Gallery, American University Women 's
Collection, Clearwater Museum. Rosenwald Collection , Butler Institute of
American Art, Rochester Institute of Technology, Woodmere Art Gallery,
Library of Congress, Penn State UniverSity, University of Montana, Fleisher
Art Memorial, Friends Central School, Phila.
Paul Anthony Greenwood
Born in Philadelphia 1921. Studied Pennsylvania Academy of the Fine Arts,
Barnes Foundation , Academie Julien, Paris, Temple University School of Fine
Arts. Assistant to Jo Davidson , 1943. Awarded Board of Education Scholarship, 1939; Rome Collaborative Sculpture Prize, 1942; Stewardson Prize, 1943;
Cresson Traveling Scholarship, 1943; Ware Traveling Scholarship, 1944; Loui s
Comfort Tiffany Award, 1952; Mary Audubon Post Prize, 1953 and 1954;
Pennsylvania Academy Fellowship Gold Medal, 1955. Represented in private
collections in Philadelphia, Trenton and New York. Executed bronze lion for
Sons of Italy Building, Philadelphia , 1955.
Ben Kamihira
Born in Yakima, Washington, March 16, 1925. Studied at Art Institute of
Pittsburgh, Penna .; Pennsylvania Academy of the Fine Arts. Awarded Cresson
Traveling Scholarship, 1951; J. Henry Schiedt Traveling Scholarship, 1952.
First Julius Hallgarten Prize, National Academy of Design , 1952; Louis C.
Tiffany Memorial Scholarship, 1952 and 1958; Lippincott Prize, The PAFA,
1958; John Simon Guggenheim Fellowship in 1955 and 1956; First Benjamin
Altman Prize, National Academy of Oesign , 1958; First Prize, Wilkie -Buick
Regional Exhibition, 1960; Second W. A . Clarke Prize and Silver Medal , Corcoran Gallery of Art, Washington, O.C., 1961. Represented in collections of the
Pennsylvania Academy of the Fine Arts; Whitney Museum of American Art;
Ringling Museum, Sarasota, Florida.
Julius Bloch
Instructor in Painting and Drawing
Born in Baden, Germany, 1888. Studied at The Philadelphia Museum School
of Art, Pennsylvania Academy of the Fine Arts and the Barnes Foundation .
Awarded Cresson Traveling Scholarship 1911-12. Second Tappan, 1912. Philadelphia Print Club Prize, 1933. Honorable Mention, American Painting of
T~day, Worcester Art Museum 1933. First Purchase Prize, Wanamaker Regional Art Exhibit 1934, Yarnall Abbott Memorial Prize, Philadelphia Art Alli ance 1939. Represented in collection P.A.F.A., Philadelphia Museum of Art,
MetropOlitan Museum, Whitney Museum of Am. Art, Corcoran Art Gallery.
Augmenting the Faculty
WILLIAM M. CAMPBElL
Instructor in Perspective and Lettering
JOHN GUARANTE
Instructor in Stone Cutting
ALLEN HARRIS
Instructor in Bronze Casting
Morris Blackburn
THEOOOR SIEGL
Instructor in Graphics and Painting
Technical Advisor and Lecturer in Painting Materials and Techniques
Born Philadelphia, October 13, 1902. Studied at The Pennsylvania Academy
of the Fine Arts; privately with Arthur B. Carles, Jr. Taught: Philadelphia
Museum School of Art 1933-41; Stella Elkins Tyler School of Art 1948-52; The
Lecturer in Anatomy to be announced
The Faculty of the Evening School
(see: Evening School).
IS
available to day students
General Information
Location. The school is located in the very heart of Philadelphia
and h~s ready access to all public transportation serving the city.
Every Important Museum, Gallery, Library, Theater, Music Hall and
College or University is convenient to the Academy, and the
Academy studios are easily reached by the student who might live
at some distance. The building, itself, first occupied in 1876, was
designed for the Academy by Frank Furness and is a nationally
known architectural landmark.
The Academy Galleries. The Academy has a unique permanent col·
lection of American Paintings, Prints and Sculpture that affords the
student an opportunity for direct study of important works of art of
the past and present.
The Annual Exhibitions held by the Academy are of national scope.
They bring to the students the various movements and currents of
contemporary American art, and enable him to be in constant touch
with the newest ideas and techniques. These exhibitions, held al·
most continuously since 1811, are among the foremost in the
country.
Special exhibitions are held in the Galleries throughout the Winter
Season, and in the Spring the works submitted by students in com ·
petition for the many Traveling Scholarships and prizes are on public
exhibition.
Facilities of the School. The building was designed to make the
best use of natural lighting. The major studios are ample with high
ceilings and north light. These are augmented by smaller studios
and areas designated for general criticism, or equipped for special
technical instruction. An art library is at the disposal of students
seeking stimulation or information. Art materials are available in a
well stocked store run by the Academy on the premises.
The Academy does not take any responsibility for the students'
board or lodging. The University of Pennsylvania will assist degree
candidates in the coordinated programs in obtaining dormitory and
approved off·campus housing, while the Academy management ~ill
gladly serve in an advisory capacity to all of its students requesting
assistance.
A detailed statement of the school'S facilities, as required by the
Veterans Administration in connection with Public Law #550 IS
available on request.
Courses
The normal progression of study is in three general divisions: Preliminary, Intermediate and Advanced. All students must, in their
first year, take and pass the following required courses: Perspective
Painting Materials and Techniques. (Exemption by examination.) ,
Preliminary
All students with limited experience will enter the Preliminary
Course. The emphasis is on drawing, media and materials, and
includes: Life Drawing, Cast Drawing, Experimental Drawing, Figure Construction, Painting Design, Still Life, Graphics and Clay
Modeling. I n addition to the studio courses the Preliminary student is required to successfully complete the courses in Painting
Materials and Techniques and in Perspective. Anatomy and History of Art are optional. The normal duration is one year, but the
student with poor work habits may be held for a longer period.
(See below: Registration of Work.)
Intermediate
Either by promotion from the Preliminary program, or by initial
placement on the basis of evident prior experience and performance, the student enters the major studio of his choice; Painting or
Sculpture.
Students will concentrate on perfecting their skills, and will be en couraged to develop their work along self-determined lines. It should
be noted, however, that in order to maintain a record in good standing the student must continue to meet regular monthly registration
of work, as prescribed by the administration. (See below: Registration of Work.)
Painting_ The emphasis in the painting studios is on the study
of the human figure. There are two and three week Life and
Portrait poses in both morning and afternoon sessions throughout
the year. In addition there is instruction in Still Life, Landscape,
Croquis, Water Color Techniques, Composition, and intensive general criticism.
Instruction
The Faculty is composed of professional artists, distinguished in
t~eir fields of activity. The general method of instruction is by individual criticism of studio work. The purpose is to develop the innate
ability of the student and to give him the technical skill to use it.
The Faculty is augmented by assistants skilled in technical specialties, and by instructors and lecturers outstanding in fields allied to
the arts.
Students are privileged to work in departments other than their
own, at no extra fee, by arrangement with the Administrator of the
Schools.
Sculpture. The emphasis in the sculpture studio is on the study
from life of the head and figure, and on the classic media of the
sculptor. Instruction includes Casting in Plaster and Bronze, Tech niques in Ceramics, Sculpture, Stone Cutting and Wood c~rving;
general criticism with regard to Construction and Composition.
There is no pre-determined duration for the Intermediate Course.
Advanced
Students in good standing may be promoted by the faculty to advanced standing when they shall have demonstrated a high degree
of proficiency in the prescribed categories of study, with an empha-
sis on life and portrait. Winners of Cresson, Ware or Schiedt travel·
ing scholarships will receive advanced standing on receipt of the
award, should they not already have achieved it.
Advanced students may work in the Advanced Studio, and in any of
the other studios in the school not set aside for other departments.
NOTE: Advanced students may be freed from regular registration of
work in set categories in order to pursue special projects or emphasize ind ividual inclinations in style, medium, form or content. Permission must be obtained from the faculty by applying in writing
before stated faculty meetings.
Flagrant abuse of the privileges granted to Advanced students will
result in the forfeit of those privileges.
Registration of Work
During the normal course of instruction, members of the faculty
will approve student works of a reasonable standard by stam in
them with their initials and the month. Each month a day is d~Si:
nated for the Registration at the office of work approved during that
month by the faculty. Registration is a quantitive recording for office
purposes and students should make certain of the registration obli gations pertaining to their placement in the program in order to
maintain good standing. Failure to meet registration requirem ent s
will be grounds for disqualification for consideration for promoti on
or admission to competitions.
Advanced students who have been granted speci al registration
privileges, will be expected to continue to work on t he Academy
premises.
Copies of the registration requirements are availa ble in the school
office.
Promotions
All preliminary students in good standing will be promoted automatically to their major departments after one year, unless ex·
pressly detained on the recommendation of th e f aculty. Promotion
to this Intermediate Course is in good measure based on potential.
Intermediate students will be promoted by t he faculty to the Advanced Studio in recognition of their ach ievement, proficiency and
maturity of purpose as demonstrated in the major studios.
Promotion to Advanced Standing is on the basis of work done in the
studios and submitted to the faculty at stated f acu lty meetings.
A week prior to the meeting, the appl icant must stat e his intention
at the office, and must submit one pa inting and one sketch for each
of the categories of Life and Portrait. Promotion in each of the
categories may be attempted separately, but until advan ce ment has
been gained in both the applicant will not be considered an Advanced student.
Any student winning an Academy traveling scholarsh ip will simul·
taneously achieve Advanced Standing subject to fulfillment of the
conditions of the scholarship.
Course Credits
The University of Pennsylvania recognizes a full term of work satisfactorily completed at the Academy as bearing a credit rating of
12 undergraduate semester credits. All students enrolled in the
day school are enrolled as full time students. Day students may
attend the evening classes at no extra cost but receive no additional
credit. Studio sessions are from nine to twelve A.M. and one to four
P.M. and seven to ten P.M., Monday thru Friday.
Coordinated Degree Programs
The University of Pennsylvania offers the degrees of Bachelor of
Fine Arts and Master of Fine Arts to students who have completed
the prescribed professional study at the Academy and the pre·
scribed academic courses at the University.
The privileges and facilities of both Institutions are available to
students enrolled in the coordinated B.F.A. and M.F.A. programs,
who shall also be subject to the regulations of both Institutions.
Candidates for admission to the coordinated courses must meet
the requirements of each institution, but must be accepted and ap·
proved by the Academy before they will be admitted to the Uni·
versity. Please note that the School of Fine Arts of the University
of Pennsylvania also offers its own B.F.A., which is distinct from the
one granted in coordination with the Academy.
B.F.A.
The coordinated program leading to the degree of B.F.A. is nor·
mally five years. To qualify for the degree a student must have
completed in good standing four years (96 s.c.) of professional
study, two years of which must have been in the Academy school.
Up to two years (48 s.c.) may be accepted in transfer from recog·
nized studios or institutions at the discretion of the Academy ad·
ministration. A further condition is election by the Academy Faculty
to advanced standing.
RUTA LlDKUS
While the student is doing his professional work at the Academy he
will also be taking courses at the University that are concentrated
in the humanities, with an emphasis on the history of art. Complete
information about this part of the program is to be found in the
Bulletin of the Graduate School of Fine Arts of the University of
Pennsylvania.
M.F.A.
Students who qualify unconditionally for candidacy for the Coordi·
nated M.F.A. at the University, and who wish to take their profes·
sional work at the Academy, will have completed their Academy
requirement for that degree with the completion of one full year
(24 s.c.) of advanced standing (exclusive of time applied towards
the Coordinated B.F.A.).
Students who have B.F.A. degrees from other Institutions should
understand that, in order to get the M.F.A. degree in the minimum
of one year, they must be admitted directly into the Academy with
advanced standing.
For the University requirements write: Graduate School of Fine Arts
University of Pennsylvania, Philadelphia 4, Penna., or consult thei;
Bulletin.
SOCRATES PERAKIS
ANATOLE
BILOKUR
BERNARD KOZUHOWSKI
,
JOHN MATT
. .,
. T'
'f
.1
'.
,
JACK FISHBE I N
~--- .- .
WALTER HUMANIK
MW'II~II=~
SCHIEDT
Palntfnl
PACKARD
PAUL E. GORKA
CHRISTINE McGINNIS
,
BERNARD FI ERRO
WILLIAM MICHEEL
"
SEYMOUR ROTMAN
PIERRE BROWNELL
\
JOHN G. FAIREY
H. REED ARMSTRONG
JUDY LEET
JAMES A. HAMILTON. III
Scholarships
FREE TUITION
Each year students graduating from Philadelphia public and parochial high schools and vocational-technical schools may compete
for ten full tuition scholarships made available by the Academy
through an agreement with the City Council. Applicants will submit
six examples of work at the Academy in the second week of Decem ber or the second week of May for consideration for the following
term.
A number of scholarships are available annually to graduates of the
city high schools and vocational-technical schools through the
Board of Public Education of the City of Philadelphia.
ALEXANDER HROMYCH
Students already enrolled at the Academy for two terms and in good
standing, and enrolled at the time of application, may apply
to the Academy for free tuition scholarships. Approximately
25 tuition scholarships are available and will be awarded by the
Board of Directors on the recommendation of the Committee on
Instruction and the Academy Faculty. Preference is given to students of merit who otherwise would be unable to pursue their study
in art. The major number of these are made· available each year by
George D. Widener in memory of his father and mother, George D.
Widener and Mrs. Alexander Hamilton Rice, and through John
Lambert and Lewis S. Ware Memorial Funds. Others are made available through bequests of various friends of the Academy to be used
for scholarship aid. The Louise Harrison Memorial Scholarships
given by Thomas S. Harrison in memory of his wife; the Mary R.
Burton Scholarships; the Sarah Kaighn Cooper Memorial Scholarship through the generosity of Mrs. George K. Johnson; the Elizabeth H. Thomas Memorial Scholarship; and the George M. Wiltbank
Scholarships through the bequest of Annie C. Wiltbank.
Applicants for the Academy scholarships must complete the official
form and submit it with four works to the faculty at the December
and April meetings.
H. BARTON WASSERMAN
Holders of Academy scholarships are required to pose in the portrait studios of the school for an assigned period of fifteen hours
annually. Scholarships may be terminated at the discretion of the
Committee on Instruction.
Academy Winter School weeks to their credit, which must have been
accumulated within five (5) years of the date of competition. The
final 32 weeks (two terms) must be spent in the Winter School of
the Academy and must be within the year of competition.
THE WILLIAM EMLEN CRESSON MEMORIAL
TRAVELING SCHOLARSHIPS
By the liberal provisions of the Wills of Emlen Cress~n and pri.scilla
P h' wife a Fund has been created as a memonal to their dec~as~~ son: William Emlen Cresson, Academician, the income fr~m
which is to be applied by The Pennsylvania Academy of ~he Fine
Arts in sending pupils of merit to Europe. These scholarships shall
be awarded under such rules and regulations as shall be adoPt~d
from time to time by the Board of Directors of The Pennsylvania
Academy of the Fine Arts. The award of Cresson Scholarships has
had significant influence on hundreds of recipients over ~any ye~rs
and has been a great boon to this Academy. To emphasize the Importance of these awards and to broaden the advantag.es to o~r
students, and because the Fund realizes very generous Incom~ In
each year, the Management, through its Committee on Instruction,
has established the practice of approving the recommendation of
the Faculty for either first or second awards. These scholarships
were first awarded in 1902.
The award of a Cresson Traveling Scholarship the first time credits
each student with $1,800.00, of which $1,300.00 is used for a
summer of travel and traveling expenses in Europe and the remaining $500.00 is used for Academy tuition for the two terms immediately following. Each recipient is required to return to the Academy
for the continuance of regular studio work, and the registration
requirements for those enjoying study under Cresson Scholarship
will be the same as for all advanced students.
In the case of exceptional merit, and when a very decided improve·
ment is evident, a student may, through the same authority, receive
the award a second time. Competition for a second scholarship
must be entered during the year succeeding the first award, unless
otherwise ruled by the Committee on Instruction on written application. The award of a Cresson Traveling Scholarship the second
time credits each student with $1,300.00 to be used for travel and
traveling expenses, and may be used any time within twenty-eight
months after receipt of the award.
All students must have a complete and unbroken registration record
over the time included in computing eligibility (see "Registration
of Work"). They must also have satisfactorily completed the work
in Materials and Techniques and in Perspective. Delinque~cies
must be satisfactorily explained in writing to the Administrator of
the schools for excuse by the Committee on Instruction and all
financial obligations must be fully paid.
All students entering the competition are required to complete the
official application. All work submitted in competition must be that
which has been done in the Academy classes or for Academy registration. It must be work completed within the last 32 weeks of the
Winter School, and the stamp from monthly registration must be
upon each work exhibited.
All competitors are unrestricted as to amount, size and variety of
work they submit in the competition groups, provided they do not
exceed the space allotted. Each painters group must include one
landscape, one portrait and one life painting, and each sculptor's
group must include a composition. Work must be exhibited un framed and unglazed. If tape or stripping is used to trim unsightly
edges of canvas, it may be used to give order rather than enhance
and must not encroach upon the face of the canvas.
The recipient of a first traveling scholarship must account for a
period of at least 90 days in Europe and an itinerary and financial
report is required for filing in the school office before the first day
of November following the award.
Nine Cresson Traveling Scholarships were awarded In 1960_
The recipient of a second traveling scholarship is granted the sum
in its entirety for travel and traveling expenses and a general accounting must be made and filed in the school office within three
months of the end of its use. The student is not required to return
for another period of study but may apply for free tuition should
additional study be advisable. Use of free tuition under such circumstances may be regulated and arranged with the Administrator of
the schools.
Every student thirty-five years of age or younger at the time of competition, in good health and without knowledge of any physical
condition or any other reason to prevent accepting and properly
using such scholarships is eligible for competition for Cresson
Traveling Scholarships when they each have an aggregate of 96
The Faculty will not recommend awards of traveling scholars~iPs .if,
in its opinion, the work submitted is not of sufficient ment to Justify
such recommendation. A student may not be awarded more than
one traveling scholarship in any given year and is ineligible for
competition after having received two such awards.
THE LEWIS S. WARE MEMORIAL TRAVELING SCHOLARSHIPS
The Lewis S. Ware Memorial Traveling Scholarships in accordance
with the will of the testator, provide European Traveling Scholar.
ships in amount and regulations similar to those of Cresson
Scholarships of that year. These scholarships will be awarded
according to the income available on the recommendation of the
Faculty by the Board of Directors to stUdents of outstanding
merit. These scholarships were first awarded in 1938 and one
Ware Traveling Scholarship was awarded in 1960 representing
an amount of $1,300.00.
THE J. HENRY SCHIEDT MEMORIAL TRAVELING SCHOLARSHIPS
The J. Henry Schiedt Memorial Traveling Scholarships in accord·
ance with the will of Cornelia Schiedt, provides for the award of
Traveling Scholarships according to the income available. The
award of these scholarships will be made on the recommendation
of the Faculty by the Board of Directors to students of outstanding merit. Eligibility for this competition will be based on the same
requirements as set up for Cresson Awards of that year. These
scholarships are not specifically designated for European travel.
It is therefore possible, under certain circumstances, for a com peting student to make application to the Administrator of the
Schools at least three months before the date of competition for
a particular program. These scholarships were first awarded in
1949 and three Schiedt Traveling Scholarships of $1,300.00 each
were awarded in 1960.
The Charles Toppan Prizes. The Charles Toppan Prizes for 1962
are: First Prize, $300.00; Second Prize, $200.00; and one honorable
mention of $100.00. These prizes were established in 1881 by the
gift of Mrs. Charles Toppan, Miss Harriette R. Toppan, and Mr. Robert N. Toppan. The prizes are awarded only to students who have
previously received and used a Cresson Scholarship. Competitors
who fulfill all of the requirements for a second Cresson Traveling
Scholarship will, at the same time, be considered eligible to compete for a Toppan Prize, as will those winning a Ware or Schiedt.
Any student having received one Toppan prize is debarred from
receiving another Toppan prize of the same or lower value. The
work submitted in competition must be an original painting, in oil,
tempera or water color, and the unaided work of the student without
criticism.
Canvases are numbered by the Administrator, and a memorandum
of the numbers and competitors' names is kept in a sealed envelope
which is opened after the prize-winning canvases have been selected
by the Committee on Instruction. According to the posi~ively e~
pressed terms of the gift, the drawing of the work submitted will
receive first consideration. First awarded 1882.
/
Prizes
The Packard Prizes. From the income of the John H. Packard Fund,
established by the children of the late John H. Packard, M.D., for
many years chairman of the Academy's Committee on Instruction,
annual prizes of $30.00 and $20.00 are awarded for the best and
second best groups of original studies made from living animals in
the Zoological Garden. These prizes are open to all students of the
Academy who have registered for both terms of the school year.
A student may not submit more than one set of drawings mounted
on a sheet not to exceed 30 x 40 inches. A student having once
received a prize becomes ineligible to receive the same prize for
the second time. First awarded 1899.
The Edmund Stewardson Prize. The Edmund Stewardson Prize of
$100.00 in Sculpture is awarded at the close of the school year.
This is an annual prize, competed for by students of the Academy
with such pupils of other art schools as may be approved by the
Committee on Instruction. The subject for the competition is a full·
length figure from life in the round. Studies must not be less than
two feet six inches in height, and not more than three feet in
height, and must be made within eighteen hours, during three con·
secutive days, in six sessions of three hours each. A student receiv·
ing one Stewardson Award is ineligible to compete a second time.
No one except the competitors is admitted to the competition room
at any time during the days of the competition. The Jury of Award
consists of professional sculptors, having no official connection
with the Academy, nor any other schools whose pupils may have
taken part in the competition. If no study be satisfactory to the Jury,
the prize may be withheld. When no award is made, the amount of
the prize may, at the discretion of the Board of Directors, be added
to the principal of the prize fund or distributed with future prizes.
The clay models offered in competition must be kept standing in
good condition until otherwise ordered and figures cast by the
Academy become its property. The Competition in the Spring of
1961 was judged by Oranzio Maldarelli. First awarded 1901.
The Thouron Prizes. These awards were founded by the late Henry J.
Thouron, a former instructor in Composition.
A prize of $50.00 and a prize of $25.00 for compositions completed
during the current season are offered, the first to be d~cided by the
Faculty, the second by a vote of the students; and a prize of $50.00
and a prize of $25.00 both to be awarded by the Instructor of the
class. First awarded 1903.
A competitor is not eligible a second time for the same prize, and
cannot receive more than one award the same season. First awarded
1903.
The Ramborger Prize. From the income of a fund established by
the late William K. Ramborger, Esq., as a memorial to his sister,
Aspasia Eckert Ramborger, who was a student of the Academy, an
annual prize of $25.00 is awarded for the best line drawing in black
and white of a head from life by a pupil of the Academy who has
not been under instruction over two years, but who has been regis'
tered in the Academy for both terms of the current school year. Each
competitor may submit one unmounted drawing on white paper
19 by 25 inches in size. Having once received an award, a student
becomes thereafter ineligible to compete again. First awarded 1911.
Perspective Prize. A cash prize has been given each year to that
student who does the most exemplary work in the Perspective
course. This award was instituted by Mr. John Harbeson, instructor
from 1916 to 1955, and is generously carried on by Mr. William
Campbell, the present instructor.
The Stimson Prize. This prize was established in memory of Emma
Burnham Stimson and was created for the award each year of a
prize in sculpture of $100.00 for the best work done by the students
in the regular course of the class. The contest is open to students
who have been registered for three terms and who are members of
the Life Modeling Classes, but is not open to former students who
work in the class by special permission. The subject for competition
is a full·length figure from life, in the round, not less than two feet
six inches in height, and must be made during class hours as a
part of the regular work in the class. The work must be submitted
anonymously to a jury aPPOinted by the Committee on Instruction.
The Jury is not obliged to award prizes or honorable mentions if, in
its opinion, the work submitted is not of sufficient merit to justify
making the awards.
The Competition in the Fall of 1960 was judged by Dorothea Green·
baum, Raphael Sabatini and Gerd Utescher. First awarded 1917.
The Cecilia Beaux Memorial Prize. The gold medals which Cecilia
Beaux r.eceived during her life in recognition of her work as a por·
trait painter have been donated to the Academy by Miss Beaux's
r~sidua~ legate~s and converted into a fund, the income of which
will prOVide a prize to be given for the best portrait painted during
a schO?1 year b~ a student of the Academy. This prize of $100 will
be available at Inter.vals of possibly three or four years and is to be
awarded, when available, by the President with the advice of the
Faculty. Students eligible for the prize must have been enrolled in
the. ~ay classes for two consecutive terms and at the time of com.
petition be members of the advanced portrait class. The award is to
be for the outstanding portrait accomplished within such two terms
then ~urrent and not more than three examples of work may be
submitted. Any student can receive the award but once and it is
particularly stipulated that the award does not need to be made if
in the opinion of the Faculty no work is submitted of sufficient
distinction. First awarded 1946.
The Thomas Eakins Memorial Prize. A prize will be offered for the
best figure canvas painted in the regular life class in the winter
immediately preceding the competition. This prize of $100.00 will
be awarded by the Faculty and is available through the generosity
of Mr. and Mrs. David Gwinn. First awarded 1951.
Philadelphia Print Club Prize is awarded to the best student in the
graphics studio and entitles the winner to a year membership and
free use of the workshop and library of the club. First awarded 1953.
Wanamaker Prize: Through the generosity of the John Wanamaker
Store, Art Supply Department, a prize of $50.00 in art supplies is
awarded each Spring for the best water color submitted to the Fac·
ulty for judgment. First awarded 1954.
Lux Prize in Graphics. This prize is made possible through the gen·
erosity of Mrs. Frances Weeks Lux in memory of John R. Conner,
artist. It will be $50.00 when that amount is available from the
invested principal. First awarded in 1955.
Catharine Grant Memorial Prize: This prize of $100.00 was avail·
able for the first time in the spring of 1955. It will be given for the
best landscape or still life. This prize has been made possible by
funds set up through the sale of paintings from a memorial exhibi·
tion of the work of Catharine Grant, held in the Academy in the fall
of 1954, and from special contributions from her friends to this
fund.
Woodrow Prize in Graphics was awarded for first time in 1955 to a
stUdent in the school proficient in this medium. The prize is made
possible through the generosity of Mrs. Bruce Gill in memory of her
mother, Mabel Wilson Woodrow.
Mindel Caplan Kleinbard Award: Through the generosity of Mrs.
Joseph Caplan, an award of $25.00 in art supplies is presented
each Spring in memory of her daughter Mindel Caplan Kleinbard.
First awarded 1958.
Gimbel Prize: Through the generosity of the Art Supply department
in Gimbels Department Store $50.00 in credit will be given in this
store. The student will be chosen by the faculty for outstanding
work entered in competition each spring. First awarded 1958.
M. Herbert Syme Prize. This prize of $25.00 is made possible
through the generosity of Mrs. Syme and is for a painting or draw·
ing by an advanced student who is considered worthy by the faculty
for such an award. First awarded 1959.
Pesin Prize. This prize of $150.00 is given each year to the student
who has done the most outstanding figure study in oil. The prize is
given through the generosity of Mr. and Mrs. Samuel Pesin. First
awarded in 1959.
The Manayunk Art Alliance Prize: To stimulate a continuity of inter·
est in the artistic and historical background of a district that has
inspired our great landscape painters, this prize of $50.00 will be
awarded to a student for the best landscape of Manayunk. The
selection will be made by the Faculty at a date to coincide with the
annual Manayunk Art Alliance Show, so the prize winning canvas
may be exhibited at that time. First awarded in 1960.
The Higgins Purchase Prize. Through the generosity of Mrs.
Marian Higgins a prize of $200.00 was awarded by a committee
of the Faculty for the first time in the Spring of 1960. It was
given for an outstanding painting in still life completed within
the current School year.
Edna Pennypack Stauffer Memorial Prize. A prize of $100.00 will be
available yearly to be awarded by the Faculty, or a committee of the
Faculty, to a student in the Schools of The Pennsylvania Academy
of the Fine Arts in recognition of excellence in any medium of the
Faculty's choice, and preferably at a time of year other than the
late spring so that the financial advantages may be enjoyed by the
student during the course of his studies. It was further agreed that
the prize could be increased in amount should the investment make
that possible, but no award shall be given in any year when a lesser
amount than $100.00 is available. This prize was established in
1961 by Helen Evans to honor the memory of her beloved friend
Edna Pennypacker Stauffer, 1883· 1956, painter and lithographer
of broad reputation who was a student at the Academy in 1902,
1903 and 1904.
The Gray Prize for Still Life. The prize of $50.00 will be awarded
annually by the Faculty, or a Faculty committee, to a student in the
school of The Pennsylvania Academy of the Fine Arts who has demonstrated superior ability through the painting of still life. The paintings considered must have been done on the Academy premises
during the normal course of the school's activities and the award
.
'
will be made during the year, rather than at the spring exercises.
This prize is made available through the generosity of Mr. and Mrs.
J. Maurice Gray. First awarded in 1961.
Admission
The official application blank must be filled in and returned to
the Administrator of the Schools together with two passport
photographs and FOUR examples of work. No student is eligible
unless he or she is at least sixteen years of age and has completed high school or its equivalent. The Committee on Instruction
reserves the right to limit the number of students under any or
all classifications. (Application blanks available on request.)
FEES. Day School:
Students paying the Day School fees are entitled to all the privileges of the Evening School classes.
Tuition fee per term .
Matriculation fee (paid only on entrance) .
Locker and Library fees per term
Total -
First Term
$250.00
10.00
2.00
$262.00
Tuition fee, all subsequent terms
$250.00
Locker and Library fees per term
2.00
Total -
First two Winter Terms
$514.00
Note: There is a $5.00 fee for late registration.
These fees do not include the cost of any materials, or courses
taken at the University of Pennsylvania.
Payment Regulations_ All fees are payable in advance and no deduction is made for late registration or for absence and no refund
is made for any reason whatsoever, except in the case of a student
under Public Law #550 who, if he fails to enter the course or withdraws or is discontinued therefrom at any time prior to completion,
will have refunded to him any unused balance paid for tuition, fees
and other charges on a pro-rated basis, other than the fee for registration. Official credit or the issuing of transcripts of record will
not be granted by the Academy either to a student or a former
student who has not completely satisfied, in the opinion of the Management, his financial obligations to the Academy.
Non-payment of fees according to the announced dates, as stated
above, shall prohibit such delinquent students from attendance in
all classes and lectures.
New registration cards shall be issued at the beginning of each term
to students at the time of the payment of fees. Admission to classes
by registration card only.
Day classes are held from nine to twelve and from one to five o'clock
five days per week. Evening classes are held from seven to ten
o'clock from Monday to Friday, inclusive. All exceptions are noted
in the Calendar.
Evening School
The Evening School is planned
for those students whose activities or livelihood do not permit
them to attend the day sessions. Students admitted under this
head are not eligible to compete for prizes or scholarships. The
fees are set at a reasonable figure so that many may enjoy the
privilege of drawing. painting or modeling in the Life and Portrait
classes. All day students are entitled to work in the evening
classes without extra fee. The evening classes are conducted five
nights of the week between 7 and 10 o'clock. Schedule of cla!>ses
will be posted. Mr. Roswell Weidner is in charge of the evening
program.
Write to the School office for a brochure on the Evening School.
Faculty
Morris Blackburn
Thomas Gaughan
Ben Kamahira
Jim C. Lueders
Gerd Utescher
Roswell Weidner
Fees:
Matriculation fee (paid only on entrance) .
Locker fee per term
One evening per week (15 weeks)
Two evenings
Three evenings
Four evenings
Five evenings
Summer School
$ 5.00
1.00
35.00
45.00
55.00
65.00
75.00
The Summer School is a six
week day time course, conducted by members of the Academy
Faculty. For information write to the School office.
Credits
Photos-Joseph Nettis
Printing-Falcon Press
•
PENNSYLVANIA ACADEMY
OF THE
FINE ARTS
BROAD AND CHERRY STREETS, PHILADELPHIA 2, PENNA., U.S.A.
