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Title
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1966-1967 School Circular
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Date
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1966
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Creator
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The Pennsylvania Academy of the Fine Arts
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Is Part Of
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RG.03.04.01
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Medium
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digital reproduction
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Language
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eng
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Format
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PDF
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Rights
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Digitized archival materials are accessible for purposes of education and research. We have indicated what we know about copyright and rights of privacy, publicity, or trademark. Due to the nature of archival collections, we are not always able to identify this information. We are eager to hear from any rights owners, so that we may obtain accurate information. Upon request, we will remove material from public view while we address a rights issue.
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extracted text
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PENNSYLVANIA ACADEMY OF THE FINE ARTS
,
CONTENTS
Admission ................ 31
Calendar, 1966-1967 .. . . . ..
2
Course Description . . . . . . .. 16
Degree Program . . . . . . . . . .. 19
Donated Prizes ............ 27
Endowed Prizes . . . . . . .
25
Evening School ......... "
31
Faculty .. . .. .. . . . . . . . . . . ..
5
Fees .. . ................... 31
General Information ..... 29
Grading .................. 18
History of the Academy ..
3
Officers, Board of Directors & Administration ..
4
Prizes and Awards
1964-1965 . .............. 22
Promotions . . . . . . . . . . . . . .. 18
Scholarships . . . . . . . . . . . . .. 21
Credits:
Photos
Siegfried Hal us
Francis Laping
Charles P. Mills and Son
Joseph Nettis
Franklin Shores
M. Wistar Wood
Printing-Falcon Press
1
CALENDAR-1966-1967
Registration-new students ....... Tuesday, Septernber 6
Registration-old students ..... Wednesday, Septernber 7
Classes begin for all students .... Thursday, Septernber 8
Deadline for report frorn returned
traveling scholars . . . . . . . . . . . . . . . . Monday, October
Faculty Meeting for Prornotions ... Monday, October
Stimson Competition opens ........ Monday, October
Stimson judging & award ...... Wednesday, Novernber
17
31
31
23
Thanksgiving holiday ........ Thurs. & Fri., Nov. 24 & 25
Pre-registration, spring term ... Mon.-Fri., December 5-9
End of fall term . . . . . . . . . . . . . . Wednesday, Decernber 21
School closed ........... December 22-Decernber 30, 1966
Registration-new students .... Monday, January 2, 1967
Registration-old students ..... Tuesday, January 3, 1967
Classes begin for all students ..... Wednesday, January 4
Faculty Meeting for Prornotions ... Monday, January 9
Holiday-Washington's Birthday. Wednesday, February 22
Stewardson competition & awards
... Wed., Thurs. & Fri., March 1, 2, 3
Faculty Meeting for Promotions . . . . . Monday, March 6
Deadline for applications for traveling scholarships
... Friday, March 10
Spring Recess . ......... March 18 to March 26, inclusive
Submit applications for scholarships, with work for
scholarship competition before noon .. Wed., March 22
Faculty Meeting for scholarship awards
.. Thursday, March 23
Submit work for spring prizes ......... Monday, April 10
Faculty meeting for spring prizes corn petition
... Thursday, April 13
Holiday-Good Friday . . . . . . . . . . . . . . . . . . . . . . . March 24
Deadline for submission of Toppan prize rnaterials
... Monday, April 24
Pre-registration for fall terrn ..... Mon.-Fri., April 24-28
Cresson Cornpetition placement .. Tues.-Fri., April 25-28
Last Day for studio work ................ Friday, April 28
Toppan prize judging . . . . . . . . . . . . . . . . . . Tuesday, May 2
Judging Cresson Awards ................ Tuesday, May 2
Exercises for awards .................. Wednesday, May 3
End of term . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Friday, May 5
Women's residence closes ............. Saturday, May 13
2
HISTORY
The Pennsylvania Acadexny of the Fine Arts is the
oldest art institution in the United States. Its origin
dates from 1791, when Charles Willson Peale initiated
efforts to organize a school for the fine arts in
Philadelphia. This resulted in the forxnation of the
Columbianum in 1794. In 1795, under the auspices of
that association, the first exhibition of painting in
Philadelphia was held in Pennsylvania's old State
House, better known today as Independence Hall.
The Coluxnbianuxn was ultimately succeeded by the
present Acadexny. In 1805, in Independence Hall,
seventy-one public spirited citizens met for formal
organization. The gathering was a distinguished one
and included the artists Charles Willson Peale, William
Rush, and Rembrandt Peale. At that meeting the
petition for the incorporation of The Pennsylvania
Academy of the Fine Arts was prepared. The charter
was obtained in March of 1806, creating the new
organization "To promote the cultivation of the Fine
Arts, in the United States of America (and to) enlighten
and invigorate the talents of our countrymen."
3
OFFICERS
COMMI'ITEE ON INSTRUCTION
FRANK T. HOWARD-President
ALFRED ZANTZINGER-Vice President
C. NEWBOLD TAYLOR-Treasurer
JOHN W. MERRIAM
Chairman
DIRECTORS
FRANCIS BOSWORTH
MRS. BERTRAM D. COLEMAN
DAVID GWINN
J. WELLES HENDERSON, JR.
R. STURGIS INGERSOLL
ARTHUR C. KAUFMANN
HENRY B. KEEP
JAMES LARGE
JAMES P. MAGILL (emeritus)
HENRY S. McNEIL
JOHN W. MERRIAM
C. EARLE MILLER
EVAN RANDOLPH
EDGAR P. RICHARDSON
HENRY W. SAWYER, 3rd
JOHN STEWART
JAMES K. STONE
C. NEWBOLD TAYLOR
FRANKLIN C. WATKINS
WILLIAM H. S. WELLS
WILLIAM COXE WRIGHT
ALFRED ZANTZINGER
City Representatives
PAUL D'ORTONA
ROBERT W. CRAWFORD
Faculty Representative
HOBSON PITTMAN
Women's Committee Representatives
MRS. GEORGE REATH
MRS. ALBERT M. GREENFIELD, JR.
Director and Secretary
JOSEPH T. FRASER,JR.
Solicitor
WILLIAM H. S. WELLS
4
DAVID GWINN
ARTHUR C. KAUFMANN
JAMES K. STONE
HOBSON PITTMAN
Women's Committee Representative
MRS. GEORGE REATH
ADMINISTRATOR of the SCHOOLS
MORRIS WISTAR WOOD, B.S. M.S.
University of Pennsylvania
Harvard University
Columbia University
STAFF
Registrar and Secretary
CONSTANCE A. TAYLOR
Librarian
ETHEL V. ASHTON
Assistant to the Administrator
FRANCES LEONE
Peale House Manager
JAMES KNIPE
Resident Counselor Women's Residence
MABEL G. COOK
Store Manager
BARBARA LYONS
Attendant
RAYMOND L. MAY
Attendant
LOUIS WAGNER
FACULTY
THE FACULTY is co:mposed of professional artists, distinguished in their fields of activity. The
general :method of instruction is by individual criticis:m of studio work. The purpose is to develop the
innate ability of the student and to give hi:m the technical skill to use it.
The Faculty is aug:mented by assistants skilled in technical specialties and by instructors and
lecturers outstanding in fields allied to the arts.
5
WALKER HANCOCK-Born in St. Louis, 1901. Studied
in the St. Louis School of Fine Arts and The Pennsyl vania Acadezny of the Fine Arts. Doctor of Fine Arts ,
Washington University 1942. Awards: Stewardson Prize,
P.A.F.A., 1921; Cresson Traveling Scholarship, 1922 and
1923; Widener MerrlOrial Gold Medal, P.A.F.A., 1925;
Awarded Fellowship in the Aznerican Acade=y in Ro=e,
1925; P .A. F .A. Fellowship Prize, 1932; Helen Foster
Barnett Prize, National Academy of Design, 1935; National
Sculpture Society Prize for Basrelief, 1941; AnonyInouS
Prize, National Academy of Design, 1949; J. Sanford
Salt us Medal Award, 1953; Art Alliance Medal of Achieve znent, 1953; Herbert Adams Memorial Award, 1954;
Academy Gold Medal of Honor; Proctor Prize, National
Academy of Design, 1959. Member: Architectural League
of New York; The Fellowship of The P.A.F.A.; National
Sculpture Society; National Academy of Design; National
Institute of Arts and Letters. Sculptor-in-Residence ,
American Academy in Rome, 1956-57. Works: John Paul
Jones, Philadelphia; Monumental Rhytons, Girard Col lege Chapel; 4 groups; Soldiers Memorial, St. Louis, Mo.;
Penna. R. R. War Memorial, Philadelphia Busts; Hall of
Fame, N.Y. U.; Library of Congress; Mellon Institute ,
Pittsburgh; American Acadezny of Arts & Letters. Medals :
Air Medal, Air Mail Flyers Medal, Society of Medalists,
1940; FrankP. Brown Medal, Inaugural Medals, 1953, 1957.
ROSWELL WEIDNER-Born in Reading , Pa., 1911.
Studied at The Pennsylvania Acade=y of the Fine Arts,
and the Barnes Foundation. Awarded Cresson Traveling
Scholarship, 1935; First Toppan Prize, 1936; Honorable
Mention Philadelphia Sketch Club, 1936; Terry Art
Institute of Florida, 1952. Fellowship Prize, Pennsylvania Academy of the Fine Arts, 1942; Dawson MeInorial
Medal, Pennsylvania Academy of the Fine Arts Annual
Exhibition 1965. Represented: Reading Museu= , Philadelphia Museum, Pennsylvania Acadezny of the Fine
Arts, Penn State University Prints: Library of Congress,
Metropolitan Museuzn and private collections; One Man
Exhibition: William Penn Meznorial Museum, Harrisburg, 1966.
6
HARRY ROSIN-Born in Philadelphia, December 21,
1897. Studied in The Pennsylvania Academy of the Fine
Arts and in Paris. Awarded: Stewardson Prize for Sculpture. Cresson Traveling Scholarship, 1926; Widener Gold
Med~l 1939; P.A.F.A. Fellowship Prize, 1941. Fellowship
of P.A:F.A.Gold Medal, 1942. Award of $1,000 from American Academy of Arts and Letters, 1946; Gold Me.dal
Award, Philadelphia Regional Show, 1950; Boure~y Pnze,
Audubon Artists, 1956; Deerfield Academy fIgure of
student, 1953; Connie Mack Figure, 1956; Distinguished
Pennsylvania Artist Award, Philade.lph~a Regi~nal Sho:w,
1964; Jack Kelly Memorial, SchuylklllRlver,Phlladelphla,
1965. Represented by work for the French Government on
the Island of Guadeloupe, French West Indies; a building
in Tahiti; The Samuel Memorial, Philadelphia; private
and public collections .
FRANKLIN CHENAULT WATKINS-Born in New York
City, in 1894. Studied in The Pennsylvania Academy of the
Fine Arts. Awarded: Two Cresson Traveling Scholarships,
P.A.F.A.; First Prize, Carnegie International Exhibition,
1931; Bronze Medal, Paris International Exposition, 1937;
Bronze Medal, Musee du Jeu du Paume, Paris, 1938
Corcoran Gold Medal, 1939; Second Prize, Unrestricted
Division, International Art Exhibit, Golden Gate
International Exposition, 1931; Temple Gold Medal,
P.A.F.A., 1944; P.A.F.A. Gold Medal of Honor, 1949;
Retrospective exhibition Museum of Modern Art, N.Y.,
1950, Artist-in-Residence American Academy in Rome
1953-54. Doctor of Fine Arts Degree from Franklin and
Marshall 1954. Citation 1st Philadelphia Festival, Philadelphia Art Alliance Medal of Achievement. Member:
National Institute of Arts and Letters; Advisory Board,
John Simson Guggenheim Memorial Foundation; Associate, National Academy of Design; Life Fellow, American Academy in Rome. Represented: Museum of Modern
Art; Whitney Museum of American Art; Metropolitan
Museum, N.Y.; Corcoran Gallery of Art, Phillips Gallery,
Washington, D. C.; Smith College Collection; Randolph
Macon College; Albright Art Gallery, Buffalo, N.Y .•
Rodin Museum; P.A.F.A., Philadelphia Museum of Art,
Philadelphia, Pa.; Newark Museum; Santa Barbara
Museum; Detroit Institute of Art; Murdock Collection.
Wichita, Kan.; Friends of Art, William Rockhill Nelson
Gallery, Kansas City. Kan.; International Business Machines. Retrospective Exhibition, Phila. Museum of Art.
1964. See catalogue for biographical data to date.
7
JOHN W. McCOY-Born in Pinole, California, 1910 .
Studied Cornell University, B.F.A., Pennsylvan ia
AcadelllY of the Fine Arts, Alllerican School of F on.
tainebleau, France and private studios of N. C. Wyeth
in Chadds Ford, Pa. Student of Landislas M e dgys
and Despujols, Paris. Awarded: Alllerican Water Colo r
Society; 1st Hon . Mention 1946, Obrig Prize 1947 ,
Whitlller Award 1955, Grulllbacker Prize 1958; Audub o n
Artists; Hon . Mention 1948; Grulllbacker Prize 1956; N at.
AcadelllY of Design: Obrig Prize 1951; Philadelphia W ater
Color Club: Pa . Week Exhibition 1st Prize 1951 , Philadelphia Water Color Club Prize 1956; Del. Art C enter
Prizes 1954, 1955; Chester County Art Assn . 1st Prize 1940,
1943; Baltilllore Water Color Club 2nd Prize 1948. M elllber
National Acadellly of Design, Alllerican W a t e r Color
Society, Philadelphia Water Color Club , Audubon A rtists ,
Fellowship P.A.F.A . , Vice President of Willllin gton
Society of Fine Arts. Murals in Nelllours Building , Wil lllington, Del., and Metropolitan Life Insurance Building,
New York City . Represented: Delaware Art Center;
P .A.F . A . , Pa. State Collection, Harrisburg, P a . ; State
Teachers College, West Chester, Pa . ; Newark Museum.,
Montclair Museulll, N.J. ; Tel Aviv Museulll , Israel;
Farnsworth Museulll, Rockland, Maine .
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JOHN HAN LEN-Born January 1, 19 22 in Winfield,
Kansas. Studied at the Pennsylvania Acade lllY of the
Fine Arts , and the Barnes Foundation. Awards : Cresson
Traveling Scholarship 1942; Thouron F aculty P r ize 1942;
Cresson Traveling Scholarship 1943; ROllle Colla b orative
1943; Honorable Mention Toppan 1943; Secon d Toppan
1947; Ware Traveling Scholarship 1950; ROllle Collabora tive 1950; Louis COlllfort Tiffany First Awa rd 1950;
Edwin Austin Abbey Fellowship for Mural 19 5 1; H onor able Mention Da Vinci Art Alliance 1960; H a rrison S.
Morris Melllorial Prize; Fellowship P . A . F.A . 1962 and
1964 ; Popular Prize, Swarthlllore - Rutledge Union School
District , 1964; Honorable Mention , P .A.F.A. A nnual ,
1965. Represented: Library of Congress, Washi n gton,
D.C., The Pennsylvania AcadelllY of the Fine Arts,
Winfield High School, Winfield, Kansas, Reed College
and private collections. Murals for the Budd Company's
Twin City Zephyrs, collaborated with George Harding on
the Audubon Shrine, Mill Grove, Pa. Associate Professor
drawing and painting, Moore College of Art since 1954.
8
WALTER STUEMPFIG-Born in Philadelphia, 1914.
Studied at The Pennsylvania Academy ~f the Fine Arts.
Awarded: Cresson Traveling Scholarshlp, 1935. Repred in public and private collections. Member:
sen te
. .
fAt
National Academy of Design; Natlonal Instltute 0
r s
and Letters.
HOBSON PITTMAN-Born in Tarboro, N.C., 1900.
Studied Pennsylvania State University; Carnegie Institute of Technology (Art School), Pittsburgh, Pa.; Co·
lumbia University. European study and travel. Awards:
Honorable Mention San Francisco World's Fair, 1939;
Schiedt Memorial Prize, P.A.F.A., 1943; Dawson Memorial Medal, P.A.F.A., 1944; Second Prize San Francisco
Palace of Legion of Honor, American Exhibition, 1947;
Fourth Clark Prize, Corcoran Gallery of Art, 1948; Third
Prize, Carnegie Institute, American Exhibition, 1949;
First Prize, Flower Painting, Butler Institute of Amer·
ican Art, Youngstown, 0., 1950; Saltus Gold Medal,
National Academy of Design; Second W. A. Clarke Prize,
Corcoran, 1953; First Prize, Butler Institute of American
Art, 1955; Guggenheim Award for Travel and Study
Abroad, 1955-56; Brevoort·Eickemeyer Prize, Columbia
University, 1960; The Pennsylvania State University Medal
of Honor, 1963. Memberships: Philadelphia Water Color
Club; National Academy of Design. Honorary Member:
International Institute of Arts and Letters; Philadelphia
Museum of Art; The Fellowship of the Pennsylvania
Academy of the Fine Arts. Represented in: Metropolitan
Museum of Art; The Pennsylvania Academy of the Fine
Arts; Whitney Museum of Art; Brooklyn Museum;
Phillips Memorial Gallery, Washington; Virginia Museum
of Fine Arts; Nebraska Art Association; Butler Institute
of American Art, Youngstown, 0., Cleveland Museum of
Art; Carnegie Institute; Brooks Memorial Gallery, Memphis, Tenn., Addison Gallery of American Art, Andover,
Mass . ; Philadelphia Museum of Art; John Heron Art
Museum, Indianapolis, Ind., Santa Barbara Art Museum,
Santa Barbara, Calif.; Wilmington Society of Artists,
Wilmington, Del.; International Business Machines Collection of American Painting; Pennsylvania State University, University Park, Pa.; Montclair Museum of Art,
Montclair, N.J.; Toledo Museum of Art, Toledo, 0.,
Abbott Collection; National Institute of Arts and Letters;
Cranbrook Academy; N.C. State Museum, Raleigh, N.C.;
Florence Museurn of Art, Florence, S.C.; Encyclopaedia
Britannica Collection; Phoenix Museum of Art, Phoenix,
Ariz.; Marion Koogler McNay Art Institute, San Antonio,
Tex. First Retrospective Exhibition: The North Carolina
Museum of Art, 1963.
9
MORRIS BLACKBURN-Born Philadelphia, October 13,
1902. Studied at The Pennsylvania Academy of Fine Arts.,
privately with Arthur B. Carles, Jr. Taught: Philadelphia
Museum School of Art 1933-41; Stella Elkins Tyler School
of Art 1948-52; The P.A.F.A. 1952 to present. Awarded the
William Emlen Cresson European Traveling Scholarship
in 1928 and 1929; John Simon Guggenheim Memorial
Fellowship in Painting and Graphic Arts 1952; John
Gribbel Prize 1942, Print Club; John Gribbel Honorable
Mention, 1944, Print Club; Honorable Mention American
Color Print Society 1943; Third Prize American Color
Print Society 1944; Honorable Mention Northwest Print
Makers, 1943; Gold Medal Award Fellowship P.A.F.A.
1949; Mary S. Collins Prize 1950, Print Club; Lessing J .
Rosenwald Prize 1950. Print Club; Harrison S. Morris
Prize 1951, Equity Regional P.A.F.A.; Honorable Men tion Philadelphia Art Alliance 1952; Honorable Mention
National Serigraph Society 1953; Thornton Oakley Prize,
P.A.F.A., 1955; Pyramid Club Award, 1960; ZiIllmerman
Prize, P.A.F.A., 1960. Represented: Philadelphia Museum
of Art, oils and prints; The Pennsylvania Academy of the
Fine Arts and The Capehart Collection, oils. Prints in
U.S. State Department, Brooks Memorial Art Gallery,
AIllerican University Women's Collection, Clearwater
Museum, Rosenwald Collection, Butler Institute of
American Art, Rochester Institute of Technology, Wood Illere Art Gallery, Library of Congress, Penn State Univer sity, University of Montana, Fleisher Art Memorial,
Friends Central School, Phila.
PAUL ANTHONY GREENWOOD-Born in Philadelphia,
1921. Studied Pennsylvania Academy of the Fine Arts,
Barnes Foundation, AcadeIllie Julien, Paris, Temple
University School of Fine Arts. Assistant to Jo Davidson ,
1943. Awarded Board of Education scholarship, 1939;
Rome Collaborative Sculpture Prize, 1942; Stewardson
Prize, 1943; Cresson Traveling Scholarship, 1943; Ware
Traveling Scholarship, 1944; Louis Comfort Tiffany
Award, 1952; May Audubon Post Prize, 1953 and 1954;
Pennsylvania Academy Fellowship Gold Medal, 19~5.
Represented in private collections in PhiladelphIa,
Trenton and New York. Executed bronze lion for Sons
of Italy Building, Philadelphia, 1955.
10
HOMER JOHNSON-Born in Buffalo, ~ew York, December 24,1925. studied at The Pennsylvanla Academy of The
F'
Arts and The Barnes Foundation. Awarded Cresson
T~~~eling Scholarship in 1951. Louis Comfort Tiff~ny
award in 1959. Represented in the Permanent Collec~lon
of P.A.F.A. and in private collectlons. Member: AmerIcan
Water Color Society.
JIMMY C. LUEDERS-Born July 4, 1927 in Jacksonville,
Florida. After serving in the United States Navy he
studied at the Pennsylvania Academy of the Fine
Arts; Granger Prize, 1949, The William Emlen Cresson
Memorial Traveling Scholarship, 1950, The Henry
Schiedt Memorial Scholarship, 1951, and The First
Toppan Prize, 1951. Honorable Mention at the Terry
Art Institute, 1952, Third Hallgarten Prize at the 127
Exhibition of National Academy of Design, 1952, the
May Audubon Post Prize. Represented in the American Federation of Arts Exhibition "Art Schools U.S.A."
Represented in Tyler Art School of Temple University and
private collections.
DANIEL D. MILLER-Born in Pittsburgh, 1928. B.F.A.
Lafayette College 1951, Pennsylvania State University
summer painting classes under Mr. Hobson Pittman,
The Pennsylvania Academy of the Fine Arts 1955-1959,
M.F.A. in Painting The University of Pennsylvania 1958.
Cresson Traveling Scholarship 1958, Katzman Prize,
Print Club 1958, Young Watercolorist's Prize, Art Alliance
1959. Honorable Mention oil, Delaware Annual 1959.
Prize oil, Delaware Annual 1960, May Audubon Post
Prize 1961, included in Prize Winning Paintings 1962,
Prize watercolor, Delaware Annual 1963, Paintings owned
by ~he Pennsylvania. Academy of the Fine Arts, Universlty of Pennsylvanla Library, Wilmington Society of
the Fine Arts, Manitowoc Museum, The Pennsylvania
State University. Prints, Philadelphia Museum of Art,
Princ~ton U~ive~sity Library, Dickinson College, Philadelphla Pubhc Llbrary, Friends Select School.
11
JULIAN LEVI-Born in New York, 1900. Studied at the
Pennsylvania AcadeInY of the Fine Arts and for five years
in France and Italy. Resides in East Hampton and New
York City. Currently teaches also at the Art Students
League of New York and is Director of the Art Workshop
of the New School for Social Research. Awards: Cresson
Traveling Scholarship P.A.F.A., 1920; KohnstaInIn Prize,
Art Institute of Chicago, 1942; NorInan Wait Harris
Medal, Art Institute of Chicago, 1943; Carnegie Institute,
Honorable Mention, 1945; Pepsi-Cola Prize Portrait of
AInerica, 1945; Obrig Prize, National AcadeInY of Design,
1945; University of Illinois, 1948; East HaInpton Regional
Prize, 1952; Pennsylvania AcadeInY of the Fine Arts,
Fellowship Prize, 1954; National Institute of Arts and
Letters Grant, 1955. Elected to National Institute of
Arts and Letters, 1960, TeInple Gold Medal, P.A .F.A.
Annual, 1962. Retrospective exhibitions at Boston University and New Britain MuseuIn, 1962. MuseuIn Representations: Metropolitan MuseuIn of Art, Whitney
MuseuIn of AInerican Art, MuseuIn of Modern Art,
Detroit Art Institute, Chicago Art Institute, Toledo
MuseuIn, Springfield MuseuIn of Art, Albright Museulll ,
New Britain MuseuIn, Newark Museum, Pennsylvania
AcadeInY of the Fine Arts, Walker Art Gallery, Cranbrook
AcadeInY, Encyclopaedia Britannica, Des Moines Art
Center, Butler Institute of AInerican Art, Norton Museum,
WilInington MuseuIn, University of Arizona, University
of Georgia, University of Illinois, Michigan State Uni versity, Santa Barbara MuseuIn, University of Nebraska,
Scripps College, ClareInont, California; Johnson Collection, Reed College. Author: Modern Art: An Introduction,
published 1961 by PitInan Publishing Corp.
II
....
12
LOUIS B. SLOAN-Born in Philadelphia, June 28, 1932.
Studied at the Pennsylvania AcadeInY of the Fine Arts.
Awarded Cresson Traveling Scholarship, 1956; Second
prize, Wilkie Buick Regional Exhibition, 1960; Awarded
Louis COInfort Tiffany grant, 1960, 1961. Received the
Jennie Sesnan Gold Medal, The Pennsylvania Acadexny
of the Fine Arts, 1962; The EInily Lowe grant, 1962; John
SiInon Guggenheim Fellowship, 1964. Represented in the
permanent collection of the Pennsylvania Acadexny of
the Fine Arts, and in private collections.
MARSHALL GLASIER-Born in Wauwatosa, Wisconsin,
in 1902. Teaches IYlaster classes in life drawing at the
Art Student's League and at the New School for Social
Research, New York City. Studied for five years with
George Grosz: Also with Nicolaides and McNulty. Grantin~aid froIYl the Bjorksten Research Laboratories, 1951-52.
Artist-in-resident at Reed College, 1952-53. Has had five
one-IYlan shows in New York City, including one at the
Julian Levy Gallery and one at the GrahaIYl Gallery in
May, 1962. Other one-IYlan shows include those at the
KalaIYlazoo Art Institute, the Milwaukee Art Institute,
the University of Wisconsin, and Reed College. Has also
been consistently represented in the leading national
IYluseuIYl exhibitions.
LEON KELLY-Born: Philadelphia, Pa., in 1901 of
Spanish-Irish descent. Studied under Jean Auguste
Adolphe, Alexandre Portinoff, Arthur Carles and Earl
Horter. Horter's interest in CubisIYl, his private collection of paintings and books and his friendship for Kelly
strongly influenced the abstract paintings of the early
years (1919-1925). Lived in Paris 1924-30. Thereafter
several periods of work in France, Spain, Portugal, North
Africa. Awards: Cresson Traveling Scholarship froIYl the
Pennsylvania AcadeIYlY of the Fine Arts, Philadelphia in
1924; WilliaIYl and Nora Copley award, 1958. One IYlan
exhibitions: Galerie du PrinteIYlps, Paris, 1926; ConteIYlporary Arts, N. Y., 1933: Julian Levy, New York (5 oneIYlan shows), 1942, 1944, 1945; Hugo Gallery, New York,
1950 (3 one-IYlan shows); Galeria AIYlici de Francia,
Milano, Italy, 1954; Edwin Hewitt Gallery, New York,
1956; Alexandre Iolas Gallery, New York, 1959, 1961 (oneIUan shows); Long Beach Island Foundation of Arts and
Sciences, New Jersey, 1962; Zabriskie Gallery, New York,
1963; (also one-IYlan shows in Philadelphia). Group
Exhibitions: Galerie Fabre, Paris, 1927 with Fautrier and
others: European International, 1927 (French Section);
Galeris van Leer, Paris, 1928; Century of Progress, World's
Fair, Chicago, 1933; College Art Ass'n., 1933; Traveling
Show Italian Ballet: Julian Levy Gallery, 1944, 'IIYlagery
of Chess'; California Palace of the Legion of Honor, 1945;
Hugo Gallery, New York, 1950 with Cecil Beaton; Hugo
Gallery, 1950 with Matta and BellIYler: also included in
Annuals, Whitney MuseuIYl, Carnegie, Nebraska, Carnegie
International, Philadelphia MuseuIYl of Art, Worcester
and others. Public collections: MuseuIYl of Modern Art,
New York; Whitney MuseuIYl, Wadsworth AtheneuIYl,
Connecticut: Munson-WilliaIYls Proctor Institute, Utica,
New York: Addison Gallery, Phillips AcadeIYlY, Andover,
Massachusetts: Philadelphia MuseuIYl of Art, Philadelphia; Metropolitan MuseuIYl of Art, New York: University
of Nebraska, Lincoln, Nebraska: Tel Aviv MuseuIYl, Israel:
La France Institute, Philadelphia, Pennsylvania AcadeIYlY
of the Fine Arts, Philadelphia. Retrospective 1920-65, February 1965 at International Gallery, BaltiIYlore, Maryland.
13
ALLEN HARRIS-Born in St. Louis, 1924. Studied at the
Pennsylvania AcadeInY of the Fine Arts, Barnes Foundation, Washington and Jefferson College, and the Univer sity of Pennsylvania. Awarded Cresson Traveling Scholar ship, 1950; Louis COInfort Tiffany Foundation Grant ,
1951; Fellowship Gold Medal froIn P.A.F.A., 1952; Helen
Foster Barnett Prize fro In The National AcadeIny of
Design, 1957; Da Vinci Gold Medal froIn the Da Vinci Art
Alliance, Philadelphia, 1958 and 1962; ROIne Prize Fellow ship fro In the AInerican AcadeIny in ROIne, 1958, 1959,
1960; SaInuel Finley Breese Morse Medal, froIn the
National AcadeInY of Design, 1963. Represented by
portraits at Penn State University and in the Swedish
AcadeInY in ROIne, in the Cortile d'Onore at POInpeii,
and in private collections in Italy, Sweden, and through out the United States. MeInber of the National Sculpture
Society.
KARL O. KARHUMAA-Born in Detroit, Mich. , 1924.
Studied Wayne University, B.F.A., Syracuse University,
M.F.A., and The Pennsylvania AcadeInY of the Fine Arts.
Awards: Tiffany Foundation Award, 1954; Eastern Michigan University Invitational Exhibition Purchase Award,
1963. Exhibitions: Detroit Institute of Art, Syracuse
MuseuITl of Fine Art, ColuInbus MuseuIn of Fine Art,
Phillips Mill, New Hope, Pa.
14
GEORGE SKLAR-Born in Philadelphia, Pa., 1905. Studied
at Pennsylvania Museum and School of Industrial Art,
Beaux Arts, France, Germany and Italy, Yale University
School of the Fine Arts, B.F.A. and M.F.A., Assistant to
A. A. Weiman, Herman McNeil, and W. W. Hancock.
Taught at Pennsylvania Museum School of Industrial
Art , Yale School of Fine Arts, Rutgers University,
Parsons School of Design, at present Professor of Drawing and Sculpture at Moore College of Art. Member of
Philadelphia Water Color Club, Philadelphia Print Club,
Philadelphia Zoological Society, Academy of Natural
Sciences, American Museum of Natural History, Life
Fellow of the International Institute of Arts and Letters.
Represented in "Dictionary of the Arts" by Martin Wolf,
International Directory of the Arts, Berlin, Germany,
American Mathematical Society, Douglas Campus, Rutgers University, "Drawings of the Masters, American
Series", Philadelphia Museum of Art and private collections, "Fauna" Magazine. Awards: Philadelphia Board
of Education Art Scholarship 1923; Pennsylvania MuseuIn
School of Industrial Art Prize in Life Drawing and Life
Modelling 1927; Pennsylvania Museum and School of
Industrial Art European Travelling Scholarship 1927;
Paris Prize and Tiffany Foundation Award 1931-1933;
Fellowship to Yale School of Fine Arts; First Mention
in Winchester Fellowships and Rome Collaborative
Sculpture Prize 1933-1937.
JACK LEVINE-Born in Boston, January 3,1915. Studied
with Denman W. Ross; Harold Zimmerman. Awarded
Guggenheim Fellowship, 1945, 1946; Academy of Arts and
Sciences Grant, 1946; Honorary degree, D.F.A. Colby
College , Waterville, Me., 1957. Represented in the Metropolitan Museum of Art; Museum of Modern Art; Addison Gallery of American Art, Andover, Mass.; Univ. of
Nebraska; Portland, Ore. Museum of Art; Walker Art
Center; Univ. of Arizona; Whitney Museum of American
Art; Art Institute of Chicago.
15
ression of study is in three general
The norIlla I prog
.
d Ad vance.
d
'
Illinary.
InterIlledlate
an
divisions: Prell
PRELIMINARY COURSE-All student.s with li~ite.d
.
enter the PreliIllinary StudlOS. Drawlng lS
experlence
I
f
' t'ln g .
.
d
s
well
as
the
fundaIllenta
s
0
paln
eIllp h aSlze a
.
CI
scul ture and graphics. Still Life. Cast D~awlng.
.ay
Mod~ling. Graphics, ExperiIllenta~ Drawlng a:n~ Llfe
Painting are subjects of instructlOn. In addltlon to
lso
these studio courses. two lecture ,c,?ll;rses are
, d . If PreliIllinary students antlclpate
carrylng
requlre
.
h I
on their study for cOIllpetitions for ,pr~zes. sc o. arin .
the Prehmlnary
perIod.
h'
SIpS,
e tc ., they IlluSt'
.
d'
ttend with regularity and achleve passlng gra e~ ln
:he one hour per week courses i~ Painting MaterI?,ls
and Techniques and in LetterIng and Perspectlve
Lecture courses in Art History, AnatoIlly an<:i the
discussion of Literature in Relation to Art are opt~onal.
The norIllal duration of the Preliminary course lS two
terIllS. Faculty action will deterIlline advancement to
the Intermediate Course.
a:
INTERMEDIATE COURSE-Either by proIllotion from
the PreliIllinary program or by initial placement on the
basis of evident prior experience and performance. the
studen t enters the maj or studio of his choice: Painting.
Sculpture or Graphics. The Intermediate student has
the opportunity through concentrated ~ffort a,nd
faculty help. to develop technical skills wlth an Individual approach. It should be noted. howev,er. that
in order to maintain a record in good standlng. the
student must Illeet regular monthly registrations of
work as prescribed by the adIllinistration.
Note: There is no pre-determined duration for the
Intermediate Course.
ADVANCED COURSE-Students in good standing
Illay be promoted by the faculty to Advanced standing
when they shall have demonstrated a high degree of
proficiency in the prescribed categories of study under
the heading of PreliIllinary and Intermediate. Winners
of Cresson. Ware or Schiedt Traveling Scholarships
will achieve Advanced standing on receipt of such
awards. should they not already have been so proIlloted.
Advanced students Illay work in the Advanced studios
and in any other studios in the School. Advanced
students are freed from regular registration of work in
set categories in order to pursue special projects or
elllphasize individual inclinations in style. medium.
forIll or content. but will be expected to continue to do
their major work on the AcadeIllY preIllises. Their
work. however. intended for use in all competitions
IllUst be approved and recorded by at least two mem16
bers of the faculty. This privilege does not apply to
those registered in the coordinated course as they
IllUSt be graded by a least four instructors at the end
of each term.
COURSES
PAINTING- SCULPTURE-GRAPHICS
PAINTING-The emphasis in the painting studio is on
the study of the human figure. There are two- and
three-week Life and Portrait poses in both Illorning
and afternoon sessions throughout the school year .
In addition. the student may obtain instruction and
criticism in Still Life. Landscape. Croquis. and Composition. Each student registers one portrait and one
life painting each month with his instructor or in
the school office.
SCULPTURE. Sculpture students also concentrate on
the study of the human figure. Life and portrait classes
supply the basic fundamentals for the appreciation of
fonn. Instruction also includes the solving of problems
in composition. in the round and in relief. plaster.
lead and bronze casting. wood carving. stone cutting.
welding and an introduction to the art of lettering.
Each sculpture student registers work each Illonth
with an instructor in accordance with posted regulations. There is no division in the sculpture department
between those recorded as Intermediate or Advanced .
Sculpture students are responsible to posted sc~e
dules for variations in the regulations concernlng
registration.
.
All sculptors competing for the overseas schola~shlps
must pass the course in Lettering and Perspectl,v~ by
the end of their second year. in order to be ehglble
for competition at the end of their third year.
.
The use of a private studio at the Peale House l~ a
special privilege granted by the administration wlth
the advice of the faculty. and can be rescinded at the
discretion of the Administration when it is felt that
this privilege is not being properly used. Welding, ~nd
Lead Casting can be done only under the supervlslon
of an instructor.
REGISTRATION REQUIRED EACH MONTH
One Head and One Figure.
.
One Sculpture or Composition of any klnd.
(with or without the use of a model)
Five Drawings.
GRAPHICS MAJORS-Students ITIay elect Graphics
as a ITIajor field of study after their first year. Such
students will be assigned to a painting group in the
InterITIediate Studios, and will be expected to ITIaintain
regular registrations in painting figure and portrait.
All tiITIe available after these ITIiniITIuITI painting
req uireITIents have been ITIet ITIay be spent in the
Graphics studios. Graphics work ITIay be presented
to painting instructors for registration if such portraits or life studies are acceptable to the painting
instructors to whoITI the student is assigned.
REGULATIONS-This AcadeITIY, through its long
history has realized that ITIaxirnuITI freedoITI is an
asset in the fostering of creative effort. The liITIited
regulations outlined in this catalog and as posted in
the School are ITIeasures to achieve order and ITIaintain
pertinent inforITIation for record, and cOITIpliance will
constitute "good standing".
A ITIiniITIuITI of four grades IS required In order to
secure significant averages.
GOOD STANDING-In order t o ITIaintain good standing students ITIust register a fin i s h ed w o rk with each
instructor each IT\onth during their terITIS in PreliITIinary and InterITIedia te s t udi o s, and ITIust request
grades froITI all their assigne d i nst r uctors at the end
of each terITI .
Flagrant abuses of the pri vileges gran ted to Advanced
students will result in the forfeit ure of t hese privileges .
Students ITIay advise the S c hool o f fice in writing if
they wish no detailed records k ept. T o be eligible,
however, for the ITIany School t uit i o n scholarships
and prizes, for credits if degrees are involved and ,
particularly, for cOITIpetition for E uropean ~rav~ling
Scholarships, Good Standing ITIust be ITIalntall~ed.
Students in this category cannot secure transcnpts
of record in future years . Dra ft d e f e r ITIent request
forITIs will not be granted to students in this category.
REGISTRATION OF WORK - During the norm.al
course of instruction ITIeITIbers of the faculty will
criticise student work. Each ITIonth every student
should subITIit at least one piece of fini s h e d wor k to
each of his instructors for registra tion . The instructor
will initial these finished pieces for registra tion in the
School office or keep his own record book fo r s u c,h
work. All registrations becoITIe a part of the s t udent s
perITIanent file.
17
GRADING-Grading is required for students in the coordinated degree programs. all holders of scholarships
and those receiving Veterans assistance. For all others
grading is optional. Students m?-y be graded b:y the
faculty on the basis of work submItted at. stated tImes.
due notice being given by the School offIce.
Note: Advanced students who are not on scholarship
or working for the BFA degree are freed from regular
registration of work in set c~teg~:Jri~s .in ord~r t,:, pu:sue
special projects or emphasIze IndIvIdua.1 InclInatIons
in style. medium. form or content but wIll be expected
to continue to do their major work on the Academy
premises.
PROMOTIONS- All Preliminary students in good
standing will be eligible for promotion to their major
departments of choice when they have completed two
terms. Promotions will be In:ade through action of the
faculty and only those in the higher brackets of
grades will be chosen. Faculty meetings are scheduled
throughout the season and students in the Preliminary course who have evidence of prior experience
and performance may apply for prornotion at such
rneetings. Should favorable action be taken registration requirernents will have to be adjusted with the
School Adrninistrator and will chiefly affect studio
assignrnents. Such prornotion within a school season
will not cancel out the necessity for satisfactory completion of the courses in Painting Materials and
Techniques and in Lettering and Perspective.
Interrnediate students will apply at these sarne
rneetings to be prornoted by the faculty to the Advanced Studio in recognition of their achievement.
proficiency and rnaturity of purpose as dernonstrated
in the rnajor studios. A week prior to the rneeting.
the applicant rnust declare his intention to apply.
One painting and one sketch for each of the categories
of life and Portrait rnust be subrnitted.
Any student winning an Acaderny traveling scholarship will sirnultaneously achieve Advanced Standing
subject to fulfillrnent of the conditions of the
scholarship.
COURSE CREDITS-The University of Pennsylvanh
recognizes a full terrn of work satisfactorily cornpleted
at the Acaderny as bearing a credit rating of 12 undergraduate sernester credits. All students enrolled in the
day school are enrolled as full tirne students. Day students rnay attend the evening classes at no extra cost
but receive no additional credit.
Credit is not granted for subjects taken In which
the student has not been graded.
(By special arrangernent certain evening and sumrner
school courses rnay be accredited.)
Studio sessions are frorn 9:00 A.M. to 12:00 N. and
1:00 P.M. to 4:00 P.M. and 7:00 P.M. to 10:00 P.M.
Monday through Friday. Lecture courses are scheduled
frorn 4:30 to 5:30 Monday through Friday.
18
The Graduate School of Fine Arts of the University
of Pennsylvania offers the degree of Bachelor of Fine
Arts to Students who have completed the prescribed
professional study at the Academy and the prescribed
academic courses at the University. The privileges and
facilities of both institutions are available to students
enrolled in the coordinated B.F.A. program who shall
also be subject to the regulations of both institutions.
Candidates for admission to the coordinated courses
must meet the requirements of each institution but
must be accepted and approved by the Academy before
they will be admitted to the University. PLEASE NOTE
that the Graduate School of Fine Arts of the University
of Pennsylvania also offers its own B.F.A. and M.F.A .
through a program distinct from the one coordinated
with the Academy.
COORDINATED DEGREE PROGRAM
The coordinated program leading to the degree of B.F.A.
is normally five years. To qualify for the degree a student
must have completed in good standing four years (96
s. c.) of professional study, two years of which Inust
have been in the Academy school. Up to two years
(48 s. c.) may be accepted in transfer from recognized
studios or institutions at the discretion of the Academy
administration. A further condition is election by the
Academy Faculty to advanced standing.
Students in this program must maintain an unbroken
record of monthly registration of work, and at the end of
each term attain a grade of B- or better.
Students with defective records, after promotion to
advanced studio, may request special consideratio~ for
waivers, in writing. The faculty may grant such wa1vers
in cases of special merit.
While the student is doing his professional work at
the Academy he will also be taking courses a~ ~he U~i
versity that are concentrated in the huma.n1t1es, w~th
an emphasis on the history of art. Complete 1nforI?at1On
about this part of the program is to be found 1n the
Bulletin of the Graduate School of Fine Arts of the
University of Pennsylvania.
During his fifth year, the student will take related
professional courses as a student in the Graduate School
of Fine Arts.
All initial correspondence in regard to the coordinated
program should be addressed to the Acade=y at Broad
and Cherry Streets, Phila., Pa. 19102
19
SCHOLARSHIPS AND PRIZES 1964-1965
20
CRESSON MEMORIAL SCHOLARSHIPS
PHILADELPHIA PRINT CLUB PRIZE
Henry Widmaier
PAINTING
WANAMAKER AWARD
James P. Stegall
Murray Dessner
Barbara L. Heisxnan
Patricia P. Hill
John E. Jonik
Edward F. Maher
David C. Meade
Rhoda F. Rosenberg
SCULPTURE
Jaxnes C. Toatley, Jr.
Mary S. Zityniuk
LEWIS S. WARE MEMORIAL
SCHOLARSHIP
Nancy H. Stockton
SCHIEDT MEMORIAL SCHOLARSHIPS
Joyce H. Galanaugh
Jaxnes P. Havard
Louise Tucker
SKOWHEGAN SCHOOL OF PAINTING
AND SCULPTURE SCHOLARSHIP
Barbara L. Sosson
JOHN R. CONNOR MEMORIAL PRIZE
IN GRAPHICS
Paul H. Kane, Jr.
CATHARINE GRANT MEMORIAL PRIZE
John E. Jonik
WOODROW PRIZE IN GRAPHICS
Katharine Protassowsky
MINDEL CAPLAN KLEINBARD AWARD
Jaxnes P. Havard
GIMBEL PRIZE
Paul H. Kane, Jr.
CHARLES TOPPAN PRIZES
Clayton W. Anderson
Suzanne Clifford
Carol L. Cohen
Paul H. Kane, Jr.
Harvey J. Silverxnan
Barbara L. Sosson
MARION HIGGINS PRIZE
Barbara L. Heisman
Louise Tucker
Nancy H. Stockton
PACKARD PRIZES
Clayton W. Anderson
Ponny Resnick
MARY TOWNSEND AND WILLIAM
CLARKE MASON AWARD
Siegfried M. Halus
STEWARDSON PRIZE
Nancy Schade
PERSPECTIVE PRIZE
Robert G. Stauffer
THOURON PRIZES
Murray Dessner
Louise Tucker
James P. Havard
Barbara Yochuxn
RAMBORGER PRIZE
Susan Barney Staples
STIMSON PRIZE
Mary Zityniuk
M. HERBERT SYME PRIZE
James P. Havard
J. MAURICE GRAY FOUNDATION
PRIZE FOR STILL LIFE
Carol A. Cutler
ELEANOR GRAY PRIZE
Nancy Grigsby
QUAKER STORAGE PRIZE
J axnes P. Stegall
CECILIA BEAUX MEMORIAL PRIZE
Barbara Heisman
LAMBERT AND EMMA WALLACE
CADWALADER PRIZE
Ross M. Merrill
THOMAS EAKINS MEMORIAL PRIZE
Joyce Galanaugh
EDNA P. STAUFFER PRIZE
Katharine Protassowsky
21
THE WILLIAM EMLEN CRESSON MEMORIAL
TRA VELING SCHOLARSHIPS
By the liberal provIsIOns of the Wills of Emlen Cresson
and Priscilla P., his wife, a Fund has been created as a
memorial to their deceased son, William Emlen Cresson,
Academician, the income from which is to be applied by
The Pennsylvania Academy of the Fine Arts in sending
pupils of merit to Europe. These scholarshIps shall be
awarded under such rules and regulations as shall be
adopted from time to time by the Board of Directors of
The Pennsylvania Academy of the Fine Arts. The award
of Cresson Scholarships has had significant influence on
hundreds of recipients over many years and has been a
great boon to this Academy. To emphasize the importance
of these awards and to broaden the advantages to our
students, and because the Fund realizes very generous
income in each year, the Management, through its
Committee on Instruction, has established the practice
of approving the recommendation of the Faculty for
either first or second awards. These scholarships were
first awarded in 1902.
The award of a Cresson Traveling Scholarship the first
time credits each student with $2000.00 of which $1450.00
is used for a summer of travel and traveling expenses in
Europe and the remaining $550. is used for Academy
tuition for the two terms immediately following. Each
recipient is required to return to the Academy for the
continuance of regular studio work in an additional year
as an advanced student. He is expected to help set high
professional standards among our students after his
return from Europe. In cases of exceptional merit,
and when a very decided improvement is evident, a student may, through the same authority, receive the
award a second time. Competition for a second scholars~ip must be entered during the year succeeding the
fIrst award, unless otherwise ruled by the Committee on
Instruction on written application. The award of a
Cresson Traveling Scholarship the second time credits
each student with $1450. to be used for travel and
traveling. expenses, and may be used any time within
twenty-eIght months after receipt of the award.
Edward F . Maher
NINE CRESSON TRAVELING SCHOLARSHIPS WERE
AWARDED IN 1965-Every student thirty-five years of
age or ?"ounger at the time of competition, in good health
and WIthout knowledge of any physical condition or any
other reas.on ~o pz:e~ent accepting and properly using such
sc~olarships IS elIgIble for competition for Cresson TravelIng Scholarships. Competitors must have an aggregate
of 96 Academy Winter School weeks to their credit,
Louise Tucker
22
which must have been accumulated within five (5) years
of the date of competition. The final 32 weeks (two ter:ms)
must be spent in the Winter School of the Acade:my and
must be within the year of co:mpetition.
All inter:mediate students :must have a co:mplete and
unbroken registration record over the ti:me included in
computing eligibility (see "Registration of Work").
Painters and Graphics Majors :must also have satisfactorily co:mpleted the work in Materials and Techniques
and in Lettering and Perspective. Sculptors :must :meet
the require:ments of the Sculpture faculty. All financial
obligations llluSt be fully paid.
All students entering the cOlllpetition are required to
complete the official application. All work sublllitted in
competition llluSt be that which has been done in the
Acadellly classes or for Acadellly registration. It lllUSt be
work completed within the last 32 weeks of the Winter
School.
Rhoda F . Rosenberg
All competitors are unrestricted as to alllount, size and
variety of work they sublllit in the competition groups,
provided they do not exceed the space allotted. Each
painter's group lllust include one landscape, one portrait
and one life painting, and each sculptor's group must
include a composition. Work :must be exhibited unfrallled
and unglazed. If tape or stripping is used to trim unsightly edges of canvas, it :may be used to give order
rather than enhance and must not encroach upon the
face of the canvas.
The recipient of a first traveling scholarship :must account
for a period of at least 90 days in Europe and an itinerary
and financial report is required for filing in the school
office before October 17.
The recipient of a second traveling scholarship is granted
the sum in its entirety for travel and travel expenses
and a general accounting lllUSt be made and filed in the
school office within three :months of the end of its use.
The student is not required to return for another period
of study but may apply for free tuition should additional
study be advisable. Use of free tuition under such circumstances lllay be regulated and arranged with the Adminis trator of the schools.
The Faculty will not recommend awards of traveling
scholarships if, in its opinion, the work sublllitted is not
of sufficient merit to justify such recom:mendation. A
student lllay not be awarded more than one traveling
sch?l.a rship in any given year and is ineligible for COlllpetltlon after having received two such awards.
Jamee c. Toatley. Jr
23
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J anle8 Havard
THE LEWIS S . WARE MEMORIAL TRAVELING
SCHOLARSHIPS-The Lewis S. Ware Memorial Traveling Scholarships in accordance with the will of the
testator provide European Traveling Scholarships in
amount and under regulations similar to those of
C:esson Scholarships of that year. These scholarships
WIll be awarded according to the income available on
t~e recommendation of the Faoulty by the Board of
DIrectors to students of outstanding merit. These
scholarships were first awarded in 1938 and one Ware
;r'raveling Scholarship was awarded in 1965 representIng an amount of $1450.00.
THE J. HENRY SCHIEDT MEMORIAL TRAVELING
SCHOLARSHIPS-The J . Henry Schiedt Memorial
Scholarships in accordance with the will of Cornelia
Schiedt, provide for the award of Traveling Scholar24
Katharine Protauowsky
ships according to the income available. The award of
these scholarships will be made on the recommendation of the Faculty by the Board of Directors t.o
students of outstanding merit. Eligibility for thIS
competition will be based on the same requirements
as set up for Cresson Awards of that year. These
scholarships are not specifically designed fo: E~opean
trE\ovel. It is therefore possible, under certaIn c~rcu.m
stances, for a competing student to make apphcatlOn
to the Administrator of the Schools at least three
months before the date of competition for a particular
program. These scholarships were first awarded in 1949
and three Schiedt Traveling Scholarships of $1450.00
each were awarded in 1965. The credit may be used any
time within twenty-eight months after receipt of
the award.
ENDOWED PRIZES
THE CHARLES TOPPAN PRIZES-These prizes were
established in 1881 by the gift of Mrs. Charles Toppan,
Miss Harriette R. Toppan and Mr. Robert N. Toppan.
Due to the considerable appreciation in value of this
trust, the following regulations were put into effect
in 1962, enlarging the benefits but adhering to the
positively expressed ter:ms of the original gift that
"The drawing of the work sub:mitted will receive first
attention of the exa:miners." First awarded in 1882.
"Up to five prizes will be available each year at
the discretion of the Co:m:mittee on Instruction,
depending on the a:mount of inco:me available,
for the best five portfolios or otherwise protected
sets of drawings, matted or otherwise exhibitprepared and containing not less than five or :more
than ten exa:mples, with no li:mit on size, subject
:matter or :media, sub:mitted in the spring of each
year by regularly enrolled students, whose records
show attendance for at least two years previous to
the current co:mpetition. They will be judged by
the faculty, or a co:m:mittee of the faculty, and the
winners' work is to be exhibited with the :major
competition of the season."
"Any student :may receive a Toppan award but
once, and there shall be no obligation to award
prizes to any work which, in the opinion of the
judges, is not of sufficient :merit."
THE PACKARD PRIZES-Fro:m the inco:me of the
John H. Packard Fund, established by the children of
the late John H. Packard, M.D., for many years
chair:man of the Acade:my's Co:m:mittee on Instruction,
annual prizes of $50.00 and $25.00 are awarded for the
best and second best groups of original studies :made
from living ani:mals in the Zoological Garden. These
prizes are open to all students of the Acade:my who
have registered for both ter:ms of the school year. A
student :may not sub:mit :more than one set of drawings
:mounted on a sheet not to exceed 30 x 40 inches. A
student having once received a prize beco:mes ineligible
to receive the sa:me prize for the second ti:me. First
awarded 1899.
THE EDMUND STEWARDSON PRIZE-The Ed:mund
Ste~ardson Prize of $100.00 in Sculpture is awarded
dunng the school year. This is an annual prize, co:mpeted for by students of the Acade:my with such pupils
of .other art schools as may be approved by the Co:m~llttee on Instruction. The subject for the co:mpetition
IS a full-length figure fro:m life in the round. Studies
:must not be less than two feet six inches in height,
and not more than three feet in height, and :must
be :made within eighteen hours, during three consecu-
tive ?-~ys, in six sessions of three hours each. A student
receIvIng one Stewardson Award is ineligible to co:mpete.a second ti:me. No one except the co:mpetitors is
ad:mltted to the co:mpetition roo:m at any ti:me during
t~e days of the ,:o:mpetition. The Jury of Award conSISts of professIonal sculptors, having no official
connectio~ with the Acade:my, nor any other schools
whose pupIls :may have taken part in the co:mpetition .
If no. study be satisfactory to the Jury, the prize :may
be wlthheld. When no award is :made, the amount of
the prize :may, at the discretion of the Board of
Directors, be added to the principal of the prize fund
or distr.ibuted with future prizes. The clay :models
offer~~ In co=;petition :must be kept standing in good
condItIon untIl otherwise ordered and figures cast by
~he Acade~y beco:me its property. The Competition
In the Spnng of 1966 was judged by E. Bruce Moore.
First awarded 1901.
THE THOURON PRIZES-These awards were founded
by the late Henry J. Thouron, a former instructor in
Composition.
A prize of $100.00 and a prize of $50.00 for co:mpositions
co:mpleted during the current season are offered, the
first to be decided by the Faculty, the second by a vote
of the students; and a prize of $100.00 and a prize of
$50.00 both awarded by the Instructor of the class. A
co:mpetitor is not eligible a second time for the same
prize, and cannot receive :more than one award the
sa:me season. First awarded 1903.
THE RAMBORGER PRIZE-Fro:m the income of a
fund established by the late Willia:m K. Ra:mborger,
Esq., as a :memorial to his sister, Aspasia Eckert
Ra:mborger, who was a student of the Acade:my, an
annual prize of $35.00 is awarded for the best line
drawing in black and white of a head fro:m life by a
pupil of the Acade:my who has not been under instruction over two years, but who has been registered in the
Acade:my for both ter:ms of the current school year.
Each co:mpetitor :may sub:mit one un:mounted drawing
on white paper 19 x 25 inches in size. Having once
received an award, a student beco:mes thereafter
ineligible to compete again. First awarded 1911.
THE STIMSON PRIZE-This prize was established in
:me:mory of E:m:ma Burnha:m Stimson and was created
for the award each year of a prize in sculpture of
$100.00 for the best work done by the students in the
regular course of the class. The contest is open to
students who have been registered for three terms and
who are :me:mbers of the Life Modeling Classes, but is
not open to for:mer students who work in th? ?las~ by
special per:mission. The subject for co:mpetltlOn IS a
full-length figure from life, in the round, not less
than two feet six inches in height, and :must be :made
25
during class hours as a part of the regular work in the
e work ll1ust be submitted anonymously to a
c I as S . Th
.
I
t'
jury appointed by the COll1mlttee. on nstruc Ion.
The Jury is not obligated to award pnzes o~ hon~rable
ll1entions if, in its opinion, the work submItted IS not
of sufficient merit to justify ll1aking th~ awards. The
Competition in the Fall of 1965 was Judged by J.
Wallace Kelly. First awarded 1917.
THE CECILIA BEAUX MEMORIAL PRIZE-The gold
ll1edals which Cecilia Beaux received during her life in
recognition of her work as a portrait painter have been
donated to the Academy by Miss Beaux's residuary
legatees and converted into a fund, the income of whic~
will provide a prize to be given for the best portraIt
painted during a school year by a student of the
Academy. This prize of $100 will be available at intervals of possibly three or four years and is to be awarded,
when available, by the President with the advice of the
Faculty. Students eligible for the prize must have been
enrolled in the day classes for two consecutive terms
and at the time of competition be ll1embers of the
advanced studio. The award is to be for the outstanding portrait accomplished within such two terIns then
current and not ll10re than three exall1ples of work
may be submitted. Any student can receive the award
but once and it is particularly stipulated that the
award does not need to be made if in the opinion of
the Faculty no work is subll1itted of sufficient distinction. First awarded 1946.
Nancy Schade
THE JOHN R. CONNER MEMORIAL PRIZE IN
GRAPHICS-This prize is made possible through the
generosity of Mrs. Frances Weeks Lux in IneInory of
John R. Conner, artist. It will be $50.00 when that
amount is available fro In the invested principaL First
awarded 1955.
THE CATHARINE GRANT MEMORIAL PRIZE-This
prize of $200.00 will be given for the best landscape or
still life. This prize has been Inade possible by funds
set up through the sale of paintings from a Inemorial
exhibition of the work of Catharine Grant, held in
the Academy in the fall of 1954, and froIn special
contributions from her friends to this fund. First
awarded 1955.
THE EDNA PENNYPACKER STAUFFER MEMORIAL
PRIZE-A prize of $100.00 will be available yearly to
be awarded by the Faculty, or a committee of the
Faculty, to a student in the School of The Pennsylvania Academy of the Fine Arts in recognition of
excellence in any mediuIn of the Faculty's choice, and
preferably at a time of year other than the late spring
so that the financial advantages may be enjoyed by the
student during the course of his studies. It was
further agreed that the prize could be increased in
aInount should the investment make that possible,
but no award shall be given in any year when a lesser
aInount than $100.00 is available. This prize was estab-
Siegtried M . Halu8
Patncia P
26
Hill
lished by Helen Evans to honor the xnexnory of her
beloved friend Edna Pennypacker Stauffer, 1883-1956,
painter and lithographer of broad reputation who was
a student at the Acadexny in 1902, 1903 and 1904.
First awarded in 1961.
In art supplies is presented each Spring in xnexnory
of her daughter, Mindel Caplan Kleinbard . First
awarded 1958.
DONATED PRIZES
THE J. MAURICE GRAY FOUNDATION PRIZE FOR
STILL LIFE-The prize of $50.00 will be awarded
annually by the Faculty, or a Faculty coxnxnittee, to a
student in the school of The Pennsylvania Acadexny of
the Fine Arts who has dexnonstrated superior ability
through the painting of still life. The painting considered xnust have been done on the Acadexny prexnises
during the norxnal course of the school's activities, and
the award will be xnade during the year, rather than
at the spring exercises. One or two paintings xnay be
subxnitted by each contestant. This prize is xnade
available through the generosity of Mr. and Mrs. J.
Maurice Gray. First awarded 1961.
THE LAMBERT AND EMMA WALLACE CADWALADER
PRIZE FOR LANDSCAPE-A prize of $125.00 is awarded annually through the generosity of Mrs. Cadwalader
for the best representational landscape by a student
of The Pennsylvania Acadexny of the Fine Arts. First
awarded in 1961.
MINDEL CAPLAN KLEINBARD AWARD-Through
the generosity of Mrs. Joseph Caplan, an award of $25.00
ClllYlon W
Anderson
Mary S. ZltynlU k
PERSPECTIVE PRIZE-A cash prize of $20.00 has
been given each year to that student who does the
xnost exexnplary work in the Perspective course. This
award was instituted by Mr. John Harbeson, instructor froxn 1916 to 1955, and is generously carried on by
Mr. Williaxn Caxnpbell.
THOMAS EAKINS MEMORIAL PRIZE-A prize will
be offered for the best figure canvas painted in the
regular life .c~ass in t.he ~inter ixnxnediately preceding
the coxnpetltlon. Thls pnze of $100.00 will be awarded
by the Faculty and is available through the generosity
of Mr. and Mrs . David Gwinn. First awarded 1951.
PHILADELPHIA PRINT CLUB PRIZE is awarded to
an outstanding student in the graphics studio and
entitles the winner to a one year xnexnbership and free
use of the workshop and library of the club. First
awarded 1953.
WANAMAKER PRIZE-Through the generosity of the
John Wanaxnaker Store, Art Supply Departxnent, a
prize of $50.00 in art supplies is awarded each Spring
for the best water color subxnitted to the Faculty for
judgxnent. First awarded 1954.
DaVld C. Meade
I
Z7
SKOWHEGAN SCHOOL OF PAINTING AND SCULPTURE SCHOLARSHIP IN MEMORY OF STUART
DAVIS-One full scholarship covering tuition, roozn
and zneals, is znade available by the Skowhegan School
for a talented student of the Pennsylvania AcadeIDY
of Fine Arts who could not otherwise spend the suznzner at Skowhegan. The recipient is selected by the
Acadezny faculty. First awarded in 1954.
THE MARY TOWNSEND AND WILLIAM CLARKE
MASON MEMORIAL PRIZE IN SCULPTUREThrough the znany years of Mr. Mason's affiliation
with the Acadezny as one of its Directors he was ever
alert to the encourageznent of all students, -but particularly those studying sculpture. In 1954 and 1956
he znade substantial gifts, not as an endowznent but
the znonies to be used at the tizne of the Spring coznpetitions at the discretion of the sculpture faculty to
a worthy student, or students. The continuance of
these awards as zneznorials to her parents is znade
possible through the generosity of their daughter, Mrs.
Henry Lea Hudson. At the present tizne there are
funds which will znake possible the award of $200.00
this year. First awarded in 1955.
ASPEN SCHOOL OF CONTEMPORARY ART-Three
tuition-aid ($125) scholarships are granted by the
Aspen School to students in painting and sculpture of
the Pennsylvania Acade:my of the Fine Arts on the
reconlnle~dation of the faculty. Two full-tuition ($200)
scholarshIps are granted to students who will be
"Teaching Assistants" in painting or sculpture. The
Aspen School of Conte:mporary Art conducts su:m:mer
workshops at Aspen, Colorado. First awarded in 1964.
WO?DROW PRIZE IN GRAPHICS-Through the generosIty o~ Mrs. Bruce Gill in nle:mory of her znother,
Mabel WIlson Woodrow, $100.00 is :made available for
a~ awa~d or awards in the Graphics Departrn,ent at the
dIscretion of the faculty. First awarded 1955.
GIMBEL PRIZE-Through the generosity of the Art
Suppl~ depa~t:m~nt in Giznbels Depart:ment Store,
$~.OO In credIt Wlll be given in this store. The student
WIll be ?hosen by the faculty for outstanding work
entered In cOnlpetition each spring. First awarded 1958.
~~:ERB~RT SYME PRIZE-This prize of $25.00 is
and eisp~sslble t~rOl~gh the generosity of Mrs. Syzne
stud
or a 'palntl~g or drawing by an advanced
ent
h
who IS c?nsldered worthy py the faculty of
suc an award. First awarded 1959.
28
H~GGINS
PURC~SE
PRIZE-Through the generOSIty of Mrs. Marlon Dunha:m Higgins, the su:m of
$200.00 is available to a co:m:mittee of the faculty for
the purchas.e of an outstanding painting of still life
co:mpleted In the current year. In addition Mrs.
Higgins :makes possible, through the sa:me ~gency
the awarding of two :money prizes of $25.00 each in th~
sazne category of work, but not involving purchase.
These prizes were first awarded in 1960.
THE EL~ANOR S. GRAY PURCHASE PRIZE-A purchase prize ~f ~300.?O has been established by Mrs.
Gray for a dlStlngulShed student painting valued at
$300.00. The painting becoznes the property of Mrs.
Gray. First awarded in 1965.
QUAKER ~TORAGE COMPANY AWARD-Through
the generoslty?f M~. Benja:min Bernstein, the faculty
:may gra~t thIS p~l;ze of $250 ..00 ~o an outstanding
student In recognItIon of :merItOriOUS achieveznents.
First awarded in 1965.
DR. WILLIAM BIDDLE CADWALADER MEMORIAL
PRIZE-Through the generosity of Mr. and Mrs.
Barclay Scull a prize of $250.00 is awarded for the :most
experi:mental piece of sculpture or painting produced
during the school year. First awarded in 1966.
FRANCES D. BERGMAN MEMORIAL PRIZE-In 1965
directly after the death of Mrs. Berg:man, a :me:morial
fund was established by relatives and friends. The fund
:makes possible a :money award of at least $100 to a
student each Spring for a painting in the representational tradition. An artist of distinction, not necessarilya :me:mber of the faculty, :may be invited to act
as judge. First prize of $100 was awarded in 1966.
Rosa M. Merrill
•
-'
•
GENERAL INFORMATION
LOCATION-The school is located in the very heart of
Philadelphia and has ready access to all public transportation serving the city. Every ixn~ortant Inuseuxn,
gallery, library, church, theater, InUSIC hall and college
or university is convenient to the AcadeInY. and the
AcadeInY studios are easily reached by the student who
might live at SOIne distance. The Inain building, first
occupied in 1876, was designed for the AcadeIny by
Frank Furness and is a nationally known architectural landInark.
THE ACADEMY GALLERIES-The AcadeIny has a
unique perInanent collection of AInerican paintings,
sculpture and prints that affords the student an opportunity for direct study of ixnportant works of art of the
past and present.
The annual exhibitions held by the AcadeInY are of
national scope. They bring to the student the various
movements and currents of conteInporary AInerican
art and enable hiIn to be in constant touch with the
newest ideas and techniques. These exhibitions, held
almost continuously since 1811, are aInong the foremost in the country.
Joyce H . Galanaugh
Special exhibitions are held in the Galleries throughout the winter season, and in the spring the works
submitted by students in COIn petition for the Inany
traveling scholarships and prizes are on public
exhibition.
FACILITIES OF THE SCHOOL-The Inain building
was designed to Inake the best use of natural lighting.
The Illajor studios are aInple with high ceilings and
north light. These are augInented by sInaller studios
and areas designated for general criticisIn or equipped
for special technical instruction. An art library is at
the disposal of students seeking stiInulation or inforIllation. Art Illaterials are available in a well stocked
store run by the AcadeIny on the premises.
Janet Beeritz
Until 1963 the AcadeIny did not take any responsibility
for stUdent's board or lodging. The University of Pennsylvania will assist degree candidates in the coordinated
prograIlls in obtaining dorInitory and approved offcall1pUs housing, while the AcadeIny InanageIllent will
gladly serve in an advisory capacity to all of its students
requesting assistance.
29
In October of 1962 the Acaderny becarne the owner of
a large eight story building at 1811 Chestnut Street
previously known as the Belgravi?- .H.otel, now kno~
as Peale House. Certain class act1v1t1es are housed 1n
these new quarters. The school is now in a position
to offer housing accornrnodations for its wornen students. This prograrn will be developed even rnore
broadly as the need develops. New applicants for entrance into the school should indicate in their earliest
correspondence any interest in such housing. Types
of accornrnodations will be explained by the Adrninistrator's office. Rates range frorn $736 to $800 per year
(32 weeks) for roorn and board.
A detailed statement of the school's facilities, as
required by the Veterans Adrninistration in connection
with Public Law No. 550 is available on request.
Distinguished artists of national and internatio,nal
repute are frequently invited to criticize and lecture.
During the 1965-66 school year, we welcorned these
specialists: Carl Karkurnaa, George Sklar, John Mills
(England), Wallace Kelly, Jack Bookbinder, Martin
Jackson, Dorothy Grafly, and Rarnachandra Rao
(India).
FREE TUITION-Each year students graduating frorn
Philadelphia public and parochial high schools and
vocational-technical schools rnay cornpete for full
tuition scholarships rnade available by the Acaderny
through an agreernent with the Philadelphia City
Council. Applicants will subrnit six exarnples of work
at the Acaderny the second week of April for consideration for the following terrns.
A nUInber of scholarships are available annually to
graduates of the city high schools and vocational-technical schools through the Board of Public Education of
the City of Philadelphia. A nurnber of free tuition
scholarships are available annually to foreign students
applying frorn abroad. (See Ford Foundation Grant
page 31.)
Students already enrolled at the Acaderny for two
terIns, and in good standing and enrolled at the tirne
of . a.pplication, rnay apply to the Academy for free
tu~t1on schol~rships. Approxirnately 25 tuition scholarst: 1PS are avallable and will be awarded by the Board of
Duectors on the recornrnendation of the Comrnittee
?n ~nstruction and the Acaderny Faculty. Preference
1S g1ven to stUdents of rnerit who otherwise would be
unable to pursue their study in art. The rnajor nurnber
of. these ?-re rnade available each year by George D.
W1dener 1n mernory of his father and mother, George
30
D. Widener and Mrs. Alexander Harnilton Rice, and
through John Larnbert and Lewis S. Ware Mernorial
Fu~ds. O~hers are rnade available through bequests of
va:1ou:" fnends of the Acaderny to be used for scholarS~l.1P a1d; The Louise Harrison Mernorial Scholarships
g1ven by Thornas S. Harrison in rnernory of his wife'
the Mary R. Burton Scholarships; the Sarah Kaigh~
Cooper Mernorial Scholarships through the generosity
of Mrs. George K. Johnson; the Elizabeth H. ThoInas
Mernorial Scholarships; and the George M. Wiltbank
Scholarships through the bequest of Annie C. Wiltbank.
In an effort to spread the free tuition scholarships to
cover the maximurn of needs, it is within the province
of the faculty to recornrnend a nurnber of half scholarships. Full free tuition scholarship recipients are required to pose in the portrait studios for an assigned
30 hour ~eriod, during the holding of that year's
scholarsh1ps, and half scholarship students a 15 hour
period. NOTE: If a 15 hour period does not constitute
a full posing period, the student will be paid for the
additional posing tirne.
Applicants for the Acaderny scholarships must cornplete the official forrns and subrnit thern with four
works to the faculty at the March rneeting.
A student rnust rnaintain an average of B- or better
in order to hold a scholarship.
Nancy H. Stockton
FORD FOUNDATION GRANT-In April, 1964 the
AcadeYIlY received a grant of $55,000 from the Ford
Foundation, to be used over a seven year period for
scholarships and grants in aid to deserving students,
with eYIlphasis on first year students. Emphasis is
placed on awards to students from major distances
from Philadelphia. Applications should be made in
writing to the Administrator before June 15.
FEES:
One evening per week (16 weeks)
Two evenings . . . . . . . . .
. ........ .
Three evenings .... .... ::: : : : : : ........ .
F?ur evenings ........................... .
FIve evenings . . . . . . . . .
. ......... .
.
.......
. .
. . . . . . . ..
$45.00
60.00
75.00
90.00
100.00
SUMMER SCHOOL
THE EVENING SCHOOL
The Evening School is an extension of the regular program of the Academy school. Courses in drawing,
painting and sculpture are conducted on a professional
level, but no prior experience is required of students
wishing to enroll for one or more nights a week.
The evening classes are conducted five nights of the
week between 7 and 10 o'clock.
Write to the School office for an application and
brochure on the Evening School.
FACULTY
Joseph Amarotico
Morris Blackburn
Arthur deCosta
Aldoph T. Dioda
Paul Anthony Greenwood
Louis B. Sloan
Marshall G lasier
Oliver Grimley
Horner Johnson
Jim C. Lueders
Roswell Weidner
The Summer School is a six-week day-time course
?onducte?- by m~mbers of the Academy Faculty. Fo;
Informat1on wnte to the School office. The 1966
Summer School starts June 13 and closes July 22.
ADMISSION-DAY SCHOOL:
The official application blank must be filled in and
re.turned to the Administrator of the Schools together
WIth two passport photographs, the application fee of
$10.00, and four examples of work. Two written refer encet:', to be sent directly to the school, are also
requued . No student is eligible unless he or she is at
least sixt.e en y~ars of age and has completed high
school or Its equlValent. The Committee on Instruction
reserves the right to limit the number of students
under any or all classifications. (An application blank
accompanies this booklet.)
FEES. Day School:
A pp1"lca t'Ion f ee ........ . ........... . $ 10.00
John E. Jonik
Tuition fee per term .............. .
Total-First Term ... ..............
Tuition fee, all subsequent terms ..
Late registration fee ...............
.
.
.
.
275.00
285.00
275.00
5.00
NOTE: The late registration fee is applicable to all
students who have not paid tuition on or before the
regular registration date, unless the school office has
been notified in writing in advance. Students paying
the Day School fees are entitled to all the privileges
of the Evening School classes. THESE FEES DO NOT
INCLUDE THE COST OF ANY MATERIALS, OR
COURSES TAKEN AT THE UNIVERSITY OF PENNSYLVANIA.
Registrations may be accomplished by mail with
accompanying checks or money orders, or in person,
at the Day School office and should be completed two
weeks before the opening of each semester. A deposit
of $1.75 is made for the regulation padlock for each
locker.
The number of students in any class will be limited
and registration cards will be issued in the order of
application receipts, and these cards must be presented
for admission to classes.
31
HOLIDAYS
Thanksgiving, NoveIllber 24 and 25
Washington's Birthday, February 22
Spring Recess, March 18 through March 26 inclusive
Good Friday Vacation, March 24
PAYMENT REGULATIONS
All fees are payable in advance and no deduction is
Illade for late registration or for absence and no refund
is Illade after the first week of any terIll, except in the
case of a student under Public Law No. 550 who, if he
fails to enter the course or withdraws or is discontinued therefroIll at any tiIlle prior to cOIllpletion, will
have refunded to hiIll any unused balance paid for
tuition, fees and other charges on a pro-rated basis
other than the application fee of $10, and the late
registration fee of $5. Official credit or the issuing of
transcripts of record will not be granted by the AcadeIlly
either to a student or a forIller student who has not
cOIllpletely satisfied, in the opinion of the ManageIllent , his financial obligations to the AcadeIlly.
Non - payIllent of fees according to the announced
dates, as stated above, shall prohibit such delinquent
students froIll attendance in all classes and lectures.
Tuition may be paid: (a) By mail in advance, (b) In
the school office in advance, by cash, check, or money
order, (c) on .registration day with check for exact
aIllount due. If payIllent has not been made for full
aIllount due by 5 P.M. on registration day, a late
registration fee of $5.00 becomes payable.
New registration cards shall be issued at the beginning
of each tenll to students at the time of the payIllent of
fees . AdIllission to classes is by registration card only.
Day classes are held froIll nine to twelve and froIll one
to four o'clock five days per week. Lectures for first
year students are scheduled four days each week froIll
4:30 to 5:30 p.Ill. Evening classes are held froIll seven
to ten. o'clock froIll Monday to Friday inclusive. All
exceptions are noted in the Calendar.
32
B a rbara L. H eis man
THE PENNSYLVANIA ACADEMY OF THE FINE ARTS
Broad and Cherry Streets, Philadelphia, Penna . 19102
Application for
AdInission in the
Fall or 0 Spring
o
yEAR . . . . . . . . . . . . . . .
Please type or prin t all
2 Photographs
Here
inforInation neatly and
legibly.
Date of Application ..
NaIne ..................... ... ..... . ................... .
(Last)
(First)
(Initial)
HOIne address:
Street or rural route . . . . . . . . . . . . . . . . . . . . . . , . . . . . . . . . . . .
Ci ty or town ............... State ...... Zip Code ........ .
Telephone . ... . ... ....... ..................... " ...... .
Date of birth . ..... . .. . .... Place of birth .............. .
High School . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...... .
Location ....................... Year of graduation .... .
Schools attended beyond high school, with dates .... . .
.. . . ..... .
. . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . ... . ..
. . . . . . . . . . . .. . .. . . . . .
.
.
....
. ..
...
. .. .
.....
. .
..
.
,
Degrees ......... .. .
Father's or guardian's naIne and address .............. .
. . .
...
. . . . . . .. . ..
...
. .
. - .. . .. . . . .. . . . .. .. .. ... .. ... . . . .
Do you intend to enroll in the Degree PrograIn offered in
coordination with the University of Pennsylvania? ..... .
33
Source of funds while attending P.A.F.A.
Self ....
. . . Parent or guardian ... .. ... Other .......... .
Do you plan to hold an outside job while attending
P.A.F.A.? yes ...... No ...... .
If so, have you a definite job in prospect? Yes .. . ... No ... .
What are your plans for housing? Live at horne ......... .
Live at Peale House ....... . . . ......... .. (women only.)
Lead Casting
Live with relative or friends ... .. . Other . . . . . . . . . . . . . . . . .
Give names and addresses of two responsible persons who
will furnish references for you (not relatives) and will
send them directly to Academy.
N arne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. .
Address .......... ................... .
Name ......... .. ..... .. .. . . .. ... ... . .
Address ................... .. ... . . .. ....... . .. .... ... .. .
Before final admission you must arrange for a personal
interview with the Administrator. The time of the interview may be arranged by telephone or through correspondence. If you live far away and cannot corne for an
interview without considerable hardship please write the
Administrator explaining the circumstances, and requesting the waiver of the personal interview. A $10
application fee should accompany this application.
How did you learn of P .A. F .A.? . . ........ . . .. ... . ...... .
.
....
.. . . . . . .. . . . . . . . . . .. .. . . . . . . . . . . . . . . . . . .. .. .
Do not fill in this section. Transcript .... References ....
In terview . ...... . . .. ... .. by . .. ... .... waived .......... .
34
Cafeteria-Peale House
School Store
