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1970-1971 School Circular
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PENNSYLVANIA ACADEMY OF THE FINE ARTS
BROAD AND CHERRY STREETS • PHILADELPHIA, PENNSYLVANIA 19102 • LO 4-0219
SCHOOL CALENDAR -1970-1971
· Tuesday, September 8, 1970
•
Registration-new students .
Wednesday, September 9, 1970
Registration-returning students .
Thursday, September 10, 1970
Studios open for all students .
· Thursday, October 15, 1970
Deadline for reports from traveling scholars
· Monday, November 2, 1970
Stimson Competition opens
. Wednesday, November 25,1970
•
Stimson judging and award
. Thursday and Friday, November 26 & 27, 1970
Thanksgiving holiday .
•
Monday-Friday, November 30-December 4, 1970
Pre-registration, Spring Term .
•
· Friday, December 18, 1970
End of Fall Term .
.
Monday, December 21, 1970-Sunday, January 3, 1971
Christmas Recess .
•
Monday, January 4, 1971
Registration-new students
Tuesday, January 5,1971
Registration-returning students.
•
Studios open for all students .
· Wednesday, January 6, 1971
Holiday-Washington's Birthday.
· Monday, February 22, 1971
Wednesday-Friday, March 3-5, 1971
Stewardson Competition and award
Deadline for applications for traveling scholarships
Friday, March 5, 1971
Spring Recess .
Monday-Friday, March 8-12, 1971
Submit application for scholarship with work
Monday, March 22, 1971
for scholarship competition before noon
Monday, March 22,1971
Faculty Meeting for scholarship awards
•
Holiday-Good Friday .
.
Friday, April 9, 1971
Submit work for Spring Prizes
. Tuesday, April 13, 1971
•
•
Faculty Meeting Spring Prize Competition
Thursday, April 15, 1971
Pre-registration Fall Term
Monday-Friday, April 19-23, 1971
Deadline for submission of Toppan Prize work
. Monday, April 26, 1971
.
..
Cresson Competition Placement
Tuesday-Friday, April 27-30, 1971
Last day for studio work
.
.
..
Friday, April 30, 1971
Toppan Prize Judging.
. .
Tuesday, May 4, 1971
•
•
Cresson Award Judging
Tuesday, May 4, 1971
•
•
Exercises for awards
Wednesday, May 5, 1971
•
•
End of Term .
. Friday, May 7, 1971
•
•
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•
1
William B. Stevens, J L, appointed Director of the Pennsylvania Academy of the Fine Arts, July 1, 1969.
2
CONTENTS
The Pennsylvania Academy of the Fine Arts is the alma mater of
many of the most important artists who comprise the history of
American art and has been the founding place of important art
movements and directions.
In keeping with its founding traditions the Academy has developed
a studio environment and study program of total commitment to
the fine arts. An opportunity for pure study in the disciplines of
painting, sculpture and graphics is presented here without the intrusion of any degree oriented courses or consideration of commercial
application.
The integrity of this program will appeal to the serious student
artist who feels the need for complete concentration on the problems of aesthetic and technical excellence. It is the purpose of this
school to encourage the student to acquire the widest possible art
experience and relate it to his particular needs. The school by its
philosophy avoids any fixed development program to which the
student must conform. From the basic skills and orientation studies
of the first year to the highly individual and specialized instruction
of the advanced studios each student's work is appraised on the
basis of his own personal expression.
This will be of particular interest to the student who has acquired
a degree and seeks a stimulating professional environment in which
to reevaluate and expand his aesthetic concepts and strengthen his
techniques. Conversely a student who is interested in obtaining an
academic degree or the academic qualification to teach will find
that the studio credits earned at the Academy are accepted by most
Colleges and Universities toward their requirements for a Bachelor
or Master of Fine Arts degree.
Admission ........................... 39
Calendar, 1970-1971 · . . . . . . . . . . . . . . . . . .
1
Course Description . . . . . . . . . . . . . . . . . . . .. 22
Donated Prizes . . . . . . . . . . . . . . . . . . . . . . .. 34
Endowed Prizes ......... . . . . . . . . . . . . .. 31
Evening School . . . . . . . . . . . . . . . . . . . . . . .. 40
Faculty
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
6
Fees ..... .. ........... . ........... .. 39
Four Year Certificate · . . . . . . . . . . . . . . . . . . 23
General Information · . . . . . . . . . . . . . . . . . . 37
History of the Academy . . . . . . . . . . . . . . . . .
5
Officers, Board of Directors &
Administration ......................
4
Prizes and Awards
1968-1969 ....................... . . 25
Semester Credits . . . . . . . . . . . . . . . . . . . . . .. 23
Scholarships
. . . . . . . . . . . . . . . . . . . . . . . . . . 26
3
OFFICERS
Ex Officio
JOHN GRIBBEL II-President
JAMES M. LARGE-Vice President
CLEMENT B. NEWBOLD, JR.-Treasurer
WILLIAM B. STEVENS, JR.-Director and Secretary
HENRY HOTZ, JR.-Administrator of the School
City Representatives
DAVID COHEN
ROBERT W. CRAWFORD
JOSEPH L. ZAZYCZNY
Faculty Representative to the Board
DANIEL D. MILLER
Women's Committee Representative
MRS. EVAN RANDOLPH
Solicitor
WILLIAM H. S. WELLS
BOARD OF DIRECTORS
MRS. BERTRAM D. COLEMAN
FRANCIS 1. GOWEN
JOHN GRIBBEL II
DAVID GWINN
FRANK T . HOWARD
H. LEA HUDSON
R . STURGIS INGERSOLL
ARTHUR C. KAUFMANN
JAMES M. LARGE
JAMES P . MAGILL (emeritus)
HENRY S. McNEIL
JOHN W. MERRIAM
C. EARLE MILLER
CLEMENT B. NEWBOLD, JR.
THEODORE T. NEWBOLD
BERTRAM L. O'NEILL
FREDERICK W. G. PECK
EVAN RANDOLPH
EDGAR P. RICHARDSON
ORVEL SEBRING
JAMES K. STONE
C. NEWBOLD TAYLOR
FRANKLIN C. WATKINS
WILLIAM H. S. WELLS
ANDREW WYETH
ALFRED ZANTZINGER
4
COMMITIEE ON INSTRUCTION
FRANKLIN C. WATKINS-Chairman
FRANCIS 1. GOWAN
DAVID GWINN
WILLIAM H. S. WELLS
ANDREW WYETH
Representative of Women's Committee (ex officio)
MRS. EVAN RANDOLPH
Faculty Representative (ex officio)
DANIEL D . MILLER
Administrator of the School (ex officio)
HENRY HOTZ, JR.
SCHOOL STAFF
CONSTANCE A. TAYLOR, Registrar
ETHEL V. ASHTON, Librarian
ROCHELLE RAPPAPORT, Receptionist
MARLENE STEIN, Receptionist
BARBARA K. LYONS, Store Manager
JOSEPH ZAMS, Attendant
PEALE HOUSE MANAGEMENT
JAMES LULIAS
I
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F'OUNI¢E:IO
IS05
. IXXIXIXIII1
HISTORY
The Pennsylvania Academy of the Fine Arts is the oldest art institution in the United States. Its origin dates from
.1791 , when <;harles Willson Peale initiated efforts to organize a school for the fine arts in Philadelphia. Thi~ ~e:'u1ted
In .th~ fo~matl~n of the Columbianum in 1794. In 1795, under thc auspices of that association, the first exhibItIOn of
paInting. In Philadelphia was held in Pennsylvania's old State House, better known today as Independence Hall. T~e
C~l~mbla.n~m was ultimately succeeded by the present Acadcmy. In 1805, in Independence Hall , seventy.-one pubbc
sp~nted citizens met for formal organization. The gathering was a distinguished one and included the artIsts Charles
Wll~son Peale, William Rush, Rembrandt Peale. At that meeting the petition for the incorporation of ~he Pennsylval11a . Ac.ademy of the Fine Arts was prepared. The charter was obtained in March of 1806, creatm~ the new
"To promote the cultivation of the Fine Arts , in the United States of America (and to) enhghten and
orgal11zatlOn
. .
Invigorate the talents of our countrymen".
5
FACULTY
THE FACULTY is composed of professional artists distinguished in their fields of activity. The general method of
instruction is by individual criticism of studio work. The purpose is to develop the innate ability of the student and
to give him the technical skill to use it.
The Faculty is augmented by assistants skilled in technical specialties and by outstanding artists, instructors and lecturers. Guest artists and lecturers during the 1969-1970 school year included: Harry Bertoia, Sculptor; Romare Beardon, Painter; Vincent Glinsky, Sculptor; Angelo Savelli, Painter; Henry C. Pearson, Painter; John Sandlin, Graphics;
Robert Cronbach, Sculptor; Gordon Hendricks, Art Historian; Dennis Cate, Art Historian; William Hoffman, Painter;
Edward Flor, Graphics.
Roswell Weidner-Instructor in Drawing and Painting
Born in Reading, Pa., 1911. Studied at the Pennsylvania Academy of the Fine Arts and the Barnes Foundation. Awarded Cresson
Traveling Scholarship, 1935; First Toppan Prize, 1936; Honorable Mention Philadelphia Sketch Club, 1936; Terry Art Institute of
Florida, 1952. Fellowship Prize, Pennsylvania Academy of Fine Arts, 1942; Dawson Memorial Medal, Pennsylvania Academy of
the Fine Arts Annual Exhibition, 1965. Represented: Reading Museum, Philadelphia Museum, Pennsylvania Academy of the Fine
Arts, Penn State University, University of Pennsylvania, Connecticut State Library, N.A.B. Collection, Washington, D. C. Prints:
Library of Congress, Metropolitan Museum, University of Pennsylvania, Connecticut State Library, and private collections. One-Man
Exhibitions: Reading Museum, 1957; Philadelphia Art Alliance, 1962; Peale House, Pennsylvania Academy of the Fine Arts, 1965;
William Penn Memorial Museum, Harrisburg, 1966. President of Fellowship of the Pennsylvania Academy of the Fine Arts 1956-1967.
Harry Rosin-Instructor in Figure Construction and Sculpture
Born in Philadelphia, December 21, 1897. Studied at the Pennsylvania Academy of the Fine Arts and in Paris. Exhibits: Paris, Pennsylvania Academy, Chicago Art Institute, Whitney Museum, Metropolitan Museum, Sculpture Show, World's Fair Chicago--l934,
Texas Centennial-1936, San Francisco World's Fair, New York World's Fair-1939. Awards: Stewardson Prize & Cresson European
Scholarship from Pennsylvania Academy, 1926; Widener Gold Medal, 1939; Pennsylvania Academy Fellowship Prize, J 941 ; Fellowship Gold Medal, 1942. $1,000, Award from American Academy of Arts & Letters, 1946; Gold Medal Award, Philadelphia, Region al
Show 1950; Bouregy Prize, Audubon Artists, 1956; Distinguished Pennsylvania Artist, 1964. Represented by work for French Government on Island of Guadeloupe, work on Tahiti, the Quaker and the Puritan for Samuels Memorial, and the Jack Kelly Memorial,
all on the Schuylkill River in Philadelphia, Connie Mack Figure, The Deerfield Boy, Deerfield, Massachusetts, and the facade of
new Court House Building in West Chester, Pennsylvania; private and public collections.
Franklin Chenault Watkins-General Critic
Born in New York City in 1894. Studied at the Pennsylvania Academy of the Fine Arts. Awarded:
Two Cresson Traveling Scholarships, P.A.F.A.; First Prize, Carnegie International Exhibition,
1931; Bronze Medal, Paris International Exposition, 1937; Bronze Medal, Musee du Jeu du
Paume, Paris, 1938; Corcoran Gold Medal, 1939; Second Prize, Unrestricted Division, International Art Exhibit, Golden Gate International Exposition, 1931; Temple Gold Medal, P .A.F.A.,
1944; P.A.F.A. Gold Medal of Honor, 1949; Retrospective Exhibition Museum of Modem Art,
N. y., 1950; Artist-in-Residence, American Academy in Rome, 1953-54. Doctor of Fine Arts
Degree from Franklin and Marshall, 1954. Citation 1st Philadelphia Festival, Philadelphia Art
Alliance Medal of Achievement. Member: National Institute of Arts and Letters; American Philosophical Society; formerly Advisory Board, John Simon Guggenheim Memorial Foundation;
Associate, National Academy of Design; Life Fellow, American Academy in Rome. Represented:
Museum of Modem Art; Whitl)ey Museum of American Art; Metropolitan Museum, N. Y.;
Corcoran Gallery of Art; Phillips Gallery, Washington, D.C.; Smith College Collection; Randolph
Macon College; Albright Art Gallery, Buffalo, N. Y.; Rodin Museum; Pennsylvania Academy of
the Fine Arts, Philadelphia Museum of Art, Philadelphia, Pa.; Newark Museum; Santa Barbara
Museum; Detroit Institute of Art; Murdock Collection, Wichita, Kansas; Friends of Art, William
Rockhill Nelson Gallery, Kansas City, Kansas; International Business Machines. Retrospective
Exhibition, Philadelphia Museum of Art, 1964.
•
John W. McCoy
Instructor in Water Color
and General Critic
Born in Pinole, California,
1910. Studied Cornell University, B.F.A.; Pennsylvania
Academy of the Fine Arts,
American School of Fontainebleau, France; and private studios of N. C. Wyeth
in Chadds Ford, Pa. Student
of Landislas Medgys and
Despujols, Paris. Awarded:
Chester County Art Assn. 1st
Prize, 1940, 1943; American
Water Color Society 1st
Honorable Mention, 1946;
Obrig Prize, 1947; Audubon
Artists Honorable Mention,
1948; Baltimore Water Color
Club 2nd Prize, 1948; National Academy of Design;
Obrig Prize, 1951; Philadelphia Water Color Club: Pa.
Week Exhibition 1st Prize,
1951; Philadelphia Water
Color Club Prize, 1956; Delaware Art Center Prizes,
1954, 1955; Whitmer Award,
1955; Grumbacker Prize ,
1956, 1958; Dana Water
Color Medal, 1968. Member
National Academy of Design, American Water Color
Society, Philadelphia Water
Color Club, Audubon Artists,
Fellowship of Pennsylvania
Academy of the Fine Arts,
Director of Wilmington Society of Fine Arts. Murals in
Nemours Building, Wilmington, Delaware; and Metropolitan Life Insurance Building,
New York City. Represented
in numerous public and private collections.
Hobson Pittman-Instructor in Experimental
Painting
Born in .Tarboro, N. C., ~900. Studied Pennsylvani a State
UlllvefSlty; Carnegie Institute .of Technology (Art School),
Pittsburgh, Pa.; Columbia Umverslty. European study and
tra:vel. Awards: .Honorable Mention San Francisco World's
Fair, 1939; ~chledt Memorial Prize, P.A.F.A., 1943; Dawson MemOrial Medal, P.A.F.A., 1944; Second Prize San
FranCISco Palace of Legion of Honor, American ExhibitIOn, .194.1; Fo~rth Clark .Prize,. Corcoran Gallery of Art,
1948, Third Pnze, Carnegie Institute, American Exhibition
1949;. First Prize, Flower Painting, Butler Institute of
Amencan Art, Youngstown, 0.,1950; Saltus Gold Medal
National Academy of Design; Second W. A. Clarke Prize'
Corcoran, 1953; First Prize, Butler Institute of America~
Art, 1955; Guggenheim Award for Travel and Study
Abroad, 1955-56; Brevoort-Eickemeyer Prize Columbia
University, 1960; The Pennsylvania State Univ;rsity Medal
of Honor, 1963; State of North Carolina Gold Medal in
Fine Arts, 1968; Percy M. Owens Award by the Fellowship
of P.A.F.A., 1969. Memberships: Philadelphia Water Color
Club; National Academy of Design. Honorary member:
International Institute of Arts and Letters; Philadelphia
Museum of Art; The Fellowship of the Pennsylvania Academy of the Fine Arts. Represented in: Metropolitan Museum of Art; The Pennsylvania Academy of the Fine Arts'
Whitne~ Museum of Art; Brooklyn Museum; Phillip~
Memonal Gallery, Washington, D. C.; Virginia Museum
of Fine ~rts; Nebraska Art Association; Butler Institute
of Amencan Art, Youngstown, 0.; Cleveland Museum of
A~; Carnegie In~titute; Brooks Memorial Gallery, MemphiS, Tenn.; Addison Gallery of American Art, Andover,
Mass.; Philadelphia Museum of Art; John Heron Art
Museum, Indianapolis, Ind.; Santa Barbara Art Museum,
Santa Barbara, Calif.; Wilmington Society of Artists
Wilmington, Del.; International Business Machines Collec:
tio~ of American Painting; Pennsylvania State University,
Umverslty Park, Pa.; Montclair Museum of Art, Montclair,
N. J.; Toledo Museum of Art, Toledo, 0. ; Abbott Collection; National Institute of Arts and Letters; Cranbrook
Academy; N. C. State Museum, Raleigh, N. C .; Florence
Museum of Art, Florence, S. C.; Encyclopaedia Britannica
Coll~ction; Phoenix Museum of Art, Phoenix, Ariz.;
Manon Koogler McNay Art Institute, San Antonio, Tex.
First Retrospective Exhibition: The North Carolina Museum of Art, 1963.
Walter Stuempfig-Instructor in Painting, Composition and General Critic
Born in Philadelphia, 1914. Studied at the Pennsylvania Academy of the Fine Arts. Awarded: Cresson Traveling Scholarship, 1935.
Represented in public and private collections. Member: National Academy of Design; National Institute of Arts and Letters.
•
Morris Blackburn
Instructor in Graphics, Painting and Drawing
Born Philadelphia, October 13, 1902. Studied at the Pennsylvania Academy of the Fine Arts;
privately with Arthur B. Carles, Ir. Taught: Philadelphia Museum School of Art 1933-41; Stella
Elkins Tyler School of Art 1948-52; the Pennsylvania Academy of the Fine Arts 1952 to present.
Awarded the William Emlen Cresson European Traveling Scholarship in 1928 and 1929; John
Gribbel Honorable Mention, 1944, Print Club; Honorable Mention American Color Print Society,
1943; Third Prize American Color Print Society, 1944; Honorable Mention Northwest Print
Makers, 1943; Gold Medal Award, Fellowship P.A.F.A., 1949; Mary S. Collins Prize, 1950, Print
Club; Lessing J. Rosenwald Prize, Print Club, 1950; Harrison S. Morris Prize, Equity Regional
P.A.F.A., 1951; Honorable Mention Philadelphia Art Alliance, 1952; John Simon Guggenheim
Memorial Fellowship in Painting and Graphics, 1952; Honorable Mention National Serigraph
Society, 1953; Thornton Oakley Prize, P.A.F.A., 1955; Pyramid Club Award, 1960; Zimmerman
Prize, P.A.F.A., 1960; Merit Award Ocean City, N. J., 1968; Philadelphia Water Color Club
Medal, P.A.F.A. Annual Exhibition, 1969. Thirty-four one man shows. Represented: Philadelphia
Museum of Art, oils and prints; the Pennsylvania Academy of the Fine Arts and The Capehart
Collection, oils. Prints in U. S. State Department, Brooks Memorial Art Gallery, American University Women's Collection, Clearwater Museum, Rosenwald Collection, Butler Institute of
American Art, Rochester Institute of Technology, Woodmere Art Gallery, Library of Congress,
Penn State University, University of Montana, Fleisher Art Memorial, Friends Central School,
Phila., New Jersey State Museum and in private collections in the United States and abroad. Listed
in Who's Who in America, Who's Who in the East, Who's Who in Art and the International Dictionary of Biography.
John Hanlen-Instructor in Painting
Born January 1, 1922, Winfield, Kansas. Studied at the Pennsylvania Academy
of the Fine Arts, and the Barnes Foundation. Awards: Cresson Traveling Scholarship, 1942; Thouron Faculty Prize, 1942; Cresson Traveling Scholarship,
1943; Honorable Mention Toppan, 1943; Second Toppan Prize, 1947; Ware
Traveling Scholarship, 1950; Rome Collaborative, 1950; Louis Comfort
Tiffany First Award, 1950; Edwin Austin Abbey Fellowship for Mural, 1951;
Honorable Mention Da Vinci Art Alliance, 1960; Harrison S. Morris Memorial, Fellowship Pennsylvania Academy of the Fine Arts, 1962 and 1964;
Popular Prize, Swarthmore-Rutledge Union School District, 1964; Honorable
Mention, Pennsylvania Academy of the Fine Arts Annual, 1965; Bertha M.
Goldberg Award, 1967. Represented: Library of Congress, Washington, D. C.;
the Pennsylvania Academy of the Fine Arts; Winfield High School, Winfield,
Kansas; Swarthmore-Rutledge Union School District, Pa.; War Department
Collection of Combat Painting and private collections. Murals for the Budd
Company's Twin City Zephyrs, collaborated with George Harding on the
Audubon Shrine, Mill Grove, Pa.
A
Ben Kamihira-Instructor in Painting and Composition
Born in Yakima, Washington, March 16, 1925. Studied at Art Institute of Pittsburgh, Pa.; the Pennsylvania Academy of the Fine Arts,
Philadelphia, Pennsylvania. Awarded Cresson Traveling Scholarship, 1951; J. Henry Schiedt Traveling Scholarship, 1952. First Julius
Hallgarten Prize, National Academy of Design, 1952; Louis C. Tiffany Memorial Scholarship, 1952 and 1958; Lippincott Prize, the
Pennsylvania Academy of the Fine Arts, 1958; John Simon Guggenheim Fellowship in 1955 and 1956; First Benjamin Altman Prize,
National Academy of Design, 1958 and 1962; First Prize, Wilkie-Buick Regional Exhibition, 1960; Second A. W. Clarke Prize and
Silver Medal, Corcoran Gallery of Art, Washington, D. C., 1961; Johnson Prize, Silvermine Annual, Silvermine, Connecticut, 1961;
First Chautauqua Prize, New York, 1962; Summer Foundation Purchase Prize, Whitney Museum, 1960; Laura Siobe Memorial Prize,
Art Institute of Chicago, American Annual, 1964; Purchase, Childe Hassam Fund, National Institute of Arts and Letters, 1965. Percy
M. Owens Award by the Fellowship of the Pennsylvania Academy of the Fine Arts, 1966; National Institute of Arts and Letters,
N.Y.C. 1969; National Academy of Design Ranger Fund Purchase Awards 1953 and 1966. Represented in the collection of the
Pennsylvania Academy of the Fine Arts; Whitney Museum of American Art; Ringling Museum, Sarasota, Florida; Dallas Museum
of Fine Arts, Dallas, Texas; Colorado Springs Arts Center; Brooklyn Museum; Art Institute of Minneapolis; Syracuse University.
One-Man Shows, New York City, San Francisco, Toronto, Philadelphia, Dallas. Exhibited, Modern Museum, Carnegie International,
Art Institute of Chicago, American Annual, Tokyo International, Whitney Annuals, National Academy of Design.
Jimmy C. Lueders-Instructor in Painting and Composition
Born Jacksonville, Florida, July 4, 1927. Studied at the Pennsylvania Academy of the Fine Arts; Granger Prize, 1949; The William
Emlen C~esson Memorial Traveling Scholarship, 1950; The Henry Schiedt Memorial Scholarship, 1951; and The First Toppan Prize,
!951. ThIrd Hallgarten Prize at the 127 Exhibition of National Academy of Design, 1952; the May Audubon Post Prize. Represented
10 the ~merican Federation of Arts Exhibition "Art Schools U.S.A.", Permanent Collection of the School of Pharmacy of Temple
Ul11Verslty, Tyler Art School of Temple University, Philadelphia Museum, Pennsylvania Academy of the Fine Arts, Fidelity-PhiladelphIa Trust Company, State Street Bank and Trust Company, Boston, Massachusetts and in private collections.
t.
A
Paul Anthony Greenwood-Instructor in Sculpture and Drawing
Born in Philadelphia, 1921. Studied Pennsylvania Academy of the Fine Arts; Barnes Foundation; Academie Julien, Paris; Temple
University School of Fine Arts. Assistant to Jo Davidson, 1943. Awarded Board of Education Scholarship, 1939; Rome Collaborative
Sculpture Prize, 1942; Stewardson Prize, 1943 ; Cresson Traveling Scholarship, 1943; Ware Traveling Scholarship, 1944; Louis Comfort
Tiffany Award, 1952; May Audubon Post Prize, 1953 and 1954; Pennsylvania Academy Fellowship Gold Medal, 1955. Represented in
the permanent collections of the Philadelphia Museum of Art; The New Jersey State Museum, Trenton, N. 1.; The Phoenix Museum,
Phoenix, Ariz.; and in private collections in Philadelphia, Trenton and New York. Executed bronze lion for Sons of Italy Building,
Philadelphia, 1955; bronze and marble fountain for Mr. and Mrs. William Almy, 1967; bronze fountain for Mr. and Mrs. Adolph
Rosengarten, 1969.
Elizabeth Osborne-Instructor in Painting and Drawing
Born in Philadelphia, June 5, 1936. Studied at the Pennsylvania Academy of the Fine Arts, University of Pennsylvania, B.F.A., 1959
with honors. Awarded Catherwood Traveling Fellowship, 1955; Cresson Traveling Scholarship, 1957; J . Henry Schiedt Traveling
Scholarship, 1958; Wilmington Annual Oil Painting Prize, 1959, 1960; Mary Smith Prize P.A.F.A., 1961; Fulbright Grant to Paris,
1963-64; Fellowship Prize P.A.F.A. Annual, 1968; Richard and Hilda Rosenthal Foundation Award, National Institute of Arts and
Letters, 1968. One-Man exhibitions: Philadelphia Art Alliance, 1961 ; Socrates Perakis Gallery, 1964 1966; Peale House Gallery,
1967; Sao Paulo, Brazil, 1969; Makler Gallery, 1970. Exhibited: Pennsylvania Academy of the Fine A~ts' Annuals; Philadelphia Art
Alliance; Wilmington Annuals; Philadelphia Museum; Silvermine (Conn.) Annual, 1966; Washington Gallery of Modern Art, 1968;
National Institute of Arts and Letters, 1968. Represented in the Permanent Collection of the Pennsylvania Academy of the Fine Arts,
Philadelphia Museum of Art, Wilmington Society of the Fine Arts, and in private collections.
T
Homer Johnson-Instructor in Drawing and
Painting
Born in Buffalo, New York, 1925. Studied at the Pennsylvania Academy of the Fine Arts from 1946 to 1952 and the
Barnes Foundation. Awards: Cresson European Scholarship, Pennsylvania Academy of the Fine Arts, 1951; Tiffany Grant of $2000, 1959; Purchase Prize Lambert Fund,
Pennsylvania Academy of the Fine Arts, 1959; Membership in American Watercolor Society; Arts Center, Wallingford, Pennsylvania, 1965; Purchase Upper Moreland
School District, 1966. Represented in private collections.
Exhibitions-One-Man show Philadelphia Art Alliance,
1962, Pennsylvania Academy of the Fine Arts, Regional
Show, 1964. One-Man show Woodmere Gallery, Philadelphia, Pa., 1965; Pennsylvania Academy of the Fine Arts,
Watercolor Show, 1965. Regional Drawing Exhibition,
Philadelphia Museum of Art, 1965; West Chester County
Art Association, 1965; Butler Institute of American Art,
Youngstown, Ohio, 1965. One-Man show Peale House,
Pennsylvania Academy of the Fine Arts, 1966; Museum
of Fine Arts, Springfield, Mass., 1966.
Louis B. Sloan-Instructor in Painting
Born in Philadelphia, June 28, 1932. Studied at the Pennsylvania Academy of the Fine Arts. Awarded Cresson
Traveling Scholarship, 1956. Second prize, Wilkie Buick
Regional Exhibition, 1960; Awarded Louis Comfort Tiffany grant, 1960, 1961. Received the Jennie Sesnan Gold
Medal, the Pennsylvania Academy of the Fine Arts, 1962;
The Emily Lowe grant, 1962; John Simon Guggenheim
Fellowship, 1964. Represented in the permanent collection
of the Pennsylvania Academy of the Fine Arts, and in
private collections. Presiden t of the Fellowship of the
Pennsylvania Academy of the Fine Arts.
Julian Levi-Instructor in Painting and General Critic
Born in New York, 1900. Studied at the Pennsylvania Academy of the Fine
Arts and for five years in France and Italy. Resides in East Hampton and New
York City. Currently teaches also at the Art Students League in New York
and is Director of the Art Workshop of the New School for Social Research.
Artist-in-residence American Academy in Rome, 1967-1968. Awards: Cresson
Traveling Scholarship, P.A.F.A., 1920; Kohnstamm Prize, Art Institute of
Chicago, 1942; Norman Wait Harris Medal, Art Institute of Chicago, 1943;
Carnegie Institute, Honorable Mention, 1945; Pepsi-Cola Prize Portrait of
America, 1945; Obrig Prize, National Academy of Design, 1945; University
of Illinois, 1948; East Hampton Regional Prize, 1952; Pennsylvania Academy
of the Fine Arts, Fellowship Prize, 1954; National Institute of Arts and Letters
grant, 1955; Temple Gold Medal, P.A.F.A. Annual, 1962. Elected to National
Institute of Arts and Letters, 1960; elected a vice-president of National Institute of Arts and Letters, 1969. Retrospective exhibitions at Boston University
and New Britain Museum, 1962. Museum Representations: Metropolitan
Museum of Art, Whitney Museum of American Art, Museum of Modern Art,
Detroit Art Institute, Chicago Art Institute, Toledo Museum, Springfield
Museum of Art, Albright Museum, New Britain Museum, Newark Museum,
Pennsylvania Academy of the Fine Arts, Walker Art Gallery, Cranbrook
Academy, Encyclopaedia Britannica, Des Moines Art Center, Butler Institute
of American Art, Norton Museum, Wilmington Museum, University of
Arizona, University of Georgia, University of Illinois, Michigan State University, Santa Barbara Museum, University of Nebraska, Scripps College,
Claremont, California; Johnson Collection, Reed College. Author: Modern
Art: An Introduction, published, 1961 by Pitman Publishing Corp.
Oliver Grimley
Instructor in Drawing
Born, Norristown, Pa., June 30, 1920.
Studied at the Pennsylvania Academy
of the Fine Arts, coordinated with the
University of Pennsylvania, received a
B.F.A. and an M.F.A. degree. Awarded
1st prize in Perspective, 1st Thouron
Prize in Composition, Cresson Traveling Scholarship, and Schiedt Traveling
Scholarship from P.A.F.A.; Pennell
Memorial Medal Award, 1966, 1968.
Exhibited at the New York Metropolitan Museum and the Whitney Museum; the Library of Congress, Washington, D.C.; the Philadelphia Museum
of Art; the Pennsylvania Academy of
the Fine Arts; the Art Alliance and the
Woodmere Art Galleries. Instructor at
Hussian School of Art.
Daniel D. MiUer
Instructor in Painting and Art History
Born in Pittsburgh, 1928. B.F.A. Lafayette College, 1951; Pennsylvania State
University summer painting classes under Hobson Pittman; the Pennsylvania
Academy of the Fine Arts, 1955-1959; M.F.A. in Painting, The University of
Pennsylvania, 1958. Cresson Traveling Scholarship, 1958; Katzman Prize,
Print Club, 1958; Young Watercolorist's Prize, Art Alliance, 1959; Honorable
Mention oil, Delaware Annual, 1959; Prize oil, Delaware Annual, 1960; May
Audubon Post Prize, 1961; included in Prize Winning Paintings, 1962; Prize
watercolor, Delaware Annual, 1963; Honorable Mention, Philadelphia Art
Alliance Regional, 1966. Paintings owned by the Pennsylvania Academy of
the Fine Arts, University of Pennsylvania Library, Wilmington Society of the
Fine Arts, Manitowoc Museum, The Pennsylvania State University, Dickinson
College. Prints: Philadelphia Museum of Art, Princeton University Library,
Dickinson College, Philadelphia Public Library, Friends Select School, University of Maine. Teaching: P.A.F.A. since 1964. Philadelphia Museum of Art
since 1962, Eastern Baptist College since 1964 (head of Fine Arts Dept. since
1965), Wayne Art Center since 1964. Member of the Board of the Fellowship
of the Pennsylvania Academy of the Fine Arts.
Joseph Amarotico-Instructor in Painting
Born Bronx, N. Y., 1931. Studied: American Art School, under Raphael Soyer,
1953; the Pennsylvania Academy of the Fine Arts, 1954-1959. Awarded Cresson Memorial Traveling Scholarship, 1958; Thouron Faculty Prize, 1959;
Catherine Grant Memorial Award, 1959; The Caroline Gibbons Granger
Memorial Award, 1962, Fellowship P.A.F.A.; The Mary Butler Memorial
Award, 1965, Fellowship P.A.F.A. Represented in the American Federation
of Arts Traveling Exhibition, Corcoran Biennial, 1963; Art in the Embassies
Program, U. S. Department of State, and in public and private collections.
Conservator for the Pennsylvania Academy of the Fine Arts.
--
Arthur de Costa-Instructor in Drawing and Painting
Born in New York City, August 19, 1921. Studied painting and mural decoration at the Pennsylvania Academy of the Fine Arts.
Inde pende nt stud y of procedures and materials used in classical painting techniques. Executed corporate and private mural commissions. Represe nted in the permanent collection of the Pennsylvania Academy of the Fine Arts and in other public and private collections.
Marshall Glasier-Instructor in Drawing
Born in Wauwatosa, Wisconsin , in 1902. Teaches master classes in life drawing at the Art Student's League and at the New School
for Social Research , New York City. Studied for five years with George Grosz, with Nicolaides and McNulty. Grant-in-aid from the
Bjorksten Research Laboratories, 1951-52. Artist-in-Residence at Reed College, 1952-1953. Has had five one-man shows in New York
City, including one at the Juli an Levy Gallery and one at the Graham Gallery in May, 1962. Other one-man shows include those at
the Kalamazoo Art Institute, the Milwaukee Art Institute, the University of Wisconsin, and Reed College. Has also been consistently
represented in the leading national museum exhibitions.
Allen Harris-Instructor in Sculpture
Born in St. Louis, 1924. Studied at the Pennsylvania Academy of the Fine Arts, Barnes Foundation, Washington and Jefferson College,
and the University of Pennsylvania. Awarded Cresson Traveling Scholarship, 1950; Louis Comfort Tiffany Foundation Grant, 1951 ;
Fellowship Gold Medal from P.A.F.A., 1952; Helen Foster Barnett Prize from The National Academy of Design, 1957; Da Vinci
Gold Medal from the Da Vinci Art Alliance, Philadelphia, 1958 and 1962; Rome Prize Fellowship from the American Academy in
Rome, 1958, 1959, 1960; Samuel Finley Breese Morse Medal, from The National Academy of Design, 1963. Represented by portraits
at Penn State University and in the Swedish Academy in Rome, in the Cortile d'Onore at Pompeii, and in private collections in Italy,
Sweden, and throughout the United States. Fellow of the National Sculpture Society.
Karl O. Karhumaa -
Instructor in Sculpture
Born in Detroit, Mich., 1924. Studied Wayne University, B.F.A.; Syracuse University, M.F.A.; and the Pennsylvania Academy of the
Fine Arts. Awards: Tiffany Foundation Award, 1954; Eastern Michigan University Invitational Exhibition Purchase Award, 1963 .
Exhibitions: Detroit Institute of Art, Syracuse Museum of Fine Art, Columbus Museum of Fine Art, Phillips Mill , New Hope, Pa.
Wiu Barnet-Instructor in Painting and General Critic
Born in Beverly, Mass., 1911. Studied Boston Museum of Fine Arts School; Art Students League, N. Y. Instructor at Art Students
League since 1936; Professor at Cooper Union, N. Y. since 1945; visiting critic, Yale University, 1952; Artist-in-Residence, Virginia
Museum of Fine Arts, Richmond; has taught summer sessions at Montana State College; University of Wisconsin; Regina College,
Saskatchewan; Museum of Fine Arts, Boston; University of Washington, Spokane; University of Minnesota; Penn State University;
Ohio University; Cornell University. Member of the Philadelphia Print Club; American Abstract Artists; Federation of Modern
Painters and Sculptors. Many one-man exhibitions in New York and throughout the U. S.; one in Rome, Italy. Also four retrospective
exhibitions: University of Minnesota, 1958; Institute of Contemporary Arts, Boston, 1961; Albany Institute of Art, Albany, N. Y.,
1962; Virginia Museum of Fine Arts, 1964. Writings: "Aspects of American Abstract Painting" in The World of Abstract Art, London,
1956; "A Letter to an English Critic", Castalia I, 1961; "Lithography as an Art", The League, April, 1944. Work represented in:
Metropolitan Museum of Art, N. Y.; Museum of Modern Art, N. Y.; Boston Museum of Fine Arts; Brooklyn Museum; Carnegie
Institute; Cincinnati Art Museum; Corcoran Gallery of Art; The Duncan Phillips Museum; The Fogg Museum; Munson-WilliamsProctor Institute; New York University Art Collection; Pennsylvania Academy of the Fine Arts; Philadelphia Museum; Phillips Gallery;
Seattle Art Museum; Whitney Museum; University Art Museum, Berkeley, California. Also represented in numerous private art
collections.
AUGMENTING THE CURRICULUM
THEODOR SIEGL
Technical Advisor and Instructor in Painting
Materials and Techniques
DAN MILLER
Lecturer in Art History
J. FRANKLIN SHORES
Instructor in Lettering and Perspective
Robert Beverly Hale-Instructor in Anatomy
Born in Boston, 190 I. A.B., Columbia University. Studied: Columbus School of Architecture; Art
Students League, Paris. Benjamin Franklin Fellow of The Royal Society of Arts, London. Curator
Emeritus, Metropolitan Museum of Art. Adjunct Professor of Drawing, Columbia University.
Instructor of Drawing, Lecturer on Anatomy, Art Students League, New York. President, Tiffany
Foundation, 1959-1967. One-man show Stamford Museum, 1959, Staempfli Gallery, 1960. Author:
Drawing Lessons from the Great Masters, 1964; article on Drawing, the Encyclopaedia Brittanica.
Represented in the Whitney a nd other museums, and a number of private collections.
Martha Adams Zeit-Instructor in Silk Screen
Born in Washington, Pa. , 1930. Studied at Connecticut College, Carnegie Institute, Pennsylvania
Academy of the Fine Arts, University of New Mexico, Temple University. Awarded: Cresson
Traveling Scholarship, 1954; Schiedt Traveling Scholarship, 1955; Print Fellowship, The Philadelphia Print Club, 1965. Exhibited: P.A.F.A. Annual Exhibitions since 1961; VIII Salao de Arte
Moderna, Brasil; Sao Paulo Bienale, 1961; FAR Gallery, N. Y., 1960; Museum of Modern Art
Lending Art Library, 1960. Works in private collections in Philadelphia, Spain and Brazil. Mural
owned by Connecticut College.
PRELIMINARY DIVISION-Students entering the Academy
for the first time are admitted to the Preliminary studios. Only
upon special recommendation of the Admissions Committee
may new students be admitted to the advanced studios. The
Preliminary discipline enables the student to survey the fundamentals of Drawing, Painting, Sculpture a nd Graphics.
At the conclusion of the second semester each Preliminary
student will be promoted to the division of his choice (Painting, Graphics or Sculpture) provided his record shows a complete and satisfactory registration of work together with the
approval of the artists to whose studios he has been assigned.
History of Art-l hour per week-this illustrated lecture
course is a prerequisite for promotions from the preliminary
studios and is presented from the standpoint of the practicing
artist rather than the art historian.
The Preliminary studio schedule is as follows:
PAINTING DIVISION-Students electing to enter the P ainting Division will be assigned studios in Drawing, Life and Portrait painting. They are encouraged to pursue special projects
and to emphasize individual explorations in style, medium and
content under the critical guidance of the Faculty. It is expected
that students in the Painting Division will complete at least two
semesters in the open studios before they apply for assignment
to an individual studio. Upon recommendation of the artists of
the Faculty to whom they are assigned Painting students may
be privileged to work in individual studios. They will be required
to receive criticism of work done in their studios from at least
three artists of the Faculty, a minimum of once each ~on.th.
These artists may also recommend the return to the pamtmg
studios if in their opinion the student is not benefited by the
assignment to individual studios.
.
All studio facilities and lectures are open to the use of pamting students assigned to individual studios.
Life Painting-6 hours per week, painting from Life and
models.
Composition and Still Life Painting-6 hours per week with
emphasis on design, color, texture and composition.
Drawing-6 hours per week divided between cast drawing
and drawing from the life model.
G.raphics-~ hours per week-the study of the major tech-
ruques of prInt making and their use in creative work.
Clay Modeling-6 h?urs per week-instruction in modeling
from hfe and portrait models. Three dimensional design.
!'erspective an~ Lettering- l hour per week-this instruction
IS a prerequIsite for students who will enter the advanced
division in P ainting or Graphics.
lI!at~rials and Te~hniques-l hour per week-this instruc-
tion IS a prerequIsite for students who will enter the advanced
division in Painting or Graphics.
22
Anatomy-l hour per week-this lecture course is an elective and is presented as an aid to the student artist and as a
supplement to his studio work.
GRAPHICS DIVISION-Students electing to enter the
Graphics Division will be assigned studios in Drawing, Painti~g
and Composition but the major studio assignment Will be m
Graphics. It is expected that students in the Graphics Division
will complete at least two semesters in the open studios before
they apply for assignment to an individual studio. Upon recommendation of the artists of the Faculty to whom they are assigned the Graphics student may be privileged to work in an
individual studio. They will be required to receive criticism of
work done in their studio from at least three artists of the
Faculty a minimum of once each month. These artists may also
withdraw the use of the studio if in their opinion the student is
not benefiting from the privilege.
All studios, facilities and lectures are open to the use of
Graphics students assigned to individual studios.
be met for the student to be eligible for promotion, individual
studio privileges, scholarships, prizes and travel awards. Furthermore those students who desire to apply the credit for studio
work done at the Academy toward an Academic degree must
have a complete record of registration as well as a Faculty evaluation of the quality of the work. This record will constitute a
proper transcript for the Academic University or College.
SCULPTURE DIVISION-Students may enter the Sculpture
Division directly upon admission to the Academy or they may
el~c~ !o enter the division upon promotion from the Preliminary
DiVIsIOn. The Sculpture studios are devoted to clay modeling
from the human figure and head. Individual projects involving
woo~ carving, welding, stone carving, kiln firing or molding of
plastic may be pursued under the supervision of an instructor.
~p?~ recommendation of the artists of the Sculpture Faculty
illdiVIdu~1 students may be assigned private studios where projects ou~s~de the scope. of the regular studios may be pursued.
The pnvJiege of a pflvate studio may be withdrawn if in the
opinion of the Faculty the student has not benefited therefrom.
FOUR YEAR CERTIFICATE-The Pennsylvania Academy
of the Fine Arts grants its Certificates to students who have
satisfactorily completed four years of study in the Academy
Schools, or the equivalent according to the Academy requirements. Only students whose records are complete according to
the final decision of the School Administration, are eligible for
these Certificates.
REGULATI<?NS & REGISTRATION-The Academy realIzes that maxu'!1Um freedom fosters creative effort and permits
unusua~ devo.tlon to the artist's self-discipline. The minimal
regulations WIll not interfere with artistic effort and in fact are
found to aid in that effort. Therefore these regulations are to
Registration requirements are satisfied when each student has
registered one piece of work each month with each of the artists
assigned to him. Sculpture students are required to register one
figure, one head, one sculpture done without a model and five
drawings each month.
Because the Academy is devoted to the full time. pu~sui~ of the
study of the Fine Arts it is not a degree grantmg mstItutlOn .
Students who wish to transfer to the art department of a college
or university where they may divide their time with academic
studies necessary to the attainment of the Academic degree m~y
receive a transcript of their record at the Academy. The studIO
work at the Academy is accepted by most academic institutions
on the basis of 12 semester credits for each semester or
24 semester credits for the school year. By special arrangement
work done in the Evening or Summer schools may be credited
as 6 semester credits for full time attendance.
23
SCHOLARSHIPS AND PRIZES 1968-1969
CRESSON MEMORIAL SCHOLARSHIPS
Painting
Elizabeth Arrasmith
Rebecca C. Cooke
Fred Danziger
Robert Grass
Christine McBriarty
Robert W. Maddox
Sculpture
Harry Bay ton
Jo-Ann Dumm
LEWIS S. WARE MEMORIAL SCHOLARSHIP
Gale Ruman
William Hanson
SCHIEDT MEMORIAL SCHOLARSHIPS
Hei Myung Choi
Timothy T. Gazak
William F. Schmidt
James Evans
Nikolai Sibiriakoff
CHARLES TOPPAN PRIZES
Thomas Dickerson, Jr.
Juanita Miller
Stephen A. Miller
Christine McBriarty
William E. Schmidt
Cranston Walker
PACKARD PRIZES
Lyn Walton
Janice Goldman
STEW ARDSON PRIZE
Christopher Parks
THOURON PRIZES
David Fithian
Cranston Walker
Zoi Shuttie
Marjorie Bilk
Joan Marie Weinert
RAM BORGER PRIZE
Laura Watts
STIMSON PRIZE
Kezia Lechner Victor
CECILIA BEAUX MEMORIAL PRIZE
Rebecca C. Cooke
THE CHRISTINE BIDDLE SCULL MEMORIAL PRIZE
Felix Giordano
Glenn Steigleman
EDNA P. STAUFFER PRIZE
Felix Giordano
FRANCES D. BERGMAN MEMORIAL PRIZE
J ames Brantley
THOMAS EAKINS MEMORIAL PRIZE
Donna Gorman
PHILADELPHIA PRINT CLUB PRIZE
Anthony J. Di Rienzi
WANAMAKER PRIZE
Thomas Wise
SKOWHEGAN SCHOOL OF PAINTING AND
SCULPTURE SCHOLARSHIP
Tim Van Campen
ASPEN SCHOOL OF CONTEMPORARY ART,
SUMMER SCHOLARSHIP
Joyce Ryals
JOHN R. CONNER MEMORIAL PRIZE IN GRAPHICS
Cathy Hahn
CATHERINE GRANT MEMORIAL PRIZE
Hei Myung Choi
WOODROW PRIZE IN GRAPHICS
Gene Shaw
MINDEL CAPLAN KLEINBARD AWARD
Hei Myung Choi
GIMBEL PRIZE
Christine McBriarty
M. HERBERT SYME PRIZE
Marcia Lampert
MARY TOWNSEND AND
WILLIAM CLARKE MASON AWARD
Kezia Lechner Victor
PERSPECTIVE PRIZE
Glenna Hartman
George Lindblad
ELEANOR S. GRAY MEMORIAL PRIZE
Fred Danziger
Richard Lee
John DeBarbieri
Gail Ruman
QUAKER STORAGE COMPANY AWARD
James Evans
Harold Rosen
LAMBERT AND EMMA WALLACE
CADWALADER PRIZE
Edward Petras
DRAKE PRESS AWARD
James Evans
GEORGE SKLAR MEMORIAL LIFE DRAWING PRIZE
Stephen Estock
LOUIS FINE PURCHASE PRIZE
Tim Jenk
Felix Giordano
Charles Frith
HENRY C. PRATT MEMORIAL PRIZE
Rochelle Marcus
25
THE WILLIAM EMLEN CRESSON MEMORIAL
TRA VELING SCHOLARSHIPS
By the liberal provisions of the wills of Emlen Cresson. and
Priscilla P., his wife, a Fund has been created as a mem.onal to
their deceased son William Emlen Cresson, AcademIcIan, the
income from whi~h is to be applied by the Pennsylvania
Academy of the Fine Arts in sending pupils of merit to Europe.
These scholarships shall be awarded under such rules and regulations as shall be adopted from time to time by the Board of
Directors of the Pennsylvania Academy of the Fine Arts. The
award of Cresson Scholarships has had significant influence on
hundreds of recipients over many years and has been a great
boon to this Academy. In the Spring of 1969 the one thousandth
awa rd was made. To emphasize the importance of these awards
and to broaden the advantages to our students, and because the
Fund realizes very generous income each year, the Management, through its Committee on Instruction, has established the
practice of approving the recommendation of th.e Faculty for
either first or second awards. These scholarshIps were first
awarded in 1902.
~
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In 1969, the award of a Cresson Traveling Scholarship credited
each student with $2,400 of which $1,500 was used for a summer of travel and traveling expenses in Europe, and the remaining $900 was used for Academy tuition for the two terms
immed!atel), ~ollowing. Each year th~ sums may vary, as adjustments In tUItIOn charges and travelIng expenses dictate. Each
recipient is required to return to the Academy for the continuance of regular studio work in an additional year as an advanced
student. He is expected to help set high professional standards
among our students after his return from Europe. In cases of
exceptional merit, and when a very decided improvement is
evident, a student may, through the same authority, receive the
award a second time. Competition for a second scholarship must
be entered during the year succeeding the first award, unless
otherwise ruled by the Committee on Instruction on written
application. The award of a Cresson Traveling Scholarship the
second time credits the student with the sum established for that
year to be used for travel and traveling expenses, and may be
used any time within twenty-eight months after receipt of the
award.
Eight Cresson Traveling Scholarships werc awarded in 1969Every student thirty-five years of age. or younger at the time of
competition , in good health and without knowledge of any
physical conditi on or an y other reaso~ t? prevent accepting and
pro perl y using such scholarships IS elIgible for competition for
Cresso n Traveling Scholarships. Competitors must have an ag"regate of 96 Academy Winter School weeks to their credit,
~h ic h mLlst have been accumulated within five (5) years of the
date of competition. The final 32 weeks (two terms) must be
spent in the Winter School of the Academy and must be within
the yea r of competition.
Every student must have a complete and unbroken registration
record over the time included in computing eligibility except for
the time he is an advanced student (see " Registration of Work").
Painters and Graphics Majors must also have satisfactorily
completed the work in Materials and Techniques and in Lettering and Perspective. Sculptors must meet the requirements of
the Sculpture faculty. All financial obligations must be fully
paid.
All stud~nts en~eri~g the competition are required to complete
the offiCial applIcatIOn. All work submitted in competition must
be that whic~ has been done in the Academy classes or for
Academy registratIon . It must be work completed within the
last 32 weeks of the WInter School. All work in competitions
must be approved and recorded before entry by two faculty
Instructors.
All competitors are u~restricted as ~o amount, size and variety
of work they submit III the competItion groups, provided th ey
do not exceed th~ .space allotted. Each sculptor's group must
Include a compositIon. Work must be exhibited unframed and
unglazed. If tape or stripping is used to trim unsightly edges of
canvas, it may be used to give order rather than enhance and
must not encroach upon the face of the canvas.
The recipient of a first traveling scholarship must account for a
period of at least 90 days in Europe and an itinerary and financial report is required for filing in the school office before
October 15.
27
The recipient of a second traveling scholarship is
granted the sum for travel and travel expenses and a
general accounting must be made and filed in the
school office within three months of the end of its use.
The student is not required to return for another period of study but may apply for free tuition should additional study be advisable. Use of free tuition under
such circumstances may be regulated and arranged
with the Administrator of the schools.
The Faculty will not recommend awards of traveling
scholarships if, in its opinion, the work submitted is
not of sufficient merit to justify such recommendation.
A student may not be awarded more than one traveling
scholarship in any given year and is ineligible for competition after having received two such awards.
THE LEWIS S. WARE MEMORIAL TRAVELING
SCHOLARSHIPS-The Lewis S. Ware Memorial
Traveling Scholarships in accordance with the will of
the testator provide European Traveling Scholarships
in amount and under regulations similar to those of
Cresson Scholarships of that year. These Scholarships
will be awarded according to the income available on
the recommendation of the Faculty by the Board of
Directors to students of outstanding merit. These
Scholarships were first awarded in 1938 and two Ware
Traveling Scholarships were awarded in 1969 representing an amount of $1500 each.
Christine McBriarty
THE J. HENRY SCHIEDT MEMORIAL TRAVELING SCHOLARSHIPS-The J. Henry Schiedt Memorial Scholarships in accordance with the will of
Cornelia Schiedt, provide for the award of traveling
Scholarships according to the income available. The
award of these scholarships will be made on the recommendation of the Faculty by the Board of Directors
to students of outstanding merit. Eligibility for this
competition will be based on the same requirements
as set up for Cresson Awards of that year. These scholarships a.re not specifically designed for European
travel. It IS therefore possible, under certain circumstances, for a competing student to make application
to the Administrator of the Schools at least three
months before the date of competition for a particular
program. These Scholarships were first awarded in
1949 and five Schiedt Traveling Scholarships of $1500
each were aw~rded in 1969. The credit may be used
any tIme wlthm twenty-eight months after receipt of
the award.
James Evans
28
.-~
ell
z
I
Hei Myung Choi
30
•
Give names and addresses of two responsible persons who will furnish references for you (not relatives) and will send
them directly to the Academy.
Name
Name_______________________________________________
Address
Address __________________________________________
How did you lea rn of P.A.F.A. ? ____________________________________________________________________________
.------------------------------------------------------------------------------------- ----------.-------------------------------------Do Not Fill In This Section
Tra nscri pt ________________________________________
I nterview _____________________________
References ___________________________________________
by _________________________
waived _________________________
In order to protect the health of our students, the Pennsylvania Academy of the Fine Arts requires that all students be
examined by a physician and have a chest x·ray. This examination should be completed within one month prior to regis·
tration date. We request your cooperation.
Henry Hotz, Jr.
Administrator of the Schools
.-----------------------.------------------------------------------ ------------------.-._------- --- ------------------------------------HEALTH CERTIFICATE
This certifies that I have examined
on _________________________________________________
name
date
a nd find him/ her free of any disease communicable or other which might interfere with his/her activities as a student or
prevent his/ her proper acceptance as a student in the Pennsylvania Academy of the Fine Arts.
A chest x-ray has been done and found negative tuberculosis.
__________________________~M.D.
Doct o r's name (please print)
Doctor's signature
address
Note to the Doctor:
If this person has any health problem which would not necessarily interfere with his/her studies at the P.A.F.A., but of
which, you feel, the School should be aware (i.e., Diabetes, Allergies, etc.) please indicate this in the space below.
PENNSYLVANIA ACADEMY OF THE FINE ARTS
BROAD AND CHERRY STREETS,
Application for Admission in the _
PHILADELPHIA, PENNSYLVANIA 19102
La 4-0219
Fall 19 _ _ Spring 19_
Please type or print all information neatly and legibly.
Date of application
Mr.
Mrs.
Name Missi_ _ _~~~---------~UT~~-----------7T~~------(First)
(Middle)
(Last)
2 Passport
Photographs
Here
==.-::=,.....===----------------------------
Home address _ _
Street and Number
Telephone _ _ _ _ __
Zipcode
State
City
Mail ing add ress_--"==,...,..,,...,.===-=-_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Street and Number
City
State
Zipcode
Date of birth _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Place of birth _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Citizenship _ _ _ _ _ _ _ _ _ _ _ _ _ Draft Classification _ _ _ _ _ _ _ _ Selective Service No. _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
High School _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Location _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ yea r of graduation _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Schools attended beyond high school, with dates _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Degrees _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Name a nd add ress of pa rent or gua rd ia n _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
- - - -_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Relationship _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
If you are ma rried , give na me of husband or wife _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Are you interested in a n academic degree? _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Source of funds while attending P.A.F.A.
Self _ _ _ _ _ _ _ _ _ _ Pa rent or Gua rd ian _ _ _ _ _ _ _ _ _ _ Other ~-~_-------------------------Specify
Live at home _____ Supervised hous ing ===-::-=:-____________________
Women only
Live with relatives or friends _ _ _ _ _ Other _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
What are your plans for housing?
