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1973-1974 School Circular
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Pennsylvania Academy of the Fine Arts
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The Pennsylvania Academy of the Fine
Arts is the alma mater of many of the
most important artists who comprise the
history of American art and has been
the founding place of important art
movements and directions.
In keeping with its founding traditions
the Academy has developed a studio
environment and study program of total
commitment to the fine arts. An
opportunity for pure study in the
disciplines of painting, sculpture and
graphics is presented here without
the intrusion of any degree oriented
courses or consideration of commercial
application.
The integrity of this program will
appeal to the serious student artist who
feels the need for complete concentration
on the problems of aesthetic and
technical excellence. It is the purpose
of this school to encourage the student
to acquire the widest possible art
experience and relate it to his particular
needs. The school by its philosophy
avoids any fixed development program
10 which the student must conform.
From the basic skills and orientation
studies of the first year to the highly
individual and specialized instruction
of the advanced studios each student's
work is appraised on the basis of
his own personal expression.
This will be of particular interest to
the student who has acquired a degree
and seeks a stimulating professional
environment in which to reevaluate and
expand his aesthetic concepts and
strengthen his techniques. Conversely,
a student who is interested in obtaining
a Bachelor of Fine Arts degree may
combine studio credits earned at the
Academy with liberal arts credits
earned at the Philadelphia College of
Art to qualify for the Bachelor of Fine
Arts degree.*
DAY SCHOOL ENROLLMENT
CLOSED FOR FALL TERM
'See info:mation on page 24
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THE
FOUN~E
J8~S
The Pennsylvania Academy of the Fine
Arts is the oldest art institution in
the United States. Its origin dates from
1791, when Charles Willson Peale
initiated efforts to organize a school
for the fine arts in Philadelphia. This
resulted in the formation of the
Columbianum in 1794. In 1795, under
the auspices of that association,
the first exhibition of painting in
Philadelphia wa~ held in Pennsylvania's
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old State House, better known today as
Independence Hall. The Co lumbianum
was ultimately succeeded by the
present Academy . In 1805, in
Independence Hall, seventy-one public
spirited citizens met for formal
organization. The gathering was a
distinguished one and included the
artists Charles Willson Peale, William
Rush, Rembrandt Peale. At that meeting
the petition for the incorporation of
The Pennsylvania Academy of the Fine
Arts was prepared. The charter was
obtained in March of 1806, creating th e
new organization "To promote the
cultivation of the Fine Arts, in the
United States of America (and to)
enlighten and invigorate the talents
of our countrymen".
LOCATION
The school is located in the very heart
of Philadelphia and has ready access
to all public transportation serving
the city. Every important museum, .
gallery, library, church, theater.' musIc
hall and college or university IS
convenient to the Academy, and the
Academy studios are easily reached
by the student who might live some
distance. The main building, first
occupied in 1876, was designed for
the Academy by Frank Furness, and
is a nationally known architectural
landmark.
THE ACADEMY GALLERIES
The Academy has a unique permanent
collection of American paintings,
sculpture and prints that affords the
student an opportunity for direct study
of important works of art.
The exhibitions held by the Academy
bring to the student the various
movements and currents of contemparary
American art and enable him to be
in constant tauch with the newest ideas
and techniques.
Special shaws are held in the Galleries
thraughaut the winter season, and In
the spring the warks submitted by
students in cam petition for the many
traveling schalarships and prizes are
on exhibitian. Additianal special
exhibitians are staged in the Peale
House Galleries and cantinue the
tradition af shawing predaminately
American art, with an emphasis on
contemporary wark. These exhibitians,
many of which are ane-man shaws
by distinguished artists-past and .
present-give students an apportunlty
to examine and study important wark.
FACILITIES OF THE SCHOOL
The main building was designed to
make the best use af natural lighting.
The major studios are ample, with high
ceilings and narth light. These are
augmented by smaller studios a~d .
areas designated for general Criticism.
The majarity of classes far fi rst year
students are held at Peale House, 1811
Chestnut St. These studios are equipped
to. fit the Preliminary courses of study,
as well as to pravide facilities for
Graphics majors and private studio.
space. The Graphics Department has
facilities far warking in lithography, silk
screen and etching pracesses. The
Schaal has an autstanding etching press
which is available to. all students; and
all basic silk screen techniques,
including photagraphic processes are
taught. There is a darkroom proVided
far printing photographic stencils and
plates. All interested students may use
the darkraam equipment.
The Academy library provides stimUlation
and infarmatian through its well raunded
callectian. Many rare editians as well
as a large fund af cantempor~ry
material are at the students dlspasal.
Art materials are available in a well
stocked stare run by the Academy on
the premises.
The Academy also sponsors field trips
to. variaus artistic paints of interest. In
the past these have included visits to.
museums and galleries in New York and
Washington, and painting expeditions to
seas hare and wooded areas near
Philadelphia for students interested in
landscape.
nero.
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ACADEMY RESIDENCE
The Schoo.l provides residence
accommodations for a limited number
af its women students. New applicants
far entrance into the School should
indicate in their earliest correspondence
any interest in such housing. A deposit
of $50.00 is required far room
reservations. Additional information on
types of accommodations may be
obtained fram the Administratar's Office.
No single accommodatians are
available.
VETERANS
The P.A.FA is approved for veterans
education under the provisions of Title
38 U.S. Cade Section 1776 and the
Veterans Administration Regulation
14251 E. Students enralled under
provisian of Title 38 U.S. Code for
Veterans Educatian are governed by
the fallawing:
Leave Leave of absence is granted
anly to students who wish to temp orari ly
interrupt their training for personal
reasons. A request far leave must be
made in advance in writing , or time
away from school will be considered an
unexcused absence. The Veterans
Administratian will be natified
immediately when a veteran student is
granted a leave af absence.
Absence An excused absence is one
that is due to illness, death in the
immediate family, and any other
unavoidable circumstances; however,
the school must be apprised on the
reason for said absences within twentyfour hours and the reason must be
supported by documentary evidence, or
said absences will be recorded as
unexcused. Three unexcused absences
in anyone month will result In
immediate dismissal. All students must
attend 85% of the duration .of the
course in order to attain satisfactory
attendance. When a student has missed
over 15% of the duration of the course
by excused and/or unexcused
absences, his training will be
immediately interrupted.
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Class-Cuts
Class-Cuts are not
permitted and shall be recorded as
unexcused absences.
technical schools through the Board of
Public Education of the City of
Philadelphia.
These free tuition scholarships have
been made possible by gifts from
Academy friends:
Make-up work is not
permitted for the purposes of receiving
Veterans Administration training
allowances.
The Dolfinger-McMahon Foundation has
established a grant which provides five
free tuition scholarships for one year to
economically disadvantaged students
who have graduated from the public or
technical High Schoo ls To qualify
students must be endorsed by their High
School and then satisfactorily complete
the entrance requirements established
by the Academy.
THE JOHN LAMBERT SCHOLARSHIPS.
Make-Up Work
Any student not physically
present at the start of his scheduled
class period will be considered ta rdy,
and the exact number of minutes wi ll be
recorded as per Form PDE 358-4.
Excessive tardiness, such as three times
unexcused in any five-day period, shall
be cause for discontinuance of training.
Tardiness
Students
receiving failing grades are placed on
probation for sixty days. If unsatisfactory
progress continues beyond the
probationary period, the student's
training will be immediately interru pted
and all concerned wi ll be notified
accordingly. Students dism issed
because of unsatisfactory progress may
apply for re-entrance; however, each
case will be considered on the basis of
the facts involved.
Unsatisfactory Progress
In the event a war
orphan or elig ible person fails to enter
the course, or withdraws or is
discontinued therefrom at any time
prior to completion , the amount charged
to the veteran for tu iti on, fees, and
other charges for a portion of the course
shall not exceed the approxim ate pro
rata portion of the total charges for
tuition, fees, and othe r cha rges that the
length of the completed portion of the
course bears to its total length.
Refund Policy
Credit for Previous Education and
Training Appropriate credit is given
for comparable previous education and
training, and the tra ining period will
be shortened according ly .
.
FREE TUITION SCHOLARSHIPS
A number of partial scholarsh ips are
available annually to graduates of the
city high schools and vocati onal4
Further information about the DolfingerMcMahon and the Board of Education
scholarships may be obtained by
contacting your high school art teacher.
Students already enrolled at the
Academy for two terms, in good
standing and enrolled at the time of
application, may apply to the Academy
fo r free full or half tuition scholarsh ips.
Students must complete the officia l
forms and submit them with three works
to the Faculty at the March meeting.
College Scholarship Service Reports are
also required. Approximately twenty-five
scholarships are available and will be
awarded by the Board of Directors on the
recommendation of the Committee on
Instruction and the Academy Faculty.
Preference is given to students of merit
who otherwise would be unable to
pursue their study in art.
THE LEWIS S. WARE MEMORIAL
SCHOLARSHIPS.
THE LOUISE HARRISON MEMORIAL
SCHOLARSHIPS.
Given by Thomas S. Harrison in memory
of his wife.
THE MARY R. BURTON SCHOLARSHIPS.
THE SARAH KAIGHN COOPER MEMORIAL
SCHOLARSHI PS.
Given by Mrs. George K. Johnson.
THE ELIZABETH H. TH OM AS MEMORI AL
SCHOLARSHI PS.
THE GEORGE M. WILTBANK
SCHOLARSHIPS.
Given by Annie C. Wiltbank.
THE BARBARA SPECKER GORSON
MEMORIAL SCHOLARSHIP.
Given by her father, Mr. Joseph Specker.
THE RONDI CRISTINE JOHNSON
MEMORIAL SCHOLARSHIP.
ALLEN HARRIS MEMORIAL
SCHOLARSHIP.
WALTER STUEMPFIG MEMORIAL
SCHOLARSHIP .
THE ROBERT B. ERHMAN
SCHOLARSHIPS.
THE ELEANOR S. GRAY MEMORIAL FUND.
In memory of his wife,
El eanor S. Gray,
J. Maurice Gray
established the
ELEANOR S. GRAY
MEMORIAL FUND in
1967. Two full and
six half tuition
scholarships were
awarded in the school
year of 1972-73.
In an effort to spread the free tuition
scholarships to cover the needs to the
fullest possible extent, it IS within the
province of the Faculty to recommend
a number of half scholarships. Full free
tuition scholarship recipients are
required to work for the school an
assigned thirty hour period, dUring the
holding of that year's scholarship, and
half scholarship students a fifteen hour
period. These obligations may. be .
fulfilled by posing in the portrait studio
or by completing other work designated
by the school.
A student must maintain an average of
B- or better in order to hold a
scholarship.
The Academy encourages students from
foreign countries by offering tuition
scholarships. These are awarded by a
committee of the Faculty as a result of
their evaluation of the students portfolio.
ADMISSION-DAY SCHOOL
The official application form must be
filled in and returned to the
Administrator of the Schools together
with two passport photographs , the
application fee of $10.00, and a portfolio
of four to seven examples of work. The
name and address of the applicant
should be clearly printed on the back of
each piece. The Academy cannot
accept responsibility for loss or damage
to student works. Drawings or paintings
must not be glass covered.
Two written references, to be sent
directly to the School are also required.
No student is eligible for admission
unless he or she is at least sixteen years
of age and has completed high school
or its equivalent. The Committee on
Instruction reserves the right to limit the
number of students under any or all
classifications . An application blank
• accompanies this booklet. Before final
admission a personal interview with the
Administrator should be arranged. If,
because of distance or other valid
reason, a personal interview is not
possible, please write to the Academy
explaining the circumstances , and
request a waiver of the interview.
A Medical Certification of Good Health
is also required to complete the
admission requirements.
Blue Cross & Blue Shield Medical group
insurance is available to Academy
students.
FEES, DAY SCHOOL
Application fee .............. $ 10.00
Tuition fee per term ....... ... 550.00
Total-First Term ............ 560.00
Tuition fee, each subsequent
term .................... . 550 .00
5.00
Late registration fee ........ . .
Room-per term (16 wks.)
(Women only) ............ . 425.00
5.00
Locker deposit ... ... ....... .
a former student who has not completely
satisfied, in the opinion of the
Administration , his financial obligations
to the Academy. A fee of $2.00 will be
charged for each transcript.
Non-payment of fees according to the
announced dates, as stated above, shall
prohibit such delinquent students from
attendance in all classes and lectures.
Tuition may be paid: (a) By mail in
advance, (b) in the school office in
advance, by cash, check, or money
order, (c) on registration day with check
for exact amount due. If payment has
not been made for full amount due by
5 P.M . on registration day, a late
registration fee of $5 .00 becomes
payable.
New registration cards shall be issued
at the beginning of each term to
students at the time of the payment of
fees. Admission to classes is by
registration card only.
PAYMENT REGULATIONS
All fees are payable in advance and no
deduction is made for late registration
or for absence . No refund will be made
after the first week of any Term for
either tuition or in the case of Residence
Students for board and lodging, whether
the cause be voluntary or involuntary
withdrawal, dismissal by the School
Administration for any reason in its own
discretion, or for any reason, except
as noted below.
The two exceptions to the above
regulations may be (a) in the case of
any student who is called into military
service before or during a School Term
under the provisions of the Selective .
Service Act; or (b) students under Public
Law No. 550 (G.1. Bill) . In either case,
if a student fails to enter the course, or
withdraws or is discontinued therefrom
at any time prior to completion the ru.les
li sted under Veterans (p. 3) will apply.
NOTE: The late registration fee is
applicable to all students who have not
pa id tuition on or before the regular
registration date, unless special
arrangements have been made with the
school office in advance. Students
paying the Day School fees are entitied
to all the privileges of the Evening
School classes .
Registrations may be accomplished by
mail with accompanying checks or
money orders, or in person, at the Day
School office and should be completed
two weeks before the opening of each
Official credit or the issuing of
transcripts of record will not be granted
by the Academy either to a student or
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semester. A deposit of $5.00 is made
for the regulation padlock for each
locker. Lockers must be vacated, by
students not returning, by the last day
of the current term. After that date
contents will be disposed of to make
room for new students.
The number of students in any class will
be limited and reg istration cards will be
issued in the order of tuition payments,
and these cards must be presented for
admission to classes.
MEDICAL CERTIFICATION
All students must file with the School
prior to the opening day of the School
Terms in September and January, a
certificate of Good Health, attested to by
the student's family doctor or other
recognized physician. Failure to file this
certificate, on the special form supplied
by the School will result in nonregistration of the student until the
attested certificate is filed.
STUDENT AID FUND
In August 1971 a group of friends and
fellow students established a fund for
student aid . "The James E. Brewton
Student Aid Fund" originally created by
the proceeds from the sale of this
artist's paintings is the expression of
their love and respect for him and his
expressed concern for the Academy
students.
THE EVENING SCHOOL
The Evening School is an extension of
the regular program of the Academy
School. Studios of drawing, painting,
and sculpture are conducted on a
professional level, but no prior
experience is required of students
wishing to enroll for one or more nights
a week.
The evening studios are conducted five
nights each week between 7 and 10
o'clock, and the dates conform to the
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Day School schedule. Write to the
School Office for an application and
brochure on the Evening School.
FACULTY:
Morris Blackburn
Arthur DeCosta
Murray Dessner
Adolph Dioda
Thomas Ewing
Paul Anthony Greenwood
Oliver Grimley
John Hanlen
Homer Johnson
Dan Miller
Warren Rohrer
Louis Sloan
Kim Sou
Roswell Weidner
FEES FOR EVENING SCHOOL
One evening per week, per
semester ................. $ 70.00
Two evenings .............. . 90.00
Three evenings ............. . 110.00
Four evenings .............. . 125.00
Five evenings .............. . 140.00
SUMMER SCHOOL
The Summer School is a six-week,
Day-time course, conducted by
members of the Academy Faculty. For
information write to the School Office.
The 1973 Summer School starts June 4
and closes July 13, 1973.
FACULTY:
Marshall Glasier
Oliver Grimley
John G. Hanlen
Jim C. Lueders
Louis B. Sloan
Francis Speight
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ROSWELL WEIDNER
Instructor in Drawing and Painting
Born in Reading, Pa., 1911. Studied at
the Pennsylvania Academy of the Fine
Arts and the Barnes Foundation.
Awarded Cresson Traveling Scholarship, 1935; First Toppan Prize, 1936;
Honorable Mention Philadelphia Sketch
Club, 1936; Terry Art Institute of Florida,
1952. Fellowship Prize, Pennsylvania
Academy of Fine Arts, 1942; Dawson
Memorial Medal, Penn sylvania Academy of the Fine Arts Annual Exhibition,
1965. Represented: Reading Museum,
Philadelphia Museum, Pennsylvania
Acad emy of the Fine Arts, Penn State
University, University of Pennsylvania,
Connecticut State Library, NAB. Collection, Washington, D. C. Prints: Library of Congress, Metropolitan
Mu seum, Univers ity of Pennsylvania,
Connecticut State Library, and private
collections. One-Man Exhibitions:
Reading Museum, 1957; Philadelphia
Art Alliance, 1962; Peale House, Pennsylvania Academy of the Fine Arts,
1965; William Penn Memorial Museum,
Harrisbu rg, 1966. President of Fellowship of the Pennsylvania Academy of
the Fine Arts 1956-1967. McCleaf Gallery, Philadelphia, 1970.
HARRY ROSIN
Instructor in Figure Construction
and Sculpture
Born in Philadelphia, December 21,
1897. Studied at the Pennsylvania
Academy of the Fine Arts and in Paris.
8
Exhibits: Paris, Pennsylvania Academy,
Chicago Art Institute, Whitney Museum,
Metropolitan Museum, Sculpture Show,
World 's Fair Chicago-1934, Texas
Centennial-1936, San Francisco
World's Fair, New York World's Fair1939. Awards: Stewardson Prize &
Cresson European Scholarship from
Pennsylvania Academy, 1926; Widener
Gold Medal, 1939; Pennsylvania Academy Fellowship Prize, 1941; Fellowship
Gold Medal, 1942. $1,000, Award from
American Academy of Arts & Letters,
1946; Gold Medal Award, Philadelphia,
Regional Show 1950; Bouregy Prize,
Audubon Artists, 1956; Distinguished
Pennsylvania Artist, 1964. Represented
by work for French Government on 'Island of Guadeloupe, work on Tahiti, the
Quaker and the Puritan for Samuels
Memorial, and the Jack Kelly Memorial,
all on the Schuylkill River in Philadelphia, Connie Mack Figure, The Deerfield Boy, Deerfield, Massachusetts,
and the facade of new Court House
Building in West Chester, Pennsylvania;
private and public collections. Associate National Academy.
JOHN HANLEN
Instructor in Painting
John Han/en
Born January 1, 1922, Winfield , Kansas.
Studied at the Pennsylvania Academy
of the Fine Arts, and the Barnes Foundation. Awards: Cresson Traveling
Scholarship, 1942; Thouron Faculty
Prize, 1942; Cresson Traveling Scholarship, 1943; Honorable Mention Top pan, 1943; Second Toppan Prize, 1947;
Ware Traveling Scholarship, 1950;
Rome Collaborative, 1950; Louis Comfort Tiffany First Award, 1950; Edwin
Austin Abbey Fellowship for Mural,
1951; Honorable Mention Da Vinci Art
Alliance, 1960; Harrison S. Morris Memorial, Fellowship Penn sy lvania Academy of the Fine Arts, 1962 and 1964;
Popular Prize, Swarthmore - Rutledge
Union School District, 1964; Honorable
Mention, Pennsylvania Academy of the
Fine Arts Annual , 1965; Bertha M.
Goldberg Award , 1967. Represented :
Library of Congress, Washington, D.C .;
the Pennsylvania Academy of the Fine
Arts; Winfield High School, Winfield,
Kansas; Swarthmore-Rutledge Union
School Di strict, Pa.; War Department
Collection of Combat Painting and private collections. Murals for the Budd
Company's Twin City Zephyrs. Collaborated with George Harding on the
Audubon Shrine, Mill Grove, Pa.
Roswell Weidner
Harry Rosin
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MORRIS BLACKBURN
General Critic,
Instructor in Graphics,
Painting and Drawing
Library of Congress, Penn State University, Uni versi ty of Montana , Fleisher
Art Memorial, Friends Central School,
Phila., New Jersey State Mu seum, The
New Mexico Museum of Art and in private col lections in the United States
and abroad. Listed in Who's Who in
America, Who's Who in th e East, Who's
Who in Art and the International Dictionary of Biography.
BEN KAMIHIRA
Instructor in Painting and
Composition
Born Philadelphia, October 13, 1902.
Studied at the Pennsylvania Academy
of the Fine Arts; privately with Arthur B.
Carles, Jr. Taught: Philadelphia Museum School of Art 1933-41; Stella
Elkins Tyler School of Art 1948-52; The
Philadelphia Museum of Art; the Pennsylvania Academy of the Fine Arts
1952 to present. Awarded the William
Emlen Cresson European Traveling
Scholarship in 1928 and 1929; John
Gribbel Honorable Mention, 1944, Print
Club; Honorable Mention American
Color Print Society, 1943; Third Prize
American Color Print Society, 1944;
Honorable Mention Northwest Print
Makers, 1943; Gold Medal Award, Fellowship P.A.F.A., 1949; Mary S. Collins
Prize, 1950, Print Club; Lessing J.
Rosenwald Prize, Print Club, 1950; Harrison S. Morris Prize, Equity Regional
P.A.F.A., 1951; Honorable Mention
Philadelphia Art Alliance, 1952; John
Simon Guggenheim Memorial Fellowship in Painting and Graphics, 1952;
Honorable Mention National Serigraph
Society, 1953; Th ornton Oakley Pri ze,
P.A.F.A., 1955; Pyramid Club Award ,
1960; Zimmerman Prize, P.A.FA, 1960;
Merit Award Ocean City, N. J., 1968;
Philadelphia Water Color Club Medal,
P.A.F.A. Annual Exhibition, 1969; The
Percy Owens Memorial Prize, 1972.
Thirty-four one man shows. Represented: Philadelphia Museum of Art,
oils and prints; the Pennsylvania Academy of the Fine Arts and The Capehart
Collection, oils. Prints in U. S. State
Department, Brooks Memorial Art Gallery, American University Women's Co llection, Clearwater Museum, Rosenwald Col lection, Butler Institute of
American Art, Rochester Insti tute of
Technology , Woodmere Art Gallery,
10
Born in Yakima , Washington, March 16,
1925. Studied at Art Institute of Pittsburgh, Pa.; the Pennsylvania Academy
of the Fine Arts, Philadelphia, Penn sylva nia. Awarded Cresson Traveli ng
Scholarship, 1951; J. Henry Schiedt
Traveling Scholarship, 1952. First Julius
Hallgarten Prize, National Academy of
Design, 1952; Louis C. T iffany Memorial Scholarship, 1952 and 1958; lippincott Prize, the Penn sy lvania Academy of th e Fine Arts, 1958; John Simon
Guggenheim Fellowship in 1955 and
1956; First Benjamin A ltman Prize,
National Academy of Design, 1958 and
1962; Second Benjamin Altman Prize,
Nat. Academy of Design, 1970; First
Prize, Wilk ie-Buick Regional Exhibition,
1960; Second A. W. Clarke Prize and
Silver Medal, Corcoran Gallery of Art,
Washington, D.C., 1961 ; Johnson Prize,
Silvermine Annual, Silvermine, Connecticut, 1961; First Chautauqua Prize,
New York, 1962; Summer Foundation
Purchase Prize, Whitney Mu seum, 1960;
Laura Siobe Memorial Prize, Art Institute of Chicago, American Annual,
1964; Purchase, Childe Hassam Fund,
National Institute of Arts and Letters,
1965. Percy M. Owen s Award by the
Fe llowship of the Pennsylvania Academy of the Fine Arts, 1966; Natio nal
Institute of Arts and Letters, N.Y. C.
1969; National Academy of Design
Ranger Fund Purchase Awards 1953
and 1966. Represented in the collection of the Pennsylvania Academy of
the Fine Arts; Whitney Museum of
American Art; Ringling Museum , Sarasota, Florida; Dallas Museum of Fine
Arts, Dallas, Texas; Colorado Springs
Arts Center; Brooklyn Museum; Art Inst itute of Minneapolis; Syracuse University; Hirschorne Foundation Collection; Butler Institute of American Art,
Youngstown, Ohio; Sarah Roby Foundation, Nantucket, Mass. One-Man
Shows : New York City, San Francisco,
Toronto, Philadelphia, Dallas. Exhibited: Modern Museum, Carnegie International, Art Institute of Chicago,
American Annual, Tokyo International ,
Whitney Annuals , National Academy of
Design.
Morris Blackburn
Ben Kamihira
11
JIMMY C. LUE DERS
Instructor in Painting and
Composition
Born Jacksonville, Florida, July 4, 1927.
Stud ied at the Pennsylvania Academy
of the Fine Arts; The William Emlen
Cresson Memorial Traveling Scholarship, 1950; The Henry Schiedt Memorial Scholarship, 1951 ; First Toppan
Prize, 1951; Third Hallgarten Prize, National Academy of Design, New York,
1952; "Art In America" under "New
Talent In The United States" Spring
1958; Mary Butl er Memorial Award,
1964; May Audubon Post Prize, 1970;
Caroline Clibbons Granger Memorial
Prize, 1971; Merit Award Winner, Pennsylvania 71 Exhibition; Harry and Rhea
Ro ckowe r Award, 1971; Exhibited: The
National Institute of Arts and Letters ,
1969; Metropolitan Young Artists Show,
National Arts Club, 1969; National
Academy of Design, New York; The
American Federation of Arts, 1956.
Collections: State Street Bank, Boston,
Mass.; Atlantic Richfield Company,
Phila., Penna.; School of Pharma cy of
Temple University, Phila .. Penna.; Tyler
Art School of Temple Un ive rsity, Phila.,
Penna.; Fidelity Bank, Phila., Penna.;
Moore College of Art, Phila. , Penna.;
Phi ladelphia Museum of Art, Phila. ,
Penna.; Penn sylvania Academy of the
Fine Arts, Phila., Penna.; Girard Bank,
Ph ila., Penna.; and private collections.
12
PAUL ANTHON Y GR EENWOOD
Instructo r in Sculpture and Drawi ng
Born in Phi ladelphia, 1921. Studied
Penn sylvania Academy of the Fine Arts;
Barnes Foundation; Academie Julien,
Paris; Temple University School of Fine
Arts. Assistant to Jo Davidson , 1943.
Awarded Board of Education Scholar~
ship, 1939; Rome COllaborative Sculpture Prize , 1942; Stewardson Prize,
1943 ; Cresson Traveling Scholarship,
1943; Ware Traveling Scholarship,
1944; Louis Comfort Tiffany Award,
1952; May Audubon Post Prize, 1953
and 1954; Pennsylvania Academy Fellowship Gold Medal, 1955. Represented in the permanent collections of
the Philadelphia Museum of Art; The
New Jersey State Museum, Trenton ,
N. J. ; The Phoenix Museum, Phoenix,
Ariz .; American Swedish Historical Museum and in private collections in
Philadelphia, Trenton and New York.
Executed bronze lion for Son s of Italy
Build ing , Philadelphia, 1955; bronze
and marble fountain for Mr. and Mrs.
William Almy, 1967; bronze and limestone fountain for Mr. and Mrs. Adolph
Rosengarten, 1969. Louis Comfort Tiffany Grant, 1971.
Jimmy C. Lueders
-
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)
.
-
-
-.
Paul Anthony Greenwood
/
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'5
,
ELIZABETH OSBORNE
Instructor in Painting and Drawing
I
--
Born in Philadelphia, June 5, 1936.
Studied at the Pennsylvania Academy
of the Fine Arts , University of Pennsylvania, B.FA, 1959 with honors.
Awarded Catherwood Traveling Fellowship, 1955; Cresson Trave ling Scholarship, 1957; J. Henry Schiedt Traveling
Scholarship, 1958; Wilmi ngton Annual
Oil Painting Prize, 1959, 1960; Mary
Smith Prize P.A.F.A. , 1961 ; Fulbright
Grant to Paris, 1963-64; Fell owship
Prize P.A.F.A. Annual , 1968; Richard
and Hilda Rosentha l Foundation Award,
Nationa l Institute of Arts and Letters,
1968. One-Man exhibitions: Ph iladelphia Art Alliance , 1961; Socrates Perakis Gallery, 1963, 1966; Peale House
Gallery, 1967; Sao Paulo, Brazil, 1969;
Makler Gallery, 1970; Wilmington , Delaware, 1971. Exhibited : Pennsylvania
Academy of the Fine Arts' Annuals ;
Philadelphia Art Alliance ; Wilmington
Annuals; Philadelphia Museum, Silvermine (Conn .) Annual , 1966; Washington Gallery of Modern Art, 1968; National Institute of Arts and Letters, 1968.
Represented in the Permanen t Collection of the Pennsylvania Academy of
the Fine Arts, Philadelphia Museum of
Art, Wilmington Society of the Fine Arts,
and in private collections.
Elizabeth Osborne
13
HOMER JOHNSON
Instructor in Drawing and Painting
Born in Buffalo, New York, 1925.
Studied at the Pennsylvania Academy
of the Fine Arts from 1946 to 1952 and
the Barnes Foundation. Awards: Cresson European Scholarship, Pennsylvania Academy of the Fine Arts , 1951;
Tiffany Grant of $2000, 1959; Purchase
Prize Lambert Fund, Pennsylvania
Academy of the Fine Arts , 1959; Membership in American Watercolor Society. Represented in private collec tions. Exhibitions - One-Man show
Philadelphia Art Alliance, 1962, Pennsy lvania Academy of the Fi ne Arts
Regional Show, 1964. One-Man show
Woodmere Art Gallery, Philadelphia,
Pa., 1965; Pennsylvania Academy of
the Fine Arts , Watercolor Show, 1965.
Regional Drawing Exhibition, Philadelphia Museum of Art, 1965; West Chester County Art Association, 1965; Butler
Institute of American Art, Youngstown,
Ohio, 1965. One-Man show Peale
House, Pennsylvania Academy of the
Fine Arts, 1966; Museum of Fine Arts,
Springfield, Mass., 1966. One-Man
show Philadelphia Art Alliance, 1971;
American Watercolor Society Annual,
1971; Pennsylvania '71, Harri sbu rg , Pa.
1971; One-Man show Woodmere Art
Gallery, Philadelphia, 1972.
Homer Johnson
Louis B. Sloan
14
LOUIS B. SLOAN
Instructor in Painting
Born in Philadelphia, June 28, 1932.
Studied at the Pennsylvania Academy
of the Fine Arts. Awarded Cresso n
Trave ling Scholarship, 1956. Second
prize, Wilkie Buick Regional Exhibition ,
1960; Awarded Louis Comfort Tiffany
grant, 1960, 1961 . Received the Jennie
Sesnan Gold Medal, the Pennsylvania
Academy of the Fine Arts, 1962; The
Emily Lowe grant, 1962; John Simon
Guggenheim Fellowsh ip, 1964. Represented in the permanent collection of
the Pennsylvania Academy of the Fine
Arts, and in private collections. President of the Fellowship of the Pennsylvania Academy of the Fine Arts .
JULIA N LEVI
Inst ructo r in Pain ti ng and
Ge neral Critic
Art Institute of Chicago, 1943; Carnegie
Institute, Honorable Mention, 1945;
Pepsi-Cola Prize Portrait of America
1945; Obrig Prize, National Academy
of Design, 1945; University of Illinois,
1948; East Hampton Regi onal Prize,
1952; Pennsylvania Acade my of the
Fine Arts , Fellowship Prize, 1954 ; National Institute of Arts and Letters grant,
1955; Temple Gold Medal, P.A.F.A.
Annual, 1962. Elected to National Institute of Arts and Letters, 1960; elected
a vice-president of National Institute of
Arts and Letters, 1969. Retrospective
exhibitions at Boston University and
New Britai n Museum , 1962. Museum
Represen tations: Metropol itan Museum
of Art, Whitney Museum of American
Art , Museum of Modern Art, Detroit Art
Institute, Chicago Art Institute, Toled o
Mu seum, Springfield Museum of Art,
Albright Museum, New Britai n Museum ,
Newark Museum , Pennsylvania Academy of the Fine Arts, Walker Art Gallery, Cra nbrook Academy, Encyclopaedia Britannica, Des Moines Art Center,
Butler Institute of Ameri can Art , Norton
Mu se um , Wilmington Museum , University of Arizona , University of Georgia,
Unive rsity of Illinois, Michigan State
Un iversity, Santa Barbara Museum,
University of Nebraska, Scripps Co llege, Claremont, California; Johnson
Collect ion, Reed College. Author: Modern Art: An Introduction, published,
1961 by Pitman Publishing Corp.
c
Julian Levi
Born in New York, 1900. Studied at
the Pennsylvania Academy of the Fine
Arts and for five years in France and
Italy. Resides in East Hampton and
New York City. Currently teaches also
at the Art Students League in New York
and is Director of the Art Workshop of
the New School fo r Social Research .
Artist- in-res idence Ame ri can Academy
in Rome, 1967-1968. Awards: Cresson
Traveli ng Scholarship, PA FA, 1920;
Koh nstamm Prize, Art Institute of Chicago, 1942; Norman Wait Harris Medal,
15
OLIVER GRIMLEY
Instructor in Drawing
DANIEL D. MILLER
Instructor in Painting and Art History
Born, Norristown, Pa., June 30, 1920.
Studied at the Pennsylvania Academy
of the Fine Arts, coordinated with the
University of Pennsylvania, received a
B.F.A. and an M.F.A. degree. Awarded
1st prize in Perspective, 1st Thouron
Prize in Composition, Cresson Traveling Scholarship, and Schiedt Traveling
Scholarship from PAF.A.; Pennell
Memorial Medal Award, 1966, 1968,
1970; the Bruce S. Marks Prize for
drawing, 1971; a 9' Eagle for the private
office of Leonard Tose, Phila. Eag les
Football Club; murals in Commonwealth- Federal Savings and Loan, the
Continental Bank, West End branch,
both of Norristown, and the Lafayette
Hills Br. office of the American Bank
and Trust Co. of Pa. Exhibited at the
New York Metropolitan Museum and
the Whitney Museum; the Library of
Congress, Washington, D.C.; the Phil adelphia Museum of Art; the Pennsylvania Academy of the Fine Arts; the Art
Alliance and the Woodmere Art Galleries. Instructor at Hussian School of
Art.
Born in Pi ttsburgh, 1928. BF.A. Lafayette College, 1951; Pennsylvania State
University summer painting classes
under Hobson Pittm an; the Pennsylvania Academy of the Fine Arts, 19551959; M.F.A. in Painting, The University of Pennsylvania, 1958. Cresson
Traveling Scholarship, 1958 ; Katzman
Prize , Print Club, 1958; Young Watercolorist's Prize, Art Alliance, 1959;
Honorable Mention oil, Del aware Annual, 1959; Chamber of Commerce
Award for Arts, Brookville, Pa., 1959;
Prize oil, Delaware Annual, 1960; May
Audubon Post Prize, 1961; included in
Prize Winning Paintings, 1962; Prize
watercolor, Delaware Annual, 1963;
Honorable Mention, Philadelphia Art
Alliance Regional, 1966; Bertha M.
Goldberg Memorial Award, 1970. Paintings and constructions: the Pennsylvania Academy of the Fine Arts,
University of Pennsylvania Library,
Wil mington Soc iety of the Fine Arts,
Manitowoc Museum , The Pennsylvania
State University, Dickinson College,
Rutgers Museum . Prints: Philadelphia
Museum of Art, Princeton University
Library, Dickinson College, Philadelphia Publ ic Library, Friends Select
School, University of Maine, Library
Eastern Baptist College, La Salle College. Teaching: P.A.F.A. since 1964,
Philadelphia Museum of Art since
1962, Eastern Baptist Co ll ege since
1964 (head of Fine Arts Dept. since
1965), Wayne Art Center since 1964.
Member of the Board of the Fellowship
of the Penn sylvania Academy of the
Fine Arts. Member Philadelphia Waterco lor Society.
16
Oliver Grimley
JOSEPH AMAROTICO
Instructor In Painting
Daniel D. Miller
Born, Bronx, N. Y. , 1931. Studied:
American Art School, under Raphael
Soyer, 1953; the Pennsylvania Academy of the Fine Arts , 1954-1959.
Awarded Cresson Memorial Traveling
Scholarship, 1958; Thouron Faculty
Prize, 1959; Catherine Grant Memorial
Award , 1959; The Caroline Gibbons
Granger Memorial Award, 1962, Fellowship PAF.A.; The Mary Butler
Memoria l Award , 1965, Fellowsh ip
P.A.F. A. Repres ented in the American
Federation of Arts Travel in g Exhibiti on,
Corcoran Bienni al, 1963; Art in the Embassies Program, U. S. Department of
State, and in public and private collections. Conservator for the Pennsylvania
Academy of the Fin e Arts .
Joseph Amarotico
17
ARTHUR DE COSTA
Instructor in Drawing and Pain ti ng
Born in New York City, August 19,
1921. Studied painting and mural decoration at the Pennsylvania Academy
of the Fine Arts. Independent study of
procedures and materials used in classica l painting techniques. Executed
co rporate and private mural commissions. Represented in the permanent
collection of the Pennsylvania Academy
of the Fine Arts and in other public and
private collections.
Arthur de Costa
MARSHALL GLASIER
Instructor in Drawing
KARL O. KARHUMAA
Instructor in Sculpture
Born in Wauwatosa, Wisconsin, in
1902. Teache s master classes in life
drawing at the Art Students League.
Studied for five years with George
Grosz, with Nicolaides, and McNulty.
Grant-in-aid from the Bjorksten Research Laboratories, 1951-52. Artistin-Residence at Reed College, 19521953. Has had five one-man shows in
New York City, including one at the
JUlian Levy Gallery and one at the
Graham Gallery in May, 1962. Other
one-man shows incl ude those at the
Kalamazoo Art Institute, the Milwaukee
Art Institute, the University of Wisconsin, and Reed College. Has also been
consistently represented in the leading
national museum exhibitions.
18
Born in Detroit, Mich ., 1924. Studied
Wayne University, B.F.A.; Syracuse
University, M.F.A.; and the Pennsylvania Academy of the Fine Arts.
Awards: Tiffany Foundation Award,
1954; Eastern Michigan University Invitational Exhibition Purchase Award,
1963. Exhibitions: Detroit Institute of
Art, Syracuse Museum of Fine Art,
Columbus Museum of Fine Art, Phillips
Mill, New Hope, Pa.
Karl O. Karhumaa
Marshall Glasier
19
WILL BARNET
Instructor in Painting and
General Critic
Born in Beverly, Mass ., 1911. Studied
Boston Museum of Fine Arts School;
Art Students League, N. Y. Instructor at
Art Students League since 1936; Professor at Cooper Union, N. Y. since
1945; visiting critic, Yale University,
1952; Artist-in-Residence, Virginia Museum of Fine Arts, Richmond; has
taught summer sessions at Montana
State College; University of Wisconsin;
Regina College, Saskatchewan; Museum of Fine Arts, Boston; University
of Washington, Spokane; University of
Minnesota; Penn State University; Ohio
University; Cornell University. Member
of the Philadelphia Print Club; Ameri can Abstract Artists; Federation of
Modern Painters and Sculptors. Many
one-man exhibitions in New York and
throughout the U. S.; one in Rome, Italy.
Also four retrospective exhibitions: University of Minnesota, 1958; Institute of
Contemporary Arts, Boston, 1961; Albany Institu te of Art, Alba ny, N. Y.,
1962; Virginia Museum of Fi ne Arts,
1964. Writings: "Aspects of American
Abstract Painting" in The World 01
Abstract Art, London, 1956; "A Letter
to an English critic", Castalia I, 1961;
"Lithography as an Art", The League,
April, 1944. Work represented in:
Metropolitan Museum of Art, N. Y.;
Museum of Modern Art, N. Y.; Boston
Museum of Fine Arts; Brooklyn Mu seum; Carnegie Institute; Cincinnati
Art Museum; Corcoran Gallery of Art;
The Dun can Phillips Museum; The
Fogg Museum; Munson-WilliamsProctor Institute; New York Universi ty
Art Collection; Penn sylvan ia Acad emy
of the Fine Arts ; Philadelphia Museum;
Phillips Gallery; Seattle Art Museum;
Whitney Muse um ; University Art Museum, Berkeley, Californ ia. Also rep resented in numerous private art
collections.
20
MARTHA ZELT STANTON
Instructor in Silk Screen
Born in Washington, Pa., 1930. Studied
at Connecticut College, Carnegie Institute, Pennsylvania Academy of the Fine
Arts, University of New Mexico, Temple
University. Awarded: Cresson Traveling Scholarship, 1954; Schiedt Travelin g Scholarship, 1955 ; Print Fell owship ,
The Philadelphia Print Clu b, 1965. Exhibited: P.A.FA Annual Exhibitions
since 1961; VIII Salao de Arte Moderna,
Brasil; Sao Paulo Bienale, 1961. Also
represen ted in FAR Gallery, N. Y. ,
1960; Museum of Modern Art Lending
Art Library, 1960. Works in private collections in Philadelphia, Spain and
Brazil. Mural owned by Connecticut
College.
ROBERT BEVERLY HALE
Instructor in Anatomy
,
•
Born in Boston, 1901. A.B., Columbia
University. Studied: Columbia School
of Architecture; Art Students Leag ue,
Paris. Benjamin Franklin Fellow of The
Royal Society of Arts, London. Curator
Emeritus, Metropolitan Museum of Art.
Adjunct Professor of Drawin g, Columbia University, 1945-66. Inst ru ctor of
Drawing, Lecturer on Anatomy, Art Students League, New York, Pres id ent,
Tiffany Foundatio n, 1959-1967. Oneman show Stam ford Mu seum, 1959;
Staempfli Gallery, 1960. Author: Drawing Lessons from the Great Masters,
1964; Trans lator of Dr. Pau l Richer's
Artistic Anatomy, 1971 ; article on Drawing , the Encyclopaedi a Britannica . Represen ted in the Metropolitan , the Whitney and othe r museums, and a number
of private collections.
Will Barnet
HENRY C. PEARSON
General Critic
-
Martha Zeit Stanton
Born in Kinston, N. C., 1914. M.F.A.
Yale University; B.A., University of
North Carolina. Art study in Japan
under Shojo Yamamoto and Yuki
Somei; Art Students League. Oneman shows: Workshop Gallery 1958;
Stephen Radich Gallery 1961, 1962,
1964, 1965, 1966, 1969; Ball State University, Indiana 1965; Tweed Museum ,
Duluth, Minn., 1965; FairweatherHardin Gallery, Chicago, 1966; North
Carolina Museum of Art, 1969; Van
Straaten Gallery, Chicago, 1970; Betty
Parsons Gallery, 1971. Ford Foundation , Tamar ind Workshop Fellowship ,
Los Angeles. Represented in collections of Metropolitan Museum , Museum
of Modern Art, Whitney Museum, Chicago Art Institute; Albrig ht-Knox Gallery, Buffalo; Nelson Gallery of Art ,
Kansas City, Mo.; Corcoran Art Gallery, Washington, D.C.; National Gallery, Oslo, Norway; Mrs. Albert List,
N.Y.C.; Chase Manhattan Bank, N.Y.C.;
Union Carbide, N.Y.C.; N.Y. Pu blic
Library. Represented by Betty Parsons
Gallery.
Henry C. Pearson
21
JOHN M. BOLLES
Instructor in Lithography
Born in Plattsburgh, New York, 1939.
Studied at the State University of New
York, B.S. in Art Education; Winchester
School of Art, Winchester, England;
Tyler School of Art, Temple University,
M.F.A. Exhibited: University of Buffalo
Summer Fine Arts Festival; Windsor,
England; Gallery 252, Phi lade lphia; Th e
Print Club of Philadelphia; Un ive rsi ty
of Pennsylvania; The Art Alliance,
Philadelphia; City College, New York;
American Color Print Society; Art in th e
Embassies program of the State Department; Silvermine Guild, New Ca naan, Connecticut. Represented: Winchester School of Art, Winchester,
England; Prints in Progress permanent
collection; Free Library of Ph iladelphia ;
State University of New York, Buffalo;
Drexel Institute, Philadelphia; Alexander Ewing Associates, Architects;
RCA, Philadelphia; United States
Consulate, Brussels, Belg ium; Korman Corporation, Phi ladelph ia; private
collections.
John M. Bolles
AUGMENTING THE CURRICULUM
THEODOR SIEGL
Technical Advisor and Instructo r in
Paintin g Materials and Techniques
DAN MILLER
Lectu rer in Art Hi story
J. FRANKLIN SHORES
Instructor in Lettering and Perspective
DAVID SLIVKA
Critic in Sculpture
JOHN W. McCOY
General Critic
ALEXANDER HROMYCH
Instruc tor in Sculpture
JAMES GADSON
Instructor in Drawing and Painting
22
PRELIMINARY DIVISION
Students entering the Academy for
the first time are admitted to the
Preliminary studios. Only upon special
recommendation of the Admissions
Committee may new students be
admitted to the advanced studios . The
Preliminary discipline enables the
student to survey the fundamentals of
Drawing, Painting, Sculpture and
Graphics.
At the conclusion of the second
semester each Preliminary student will
be admitted to the division of his choice
(Painting, Graphics or Sculpture)
provided his record shows a complete
The Preliminary studio schedule is
as follows :
Life Painting-6 hours per week,
painting from the life mode l.
Painting Studio-6 hours per week with
emphasis on design, color, texture
and composition .
Orawing-9 hours per week divided
between cast drawing and drawing
from the life model.
Graphics-6 hours per week-the study
of the major techniques of print
making and their use in creative work.
Clay Modeling-3 hours pe r weekinstruction in modeling from life and
portrait models. Three dimensional
design .
and satisfactory registration of work
together with the approval of the artists
to whose studios he has been assigned.
Perspective and Lettering-1 hour
per week-this instruction is a
prerequisite for students who will enter
u
e
e
r
the advanced division in Painting
or Graphics.
Materials and Techniques-1 hour per
week-this instruction is a prerequisite
for students who will enter the
advanced division in Painting or
Graphics.
History of Art-1 hour per week-this
illustrated lecture course is a prerequisite
for promotions from the preliminary
studios and is presented from the
standpoint of the practicing artist rather
than the art historian.
Anatomy-This series of lectures is an
elective and is presented as an
aid to the student artist and as a
supplement to his studio work.
PAINTING DIVISION
Students electing to enter the Painting
Division will be assigned studios in
Drawing, Life and Portrait painting.
They are encouraged to pursue special
projects and to emphasize individual
explorations in style, medium and
content under the critical guidance of
the Faculty. It is expected that
students in the Painting Division will
complete at least two semesters in
the open studios before they apply for
assignment to an individual studio.
Upon recommendation of the artists of
the Faculty to whom they are assigned
Painting students may be privileged
to work in individual studios. They
will be required to receive criticism of
work done in their studios from at
least three artists of the Faculty, a
minimum of once each month. These
artists may also recommend the
return to the painting studios if in their
opinion the student is not benefited
by the assignment to individual studios.
All studio facilities and lectures are
open to the use of painting students
assigned to individual stud ios.
GRAPHICS DIVISION
Students electing to enter the Graphics
Division will be assigned studios in
Drawing, Painting and Composition but
the major studio assignment will be
in Graphics. It is expected that students
in the Graphics Division will complete
at least two semesters in the open
studios before they apply for assignment
to an individual studio. Upon
recommendati on of the artists of the
Faculty to whom they are assigned
the Graphics student may be privileged
to work in an individual studio. They
will be required to receive criticism of
work done in their studio from at
least three artists of the Faculty a
minimum of once each month. These
artists may also withdraw the use of
the studio if in their opinion the student
is not benefiting from the privilege.
All studios, facilities and lectures are
open to the use of Graphics students
assigned to individual studios.
SCULPTURE DIVISION
Students may enter the Sculpture
Division directly upon admission to the
Academy or they may elect to enter
the division upon promotion from the
Preliminary Division . The Sculpture
studios are devoted to clay modeling
from the human figure and head.
Individual projects involving wood
carving, welding, stone carving, kiln
firing or molding of plastic may be
pursued under the supervision of an
instructor. Upon recommendation of
the artists of the Sculpture Faculty
individual students may be assigned
private studios where projects outside
the scope of the regular studios may be
pursued. The privilege of a private
studio may be withdrawn if in the opinion
of the Faculty the student has not
benefited therefrom .
•
REGULATIONS & REGISTRATION
The Academy realizes that maximum
freedom fosters creative effort and
23
permits unusual devotion to the artisrs
self-discipline. The minimal regu latIOns
will not interfere with artistic effort
and in fact are found to aid in that effort.
Therefore these regulations are to be
met for the student to be eligible for
promotion, individual studio privileges,
scholarships, prizes and trave l awards .
Furthermore those students who desire
to app ly the credit for studio work
done at the Academy toward an
Academic degree must have a complete
record of reg istration as we ll as a
Faculty evaluation of the qua lity of
the work. This record will constitute a
proper transcript for the Academic
University or College.
Registration requirements are satisfied
when each student has registered one
piece of work each month with each
of the artists assigned to him. Sculpture
students are required to register one
figure, one head, one sculpture done
without a model and five drawings
each month.
FOUR YEAR CERTIFICATE
The Pennsylvania Academy of the
Fine Arts grants its Certificate to
students who have satisfactorily
completed four years of study in the
Academy Schools, or the equivalent
according to the Academy req uirements.
Only students whose records are
complete according to the final decision
of the Schoo l Administrati on, are
eligible for these Certificates . By specia l
arrangement work done in the Even ing
or Summer schools may be credited.
BACHELOR OF FINE ARTS
DEGREE
Because the Academy is devoted
exclusively to the study of the Fine Arts
it is not a degree granting institution .
"The Philadelphia Co ll ege of Art
recognizes attainment of the Academy's
ce rtificate as satisfying th e stud io
cred it requ irements for its Bachelor of
Fine Arts deg ree. With Academy
endo rsement based upo n hig h schoo l
graduation and a secondary schoo l
24
transcript judged creditable by the
Academy, a student may register in
liberal arts at PCA any time after
beginning Academy enrol lment.
The BFA degree-credit candidate will
be considered to have fulfilled PCA's
studio requirements upon receipt of the
Academy's ce rtificate.
The candida te may begin to earn the
required 45 libe ral arts credits' in
any semeste r during his four-year
studio program or after being awarded
the Academy's certificate. Subject to
Academy requirements, he may register
for any number of liberal arts credits
per semester. Upon submission of an
official transcript of prior liberal arts
study, he may be awarded a maximum
12 transfer credits toward PCA's
requiremen ts for the BFA degree."
The Phi ladelphia College of Art is
located at Broad and Pine Streets within
walking distance of the Academy.
The schedule of classes is designed
to permit max imum use of studio hours.
• See peA catalogue
THE WILLIAM EMLEN
CRESSON MEMORIAL
TRAVELING SCHOLARSHIPS
By the liberal provisions of the wills of
Emlen Cresson and Priscilla P., his wife,
a Fund has been created as a memorial
to their deceased son, William Emlen
Cresson, Academician, the income
from which is to be applied by the
Pennsylvania Academy of the Fine Arts
in sending pupils of merit to Europe.
These scholarships shall be awarded
under such rules and regulations as shall
be adopted from time to time by the
Board of Directors of the Pennsylvania
Academy of the Fine Arts. The award
of Cresson Scholarships has had
significant influence on hundreds of
recipients over many years and has been
a great boon to this Academy. In the
Spring of 1969 the one thousandth
award was made. To emphasize the
importance of these awards and to
broaden the advantages to our students,
and because the Fund realizes very
generous income each year, the
Management, through its Committee on
Instruction, has established the practice
of approving the recommendat ion of
the Faculty for either first or second
awards. These scholarships were first
awarded in 1902.
In 1972, the award of a Cresson
Traveling Scholarship credited each
student with $2,600 of which $1,610 was
used for a summer of travel and
trave ling expenses in Europe, and the
remaining $990 was used for Academy
tuition for the two terms immediately
following. Each year the sums may vary,
as adjustments in tuition charges and
traveling expenses dictate. Each
rove
a
recipient is required to return to the
Academy for the continuance of regular
studio work in an additional year as an
advanced student. He is expected to
help set high professional standards
among our students after his return
from Europe. In cases of exceptional
merit, and when a very decided
improvement is evident, a student may,
through the same authority, receive
the award a second time. Competition
for a second scholarship must be
entered during the year succeeding the
first award, unless otherwise ruled by
the Committee on Instruction on written
application . The award of a Cresson
Traveling Scholarship the second time
credits the student with the sum
established for that year to be used for
travel and traveiing expenses, and may
be used any time within twenty-eight
months after receipt of the award.
Eight Cresson Traveling Scholarships
were awarded in 1972. Every student
in good health and without knowledge
of any physical condition or any other
reason to prevent accepting and properly
using such scholarships is eligible
for competition for Cresson Traveling
Scholarships. Competitors must have an
aggregate of 96 Academy Winter School
weeks to their credit, which must have
been accumulated within five (5) years
of the date of competition. The final
32 weeks (two terms) must be spent in
the Winter School of the Academy
and must be within the year of
competition. One summer and one
semester of evening schoo l or two
semesters of evening school may be
allowed as equivalent of one semester
by special approval of the faculty and
administration.
Every student must have a complete
and unbroken registration record .
Painters and Graphics Majors must also
have satisfactorily completed the work
In Materials and Techniques and in
Lettering and Perspective. Sculptors
must meet the requirements of the
Sculpture faculty. All financial
obligations must be fully paid.
All students enteri ng the competition
are required to complete the official
application. All work submitted in
competition must be that which has been
done in the Academy studios or for
Academy registration . It must be work
completed within the last 32 weeks
of the Winter School. All work in
competitions must be approved and
recorded before entry by two Faculty
instructors.
All competitors are unrestricted as to
amount, size and variety of work they
submit in the competition groups,
provided they do not exceed the space
allotted. Each sculptor's group must
include a composition. Work must be
exhibited unframed and unglazed. If
tape or stripping is used to trim
unsightly edges of canvas, it may be
used to give order rather than enhance
and must not encroach upon the
face of the canvas.
The recipient of a first traveling
scholarship must account for a period
of at least 90 days in Europe and an
itinerary and financial report is required
for filing in the school office before
October 15.
The recipient of a second traveling
scholarship is granted the sum for
travel and travel expenses and a general
accounting must be made and filed
in the school office within three months
of the end of its use. The student is
not required to return for another period
of study but may apply for free tuition
should additional study be advisable.
Use of free tuition under such
circumstances may be regulated and
arranged with the Administrator of
the schools.
The Faculty will not recommend awards
of traveling scholarships if, in its
opinion, the work submitted is not of
sufficient merit to justify such
recommendation. A student may not
be awarded. more than one traveling
scholarship In any given year and is
ineligible for competition after having
received two such awards.
THE LEWIS S. WARE MEMORIAL
TRAVELING SCHOLARSHIPS
The Lewis S. Ware Memorial Traveling
Scholarships, In accordance with the
will of the testator, provide European
Traveling Scholarships in amount and
under regulations similar to those
of Cresson Scholarships of that year.
These Scholarsh ips will be awarded
according to the income available on
the recommendation of the Facu lty by
the Board of Di rectors to students
of outstanding merit. These Schol arships
were first awarded in 1938 and two
Ware Traveling Scholarships were
awarded in 1972 representing an amount
of $1600 each.
THE J. HENRY SCHIEDT MEMORIAL
TRAVELING SCHOLARSHIPS
The J. Henry Schiedt Memorial
Scholarships in accordance with the
will of Cornelia Schiedt, provide fo r
the award of Traveling Scholarsh ips
according to the income ava il ab le. The
award of these scholarships will be
made on the recommendation of the
Faculty by the Board of Directors to
students of outstanding merit.
Eligibility for this competition will be
based on the same requirements as set
up for Cresson Awards of that year.
These scholarships are not specifically
designed for European travel. It is
therefore possible, under certain
circumstances, for a competing student
to make application to the Administrator
of the Schools at least three months
before the date of competition for a
particular program. These Scholarships
were first awarded in 1949 and six
Schiedt Traveling Scholarships of $1600
each were awarded in 1972. The
credit may be used any time within
twenty-eight months after receipt of
the award.
25
THE CHARLES TaPPAN PRIZESThese prizes were established in 1881
by the gift of Mrs. Charles Tappan,
Miss Harriette R. Tappan and Mr.
Robert N. Tappan. Due to the considerable appreciation in value of this trust,
the following regulations were put into
effect in 1962, enlarging the benefits
but adhering to the positive ly expressed
terms of the original gift that "The
.drawing of the work submitted will
receive first attention of the examiners."
First awarded in 1882.
Up to six prizes will be available each
year at the discretion of the Committee
on Instruction, depending on the
amount of income available . A maximum of five drawings matted or prepared for exhibit but not glass covered
with no limit on size, subject matter or
media, may be submitted in the spring
of each year by regularly enrolled
students, whose records show attendance for at least two years previous to
the current competition . They will be
judged by the Faculty, or a committee
of the Faculty, and the winners' work
is to be exhibited with the major
competition of the season.
Any student may receive a Toppan
award but once, and there shall be no
obligation to award prizes to any work
which, in the opinion of the judges,
is not of sufficient merit.
THE PACKARD PRIZES-From the
income of the John H. Pa cka rd Fund,
established by the children of the late
John H. Packard, M.D., for many years
chairman of the Academy's Committee
on Instruction, annual prizes of $50.00
and $25.00 are awarded for the best
and second best groups of original
studies made from living animals in the
Zoological Garden. These prizes are
open to all students of the Academy
who have registered for both terms
en 0
rZe(5
of the schoo l year. A student may not
submit more than one set of drawings
mounted on a sheet not to exceed
30 x 40 inches. A student having once
received a prize becomes ineligible to
receive the same prize for the second
time. First awarded 1899.
THE EDMUND STEWARDSON PRIZE
-The Edmund Stewardson Prize of
$100.00 in Scu lpture is awarded during
the schoo l yea r. This is an annual
prize, competed for by students of the
Academy, with such pupils of other
art schools as may be approved by the
Committee on Instruction. The subject
for the competition is a full-length
figure from life in the round. Studies
must not be less than two feet six
inches in height, and not more than
three feet in height, and must be made
within eighteen hours, during three
consecutive days, in six sessions of
three hours each. A student receiving
one Stewardson Award is ineligible to
compete a second time. No one except
the competitors is admitted to the
competition room at any time during
the days of the competition . The Jury
of Award consists of professional
sculptors, having no official connection
with the Academy, nor any other
schools whose pupils may have taken
part in the competition. If no study be
satisfactory to the Jury, the prize may
be withheld. When no award is made,
the amount of the prize may, at th e
discretion of the Board of Directors,
be added to the principal of the prize
fund or distributed with future prizes.
The clay models offered in competition
must be kept standing in good condition until otherwise ordered and figures
cast by the Academy become its
property. The competition in the spring
of the 1971-1972 year was judged
by Frank Gasparro. First awarded in
1901.
Dorie J. Say/or
27
THE THOURON PRIZES-These
awards were founded by . the late
Henry J. Thouron, a former Instructor
in Composition. A prrze of $100.00
and a prize of $50.00 for compositions
completed during the current season
are offered, the first to be decided by
the Faculty, the second by a vote of
the students; a prize of $100.00 and a
prize of $50.00 both awarded by the
Instructor of the class. A competitor
is not eligible a second time for the
same prize, and cannot receive more
than one award the same season. First
awarded 1903.
THE RAMBORGER PRIZE-From the
income of a fund eslablished by the
late William K. Ramborger, Esq., as a
memorial to his sister, Aspasia Eckp.rt
Ramborger, who was a student of the
Academy, an annual prize of $35.00 IS
awarded for the best line drawing In
black and white of a head from life
by a pupil of the Academy who has not
been under instruction over two years,
but who has been registered in the
Academy for both terms of the current
school year. Each competitor may
submit one unmounted drawing on
white paper 19 x 25 inches in size.
Having once received an award, a
student becomes thereafter ineligible
to compete again. First awarded 1911.
THE STIMSON PRIZE-This prize
was established in memory of Emma
Burnham Stimson and was created for
the award each year of a prize in
sculpture of $100.00 for the best work
done by the students in the regular
course of the class. The contest is
open to students who have been
registered for three terms and who are
members of the Life Modeling Classes,
but is not open to former students who
work in the class by special permission.
The subject for competition is a fulllength figure from life, in the round, not
less than two feet six inches in height,
and must be made during class hours
as a part of the regular work in the
class. The work must be submitted
anonymously to a jury appointed by
the Committee on Instruction. The
Jury is not obligated to award prizes
or honorable mentions if, in its opinion,
the work submitted is not of sufficient
merit to justify making the awards. The
28
competition in the School year 197273 was judged by Joseph Greenberg.
First awarded in 1917.
THE CECILIA BEAUX MEMORIAL
PRIZE-The gold medals which Cecilia
Beaux received during her life in recognition of her work as a portrait painter
have been donated to the Academy by
Miss Beaux's residuary legatees and
converted into a fund, the income of
which will provide a prize to be given
for the best portrait painted during a
school year by a student of the Academy. This prize of $100 will be
awarded, when available, by the PresIdent with the advice of the Faculty.
Students eligible for the prize must
have been enrolled in the day classes
for two consecutive terms and at the
time of competition be members of the
Advanced Studio. The award is to be
for the outstanding portrait. accomplished within two terms then current
and not more than three examples of
work may be submitted. Any student
can receive the award but once, and
it is particularly stipu lated that the
award does not need to be made if,
in the opinion of the Faculty, no work
is submitted of sufficient distinction.
First awarded 1946.
THE JOHN R. CONNER MEMORIAL
PRIZE IN GRAPHICS-This prize is
made possible through the generosity
of Mrs. Frances Weeks Lux in memory
of John R. Conner, artist. It will be
$50.00 when that amount is available
from the invested principal.
First
awarded 1955.
THE CATHARINE GRANT MEMORIAL
PRIZE-This prize of $200.00 wil l be
given for the best landscape or still
life. This prize has been made possible by funds set up through the sale
of paintings from a memorial exhibition
of the work of Catharine Grant, held
in the Academy in the fall of 1954, and
from special contributions from her
friends to this fund. First awarded
1955.
THE MINDEL CAPLAN KLEINBARD
AWARD-Through the generosity of
Mrs. Joseph Caplan, an award of
$25.00 in art suppl ies is presented
each spring in memory of her daughter,
Mindel Caplan Kleinbard. First awarded
1958.
THE
EDNA
PENNYPACKER
STAUFFER MEMORIAL PRIZE-A
prize of $100.00 will be available yearly
to be awarded by the Faculty, or a
committee of the Faculty, to a student
in the School of the Pennsylvania
Academy of the Fine Arts in recognition
of excellence in any medium of the
Faculty's choice, and preferably at a
time of year other than the late spring
so that the financial advantages may
be enjoyed by the student during the
course of his studies. It was further
agreed that the prize could be increased in amount should the investment make that possible but no award
shall be given in any year when a
lesser amount than $100.00 is available. This prize was established by
Helen Evans to honor the memory of
her beloved friend Edna Pennypacker
Stauffer, 1883-1956, painter and lithographer of broad reputation who was
a student at the Academy in 1902, 1903
and 1904. First awarded in 1961.
THE ELEANOR S. GRAY PRIZE FOR
STILL LlFE-A prize of $100.00 will
be awarded by the Faculty, or a faculty
committee, to a student in the School
of the Pennsylvania Academy of the
Fine Arts who has demonstrated
superior ability through the painting of
Still Life. The painting considered
must have been done on the Academy's premises during the normal
course of the Schoo l's activities, and
the award may be made during the
school year, rather than at the spring
judgments. One or two pain ti ngs may
be submitted by each contestant. ThiS
prize is made avai lable through a fund
established by Mr. and Mrs . J. Maurrce
Gray. First awarded in 1961.
THE LAMBERT AND EMMA WALLACE
CADWALADER PRIZE FOR LANDSCAPE-This prize is awarded annually through the generosity of Mrs.
Cadwalader for the best representational landscape by a student of the
Pennsylvania Academy of the Fine
Arts. First prize $500.00. Second
prize $100.00. First awarded in 1961.
THE ELEANOR S. GRAY MEMORIAL
FUND-Th is fund was established in
1967 by J. Maurice Gray as a memorial
to his wife who had been a student In
the Academy's school from 1960 to
1963. The monies available from this
fund will be awarded at the discretion
of the Faculty and management for
special school prizes and awards in
addition to their major dedication for
tuition scholarships. (See note on this
fund under Free Tuitions.)
THE F RANCE S D . BERGMAN
MEMO RIAL PRI ZE-In 1965, afte r the
death of Mrs. Bergman, a memorial
fund was establ ished by re latives and
friends. The fund makes possible a
money award of at least $100.00 to a
student each spring fo r the bes t
traditional painting submitted for this
prize. An artist of distinction, not
necessarily a member of the Faculty,
but with the management's approval,
may be invited to act as judge. First
awarded in 1966.
THE HENRY C. PRATT MEMORIAL
PRIZE IN GRAPHICS-This prize is
made possible through the generosity
of Mrs. William D. Disston in memory
of Henry C. Pratt, one of the founders
of the Academy. It wi ll be $50.00 as
that amount is availab le from the invested principal. First awarded in 1968.
THE BE NJAMIN LANARD MEMORIAL
AWARD-This prize was made possible by his family. A prize of $50.00
awarded by the Faculty for an outstanding composition .
R. G. Ewing
29
•
Stephen J. Estock
Anthony J. DiRienzi
Ronald D. Fillius
30
THE PERSPECTIVE PRIZE-A cash
prize has been given each year to that
student who does the most exemplary
work in the Perspective Course. Th is
award was instituted by Mr. John
Harbeson, instructor in Perspective
from 1916 to 1955, and was generously
carried on by Mr. William Campbell,
an associate instructor 1936-1955 and
Instructor 1955-1965. The Prize was
awarded jointly in 1967-1969 by Mr.
Campbell and Mr. Shores, Instructor
since 1965 to the present. Th e award
is being carried on now by Mr. Franklin
Shores. The award is $50.
THE THOMAS EAKINS MEMORIAL
PRIZE-A prize will be offered for the
best figure canvas painted in the
regular life class in the winter .immediately preceding the competition.
This prize of $100.00 will be awarded
by the Faculty and is available through
the generosity of Mr. and Mrs. David
Gwinn. First awarded in 195 1.
THE PHILADELPHIA PRINT CLUB
PRIZE-The Philadelphia Print Clu b
Prize is awarded to an outstanding
student in th e graphics studio and entities the winner to a one year membership in the Club. First awarded in
1953.
THE MARY TOWNSEND AND
WtLLlAM CLARKE MASON MEMORIAL PRIZE IN SCULPTUREThrough the many years of Mr. Mason's
affiliatio n with the Academy as one of
its Directors he was eve r alert to the
encouragement of all students, particularly those studying scu lpture. In
1954 and 1956 he made substantial
gifts, not as an endowment, but to be
used as awards by the sculpture faculty
to a worthy student, or students, at the
time of the spring competitions. Th e
continuance of these awards as
memorials to her parents is made
possible through the generosity of their
ona
rZU0
daugh ter, Mrs. Henry Lea Hudson. In
1972 $200.00 was awarded.
THE SKOWHEGAN SCHOOL-One
half scholarship, valued at $600.00 is
granted to a student of Painting or
Sculpture whose financial situation is
such that he cou ld not otherwise
attend
the
summer
schoo l
at
Skowhegan, Maine. He must show
himself to be a serious artist, and the
selec ti on of the win ner is left to the
discretion of the Administration, with
the advice of the Faculty.
THE WANAMAKER PRIZE-Through
the generosity of the John Wanamaker
Store, Art Supply Department, a prize
of $50.00 in art supplies is awarded
each spring for the best painting in oil
or acrylic submitted to the Faculty for
judgment. First awarded in 1954.
MABEL WILSON WOODROW PRIZE
-Given by Mabe l Woodrow Gill. A
prize of $100.00 is made available annually for an award , or awards in the
Graphics Department, at the discretion
of the Faculty. First awarded in 1955.
THE GIMBEL PRIZE-Through the
generosity of the Art Supply Department in Gimbels Department Store,
$50.00 in credit will be given in this
store. The student will be chosen by
the Faculty for outstanding work
entered in competition each spring.
First awarded in 1958.
Deborah Standard
31
THE QUAKER STORAGE COMPANY
AWARD-Through the generosity of
Mr. Benjamin D. Bernstein, Chairman
of the Company Board, the Faculty may
grant this prize of $250.00 to.. an
outstanding student, In recognition
of meritorious achievements. First
awarded in 1965.
THE CHRISTINE BIDDLE SCULL
MEMORIAL PRIZE-This award was
formerly known as the Dr. Williams
Biddle Cadwalader Memorial Prize, and
is made available throu gh the generosity of Mr. R. Barclay Scull . A prize
of $250.00 is awarded for the mos t
experimental piece of sculpture or
painting produced during the schoo l
year. First awarded in 1966.
...
CONSOLIDATED / DRAKE PRESS
AWARD-This prize of $200.00 is given
by The Consolidated/ Drake Press for
good work during the school year, in
memory of Mr. Howard B. Miller. First
awarded in 1967.
THE LOUIS S. FINE PURCHASE
PRIZE-A prize of $150.00 for an outstanding painting memorializing the
work of men on the Philadelphia waterfront is awarded each yea r by the
Facul ty. First awarded in 1968 thi s
purchase prize has been given by Mr.
Louis S. Fine to encourage students
to discover the excellent material to
be found in the work of the stevedors,
the piers, the vessels and the colorful
surroundings.
THE GEORGE SKLAR MEMORIAL
LIFE DRAWING PRIZE-Th is prize
of $100 was established in 1968, after
the passing of Mr. Sklar, by his wife.
It is given each yea r to the student who
rates highest in Life Drawing throughout the Academy.
THE SYLVIA G. WEXLER MEMORIAL
AWARD-This award of $50.00 is
given by Mr. Morris M. Wexler to a
student of merit selected by the
Faculty. First awarded in 1970.
THE CHARLES R. WEINER PRIZEA $100.00 prize awarded duri ng the
school year by the Facu lty and Ad min istration to a student who shows
promise. First awarded in 1973.
THE ALEXANDER PRIZE-$300.00 for
th e student work in any medium wh ich
shows unusual promise.
32
Marta Lafferty
Stephania L. Lester
Vaughn D. Stubbs
33
Elizabeth Speight
Charles R. Searles
00
Deryl D. Mackie
34
CRESSON, WARE AND SCHIEDT MEMORIAL
TRAVELING SCHOLARSHIP COMPETITORS
FOUR YEAR CERTIFICATE AWARDS
May, 1972
May, 1972
PAINTING :
Oliver Rodums
Craig E. Blake
George Lindblad
Jonathan Bassman
Stephen Salek
Linda F. Bloom
Robert W. Loyer
John J. Blair
Dorie J. Saylor
Franklin T. Bontempo
Rochelle B. Lunsk
Linda F. Bloom
Lenore M. Schroder
Jeffrey W. Boys
Leroy McMillan
Victoria L. Blun t
Ruth W. Shapiro
Marianne L. Buchy
Joseph S. Magurczek
Franklin T. Bontempo
Stuart J. Shapiro
Sandra L. Carson
Kenneth M. Milton
Marianne L. Buchy
Joseph T. Siderio
Anthony J. DiRienzi
James C. Mumby
Lorinda T. Butler
Nysa G. Smiler
R. G. Ewing
Thomas K. O'Brien
Thomas M. Carr
Kirby L. Smith
Ronald D. Fillius
Harold Polis
Sandra L. Carson
Joy Smyser
Annamarie B. Giordano
Oliver Rodums
Koula Dasios
Elizabeth Speight
Elissa A. Glassgold
Susan C. Roseman
Stanley A. Deitz
Deborah Standard
Gregory T. Goodwin
Libby Rudnick
Anthony J. DiRienzi
Robert F. Staub
Bernice Gordon
Lenore M. Schroder
Stephen J. Estock
James R. Stewart
Kenneth V. Ham ilton
Barbara A. Seamon
R. G. Ewing
Peter D. Stimel ing
Lydia K. Hami lton
Charles Searles
Ronald D. Fillius
Vaughn D. Stubbs
Glenna L. Hartman
Joseph T. Side rio
Gail Fox
Jill A. Sweeney
Samuel L. Kabatt
Elizabeth Speight
Annamarie B. Giordano
Deborah J. Weaver
Hi Jai Kim
Deborah Standard
Charles C. Gottschall
Ronald A. Weisberg
Kristina Kutkus
Robert F. Staub
John M. Gray
Cassandra B. Wynne
Marta Lafferty
James R. Stewart
Glenna L. Hartmann
Mary Zbezinski
Kyung Ja Lee
Jill A. Sweeney
Richard A. Lee
Kezia L. Victor
Deborah J. Weaver
Margaret James
Tamara Kallman
SCULPTURE :
Stephania L. Lester
Patti Kelly
Craig E. Blake
James Licaretz
Hai Sun Kim
Gregory T. Goodwin
Hi Jai Kim
Kathy Hopkins
Marta Lafferty
Joseph S. Magurczek
Charles C. Laurent
Stephania L. Lester
Robert W. Loyer
SECOND AWARD
COMPETITORS
Rochelle B. Lunsk
Jeffrey W. Boys
Gerald Mackersie
Elissa A. Glassgold
Deryl D. Mackie
Sam uel L. Kabatt
David Miller
Charles Kalick
Kenneth M. Milton
Richard A. Lee
James C. Mumby
Robert A. Ricker
John Phillips
Charles R. Searles
35
SCHOLARSHIP AND PRIZE WINNERS 1971-1972
SKOWHEGAN SCHOOL OF PAINTING AND SCULPTURE
David Deakin
CRESSON MEMORIAL SCHOLARSHIPS
Dorie J. Saylor
Ronald D. Fillius
Kirby L. Smith
Stephania L. Lester
Deborah Standard
Deryl D. Mackie
Vaughn D. Stu bbs
Oliver Rodums
JOHN R. CONNER MEMORIAL PRIZE IN GRAPHICS
Kenneth Hami lton
LEWIS S. WARE MEMORIAL SCHOLARSHIPS
Charl es R. Searles
Charles Kalick
CATHARINE GRANT MEMORIAL PRIZE
Marta Lafferty
SCHIEDT MEMORIAL SCHOLARSHIPS
Glen na L. Hartmann
Anthony J. DiRienzi
Marta Lafferty
Steven J. Estock
Elizabeth Speight
R. G. Ewing
WOODROW PRIZE IN GRAPHICS
Robe rt Ricke r
CHARLES TOPPAN PRIZES
Ronald L. Curl
Peter A. Groesbeck
Marta Laffe rty
PACKARD PRIZES
Catherine McCormick
Stanley R. Merz
David R. Ro the rm el
Kathy A. Vanozzi
Ric hard Procto r
GIMBEL PRIZE
Anthony J. DiRienzi
M. HERBERT SYME PRIZE
David Rothermel
MARY TOWNSEND AND WILLIAM CLARKE MASON PRIZE
Robin Roantree
STEWARDSON PRIZE
Barbara Genovese
THOURON PRIZES
Beverly Sanders Boldt
Stephen J. Estock
MINDEL CAPLAN KLEINBARD AWARD
Stephen Senter
Elissa A. Glassgold
Samue l L. Kabat!
RAM BORGER PRIZE
Nadine Secarea
STIMSON PRIZE
Joseph S. Magurczek
CECILIA BEAUX MEMORIAL PRIZE
Kristina Kutkus
THE CHRISTINE BIDDLE SCULL MEMORIAL PRIZES
Anthony J. DiRienzi
Vaugh n D. Stubbs
EDNA P. STAUFFER PRIZES
Sandra Moorhead
John J. Tri ppel
PERSPECTIVE PRIZE
Lyn dall L. Bass
SYLVIA G. WEXLER MEMORIAL AWARD
John Trippe l
THE QUAKER STORAGE COMPANY AWARDS
Charles R. Searles
Kristi na Ku tk us
LAMBERT AND EMMA WALLACE CADWALADER PRIZES
Arlene Buckman
Gai l Fox
CONSOLIDATED / DRAKE PRESS AWARD
Glen na L. Hartm ann
GEORGE SKLAR MEMORIAL LIFE DRAWING PRIZE
Ro nald L. Curl
FRANCES D. BERGMAN MEMORIAL PRIZE
Gail Fox
LOUIS FINE PURCHASE PRIZES
Inga Pickering
Gail Fox
THOMAS EAKINS MEMORIAL PRIZE
Anne C. Duncan
HENRY C. PRATT MEMORIAL PRIZE IN GRAPHICS
Stuart J. Shapiro
PHILADELPHIA PRINT CLUB PRIZE
Frederique Pfeiffe r
THE ELEANOR S. GRAY PRIZE FOR STILL LIFE
Young Hee Kim
WANAMAKER PRIZE
Robin Roantree
BENJAMIN LANARD MEMORIAL AWARD
Ro nald D. Fillius
36
Oliver Rodums
,, ,'
•
Barbara Genovese
Kirby L. Smith
37
Glenna L. Hartmann
Joseph S. Magurczek
38
Charles Kalick
Registration-new students ................... .... .. ... ... ..... ...... ... Tuesday, September 4, 1973
Registration-returning students .................................. . ... Wedne sday, September 5, 1973
Studios open for all students ............................... . ... .. ...... Thursday, September 6, 1973
Deadline for reports from traveling scholars ........... ...... .. .. ............ . Friday, October 12, 1973
Holiday-Veterans Day ............................................. . .... Monday, October 22, 1973
Stimson Competition opens ............................................... Monday, October 29, 1973
Stimson judging and award ............... . ........ . ..... ........ .... Wednesday , November 21, 1973
Thanksgiving holiday ............... . .................. Thursday and Friday, November 22 & 23, 1973
Pre -registration, Spring Term ........................ ............ .... November 21-December 7, 1973
End of Fall Term .............................................. ......... Friday, December 14, 1973
Christmas Recess .............................. Monday, December 17, 1973-Tuesd ay, January 1, 1974
Registration-new students .......... .. ...................... .... ....... Wednesday, January 2, 1974
Registration-returning students .............. . .. .... ..... . . . ....... . ...... Thursday, January 3, 1974
Studios open for all students ....... . . ............... ... ..................... Friday, January 4, 1974
Holiday-Washington 's Birthday ...... . .............................. . ... . Monday, February 18, 1974
Stewardson Competition and award ...................... Wedne sday-Friday, February 27 -March 1, 1974
Spring Recess ................................... . ............ . ... Monday-Friday, March 4-8 , 1974
Deadline for applications for traveling scholarships .... ...... ...... ............ Monday, March 11, 1974
Submit application for scholarship with work
for scholarship competition before noon ................................ ... Monday, March 18, 1974
Faculty Meeting for scholarship awards .. ........ .. . .. ................... . ... Monday, March 18, 1974
Pre-registration Fall Term .............................. , .... .. ........ .. .. . . March 25-April 5, 1974
Submit work for Spring Prizes .............................. .. ......... . ..... Tuesday, April 9, 1974
Faculty Meeting Spring Prize Competition ........................... ....... . Thursday, April 11, 1974
Holiday-Good Friday .......................... . ............ .. ... ........ . . . Friday, April 12, 1974
Deadline for submission of Toppan Prize work ......... . ..... ... ........ . ... .. Monday, April 22, 1974
Cresson Competition Placement ............................... .. ... Tuesday-Friday, April 23-26 , 1974
Last day for studio work. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. Friday, April 26 , 1974
Toppan Prize Judging ........................................... . ..... ... . . Tuesday, April 30 , 1974
Cresson Award Judging .................................... . ........ .. ..... Tu esday, April 30, 1974
Exercises for awards .................................. ................... Wednesday, May 1, 1974
End of Term ............................................ ... ..... . ........ . ... Friday, May 3, 1974
::5G
GOen
39
OFFICERS
John Gribbel 2nd
President
Theodore T. Newbold
Vice President
Clement B. Newbold, Jr.
Treasurer
Thomas N. Armstrong III
Director and Secretary
Henry Hotz, Jr.
Administrator of the Schoof
Robert Stubbs
Business Manager and
Assistant Treasurer
COMMITTEE ON INSTRUCTION
Will Barnet
Chairman
Benjamin D. Bernstein
Daniel W. Dietrich II
H. Lea Hudson
Charles E. Mather 3rd
William H. S. Well s
Andrew Wyeth
Thomas Newton Armstrong III
Director (ex officio)
Morris Blackburn
Faculty Representative (ex officio)
Mrs. James W. Cooke
Chairman, Women's Committee (ex officio;
BOARD OF DIRECTORS
Walter G. Arader
Benjamin D. Bernstein
Daniel W. Dietrich II
Francis I. Gowen
David Gwinn
H. Lea Hudson
Louis I. Kahn
Arthur C. Kaufmann
John H. Keelan, Sr.
Mrs. Edward B. Leisenring, Jr.
Charles E. Mather 3rd
Henry S. McNeil
John W. Merriam
Clement B. Newbold, Jr.
Theodore T. Newbold
Bertram L. O'Neill
Frederick W. G. Peck
Edgar P. Richardson
Orvel Sebring
Martin P. Snyder
William H. S. Wells
Grahame Wood
Andrew Wyeth
EX OFFICIO
Morris Blackburn
Faculty Representative
Mrs. James W. Cooke
Chairman, Women's Committee
William H. S. Wells
Solicitor
40
Henry Hotz, Jr.
Administrator of the School (ex officio)
SCHOOL STAFF
Constance A. Taylor
Registrar
Ethel V. Ashton
Librarian
Patricia E. Byrne
Receptionist
Melinda Myers Grass
Receptionist
Barbara K. Lyons
Store Manager
Stephen Hammond
Attendant
PEALE HOUSE
SUPERINTENDENT
James Lulias
CREDITS
Design and Printing
Consolidated/Drake Press
Photog raphy
Chas. P. Mills & Son
George Krause
Joseph Nettis
Michelle Frentrop
Penn0Y~Oni O
i\QJderYIY of me Fine I\rbs
BROAD AND CHERRY STREETS,
Fall Semester
Application for Admission in the
PHILADELPHIA, PENNSYLVANIA 19102
19,__
Spring Semester 19,__
D
LO 4-0219
Check One
D
Please type or print all information neatly and legibly.
Date of application - - - - - - - - - - -
Mr.
Mrs.
NameMiss _ _~~~_ _ _ _ _ _ _~~~_ _ _ _ _ _ _ _~~~_ _ _ _ __
(First)
Homeaddress _~
(Middle)
2 Passport
Photographs
Here
(Last)
_ _~~~_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Street and Number
_~_ _ _ _ _ _ _ __
City
_
---;;:-:-:-:--_ _ _ _ __ _=--;:::::;::State
Zip Code
Telephone,_ _ _ __
Mai ling address ----=-_ _---,--:-:---:-________________________
Street and Number
City
State
Zip Code
Date of Birth _ _ _ _ _ _ _ _ _ _ _ _ _ _ Place of birth, _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Citizenship
High School
Draft Classification, _______ Selective Service No. ________________
Social Security No._ _ _ _ _ _ _ _ __ _ _ _ _ __
Location _________________ Year of graduationl _________________________
Schools attended beyond high school, with dates, _ _ _ _ _ _ _ _ _ _ _ __
Degreesi_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ____
Name and address of parent or guardian ______________________________________
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Relationship, _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _- - - - If you are married, give name of husband or wife! ___________________________________
Are you interested in an academic degree?'_________________________________ _ _ __
Source of funds while attending P.A.F.A.
Self
Parent or Guardian' _________ Other·--::-_-,-:-______________________
Specify
What are your plans for housing?
Live at home _____ Supervised housing ___________________
Women only
Live with relatives or friends _ _ _ _ _ Other____________________________________
73-74
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