1974-1975 School Circular

Item

Title

1974-1975 School Circular

Date

1974

Creator

The Pennsylvania Academy of the Fine Arts

Is Part Of

RG.03.04.01

Medium

digital reproduction

Language

eng

Format

PDF

Rights

Digitized archival materials are accessible for purposes of education and research. We have indicated what we know about copyright and rights of privacy, publicity, or trademark. Due to the nature of archival collections, we are not always able to identify this information. We are eager to hear from any rights owners, so that we may obtain accurate information. Upon request, we will remove material from public view while we address a rights issue.

extracted text

Pennsylvania Academy
of the Fine Arts

1974/1975

PENNSYLVANIA ACADEMY OF THE FINE ARTS
Peale House, 1811 Chestnut Street, Philadelphia, Pa. 19103
215-564-0219

The Pennsylvania Academy of the Fine
Arts is the alma mater of many of the
most important artists who comprise the
history of American art and has been
the founding place of important art
movements and directions.
In keeping with its founding traditions
the Academy has developed a studio
environment and study program of total
commitment to the fine arts. An
opportunity for pure study in the
disciplines of painting, sculpture and
graphics is presented here without
the intrusion of any degree oriented
courses or consideration of commercial
application.

The integrity of this program will
appeal to the serious student artist who
feels the need for complete concentration
on the problems of aesthetic and
technical excellence. It is the purpose
of this school to encourage the student
to acquire the widest possible art
experience and relate it to his particular
needs. The school by its philosophy
avoids any fixed development program
to which the student must conform.
From the basic skills and orientation
studies of the first year to the highly
individual and specialized instruction
of the advanced studios each student's
work is appraised on the basis of
his own personal expression.

TO ALL ACADEMY STUDENTS AND FRIENDS
The Academy has begun a program to renovate and
restore its beautiful and historic building at Broad and
Cherry Streets. We are planning to finish the work
in time for the 1976 Bicentennial celebration when the
refurbished galleries will be opened to the public
and the renewed and improved school studios will be
ready for our students.
To accomplish the work we must vacate the building
at the close of the 1973-74 school year.
Our 1974-75 and 1975-76 school years will be
conducted in comparable facilities at a temporary
location, 2200 Arch Street, Philadelphia, Pennsylvania
19103. We will occupy the entire ground floor,
17,000 square feet. The building faces north and

This will be of particular interest to
the student who has acquired a degree
and seeks a stimulating professional
environment in which to reevaluate and
expand his aesthetic concepts and
strengthen his techniques. Conversely,
a student who is interested in obtaining
a Bachelor of Fine Arts degree may
combine studio credits earned at the
Academy with liberal arts credits
earned at the Philadelphia College of
Art to qualify for the Bachelor of Fine
Arts degree. *
• See information on page 25

the painting studios will have good north daylight.
The high ceilings will duplicate as nearly as possible
the spacious quality of the wonderful studios in
our Academy building. The Peale House will continue
to serve the first year, graphics and advanced
students. 2200 Arch Street will serve the painting and
sculpture students.
We are pleased to have obtained a space for our
temporary studios that will serve the unusual needs of
our student artists. The building meets the requirements
of the City and State Bureau of Inspection and Licenses.
Renovation has begun and we expect to move
into the new quarters early this summer. Summer
School will be conducted at the Peale House where
instruction in Modeling and Graphics will be added
to our Painting and Drawing Studios.

•

UG+--on
1

LVA IA•
•

~ct-..V>;E\1,{ or

THE

FOUNJOE
---.

1805

-,

•
.

. ! .. . .

The Pennsylvania Academy of the Fine
Arts is the oldest art institution in
the United States. Its origin dates from
1791, when Charles Willson Peale
initiated efforts to organize a schoo l
for the fine arts in Philade lphia. This
resulted in the formation of the
Columbianum in 1794. In 1795, under
the auspices of that association,
the first exhibition of painting in
Philadelphia was held in Pennsylvania's

2

old State House, better known today as
Independence Hall. The Columbianum
was ultimately succeeded by the
present Academy. In 1805, in
Independence Hall, seventy-one public
spi rited citizens met for formal
organization. The gathering was a
distinguished one and included the
artists Charles Willson Peale, Will iam
Rush, Rembrandt Peale. At that meeting
the petition for the incorporation of

The Pennsylvania Academy of the Fine
Arts was prepared. The charter was
obtained in March of 1806, creating th e
new organization "To promote the
cultivation of the Fine Arts, in the
United States of America (and to)
enlighten and invigorate the talents
of our countrymen".

LOCATION
The school is located in the very heart
of Philadelphia and has ready access
to all public transportation serving
the city. Every important museum,
gallery, library, church, theater, music
hall and college or university is
convenient to the Academy, and the
Academy studios are easily reached
by the student who might live some
distance. The main building, first
occupied in 1876, was designed for
the Academy by Frank Furness, and
is a nationally known architectural
landmark.
THE ACADEMY GALLERIES
The Academy has a unique permanent
collection of American paintings,
sculpture and prints that affords the
student an opportunity for direct study
of important works of art.

The exhibitions held by the Academy
bring to the student various movements
and currents of contemporary American art.
Special shows are held in the Galleries
throughout the winter season, and in
the spring the works submitted by
students in competition for the many
traveling scholarships and prizes are
on exhibition. Additional special
exhibitions are staged in the Peale
House Galleries and continue the
tradition of showing predominately
American art, with an emphasis on
contemporary work.

ne~"---,,

r

FACILITIES OF THE SCHOOL
The main building was designed to
make the best use of natural lighting.
The major studios are ample, with high
ceilings and north light. These are
augmented by smaller studios and
areas designated for general criticism .

The majority of classes for first year
students are held at Peale House, 1811
Chestnut St. These studios are equipped
to fit the Preliminary courses of study,
as well as to provide facilities for
Graphics majors and private studio
space. The Graphics Department has
facilities for working in lithography, silk
screen and etching processes. The
School has an excellent etching
and lithographic press; and all basic
silk screen techniques, including
photographic processes are taught.
There is a darkroom provided for printing
photographic stencils and plates.
All interested students may use the
darkroom equipment.
The Academy library provides stimulation
and information through its well rounded
collection. Many rare editions as well
as a large fund of contemporary
material are at the students' disposal.
Art materials are available in stores
run by the Academy on the premises.
The Academy also sponsors field trips
to various artistic pOints of interest. In
the past these have included visits to
museums and galleries in New York and
Washington, and painting expeditions to
seashore and wooded areas near
Philadelphia for students interested in
landscape.

•

n

ACADEMY RESIDENCE
The School provides residence
accommodations for a limited number
of its women students. New applicants
for entrance into the School should
indicate in their earliest correspondence
any interest in such housing . A deposit
of $50 .00 is required for room
reservations. Additional information on
types of accommodations may be
obtained from the Administrator's Office.
No single accommodations are
available.
VETERANS
The PAF.A. is approved for veterans
education under the provisions of Title
38 U.S. Code Section 1776 and the
Veterans Administration Regulation
14251 E. Students enrolled under
provision of Title 38 U.S. Code for
Veterans Education are governed by
the following:
Leave Leave of absence is granted
only to students who wish to temporarily
interrupt their training for personal
reasons. A request for leave mu st be
made in advance in writing , or time
away from school will be considered an
unexcused absence. The Veteran s
Administration will be notified
immediately when a veteran student is
granted a leave of absence .
Absence An excused absence is one
that is due to illness, death in the
immediate family, and any other
unavoidable circumstances ; however,
the school must be apprised on the
reason for said absences with in twentyfour hours and the reason must be
supported by documentary evidence, or
said absences will be recorded as
unexcused . Three unexcused absences
in anyone month will result in
immediate dismissal. All students must
attend 85% of the duration of the
course in order to attain satisfactory
attendance. When a student has missed
over 15% of the duration of the course
by excused and/or unexcused
absences, his training will be
immediately interrupted.
3

Class-Cuts

Class-Cuts are not
permitted and shall be recorded as
unexcused absences.

technical schools through the Board of
Public Education of the City of
Philadelphia.

Make-up work is not
permitted for the purposes of receiving
Veterans Administration training
allowances.

The Dolfinger-McMahon Foundation has
established a grant which provides five
free tuition scholarships for one year to
economically disadvantaged students.
These scholarships are limited to
incoming students of exceptional talent
as judged by the excellence of their
portfolios submitted for admissions.

Make-Up Work

Any student not physically
present at the start of his scheduled
class period will be considered tardy,
and the exact number of minutes will be
recorded as per Form POE 358-4.
Excessive tardiness, such as three times
unexcused in any five-day period, shall
be cause for discontinlJance of training.
Tardiness

Students
receiving failing grades are placed on
probation for sixty days. If unsatisfactory
progress continues beyond the
probationary period, the student's
training will be immediately interrupted
and all concerned will be notified
accordingly. Students dismissed
because of unsatisfactory progress may
apply for re-entrance; however, each
case will be considered on the basis of
the facts involved.
Unsatisfactory Progress

In the event a war
orphan or eligible person fails to enter
the course, or withdraws or is
discontinued therefrom at any time
prior to completion, the amount charged
to the veteran for tuition, fees, and
other charges for a portion of the course
shall not exceed the approximate pro
rata portion of the total charges for
tuition, fees, and other charges that the
length of the completed portion of the
course bears to its total length.

Refund Policy

Credit for Previous Education and
Training Appropriate credit is given

for comparable previous education and
training, and the training period will
be shortened accordingly.
FREE TUITION SCHOLARSHIPS
A number of partial scholarships are
available annually to graduates of the
city high schools and vocational4

Students already enrolled at the
Academy for two semesters, in good
standing and enrolled at the time of
application, may apply to the Academy
for free full or half tuition scholarships.
Applicants must complete the official
forms and submit them with three works
to the Faculty at the March meeting.
College Scholarship Service Reports are
also required. Approximately twenty-five
scholarships are available and will be
awarded by the Board of Directors on the
recommendation of the Committee on
Instruction and the Academy Faculty.
Preference is given to students of merit
who otherwise would be unable to
pursue their study in art.

These free tuition scholarships have
been made possible by gifts from
Academy friends:
THE JOHN LAMBERT SCHOLARSHIPS.
THE LEWIS S. WARE MEMORIAL
SCHOLARSHIPS.
THE LOUISE HARRISON MEMORIAL
SCHOLARSHIPS.
Given by Thomas S. Harrison in memory
of his wife.
THE MARY R. BURTON SCHOLARSHIPS.
THE SARAH KAIGHN COOPER MEMORIAL
SCHOLARSHIPS.
Given by Mrs. George K. Johnson.
THE ELIZABETH H. THOMAS MEMORIAL
SCHOLARSHIPS.
THE GEORGE M. WIL TBANK
SCHOLARSHIPS.
Given by Annie C. Wiltbank.
THE BARBARA SPECKER GORSON
MEMORIAL SCHOLARSHIP.
Given by her father, Mr. Joseph Specker.
THE RONDI CRISTINE JOHNSON
MEMORIAL SCHOLARSHIP.
ALLEN HARRIS MEMORIAL
SCHOLARSHIP.
WALTER STUEMPFIG MEMORIAL
SCHOLARSHIP.
THE ROBERT B. ERHMAN
SCHOLARSHIPS.
THE JANE DARLEY NAEYE SCHOLARSHIPS.
THE ELEANOR S. GRAY MEMORIAL FUND.

In memory of his wife ,
Eleanor S. Gray,
J. Maurice Gray
established the
ELEANOR S. GRAY
MEMORIAL FUND in
1967. Four half tuition
scholarships were
awarded in Ihe school
year of 1973-74.

In an effort to spread the free tuition
scholarships to cover the needs to the
fullest possible extent, It IS within the
province of the Faculty to recommend
a number of half scholarships. Full free
tuition scholarship recipients are
required to work for the school an
assigned thirty hour period, dUring the
holding of that year's scholarship, and
half scholarship students a fifteen hour
period. These obligations may be .
fulfilled by posing in the portrait studiO
or by completing other work designated
by the school.
A student must maintain an average of
B- or better in order to hold a
scholarship.
The Academy encourages students from
foreign countries by offering tuition
scholarships. These are awarded by a
committee of the Faculty as a result of
their evaluation of the students portfolio.

ADMISSION-DAY SCHOOL
The official application form must be
filled in and returned to the Administrator
of the Schools together with two small
photographs, the application fee of
$10.00, and a portfolio of four to seven
examples of work. The name and
address of the applicant should be
clearly printed on the back of each
piece. The Academy cannot accept
responsibility for loss or damage to
student works. Drawings or paintings
must not be glass covered.
Two written references, to be sent
directly to the School are also required.
No student is eligible for admission
unless he or she is at least sixteen years
of age and has completed high school
or its equivalent. The Committee on
Instruction reserves the right to limit the
number of students under any or all
classifications. An application blank
accompanies this booklet. Before final
admission a personal interview with the
Administrator should be arranged. If,
because of distance or other valid

reason, a personal interview is not
possible, please write to the Academy
explaining the circumstances, and
request a waiver of the interview.
A Medical Certification of Good Health
is also required to complete the
admission requirements.
Blue Cross & Blue Shield Medical group
insurance is available to Academy
students.
FEES, DAY SCHOOL
Application fee .............. $ 10.00
Tuition fee per term ........ " 550.00
Total-First Term ....... . .... 560.00
Tuition fee, each subsequent
term .................... . 550.00
Late registration fee. . . . . . . . . .
5.00
Room-per term (16 wks.)
(Women only) ............. 425.00
Locker deposit ..............
5.00

a former student who has not completely
satisfied, in the opinion of the
Administration, his financial obligations
to the Academy. A fee of $2.00 will be
charged for each transcript.
Non-payment of fees according to the
announced dates, as stated above, shall
prohibit such delinquent students from
attendance in all classes and lectures.
Tuition may be paid: (a) By mail in
advance, (b) in the school office in
advance, by cash, check, or money
order, (c) on registration day with check
for exact amount due. If payment has
not been made for full amount due by
5 P.M. on registration day, a late
registration fee of $5.00 becomes
payable.
New registration cards shall be issued
at the beginning of each term to
students at the time of the payment of
fees. Admission to classes is by
registration card only.

PAYMENT REGULATIONS
All fees are payable in advance and no
deduction is made for late registration
or for absence. No refund will be made
after the first week of any Term for
either tuition or in the case of Res idence
Students for board and lodging, whether
the cause be voluntary or involuntary
withdrawal, dismissal by the School
Administration for any reason in its own
discretion, or for any reason, except
as noted below.
The two exceptions to the above
regulations may be (a) in the case of
any student who is called into military
service before or during a School Term
under the provisions of the Selective .
Service Act; or (b) students under PubliC
Law No. 550 (G.1. Bill). In either case,
if a student fails to enter the course, or
withdraws or is discontinued therefrom
at any time prior to completion the rules
listed under Veterans (p. 3) will apply.

NOTE: The late registration fee is
app licable to all students who have not
paid tuition on or before the regular
registration date, unless special
arrangements have been made with the
school office in advance. Students
paying the Day School fees may enjoy
the privileges of the Evening School
studios by special arrangement With
the school office.
Registrations may be accomplished by
mail with accompanying checks or
money orders, or in person , at the Day
School office and should be completed
two weeks before the opening of each

Official credit or the issuing of
transcripts of record will not be granted
by the Academy either to a student or
5

semester. A deposit of $5.00 is made
for the regulation padlock for each
locker. Lockers must be vacated, by
students not returning, by the last day
of the current term. After that date
contents will be disposed of to make
room for new students.
The number of students in any class will
be limited and registration cards will be
issued in the order of tuition payments,
and these cards must be presented for
admission to classes.

MEDICAL CERTIFICATION
All students must file with the School
prior to the opening day of the School
Terms in September and January, a
certificate of Good Health, attested to by
the student's family doctor or other
recognized physician. Failure to file this
certificate, on the special form supplied
by the School will result in nonregistration of the student until the
attested certificate is filed.

STUDENT AID FUND
In August 1971 a group of friends and
fellow students established a fund for
student aid. "The James E. Brewton
Student Aid Fund" originally created by
the proceeds from the sale of this
artist's paintings is the expression of
their love and respect for him and his
expressed concern for the Academy
students.

THE EVENING SCHOOL
The Evening School is an extension of
the regular program of the Academy
School. Studios of drawing, painting,
and sculpture are conducted on a
professional level, but no prior
experience is required of students
wishing to enroll for one or more nights
a week.
The evening studios are conducted five
nights each week between 7 and 10
o'clock, and the dates conform to the
6

Day School schedule. Write to the
School Office for an application and
brochure on the Evening School.

FACULTY:
Morris Blackburn
Arthur DeCosta
Murray Dessner
Adolph Dioda
Thomas Ewing
Paul Anthony Greenwood
Oliver Grimley
John Hanlen
Homer Johnson
William R. Martone
Dan Miller
Bruce Samuelson
Louis Sloan
Kim Sou
FEES FOR EVENING SCHOOL
One evening per week, per
semester ................. $ 80.00
Two evenings ............... 100.00
Three evenings. . . . . . . . . . . . .. 125.00
Four evenings .............. 140.00
Five evenings ............... 160.00
SUMMER SCHOOL
The Summer School is a six-week,
Day-time course, conducted by
members of the Academy Faculty. For
information write to the School Office.
The 1974 Summer School starts June 3
and closes July 12, 1974.
FACULTY:
John Bolles
Marshall Glasier
Oliver Grimley
Paul Anthony Greenwood
John Hanlen
Jim C. Lueders
Louis B. Sloan
Francis Speight
Martha Zeit Stanton

THE FACULTY is composed of professional artists distinguished in their fields
of activity. The general method of instruction is by individual criticism of
studio work. The purpose is to develop the innate abi lity of the student
and to give him the technical skill to use it.
The Facul ty is augmented by assistants skilled in technical specialties and by
outstanding guest artists , instructors and lecturers.

ROSWELL WEIDNER
Instructor in Drawing and Painting

Born in Reading, Pa., 1911. Studied at
the Pennsylvania Academy of the Fine
Arts and the Barnes Foundation .
Awarded Cresson Traveling Scholarship, 1935; First Tappan Prize, 1936;
Honorable Mention Philadelphia Sketch
Club, 1936; Terry Art Institute of Florida,
1952. Fellowship Prize, Pennsylvania
Academy of Fine Arts, 1942; Dawson
Memorial Medal, Pennsylvania Academy of the Fine Arts Annual Exhibition,
1965. Represented: Reading Museum,
Philadelphia Museum, Pennsylvania
Academy of the Fine Arts, Penn State
University, University of Pennsylvania,
Connecticut State Library, NAB. Collection, Washington, D. C. Prints: Library of Congress, Metropolitan
Museum, University of Pennsylvania,
Connecticut State Library, Smith Kline
and French Collection, and private collections. One-Man Exhibitions: Reading Museum, 1957; Philadelphia Art
Alliance, 1962; Peale House, Pennsylvania Academy of the Fine Arts, 1965;
William Penn Memorial Museum, Harrisburg, 1966. President of Fellowship
of the Pennsylvania Academy of the
Fine Arts 1956-1957. Langman Gallery, Phila.; Kennedy Gallery, N.Y.

8

JOHN HANLEN
Instructor in Painting

Born January 1, 1922, Winfield, Kansas.
Studied at the Pennsylvania Academy
of the Fine Arts, and the Barnes Foundation. Awards: Cresson Traveling
Scholarship, 1942; Thouron Faculty
Prize, 1942; Cresson Traveling Scholarship, 1943; Honorable Mention Tappan, 1943; Second Tappan Prize, 1947;
Ware Traveling Scholarship, 1950;
Rome Collaborative, 1950; Louis Comfort Tiffany First Award, 1950; Edwin
Austin Abbey Fellowship for Mural,
1951; Honorable Mention Da Vinci Art
Alliance, 1960; Harrison S. Morris Memorial, Fellowship Pennsylvania Academy of the Fine Arts, 1962 and 1964;
Popular Prize, Swarthmore-Rutledge
Union School District, 1964; Honorable
Mention, Pennsylvania Academy of the
Fine Arts Annual , 1965; Bertha M.
Goldberg Award, 1967. Represented:
Library of Congress, Washington, D.C.;
the Pennsylvania Academy of the Fine
Arts; Winfield High School, Winfield ,
Kan sas ; Swarthmore-Rutledge Union
School District, Pa.; War Department
Collection of Combat Painting and private collections. Murals for the Budd
Company's Tw in City Zephyrs. Collaborated with George Harding on the
Audubon Shrine, Mill Grove, Pa.

\

•
I

•

•

.< .

1,'.,,-

;.

to

{.,

Roswell Weidner

John Han/en

9

MORRIS BLACKBURN
General Critic,
Instructor in Graphics,
Painting and Drawing

Library of Congress, Penn State University, University of Montana, Fleisher
Art Memorial, Friends Central School,
Phila ., New Jersey State Museum, The
New Mexico Museum of Art and in private collections in the United States
and abroad. Listed in Who's Who in
America, Who's Who in the East, Who's
Who in Art and the International Dic tionary of Biography.
BEN KAMIHIRA
Instructor in Painting and
Composition

Born Philadelphia, October 13, 1902.
Studied at the Pennsylvania Academy
of the Fine Arts; privately with Arthur B.
Carles, Jr. Taught : Philadelphia Museum School of Art 1933-41; Stella
Elkins Tyler School of Art 1948-52; The
Philadelphia Museum of Art; the Pennsylvania Academy of the Fine Arts
1952 to present. Awarded the William
Emlen Cresson European Traveling
Scholarship in 1928 and 1929; John
Gribbel Honorable Mention, 1944, Print
Club; Honorable Mention American
Color Print Society, 1943; Third Prize
American Color Print Society, 1944;
Honorable Mention Northwest Print
Makers, 1943; Gold Medal Award, Fellowship P.A. F.A., 1949; Mary S. Collins
Prize, 1950, Print Club; Lessing J.
Rosenwald Prize, Print Club, 1950; Harrison S. Morris Prize, Equity Regional
P.A.FA, 1951; Honorable Mention
Philadelphia Art Alliance, 1952; John
Simon Guggenheim Memorial Fellowship in Painting and Graphics, 1952;
Honorable Mention National Serigraph
Society, 1953; Thornton Oakley Prize,
P.fI.. FA, 1955; Pyramid Club Award,
1960; Zimmerman Prize, P.A.F.A., 1960;
Merit Award Ocean City, N. J., 1968;
Philadelphia Water Color Club Medal,
P.A.F.A. Ann ual Exhibition, 1969; The
Percy Owens Memorial Prize, 1972.
Th irty-four one man shows. Represented: Philadelphia Museum of Art,
oils and prints; the Pennsylvania Academy of the Fine Arts and The Capehart
Collection, oils. Prints in U. S. State
Department, Brooks Memorial Art Gallery, American University Women's Collection, Clearwater Museum, Rosenwald Collection, Butler Institute of
American Art, Rochester Insti tute of
Technology, Woodmere Art Gallery,
10

Born in Yakima, Washington, March 16,
1925. Studied at Art Institute of Pittsburgh, Pa.; the Pennsylvania Academy
of the Fine Arts, Philadelph ia, Pennsylvania. Awarded Cresson Traveling
Scholarship, 1951; J. Henry Schiedt
Traveling Scholarship, 1952. First Julius
Hallgarten Prize, National Academy of
Design , 1952; Louis C. Tiffany Memorial Scholarship, 1952 and 1958; lippincott Prize, the Pennsylvania Academy of the Fine Arts, 1958; John Simon
Guggenheim Fellowship in 1955 and
1956; First Benjamin Altman Prize,
National Academy of Design, 1958 and
1962; Second Benjamin Altman Prize,
Nat. Academy of Design, 1970; First
Prize, Wilkie-Buick Regional Exhibition,
1960; Second A. W. Clarke Prize and
Silver Medal, Corcoran Gallery of Art,
Washington, D.C., 1961; Johnson Prize,
Silvermine Annual, Silvermine, Connecticut, 1961; First Chautauqua Prize,
New York, 1962; Summer Foundation
Purchase Prize, Whitney Museu'll, 1960;
Laura Siobe Memorial Prize, Art Institute of Chicago, American Annual,
1964; Purchase, Childe Hassam Fund,
National Institute of Arts and Letters,
1965. Percy M. Owens Award by the
Fellowship of the Penn sylvania Academy of the Fine Arts, 1966; National
Institute of Arts and Letters, N.Y.C.
1969; National Academy of Design

Ranger Fund Purchase Awards 1953
and 1966. Represented in the collection of the Pennsylvania Academy of
the Fine Arts ; Wh itney Museum of
American Art; Ringl ing Museum, Sarasota, Florida; Dallas Museum of Fine
Arts, Dallas, Texas; Col orado Springs
Arts Center; Brooklyn Museu m; Art Institute of Minneapolis; Syracuse University; Hirschorne Foundation Collection; Butler Institute of American Art,
Youngstown, Ohio; Sarah Roby Foundation, Nantucket, Mass. One-Man
Shows: New York City, San Francisco,
Toronto, Ph iladelph ia, Dallas . Exhibited: Modern Museum , Carnegie International, Art Institute of Chicago,
American Annual, Tokyo International ,
Whitney Annuals, National Academy of
Design .

Morris Blackburn

Ben Kamihira

11

JIMMY C. LUEDERS
Instructor in Painting and
Composition

Born Jacksonville, Florida, July 4, 1927.
Studied at the Pennsylvania Academy
of the Fine Arts; The William Emlen
Cresson Memorial Traveling Scholarship, 1950; The Henry Schiedt Memorial Scholarship, 1951; First Toppan
Prize, 1951; Third Hallgarten Prize, National Academy of Design, New York,
1952; "Art In America" under "New
Talent In The United States" Spring
1958; Mary Butler Memorial Award,
1964; May Audubon Post Prize, 1970;
Caroline Gibbons Granger Memorial
Prize, 1971; Merit Award Winner, Pennsylvania 71 Exhibition; Harry and Rhea
Rockower Award, 1971; Exhibited: The
National Institute of Arts and Letters,
1969; Metropolitan Young Artists Show,
National Arts Club, 1969; National
Academy of Design, New York; The
American Federation of Arts, 1956.
Collections: State Street Bank, Boston,
Mass.; Atlantic Richfield Company,
Phila., Penna.; School of Pharmacy of
Temple University, Phila. , Penna.; Tyler
Art School of Temple University, Phila. ,
Penna.; Fidelity Bank, Phila., Penna .;
Moore College of Art, Phila., Penna .;
Philadelphia Museum of Art, Phila. ,
Penna.; Pennsylvania Academy of the
Fine Arts, Phila., Penna.; Girard Bank,
Phila., Penna.; and private collections.

12

PAUL ANTHONY GREENWOOD
Instructor in Sculpture and Drawing

Born in Philadelphi a, 1921 . Studied
Pennsylvania Academy of the Fine Arts;
Barnes Foundation; Academie Julien,
Paris; Temple University School of Fine
Arts. Assistant to Jo Davidson , 1943.
Awarded Board of Education Scholarship, 1939; Rome Collaborative Sculpture Prize, 1942; Stewardson Prize,
1943; Cresson Traveling Scholarship,
1943; Ware Tra'Jeling Scholarship,
1944; Louis Comfort Tiffany Award,
1952; May Audubon Post Prize, 1953
and 1954; Pennsylvania Academy Fellowship Gold Medal, 1955. Represented in the permanent collections of
the Philadelphia Museum of Art; Th e
New Jersey State Museum, Trenton,
N. J.; The Phoenix Museum, Phoenix,
Ariz.; American Swedish Historical Museum and in private collections in
Philadelphia, Trenton and New York.
Executed bronze lion for Sons of Italy
Building, Philadelphia, 1955; bronze
and marble fountain for Mr. and Mrs.
William Almy, 1967; bronze and limestone fountain for Mr. and Mrs. Adolph
Rosengarten, 1969. Louis Comfort Tiffany Grant, 1971.

Jimmy C. Lueders

ELIZABETH OSBORNE
Instructor in Painting and Drawing

r

.
,

-

Paul Anthony Greenwood

(

,
/

/

Born in Phi ladelphia, June 5, 1936.
Studied at the Pennsylvania Academy
of the Fine Arts , Univers ity of Pennsylvania, B.F.A., 1959 with honors.
Awarded Catherwood Travel ing Fellow ship, 1955; Cresson Traveling Scholarship, 1957; J. Henry Schiedt Traveling
Scholarship, 1958; Wilmi ng ton Annual
Oil Painting Prize, 1959, 1960; Mary
Smith Prize P.A.F.A., 196i ; Fulbright
Grant to Paris, 1963 -64 ; Fellowship
Prize PA.F.A. Annual , 1968; Richard
and Hilda Rosenthal Foundation Award ,
National Institute of Arts and Letters,
1968. One-Man exhibitions: Phil adelphia Art Alliance , 1961 ; Socrates Perakis Gallery, 1963, 1966; Peale House
Gallery, 1967; Sao Paulo, Brazil, 1969;
Makler Gallery, 1970; Wilmington , Delaware, 1971. Exh ibited: Pennsylvania
Academy of the Fine Arts' Annuals;
Philadelphia Art Alliance ; Wilmington
Annuals; Ph ilade lph ia Museum, Silvermine (Conn .) Annual, 1966; Washington Gallery of Modern Art, 1968; Nationa I Institute of Arts and Letters, 1968.
Represented in the Permanent Collecti on of the Pennsylvania Academy of
th e Fine Arls, Philadelphia Museum of
Art , Wilmington Sociely of the Fine Arts ,
an d in privale collections.

Elizabeth Osborne

13

HOMER JOHNSON
Instructor in Drawing and Painting

Born in Buffalo, New York, 1925.
Studied at the Pennsylvania Academy
of the Fine Arts from 1946 to 1952 and
the Barnes Foundation. Awards: Cresson European Scholarship, Pennsylvan ia Academy of the Fine Arts , 1951;
Tiffany Grant of $2000, 1959; Purchase
Prize Lambert Fund, Pennsylvania
Academy of the Fine Arts , 1959; Membership in American Watercolor Society . Represented in private collections. Exhibitions - One-Man show
Philadelphia Art Alliance, 1962, Pennsylvania Academy of the Fine Arts
Regional Show, 1964. One-Man show
Woodmere Art Gallery, Philadelphia,
Pa. , 1965; Pennsylvania Academy of
the Fine Arts , Watercolor Show, 1965.
Regi onal Drawing Exhibition, Philadelphia Museum of Art , 1965; West Chester County Art Association , 1965 ; Butler
Institute of American Art, Youngstown,
Ohio, 1965. One-Man show Peale
House, Pennsylvania Academy of the
Fine Arts, 1966; Museum of Fine Arts,
Springfield, Mass., 1966. One-Man
show Philadelphia Art Alliance, 1971;
American Watercolor Society Annual,
1971; Pennsylvania '71, Harrisburg, Pa.
1971; One-Man show Woodmere Art
Gallery, Philadelphia, 1972.

Homer Johnson

Louis B. Sloan

14

LOUIS B. SLOAN
Instructor in Painting

Born in Phi ladelphia, June 28, 1932.
Stud ied at the Pennsylvania Academy
of the Fine Arts. Awarded Cresson
Traveling Scholarship, 1956. Second
prize, Wilkie Buick Regional Exhibition,
1960; Awarded Louis Comfort Tiffany
grant, 1960, 1961. Received the Jennie
Sesnan Gold Medal, the Pennsylvania
Academy of the Fine Arts, 1962; The
Emily Lowe grant, 1962; John Simon
Guggenheim Fellowship, 1964. Repre sented in the permanent collection of
the Pennsylvania Academy of the Fi ne
Arts, and in private collections. Presiden t of the Fellowship of the Pennsylvania Academy of the Fine Arts.

JULIAN LEVI
Instructor in Painting and
General Critic

Art Institu te of Chicago, 1943; Ca rn egie
Institute, Honorable Mention 1945'
Pepsi-Cola Prize Portrait of America'
1945; Obrig Prize, National Academy
of Design, 1945; University of Illinois,
1948; East Hampton Regional Prize,
1952; Pennsylvania Academy of the
Fine Arts, Fellowship Prize, 1954; National Institute of Arts and Letters grant,
1955; Temple Gold Medal, PAF.A.
Annual, 1962. Elected to National Institute of Arts and Letters, 1960; elected
a vice-preside nt of National Institute of
Arts and Letters, 1969. Retrospective
exhibitions at Boston University and
New Britain Museum, 1962. Museum
Representations: Metropolitan Museum
of Art, Whitney Museum of American
Art, Museum of Modern Art, Detroit Art
Institute, Chicago Art Institute, Toled o
Museum , Springfield Museum of Art,
Albright Museum , New Britain Museum,
Newark Museum , Pennsylvania Academy of the Fine Arts , Walker Art Gallery, Cranbrook Academy, Encyclopaedia Britannica, Des Moines Art Center,
Butler Institute of American Art, Norton
Museum , Wilmington Museum , University of Arizona , University of Georgia,
University of Illinoi s, Michigan State
University, Santa Barbara Museum,
University of Nebraska, Scripps College, Claremont, Cal ifornia ; Johnson
Collection, Reed College. Author: Modern Art: An Introduction, published,
1961 by Pitman Publishing Corp.

«

Julian Levi

Born in New York , 1900. Studied at
the Pennsylvania Academy of the Fine
Arts and for five years in France and
Italy. Resides in East Hampton and
New York City. Current ly teaches also
at the Art Studen ts League in New York
and is Di rector of the Art Workshop of
the New School fo r Social Resea rch.
Arti st-in-res idence Ame ri can Academy
in Rome, 1967 -1 968 . Awards: Cresson
Traveling Scholarsh ip, P.A. F.A., 1920;
Kohnstamm Prize , Art Institute of Chicago, 1942; Norman Wait Harris Medal,
15

OLIVER GRIMLEY
Instructor in Drawing

Born, Norristown , Pa " June 30, 1920,
Studied at the Pennsylvania Academy
of the Fine Arts, coordinated with the
University of Pennsylvania , received a
B,F,A, and an M,F,A, degree, Awarded
1st prize in Perspective , 1st Thouron
Prize in Composition, Cresson Traveling Scholarship, and Schiedt Traveling
Scholarship from P.A, F.A.; Pennell
Memorial Medal Award, 1966, 1968,
1970; the Bruce S, Marks Prize for
drawing , 1971; a 9' Eagle for the private
office of Leonard Tose, Phila. Eagles
Football Club; murals in Commonwealth- Federal Savings and Loan, the
Continental Bank, West End branch,
both of Norristown, and the Lafayette
Hills Br. office of the American Bank
and Trust Co, of Pa, Exhibited at the
New York Metropolitan Museum and
the Whitney Museum; the Library of
Congress, Washington, D,C,; the Phila delph ia Museum of Art; the Pennsylvania Academy of the Fine Arts; the Art
Alliance and the Woodmere Art Galleries, Instructor at Huss ian School of
Art.

16

DANIEL D, MILLER
Instructor in Painting and Art History

Born in Pittsburgh , 1928, B,F,A, Lafayette College, 1951; Penn sylvan ia State
University summer painting classes
under Hobson Pittman ; the Pennsylvania Academy of the Fine Arts , 19551959; M,FA in Paint ing, The University of Pennsylvania, 1958, Cresson
Traveling Scholarship, 1958; Katzman
Prize, Print Club, 1958; Young Watercolorist's Pri ze, Art Alliance, 1959;
Honorable Mention oil, Delaware Annual, 1959; Chamber of Commerce
Award for Arts, Brookville, Pa " 1959;
Prize oil, Delaware Annual, 1960; May
Audubon Post Prize, 1961; included in
Prize Winning Paintings, 1962 ; Prize
watercolor, Delaware Annual, 1963;
Honorable Mention, Philadelphia Art
Alliance Regional, 1966; Bertha M,
Goldberg Memorial Award, 1970, Paintings and constructions: the Penn sylvania Academy of the Fine Arts,
University of Pennsylvania Library,
Wilmington Society of the Fine Arts,
Manitowoc Museum, The Pennsylvania
State University, Dickinson College,
Rutgers Museum, Prints: Philadelphia
Museum of Art, Princeton University
Library, Di ckinso n College, Philad elphia Public Library, Friends Select
Schoo l, University of Maine, Library
Eastern Baptist College, La Sal le College, Teaching: PAF,A, since 1964,
Philad elphia Museum vI Art since
1962, Eastern Baptist College since
1964 (head of Fine Arts Dept. since
1965), Wayne Art Center since 1964.
Member of the Board of the Fellowship
of the Pennsylvania Academy of the
Fine Arts, Member Philadelphia Waterco lor Society,

Oliver Grimley

JOSEPH AMAROTICO
Instructor In Painting

Daniel D. Miller

Born, Bro nx, N. Y., 1931. Studied:
American Art School , under Raphael
Soyer, 1953; the Pennsylvania Academy of the Fine Arts, 1954-1959.
Awarded Cresson Memorial Traveling
Scholarship, 1958; Thouron Faculty
Prize, 1959; Catherine Grant Memorial
Award , 1959; The Caroline Gibbons
Granger Memorial Award, 1962, Fellowship P.A.F.A.; The Mary Butler
Memorial Award, 1965, Fellowship
P.A. F.A. Represented in the American
Federation of Arts Traveling Exhibition ,
Corcoran Biennial, 1963; Art in the Embassies Pro gram, U. S. Deparlment of
State, and in public and private collectio ns. Conservator for the Penn sylvania
Acade my of the Fine Arts.

Joseph Amarotico

17

ARTHUR DE COSTA
Instructor in Drawing and Painting

Born in New York City, August 19,
1921. Studied painting and mural decoration at the Pennsylvania Academy
of the Fine Arts. Independent study of
procedures and materials used in classical painting techniques. Executed
corporate and private mural commissions. Represented in the permanent
collection of the Pennsylvania Academy
of the Fine Arts and in other public and
private collections.
Arthur de Costa

MARSHALL GLASIER
Instructor in Drawing

KARL O. KARHUMAA
Instructor in Sculpture

Born in Wauwatosa, Wisconsin, in
1902. Teaches master classes in life
drawing at the Art Students League.
Studied for five years with George
Grosz, with Nicolaides, and McNulty.
Grant-in-aid from the Bjorksten Research Laboratories, 1951-52. Artistin-Residence at Reed College, 19521953. Has had five one-man shows in
New York City, including one at the
Julian Levy Gallery and one at the
Graham Gallery in May, 1962. Other
one -man shows include those at the
Kalamazoo Art Institute, the Milwaukee
Art Institute, the University of Wisconsin, and Reed College. Has also been
conSistently represented in the leading
national museum exhibitions.
18

Born in Detroit, Mich ., 1924. Studied
Wayne University, B.F. A.; Syracuse
University, M.F.A.; and the Pennsylvania Academy of the Fine Arts.
Awards: Tiffany Foundation Award,
1954; Ea stern Michigan University Invitational Exhibition Purchase Award,
1963. Exhib itions: Detroit Institute of
Art, Syracuse Museum of Fine Art,
Columbus Museum of Fine Art, Phillips
Mill, New Hope, Pa.

Karl O. Karhumaa

I

(
~

--....... __ ...:~

Marshall G/asier

19

WILL BARNET
Instructor in Painting and
General Critic

Born in Beverly, Mass ., 1911. Studied
Boston Museum of Fine Arts School;
Art Students League, N. Y. Instructor at
Art Students League since 1936; Professor at Cooper Union, N. Y. since
1945 ; visiting critic, Yale University,
1952; Artist-in-Residence, Virginia Museum of Fine Arts, Richmond; has
taught summer sessions at Montana
State College; University of Wisconsin;
Regina College, Saskatchewan; Museum of Fine Arts, Boston ; University
of Washington, Spokane; University of
Minnesota ; Penn State Univers ity ; Ohio
University; Cornell University. Member
of the Philadelphia Print Club; American Abstract Artists; Federation of
Modern Painte rs and Sculptors. Many
one-man exhibitions in New York and
throughou t the U. S.; one in Rome, Italy.
Also fou r retrospective exh ibitions: University of Minnesota, 1958; Institute of
Contemporary Arts, Boston, 1961; Al bany Institute of Art, Albany, N. Y.,
1962; Virginia Museu m of Fine Arts,
1964. Writings: "Aspects of American
Abstract Painting" in The World of
Abstract Art, Lon don, 1956; " A Lette r
to an English critic", Castalia I, 1961;
" Lithography as an Art", The League,
April, 1944. Work represented in:
Metropolitan Museum of Art, N. Y.;
Museum of Modern Art, N. Y.; Boston
Museum of Fine Arts; Brooklyn Museum; Carnegie Institute; Cincinnati
Art Museum; Corcoran Gallery of Art;
The Duncan Phillips Museum; The
Fogg Museum; Mun so n-WilliamsProctor Institute ; New York University
Art Collection; Pennsylvania Academy
of the Fine Arts; Philadelphia Museum;
Phillips Gallery; Seattle Art Museum;
Whitney Museum; University Art Museum, Berkeley, California. Also represented in numerous private art
collections.

20

MARTHA ZELT STANTON
Instructor in Silk Screen

Born in Wash ington, Pa., 1930. Studied
at Connecticut College, Carnegie Institute, Pennsylvania Academy of the Fine
Arts , University of New Mexico, Temple
University. Awarded: Cresson Traveling Scholarship, 1954; Schiedt Traveling Scholarship, 1955; Print Fellowship,
The Philadelphia Print Club, 1965. Exhibited: PAF.A. Annual Exhibitions
since 1961; VIII Salao de Arte Moderna,
Brasil; Sao Paul o Bienale, 1961. Also
represented in FAR Gallery, N. Y.,
1960', Museum of
. Modern Art Lending
Art Library, 1960. Works in private co llections in Philad elphia, Spain and
Brazil. Mural owned by Connec ticut
College.
ROBERT BEVERLY HALE
Instructor in Anatomy

,
•
Born in Boston, 190 1. A.B., Co lu mbia
University. Studied: Columbia School
of Architecture; Art Students Leag ue,
Paris. Benjamin Franklin Fell ow of Th e
Royal Society of Arts, London. Curator
Em eritus, Metropolitan Museum of Art.
Adjunct Profe sso r of Drawing, Columbia University, 1945-66. Instru ctor of
Drawing, Lecturer on Anat omy, Art Students League, New York, Pres ident,
Tiffany Foundation, 1959-1967. Oneman show Stamford Museum, 1959;
Staempfli Gallery, 1960. Author: Drawing Lessons from the Great Masters,
1964; Translator of Dr. Pau l Richer's
Artis tic An atomy, 197 1; artic le on Drawing , the Encyclopaedia Britannica. Represen ted in the Metropo litan, the Whitney and other museums, and a number
of private collectio ns.

Will Barnet

HENRY C. PEARSON
General Critic

Martha Zeit Stanton

Born in Kinston, N. C., 1914. M.F.A.,
Yale University; B.A., University of
North Carolina. Art study in Japan
under Shojo Yamamoto and Yuki
Somei; Art Siudents Leag ue. Oneman shows: Workshop Gallery 1958;
Stephen Radich Gallery 1961, 1962,
1964, 1965, 1966, 1969; Ball State University, Indiana 1965; Tweed Museum,
Duluth , Minn., 1965; Fairweath erHard in Ga lle ry, Chicago, 1966; North
Carolina Mu seum of Art, 1969; Van
Straaten Gallery, Chicago, 1970; Betty
Parsons Gallery, 1971. Ford Foundati on, Tamarind Workshop Fellowship,
Los Angeles. Represented in collections of Metropol itan Museum , Museum
of Modern Art, Whitney Museum , Chicago Art Institute; Albright-Knox Gallery, Buffalo; Nelson Gallery of Art,
Kansas City, Mo .; Corcoran Art Gallery, Washington, D.C.; National Gallery, Oslo, Norway; Mrs. Albert List,
N.Y.C .; Chase Manhattan Bank, N.Y.C .;
Union Carbide, N.Y.C.; N.Y. Publi c
Library. Represented by Betty Parsons
Gallery.

Henry C. Pearson

21

JOHN M. BOLLES
Instructor in Lithography
-~--

Born in Pl attsburg h, New York, 1939.
Studied at the State Univers ity of New
York, B.S. in Art Ed ucati on; Winchester
School of Art, Wi nchester, En gland;
Tyler School of Art, Temple Univers ity,
M.F.A. Exhibited : University of Bu ffa lo
Summer Fine Arts Festival; Windsor,
England ; Gallery 252, Phi ladelphia; Th e
Print Club of Phi ladelphia; University
of Pennsylvania ; The Art All ian ce,
Philadelphia; City Coll ege, New Yo rk;
American Color Pri nt Socie ty; Art in the
Embassies program of the State De partment; Silverm ine Gui ld , New Ca naan, Connecticut. Rep resented : Winchester School of Art, Wi nchester,
England; Prints in Prog ress pe rman en t
collection ; Free Li brary of Phil adelphia;
State University of New York , Buffalo;
Drexel Institute, Philade lphia; Alexander Ewing Associates, Architects;
RCA , Ph ilade lph ia; Uni te d States
Consulate, Brussels, Belgi um; Korman Corporation, Philadelph ia; private
co llections .
ALEXANDER HROMYCH
Instructor in Sculpture

Born in Ukrainian U.S.S.R., 1940.
Stud ied at The Pennsylvania Academy
of Fi ne Arts. Awards : Steward son
Prize, P.A.F.A., 1959; The Stimson
Prize, P.A.F.A., 1960, The Mary Town22

send William Mason Memorial Prize,
P.A.F.A., 1960; The Cresson Traveling
Scholarship, 1961; May Audubon Post
Prize, 1967; Artist Fund Prize, National
Academy of De sign, 1970 ; Bronze
Medal for Sculpture , National Arts
Club, 1971 ; The Mary Kent Prize, 1971 .
Works : Repre sented in Private Collec tions in the U.S. and Europe. Medals :
H.I.M . Haile Selassie I Medal; Bishop
Newman Cardinal Kroll Medal; Miccosukee Indian Medal; Father Flanagan
Medal , Madonna and Child Christmas
Medal ; Metal Workers Medal; Philadelphia Maneto Medal ; George Washington at Valley Forge Medal; Magendi e
Medal ; J. M. Davis Gun Museum Medal ,
Robert Morris Medal; John Hancock
Medal; Emily Dickinson Medal , Readers
Digest Medal.
DAVID SLIVKA
Instructor in Sculpture

John M. Bolles

David Slivka was born in Chicago in
1914. He attended the California
School of Fine Arts and the Art Institute of Chicago. He has had several
commissions assigned by both government projects and pri vate sources in
and around San Francisco . Mr. Slivka
has taught sculpture at the University
of California, the University of Mi ssissippi and the University of Southern
Illinois. He has participated in many
group sh ows in New York and in California. His first one-man show was in
New York in 1962. His work is included
in many important private collections,
as well as the collections of The Walker
Art Center, The University of California,
The Massachusetts lf1stitute of Tech nology and The University of Texas.

LISABETH MARDER
Instructor in Lithography and Drawi ng

Lisa beth Marder

Born in Philadelphia, May 15, 1941.
Studied at the Pennsylvania Academy
of The Fine Arts. The University of
Pennsylvania, The Philadelphia College
of Art, and the Barnes Foundation .
Awarded the Schmidt and Woodrow
prizes for graphics. Exhibited at the
Pennsylvania Academy of The Fine
Arts. Philadelph ia Art Alliance. Woodmere and Alverthorpe Galleries. Represented in many private collections.

AUGMENTING THE
CURRICULUM
THEODOR SIEGL
Technical Advisor and Instructor
in Painting Materials and
Techn iques

Alexander Hromych

ROBERT F. McGOVERN
Lecturer in Anatomy
DAN MILLER
Lecturer in Art History
J. FRANKLIN SHORES
Instructor in Lettering and
Perspective
JOHN W. McCOY
General Critic

David Slivka

23

PRELIMINARY DIVISION
Students entering the Academy for
the first time are admitted to the
Preliminary studios. Only upon special
recommendation of the Admissions
Committee may new students be
admitted to the advanced studios. The
Preliminary discipline enables th e
student to survey the fundamentals of
Drawing, Painting, Sculpture and
Graphics.
The Preliminary studio schedule is
as follows:

Life Painting-6 hours per week ,
painting from the life model.
Painting Studio-6 hours per week with
emphasis on design, color, texture
and composition .
Drawing-9 hours per week divided
between cast drawing and drawing
from the Iife mode l.
Graphics-6 hours per week-the study
of the major techniques of print
making and their use in creative work.
Clay Modeling-3 hours per weekinstruction in modeling from life and
portrait models. Three dimensiona l
design.
Perspective and Lettering-1 hour
per week-this instruct ion is a
prerequisite for students who will enter
the advanced division in Painting
or Graphics.
Materials and Techniques-1 hour per
week-this instruction is a prerequisite
for students who will enter the
advanced division in Painting or
Graphics.

u
e
24

e
r

History of Art-1 hour per week-this
illustrated lecture course is a prerequisite
for promotions from the preliminary
studios and is presented from the
standpoint of the practicing artist rather
than the art historian.
Anatomy-This series of lectures is an
elective and is presented as an
aid to the student artist and as a
supplement to hi s studio wo rk .
At the conclusion of the second
semester each Preliminary student will
be admitted to the division of his choice
(Painting, Graphics or Scul ptu re)
provided his record shows a complete
and satisfactory registration of work
together with the ap prova l of the arti sts
to whose studios he has bee n assigned .
PAINTING DIVISION
Students electing to enter the Painting
Division will be assigned studios in
Drawing, Life and Portrait painting.
They are encouraged to pursue special
projects and to emphasize individual
explorations in style, mediu m and
content under the critical guidance of
the Faculty. It is expected that
students in the Painting Division wil l
complete at least two semesters in
the open studios before they apply for
assignmen t to an individual studi o.
Upon recommendation of the artists of
the Faculty to who m they are ass igned
Painting students may be privileged
to wo rk in individual studios. They
will be required to receive criti cism of
work done in their studios fro m at
least three artists of the Faculty, a
minimum of once each mo nth. These
artists may also recommend the
return to the painting stud ios if in their
opinio n the student is not benefited
by the assignmen t to individual studios.
All studio facilities and lectures are
open to the use of paintin g students

assigned to individual studios.
GRAPHICS DIVISION
Students electing to enter the Graphics
DIVISion will be assigned stud ios in
Drawing , Painting and Composition but
the major studio assignment will be
in Graphics. It is expected that students
in the Graphics Division will complete
at least two semesters in the open
studios before they apply for assignment
to an individual studio . Upon
recommendation of the artists of the
Faculty to whom they are assigned
the Graphics student may be privileged
to work in an individual studio. They
wil l be required to receive criticism of
wo rk done in their studio from at
least three artists of the Faculty a
minimum of once each month. Th ese
artists may also withdraw the use of
the studio if in their opinion the student
is not benefiting from the privilege.
Al l studios, fac ilities and lectures are
open to the use of Graphics students
assigned to individual studios.
SCULPTURE DIVISION
Students may enter the Sculpture
Divis ion directly upon admission to the
Academy or they may elect to enter
the division upon promotion from the
Preliminary Divisron. The Sculpture
studios are devoted to clay modeling
from the human figure and head.
Individual projects involving wood
carving, welding, stone carving, kiln
firing or molding of plastic may be
pursued under the supervision of an
instructor. Upon recommendation of
the artists of the Sculpture Faculty
individual students may be assigned
private studios where projects outside
the scope of the regular studios may be
pursued. The privilege of a private
studio may be withdrawn if in the opinion
of the Faculty the student has not
benefited therefrom .

•

REGULATIONS & REGISTRATION
Th e Academy realizes that maximum
freedom fosters creative effort and

permits unusual devotion to the artisrs
self-discipline. The minima l regulations
will not interfere with artistic effort
and in fact are found to aid in that effort.
Therefore these regulations are to be
met for the student to be eligible for
promotion, individual studio privileges,
scholars hips, prizes and travel awards.
Furthermore those students who desire
to apply the credit for studio work
done at the Academy toward an
Academic degree must have a complete
record of registration as wel l as a
Faculty evaluation of the quality of
the work. This record will constitute a
proper transcript for the Academic
University or College.
Registration requirements are satisfied
when each student has registered one
piece of work each month with each
of the artists assigned to him. Sculpture
students are required to register one
figure, one head, one sculpture done
without a mode l and five drawings
each month.
FOUR YEAR CERTIFICATE
The Pennsylvania Academy of the
Fine Arts grants its Certificate to
students who have satisfactorily
completed four years of study in the
Academy Schools, or the equivalent
according to the Academy requirements.
Only students whose records are
complete according to the fina l decision
of the School Administration, are
eligible for these Certificates. By spec ial
arrangement work done in the Evening
or Summer schools may be credited.
BACHELOR OF FINE ARTS
DEGREE
Because the Academy is devoted
exclusively to the study of the Fine Arts
it is not a degree granting institution.
" The Philadelphia College of Art
recognizes attainment of the Academy 's
certificate as satisfying the studio
credit requirements for its Bachelor of
Fine Arts degree. With Academy
endorsement based upon high school
graduation and a secondary school

transcript judged creditable by the
Academy, a student may register in
liberal arts at PCA any time after
beginning Academy enrollment.
The BFA degree-credit candidate will
be considered to have fulfilled PCA's
studio requirements upon receipt of the
Academy 's certificate.
The candidate may begin to earn the
required 45 liberal arts credits' in
any semester during his four-year
studio program or after being awarded
the Academy's certificate. Subject to
Academy requirements, he may register
for any number of liberal arts credits
per semester. Upon submission of an
official transcript of prior liberal arts
study, he may be awarded a maximum
12 transfer credits toward PCA's
requirements for the BFA degree."
The Philadelphia College of Art is
located at Broad and Pine Streets within
walking distance of the Academy .
The schedule of classes is designed
to permit maximum use of studio hours.
• See peA catalogue

THE WILLIAM EMLEN
CRESSON MEMORIAL
TRAVELING SCHOLARSHIPS
By the liberal provisions of the wills of
Emlen Cresson and Priscilla P., his wife ,
a Fund has been created as a memorial
to their deceased son, William Emlen
Cresson, Academician, the income
from which is to be applied by the
Pennsylvania Academy of the Fine Arts
in sending pupils of merit to Europe.
These scholarships shall be awarded
under such rules and regulations as shall
be adopted from time to time by the
Board of Directors of the Pennsylvania
Academy of the Fine Arts. The award
of Cresson Scholarships has had
significant influence on hundreds of
recipients over many years and has been
a great boon to this Academy. In the
Spring of 1969 the one thousandth
award was made. To emphasize the
importance of these awards and to
broaden the advantages to our students,
and because the Fund realizes very
generous income each year, the
Management, through its Committee on
Instruction , has established the practice
of approving the recommendation of
the Faculty for either first or second
awards. These scholarships were first
awarded in 1902.
In 1973, the award of a Cresson .
Traveling Scholarship credited each
student with $2,700 of which $1,700 was
used for a summer of travel and
traveling expenses in Europe, and the
remaining $1,000 was used for Academy
tuition for the two terms immediately
following. Each year the sums may vary,
as adjustments in tuition charges and
traveling expenses dictate. Each
recipient is required to return to the
Academy for the continuance of regular

•

r ve
o
25

studio work in an additional year as an
advanced student. He is expected to
help set high professional standards
among our students after his return
from Europe. In cases of exceptional
merit, and when a very decided
improvement is evident, a student may,
through the same authority, receive
the award a second time. Competition
for a second scholarship must be
entered during the year succeeding the
first award, unless otherwise ruled by
the Committee on Instruction on written
application. The award of a Cresson
Traveling Scholarship the second time
credits the student with the sum
established for that year to be used for
travel and traveling expenses, and may
be used any time within twenty-eight
months after receipt of the award.
Eight Cresson Traveling Scholarships
were awarded in 1973. Every student
in good health and without knowledge
of any physical condition or any other
reason to prevent accepting and properly
using such scholarships is eligible
for compet ition for Cresson Traveling
Scholarships. Competitors must have
an aggregate of 96 Academy Winter
School weeks to their credit which must
have been accumulated within five (5)
years of the date of competition. The final
32 weeks (two terms) must be spent in
the Winter School of the Academy
and must be within the year of
competition. One summer and one
semester of evening school or two
semesters of evening school may be
allowed as equivalent of one semester
by special approval of the faculty and
administration.
Every student must have a complete
and unbroken registration record.
Painters and Graphics Majors must also
have satisfactorily completed the work
in Materials and Techniques in
Perspective and Art History. Sculptors
must meet the requirements of the
Sculpture faculty and attend the
Art History lectures. All financial
obligations must be fully paid.
26

All students entering the competition
are required to complete the official
application. All work submitted in
competition must be that which has been
done in the Academy studios or for
Academy registration. It must be work
completed within the last 32 weeks
of the Winter School. All work in
competitions must be approved and
recorded before entry by two Faculty
instructors.
All competitors are unrestricted as to
amount, size and variety of work they
submit in the competition groups,
provided they do not exceed the space
allotted. Each sculptor's group must
include a composition. Work must be
exhibited unframed and unglazed. If
tape or stripping is used to trim
unsightly edges of canvas, it may be
used to give order rather than enhance
and must not encroach upon the
face of the canvas.
The recipient of a first traveling
scholarship must account for a period
of at least 90 days in Europe and an
itinerary and financial report is required
for filing in the school office before
October 15.
The recipient of a second traveling
scholarship is granted the sum for
travel and travel expenses and a general
accounting must be made and filed
in the school office within three months
of the end of its use. The student is
not required to return for another period
of study but may apply for free tuition
should additional study be advisable.
Use of free tuition under such
circumstances may be regulated and
arranged with the Administrator of
the schools.
The Faculty will not recommend awards
of traveling scholarships if, in its
opinion, the work submitted is not of
sufficient merit to justify such
recommendation. A student may not

be awarded more than one traveling
scholarship in any given year and is
ineligible for competition after having
received two such awards.
THE LEWIS S. WARE MEMORIAL
TRAVELING SCHOLARSHIPS

The Lewis S. Ware Memorial Traveling
Scholarships, in accordance with the
will of the testator, provide European
Traveling Scholarships in amount and
under 'regulations similar to those
of Cresson Scholarships of that year.
These Scholarships will be awarded
according to the income available on
the recommendation of the Faculty by
the Board of Directors to students
of outstanding merit. These Scholarships
were first awarded in 1938, one
Ware Traveling Scholarship was
awarded in 1973 representing an amount
of $1700.
THE J. HENRY SCHIEDT MEMORIAL
TRAVELING SCHOLARSHIPS

The J. Henry Schiedt Memorial
Scholarships in accordance with the
will of Cornelia Schiedt, provide for
the award of Traveling Scholarships
according to the income available.
The award of these scholarships will
be made on the recommendation of the
Faculty by the Board of Directors to
students of outstanding merit.
Eligibility for this competition will be
based on the same requirements as set
up for Cresson Awards of that year.
These scholarships are not specifically
designed for European travel. It is
therefore possible, under certain
circumstances, for a competing student
to make application to the Administrator
of the Schools at least three months
before the date of competition for a
particular program. These Scholarships
were first awarded in 1949 and four
Schiedt Traveling Scholarships of $1700
each were awarded in 1973. The
credit may be used any time within
twenty-eight months after receipt of
the award.

THE CHARLES TaPPAN PRIZESThese prizes were established in 1881
by the gift of Mrs. Charles Toppan,
Miss Harriette R. Toppan and Mr.
Robert N. Toppan. Due to the considerable appreciation in value of this trust,
the following regulations were put into
effect in 1962, enlarging the benefits
but adhering to the positively expressed
terms of the original gift that "The
drawing of the work submitted will
receive first attention of the examiners."
First awarded in 1882.
Up to six prizes will be available each
year at the discretion of the Committee
on Instruction, depending on the
amount of income available. A maximum of three drawings matted or prepared for exhibit but not glass covered
with no limit on size, subject matter or
media, may be submitted in the spring
of each year by regularly enrolled
students, whose records show attendance for at least two years previous to
the current competition. They will be
judged by the Faculty, or a committee
of the Faculty, and the winners' work
is to be exhibited with the major
competition of the season.
Any student may receive a Toppan
award but once, and there shall be no
obligation to award prizes to any work
which, in the opinion of the judges,
is not of sufficient merit.
THE PACKARD PRIZES-From the
income of the John H. Packard Fund,
established by the children of the late
John H. Packard, M.D., for many years
chairman of the Academy's Committee
on Instruction, annual prizes of $50.00
and $25.00 are awarded for the best
and second best groups of original
studies made from living animals in the
Zoological Garden. These prizes are
open to all students of the Academy
who have registered for both terms

en 0
rZe0
28

of the school year. A student may not
submit more than one set of drawings
mounted on a sheet not to exceed
30 x 40 inches. A student having once
received a prize becomes ineligible to
receive the same prize for the second
time. First awarded 1899.
THE EDMUND STEWARDSON PRIZE
-The Edmund Stewardson Prize of
$100.00 in Scu lpture is awarded during
the school year. This is an annual
prize, competed for by stu dents of the
Academy, with such pupils of other
art schools as may be approved by
the Committee on Instruction. The subject for the competition is a full-length
figure from life in the round. Studies
must not be less than two feet six
inches in height, and not more than
three feet in height, and must be made
within eighteen hours, during three
consecutive days, in six sessions of
three hours each. A student receiving
one Stewardson Award is ineligible to
compete a second time. No one except the competitors is admitted to the
competition room at any time during
the days of the competition. The Jury
of Award consists of professional
sculptors, having no official connection with the Academy, nor any other
schools whose pupils may have taken
part in the competition. If no study be
satisfactory to the Jury, the prize may
be withheld. When no award is made,
the amount of the prize may, at the
discretion of the Board of Directors,
be added to the prinCipal of the prize
fund or distributed with future prizes.
The clay mode ls offered in competition
must be kept standing in good condition until otherwise ordered and figu res cast by the Academy become its
property. The competition in the spring
of the 1972-1973 year was judged
by Raphael Sabatini. First awarded in
1901.

Susan Headley Van Campen

THE THOURON PRIZES-These
awards were founded by the late
Henry J. Thouron, a former instructor
in Composition. A prize of $100.00
and a prize of $50.00 for compositions
completed during the current season
are offered, the first to be decided by
the Faculty, the second by a vote of
the students; a prize of $100.00 and a
prize of $50.00 both awarded by the
Instructor of the class . A competitor
is not eligible a second time for the
same prize, and cannot receive more
than one award the same season. First
awarded 1903.
THE RAM BORGER PRIZE-From the
income of a fund established by the
late William K. Ramborger, Esq., as a
memorial to his sister, Aspasia Eckert
Ramborger, who was a student of the
Academy, an annual prize of $35.00 is
awarded for the best line drawing in
black and white of a head from life
by a pupil of the Academy who has not
been under instruction over two years,
but who has been registered in the
Academy for both terms of the current
school year. Each competitor may
submit one unmounted drawing on
white paper 19 x 25 inches in size.
Having once received an award , a
student becomes thereafter ineligible
to compete again . First awarded 1911.
THE STIMSON PRIZE-Thi s prize
was established in memory of Emma
Burnham Stimson and was created for
the award each year of a prize in
sculpture of $100.00 for the best work
done by th e students in the regular
course of the c lass. The contest is
open to students who have been
registered for three terms and who are
members of the Life Modeling Classes,
but is not open to former students who
work in the class by special permission .
The subject for competition is a fulllength figure from life, in the round, not
less than two feet six inches in height,
and must be made during class hours
as a part of the regular work in the
class. The work must be submitted
anonymously to a jury appointed by
the Committee on Instruction. The
Ju ry is not obligated to award prizes
or honorable mentions if, in its opinion,
the work submitted is not of sufficient
merit to justify making the awards. The

competition in the School year 197374 was judged by Richard Lippold.
First award ed in 1917.

each spring in memory of her daughter,
Mindel Caplan Kleinbard. First awarded
1958.

THE CECILIA BEAUX MEMORIAL
PRIZE-The gold medals which Cecilia
Beaux received during her life in recognition of her work as a portra it painter
have been donated to the Academy by
Miss Beaux's residuary legatees and
converted in to a fund, the income of
wh ich will provide a prize to be given
for the best portrait painted during a
schoo l year by a student of the Academy. This prize of $100 will be
awarded, when available, by the President with the advice of the Faculty.
Students eligible for the prize must
have been enrolled in the day classes
for two consecutive terms and .at the
time of competition be members of the
Advanced Studio. The award is to be
for the outstanding portrait. accomplished within two terms then current
and not more than three examples of
work may be submitted. Any student
can receive the award but once, and
it is particularly stipulated that the
award does not need to be made if,
in the op inion of the Faculty, no work
is submitted of sufficient di stinction.
First awarded 1946.

THE EDNA PENNYPACKER
STAUFFER MEMORIAL PRIZE-A
prize of $100 .00 will be available yearly
to be awarded by the Faculty, or a
committee of the Faculty, to a student
in the School of the Pennsylvania
Academy of the Fine Arts in recognition
of excellence in any medium of the
Faculty's choice, and preferably at a
time of year other than the late spring
so that the financial advantages may
be enjoyed by the student during the
course of his studies. It was further
agreed that the prize could be increased in amount should the investment make that possible but no award
shall be given in any year when a
lesser amount than $100.00 is available. This prize was established by
Ellen Evans to honor the memory of
her beloved friend Edna Pennypacker
Stauffer, 1883-1956, painter and lithographer of broad reputation who was
a student at the Academy in 1902,
1903 and 1904. First awarded in 1961 .

THE JOHN R. CONNER MEMORIAL
PRIZE IN GRAPHICS-This prize is
made possible through the generosity
of Mrs. Frances Weeks Lux in memory
of John R. Conner, art ist. It will be
$50.00 when that amount is available
from the invested principal.
First
awarded 1955.
THE CATHARINE GRANT MEMORIAL
PRIZE-Th is prize of $200.00 will be
given for the best landscape or still
life. This prize has been made pos sible by funds set up through the sale
of paintings from a memorial exhibition
of the work of Catharine Grant, held
in the Academy in the fall of 1954, and
from special contributions from her
friends to this fund . First awarded
1955.
THE MINDEL CAPLAN KLEINBARD
AWARD-Through the generosity of
Mrs. Joseph Caplan, an award of
$25.00 in art supplies is presented

THE ELEANOR S. GRAY PRIZE FOR
STILL LlFE-A prize of $100.00 will
be awarded by the Faculty, or a faculty
comm ittee, to a stud ent in the School
of the Penn sylvan ia Academy of the
Fi ne Arts who has demonstrate d
superior abi lity through th e painting of
Still Life. The pai nting cons ide red
must have been done on th e Acad emy 's premi ses during th e no rmal
course of the School 's activities, an d
the award may be made duri ng the
school year, rather than at th e spring
judgments. One or two painting s may
be submitted by each contestant. ThiS
prize is made available throu gh a fund
establi shed by Mr. and Mrs. J. MaUrice
Gray. First awarded in 1961.
THE LAMBERT AND EMMA WALLACE
CADWALADER PRIZE FOR LANDSCAPE-This prize is awarded anually through the generosity of Mrs .
Cadwalader for the best representational landscape by a student of the
Pennsylvania Academy of the Fine Arts.
First prize $500.00. Second prize
$100.00. First awarded in 1961.
29

THE LAMBERT AND EMMA WALLACE
CADWALADER PRIZE FOR PORTRAITURE-This prize of $150.00 is
awarded annually for the best portrait
painted in the regular portrait class in
the Academy studios. First awarded
in 1974.
THE ELEANOR S. GRAY MEMORIAL
FUND-This fund was established in
1967 by J, Maurice Gray as a memorial
to his wife who had been a student in
the Academy's school from 1960 to
1963. The monies available from this
fund will be awarded at the discretion
of the Faculty and management for
special school prizes and awards in
addition to their major dedication for
tuition scholarships. (See note on this
fund under Free Tu itions.)
THE FRANCES D . BERGMAN
MEMORIAL PRIZE-In 1965, after the
death of Mrs. Bergman, a memorial
fund was established by relatives and
friends. The fund makes possible a
money award of at leas t $100.00 to a
student each spring fo r the best
traditional painting submitted for this
prize. An artist of distinction, not
necessarily a member of the Faculty,
but with the management's approval,
may be invited to act as judge . First
awarded in 1966.
THE HENRY C. PRATT MEMORIAL
PRIZE IN GRAPHICS-This prize is
made possib le through the generosity
01 Mrs . William D. Di ssto n in memory
of Henry C, Pratt, one of the founders
of the Academy. It will be $50.00 as
that amount is available from the invested principal. First awarded in 1968.

Pheoris West

THE BENJAMIN LANARD MEMORIAL
AWARD-This prize was made possible by his family. A prize of $50.00
awarded by the Faculty for an outstanding composition . First awarded
in 1970.

THE FRANKLIN C. WATKINS MEMORIAL GRANTS- Establi shed by Mrs.
Watki ns to provide money to aid talented students of painting to meet expenses other than tuition. First awarded
in 1973.

THE HOBSON PITTMAN MEMORIAL
PRIZE-This prize was endowed by
Mr. Pittman to be awarded annually
during the Cresson judging to a tal ented student for an experi mental
painting . First awarded in 1973.

THE ROBERT A. RICKER MEMORIAL
LANDSCAPE PRIZE-Th is prize of
$100.00 is award ed annually for the
best landscape by a stud ent of the
Academy painted during the course of
the school yea r. First awarded in 1974.

30

THE PERSPECTIVE PRIZE-A cash
prize has been given each year to tHat
student who does the most exemplary
work in the Perspective Course. Th is
award was instituted by Mr. John
Harbeson, instructor in Perspective
from 1916 to 1955, and was generous ly
carried on by Mr. William Campbell,
an associate instructor 1936-1955 and
Instructor 1955-1965. The Prize was
awarded jointly in 1967-1969 by Mr.
Campbell and Mr. Shores, Instructor
since 1965 to the present. Th e award
is being carried on now by Mr. Franklin
Shores. The award is $50.
THE THOMAS EAKINS MEMORIAL
PRIZE-A prize will be offered for the
best figure canvas painted in the
regu lar life class in the winter immediately preceding the competition.
This prize of $100.00 will be awarded
by the Faculty and is available through
the generosity of Mr. and Mrs. David
Gwinn. First awarded in 195 1.
THE PHILADELPHIA PRINT CLUB
PRIZE-Th e Phi ladelphia Print Club
Prize is awarded to an outsta nding
student in the graphics studio and entities the winner to a one year membership in the Club. First awarded in
1953.
THE MARY TOWNSEND AND
WILLIAM CLARKE MASON MEMORIAL PRIZE IN SCULPTUREThrough the many years of Mr. Mason's
affiliation with the Academy as one of
its Directors he was ever alert to the
encouragement of all stude nts, particularly those studying sc ulpture. In
1954 and 1956 he made substantial
gifts, not as an endowment, but to be
used as awards by the scu lpture facu lty
to a worthy student, or studen ts, at the
time of the spring competitions. Th e
continuance of these awards as
memorials to her parents is made
possible through the generosity of their

ono
rZUeJ

daughter, Mrs. Henry Lea Hudson. In
1972 $200.00 was awarded.
THE WANAMAKER PRIZE-Through
the generosity of the John Wanamaker
Store, Art Supply Department, a prize
of $50.00 in art supplies is awarded
each spring for the best painting in oil
or acrylic submitted to the Faculty for
judgment. First award ed in 1954.

MABEL WILSON WOODROW PRIZE
- Given by Mabel Woodrow Gill. A
prize of $100.00 is made available annually for an award, or awards in the
Graphics Department, at the discretion
of the Faculty. First awarded in 1955.
THE GIMBEL PRIZE-Th rough the
generosity of the Art Supply Department in Gimbels Department Store,
$50.00 in credit will be given in this
store. The student will be chosen by
the Faculty for outstanding work
entered in compet it ion each spring.
First awarded in 1958.

THE QUAKER STORAGE COMPANY
AWARD-T hrough the generosity of
Mr. Benjamin D. Bernstein, Chairman
of the Company Board, the Faculty may
grant this prize of $250.00 to an
outstanding student, in recognition
of meritorious achievements. First
awarded in 1965.

Lydia Hamilton

John Gray

31

CONSOLIDATED/DRAKE PRESS
AWARD-This prize of 5200.00 is given
by The Consolidated/Drake Press for
good work during the schoo l year, In
memory of Mr. Howard B. Miller. First
awarded in 1967.
THE LOUIS S. FINE PURCHASE
PRIZE-A prize of $150.00 for an outslanding painting memorial izing the
work of men on the Philad elphia waterfront is awarded each year by the
Faculty. First awarded in 1968 this
purchase prize has been given by Mr.
Louis S. Fine to encourage students
to discover the excellent material to
be found in the work of the stevedors,
the piers, the vessels and the colorfu l
surroundings.
THE GEORGE SKLAR MEMORIAL
LIFE DRAWING PRIZE-This prize
of 5100 was established in 1968, after
the passing of Mr. Sklar, by his wife.
It is given each year to the studen t who
rates highest in Life Drawing throughou t the Academy.
THE SYLVIA G. WEXLER MEMORIAL
AWARD-This award of $50.00 is
given by Mr. Morris M. Wexler to a
student of merit selec ted by the
Faculty. First awarded in 1970.
THE CHARLES R. WEINER PRIZEA 5100.00 prize awarded during the
school year by the Faculty and Administration to a student who shows
promise. First awarded in 1973.
THE ALEXANDER PRIZE-$300.00 for
the student work in any medium which
shows unusual promise. First awarded
in 1973.
MARTHA ZELT STANTON PRIZE IN
GRAPHICS-A prize of $50.00 for the
best experimental work in a Graphics
medium. Firs t awarded in 1973.

THE NICHOLAS BUCCIARELLI
DRAWING PRIZE -These annual
prizes established in memory of Nicholas Bu ccia rell i are awarded for excellence i'n the art of drawing. First prize
$100.00, second prize $75.00, third
prize $50.00 The awards are to be
made as early in the school year as
practical. First awarded in 1973 .

32

Peter Groesbeck

James D. Mahoney

•
•

,

•

•

.• •

•

•

•

,

•

•
•

•

•
•

.,

• ...•

•

., '' . . -, '.
., .-, ...,.
4

•

•

,.

•

,.

.

_

~

•
•

Stanley R. Merz, Jr.
33

George M. Kelly

Stephen Senter
34

CRESSON, WARE AND SCHIEDT MEMORIAL
TRAVELING SCHOLARSHIP COMPETITORS
May, 1973
PAINTING :
Joyce Appel
Robert Bender
John J. Blair
Stefany Blyn
Thomas M. Carr
Cristina Caserta
Nora Chavooshian
Anthony Ciambella
Gregory A. Crnkovich
Ronald Curl
Susan Miller Curtin
Joan Wolf Davis
Stanley A. Deitz
Brion Devlin
Laura Ewing
Carol Fairlie
Linda Fantuzzo
Robert B. Ferus
Gail Fox
Ella J. Gant
Charles C. Gottschall
Neysa Smiler Grassi
John Gray
Peter Groesbeck
David R. Deakin
Lydia Hamilton
Rosemary Hlatky
Wain Howard Hunter
Tamara Kallman
Douglas Kelly
Patricia Ke lly
Hai-Sun Kim
Harriet Knopman
Tatiana Krizova
Kristina Kutkus
Cliffor.d W. Lamoree
Russell M. Lanzilotta
Charles Lauren t
Won Young Lee
Sandra Lerner
Jeffrey M. Lipton
Catherine McCormick
James D. Mahoney
Edward Majchrzak
Stan ley R. Merz, Jr.
Brian F. O'Nei l
Lawrence F. Palmer
Maryanne Parson

Gilda Pervin
John J. H. Phillips II I
Stanley W. Piotrowski
Sonya Pol lack
Richard W. Procto r
Ruth Re ibrich
Wesley M. Re id
Joan Res nick
Kenneth C. Richards
Virginia Robinson
Susan Roseman
Robert D. Roth
David Rue Rothermel
Libby Rudnick
Bernadette Sadowski
Stephen Salek
Anne Cabot Seidman
Stephen Senter
Ru th Wolf Shapiro
Stewart J. Shap iro
Pete r Stimeling
Adam J. Titone
John Tripple
Susan Headley Van Campen
Kathy Vanozzi
Dirk vanSaun
Jeanne Watson
Ronald A. Weisberg
Pheoris West
Cassandra B. Wynne
Mary Zbezinski

FOUR YEAR CERTIFICATE AWARDS
May, 1973
Robert M. Bender
John J. Blair
Craig E. Blake
William J. Blanco
Lorinda Butler
Thomas Carr
Joan Wolf Davis
Stanley A. Deitz
Deborah Standard Dudek
Laura L. Ewing
Gail R. Fox
Ella J. Gant
Wendy L. Garthwaite
Charles C. Gottschall
Neysa Smiler Grassi
John M. Gray
Lydia K. Hamilton
Catherine A. Hopkins
Wain Howard Hunter
Tamara L. Kallman
Patricia Kelly
Hai-Sun Kim
Clifford W. Lamoree
Charles Laurent

Stephania L. Lester
Deryl D. Mackie
John J. H. Phillips III
Sonya A. Pollack
Wesley M. Reid
Kenneth C. Richards
Joan A. Resnick
Susan Roseman
David Rue Rothermel
Stephen Salek
Dorie J. Saylor
Anne Seidman
Stephen M. Senter
Ruth Wolf Shapiro
Stuart J. Shapi ro
Kirby Smith
Elizabeth S. Speight
Peter D. Stimeling
Vaughn Stubbs
Oks ana Wanchyka
Jeanne E. Watson
Ronald A. Weisberg
Cassandra B. Wynne
Mary L. Zbez inski

SCULPTORS:
John Wi lliam Blanco
Eiko Ying-Hao Fan
Barbara Ann Genovese
Catherine Anne Hopkins
George M. Kelly
SECOND
COMPETITORS :
Ronald D. Fi lli us
Stephania Lester
Deryl D. Mackie
Oliver Rodu ms
Janet Dorie Saylor
Kirby Smith
Deborah Standard
Vaughn Stubbs

35

SCHOLARSHIP AND PRIZE WINNERS 1972-1973
CRESSON MEMORIAL SCHOLARSHIPS
Robert Bender
Stanley R. Merz, Jr.
Peter Groesbeck
Stephen Senter
George M. Kelly
Susan Headley Van Campen
Pheoris West
James D. Mahoney

CATHARINE GRANT MEMOR IAL PRIZE
Kristina Kutkus
WOODROW PRIZE IN GRAPHICS
Stuart Shapiro

LEWIS S. WARE MEMO RI AL SCH OLARSHIPS
David Rothermel

MINDEL CAPLAN KLEINBARD AWARD
Patricia Ke ll y

SCHIEDT MEMORIAL SCHOLARSHIPS
John Gray
Kristina Kutkus .
Clifford Lamoree
Lydia Hamilton

GIMBEL PRIZE
Sonya Po ll ack

CHARLES TOPPAN PRIZES
Jack Barnett
Woodrow Blagg
Linda Fantuzzo

Nava Waxman
J. H. Phillips
Richard Ranck

PACKARD PRIZES
Cynthia Herbert

Terry Kreuzer

STEWARDSON PRIZE
Craig E. Blake
THOURON PRIZ ES
Clifford Lamoree
Geoffrey Lipton

MARY TOWNSEND AND WILLIAM CLARKE MASON PRIZE
Deryl Mackie
PERSPECTIVE PRIZE
M. David Hatfiel d
SYLVIA G. WEXLER MEMORIAL AWARD
George M. Kelly
THE QUAKER STORAGE COMPANY AWARDS
Peter A. Groesb eck

Lydia Hamilton
Tom Mallon

LAMBERT AND EMMA WALLACE CADWALADER PRIZES
Walte r L. Hewes
Gai l R. Fox

RAM BORG ER PRIZE
Kathy Bennett

CONSOLIDATED / DRAKE PRESS AWARD
John H. Suess

STIMSON PR IZE
Barbara Genovese

GEORGE SKLAR MEMORIAL LIFE DRAWING PRIZE
Nava Goldman Waxm an

CECILIA BEAUX MEMORIAL PRIZE
Susan Headley Van Campen

LOUIS FINE PURCHASE PRIZE
Wayne Bystrom

THE CHRIST INE BIDDLE SCULL MEMORIAL PRIZES
David Rothermel-First Prize
Sherwin B. Harris
Michael Conoway
Vaughn Stubbs
Jay B. Miller
Anthony J. Ciambella
Cynthia A. Dorsey
EDNA P. STAUFFER PRIZES
Stanley Merz
FRAN CES D. BER GMAN MEMORIAL PRIZE
Gail Fox
THOM AS EAKINS MEMORIAL PRIZE
Joseph Donovan
PH ILADELPHIA PRINT CLUB PRIZE
Nadine Secarea
WANAMAKER PRIZE
Clarence Morgan

HENRY C. PRATT MEMORIAL PRIZE IN GRAPHICS
Basil A. Costantino
THE ELEANOR S. GRAY PRIZE FOR STILL LIFE
Deryl D. Macki e
BENJAMIN LANARD MEMORIAL AWARD
Tatiana Krizova
THE ALEXANDER PRIZE
Pheo ri s West
THE MARTHA ZELT STANTON PRIZE
Doug las T. Kelly
CHARLES R. WEINER PRIZE
Rob in A. Roa ntree

SKOWHEGAN SCHOOL OF PAINTING AND SCULPTURE
Donald Shores

HOBSON PITTMAN PRIZE
Kristi na Kutkus

JOHN R. CONNER MEMORIAL PRIZE IN GRAPHICS
Andrij Maday

FRANKLIN C. WATKINS MEMORIAL GRANT
Russe ll Lanzi lotta
Patri cia Kelly

36

Robert Bender

David Rue Rothermel
37

r

I•

\•

r

Clifford W. Lamoree
38

l

Kristina Kutkus

Pennsylvania Academy
of the Fine Arts

1974/1975
Registration-new students .................................... . ........ Tuesday, September 3, 1974
Registration-returning students ...................................... Wednesday, Se ptember 4, 1974
Studios open for all students ........................................... Thursday , September 5, 1974
Deadline for reports from traveling scholars ................................... Friday, October 18, 1974
Holiday-Veterans Day .................................................. Monday, October 28, 1974
Stimson Competition opens .............................................. Tuesday, October 29, 1974
Stimson judging and award ............................................ Thursday, November 21, 1974
Thanksgiving holiday .................................. Thursday and Friday, November 28 & 29, 1974
Pre-registration, Spring Term .... ... ... ..... . ....................... . December 2- Decembe r 20, 1974
End of Fall Term ....................................................... Friday, December 20, 1974
Christmas Recess .. ........................... .. Monday, December 23, 1974-Friday, January 3, 1975
Registration-new students ............................................... Monday, January 6, 1975
Registration-returning students ..... .... ....................... . ...... .. . Tuesday, January 7, 1975
Studios open for all students ............................ . ....... . ..... Wednesday, January 8, 1975
Holiday-Washington's Birthday .......................................... Monday, Februa ry 17, 1975
Stewardson Competition and award ................... Wednesday-Friday, Feb ru ary 26-February 28, 1975
Spring Recess ............. ..... .................................. Monday-Friday, March 3-7, 1975
Deadline for applications for traveling scholarships ................. . ....... Wednesday, March 12, 1975
Submit application for scholarship with work
for scholarship competition before noon ....................... . ..... . . . .. . Monday, March 17, 1975
Faculty Meeting for scholarship awards ............................... . .. . . .. Monday, March 17, 1975
Pre-registration Fall Term .............................................. ... .. March 24-April 4, 1975
Submit work for Spring Prizes ..................................... Dates to be Announced April 1975
Faculty Meeting Spring Prize Competition ........................... Dates to be Announced April 1975
Holiday-Good Friday .................................................... . . Friday, March 28, 1975
Deadline for submission of Toppan Prize work ........................ Date to be An nounced April 1975
Cresson Competition Placement .......................... .. ....... Dates to be An nounced April 1975
Last day for studio work ............................................... . . ... .. . Friday, May 2, 1975
Tappan Prize Judging ........................................ Date to be Announced April -May 1975
Cresson Award Judging ....................................... Date to be Annou nced April-May 1975
Exercises for awards .......................... ................. . .. . ...... . . . .. Friday, May 9, 1975
End of Term ............................................................. . .. . Friday, May 9, 1975

uC
caen

39

OFFICERS

COMMITTEE ON INSTRUCTION

John Gribbel 2nd

Will Barnet

President

Theodore T. Newbold
Vice President

Clement B. Newbold, Jr.
Treasurer

Richard J. Boyle
Director and Secretary

Henry Hotz, Jr.
Administrator of the School

Robert Stubbs
Business Manager and
Assistant Treasurer

Chairman

Benjamin D. Bernstein
Daniel W. Dietrich II
H. Lea Hudson
Charles E. Mather 3rd
Dr. John W. McCoubrey
William H. S. Wells
Richard J. Boyle
Director (ex officio)

Roswell Weidner
Faculty Representative (ex officio)

Mrs. James W. Cooke
Chairman, Women 's Committee (ex officio)

BOARD OF DIRECTORS
Walter G. Arader
Benjamin D. Bernstein
Mrs. Bertram D. Coleman
David Gwinn
Henry F. Harris
H. Lea Hudson
Louis I. Kahn
Arthur C. Kaufmann
John H. Keelan, Sr.
Mrs. Edward B. Leisenring, Jr.
Charles E. Mather 3rd
John W. McCoubrey
Donald E. Meads
John W. Merriam
Clement B. Newbold, Jr.
Theodore T. Newbold
Mrs. Meyer P. Potamkin
Robert K. Scarborough
Orvel Sebring
Martin P. Snyder
William H. S. Wells
Mrs. John Wintersteen
Grahame Wood

EX OFFICIO
Roswell Weidner
Faculty Representative

Mrs. James W. Cooke
Chairman, Women's Committee

William H. S. Wells
Solicitor

40

Henry Hotz, Jr.
Administrator of the School (ex officio)

SCHOOL STAFF
Constance A. Taylor
Registrar

Patricia E. Byrne
Assistant to Administrator

Ethel V. Ashton
Librarian

Melinda Myers Grass
Receptionist

Barbara K. Lyons
Store Manager

Stephen Hammond
Attendant

William Charles Bammerman
Attendant

PEALE HOUSE
SUPERINTENDENT
James Lulias
CREDITS
Design and Printing:
Consolidated / Drake Press
Photography:
Chas. P. Mills & Son
George Buczko
George Krause
Edwin J. Mahan
Joseph Nettis

Pennayvonlo ;\cademy of me rlne;\rbs
PEALE HOUSE, 1811 CHESTNUT STREET
Fall Semester
Application for Admission in the

PHILADELPHIA, PENNSYLVANIA 19103

19__

Spring Semester 19__

o
o

La 4-0219

Check One

Please type or print all information neatly and legibly.
Date of application _ _ _ __

Mr.
Mrs.
NameMiss ___

$10.00 application fee enclosed.

0 Check.
2 Small
Photographs
Here

~_~

_______

(First)

~~~

_________

(Middle)

~~

_ _ _ _ ____

(Last)

Mailing address ________________________________
Street and Number

Zip Code

State

City

Homeaddress __~~~~~~-------------------------­
Street and Number
Telephone _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ____
City

State

Zip Code

Date of Birthl _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Place of birth _ _ _ _ _ _ _ _ _ _ _ _ _ __ _ _ _ _ _ _ _ _ ____
Citizenship _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
High Schooll ________________________ Social Security No. ___________ _ _ _ _ __
Location' _________________ Year of graduationl_____________________ _ _ __
Schools attended beyond high school, with dates. _____________________________ _ _ _ __

Degrees ____________________________
Name and address of parent or guardianl _____________________________________
- - - - - - - -_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Relationshipl ____________________- - - - If you are married, give name of husband or wife' _________________________________ _

Are you interested in an academic degree?' _____________ _ _ _ _ _ _ __ _ _ __ _ _ _ _ _ _ _ _ _ __
Source of funds while attending P.A.F.A.
Self
Parent or Guardian, _________ Other"-::-_,.,-_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Specify

What are your plans for housing?

Live at home'_____,Supervised housingl...,.,.,_ _--.,._ _ _ _ _ _ _ _ _ _ _ _ _ __
Women only

Live with relatives or friends, _ _ _ _ _ Other.~_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
74-75

Give names and addresses of two responsible persons who will furnish references for you (not relatives) and will send them
directly to the Academy.
Name ____________________________________________

Address ________________________________________

Name ____________________________________________

Address __________________________________________

How did you learn of P.A.F.A. ? _____________________________________________________________________________

-------------------------------------------------------Do Not Fill In This Section

Transc ri pt __________________________________________
Interview' __________________________

References _______________________________________

by __________________________ waived _____________________________

In order to protect the health of our students, the Pennsylvania Academy of the Fine Arts requires that all students be examined
by a physician and have a chest x-ray. Your doctor will certify that you are free of any communicable disease or other condition
which might interfere with your activities as a student.
Henry Hotz, Jr.
Administrator of the Schools



Item sets

PAFA School Catalogs