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THE SCHOOL CATALOGUE OF
THE PENNSYLVANIA ACADEMY OF THE FINE ARTS.
FOUNDED 1805
BROAD AND CHERRY STREETS
PHILADELPHIA, PENNSYLVANIA 19102
1976-1977
CONTENTS
HISTORY AND INTRODUCTION
2
THE FACULTY
8
ADMISSION AND FEES
40
GENERAL INFORMATION
46
COURSE DESCRIPTIONS
50
SCHOLARSHIPS AND PRIZES
54
CREDITS
Design
James Ellis
Photography:
Chas. P. Mi ll s & Son
George Buczko
Geo rge Kra use
J oseph Netlis
HISTORY AND INTRODUCTION
THE HISTORY
The Pennsylvania Academy of the
Fine Arts is the oldest art institution
in the United States. Throughout its
history, the best artists in America
have bee n trained in its school and
the best of their art has been shown
o n its walls. However, in the Colonies,
and later in the new Republic, there
were no academies or schools where
an American artist could receive professional training. To start such a
school was the dream of the painter
Charles Willson Peale, who rode with
George Washington during the Revoluti o n , painted the General many
times, and who started " Peale's
Museum" in 1786. But Peale always
wanted a proper Art Academy and
made several attempts before the
Pennsylvania Academy was founded
in 1805.
In 1791 he founded the first "draw-
ing school", and in 1803 he wrote to
his friend Thomas Jefferson of his
hopes to establish "an Academy for
the encouragement of the fine arts."
His dream materialized, and his
drawing school matured into the
Pennsylvania Academy of the Fine
Arts. The application for its Charter
in 1805 states in part, "The OBJECT
of this association is to promote the
cultivation of the FINE ARTS in the
United States of America .... And
otherwise assisting the studies and
exc iting the efforts of the artist
gradually to unfold , enlighten and
invigorate the talents of our countrymen." The Academy received its
Charter in 1806, and by 1810 regular
classes were scheduled.
Students did not pa y tuition, and instructors served voluntarily. George
Clymer, the Academy's first President was a signer of the Declaration
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of Independence and the fledgli ng
organization included William Ru sh,
Thomas Sully and Rembrandt Peale.
Several important artists strengthened the school's middle years. John
Sartain., the great mezzotint engraver, a director of the Academy,
and Christian Schussele were leading
spirits. America's greatest 19th Century artist, Thomas Eakins , began
teaching in 1876, and became Director of the School in 1882.
In 1876 the Academy's Board noted
with pride that in their opinion the
school had no superior in any country.
The Academy has been the initial
training ground of many important
American artists: Mary Cassatt,
Thomas Eak in s, Edwin Austin
Abbey, and William Michael Harnett.
Aspiring students came first to study
with Christian Schussele then with
Thomas Eakins and later with
Thomas Hovenden and Thomas Anshutz. In the early 1900's, there were
William Merritt Chase, Cecilia
Beaux , Henry O. Tanner, Emil
Carlsen, Robert Vonnoh, Charles
Grafly, Joseph DeCamp and Henry
Thouron.
The students of the early 20th Century years often acknowledged with
deep affection and respect their appreciation of the Academy school:
Robert Henri, William Glackens,
George Luks,John Sloan, A. Sterling
Calder, John Marin, Everett Shinn,
Charles Sheeler, Morton Shamberg,
Charles Demuth, Henry McCarter
and Arthur B. Carles who, along with
Sheeler and Demuth, is one of
America's outstanding Twentieth
Century Modernists. Many wellknown artists, students and teachers
including Hugh H. Breckenridge,
Daniel Garber, Albert Laessle, Ed-
ward Redfield, George Harding ,
Walter Steumpfig, Harry Rosin,
Hobson Pittman, and Franklin Watkins precede the outstanding group
of artists who comprise the present
faculty of the Academy School.
The Pennsylvania Academy is unique
in its tradition of regenerative process wherein each generation of artists
teaching and exhibiting at the
Academy shares its experience and
expertise with the next succeeding
generation, creating an unbroken
line of excellence that stretches from
Charles Willson Peale to the present.
The school is housed in a marvelous,
eclectic Victorian building designed
by the great Philadelphia architect
Frank Furness and dedicated in the
centennial year of 1876. Refurbished
and restored, the building reopened
in the bicentennial year on April 22,
1976, after a two-year multi-million
3
dollar restoration. The Academy
building itself is a work of art. Its light
and airy space and incomparable
studios are imbued to the very foundation with the creative spirit.
In 1962 the Academy purchased the
Belgravia Hotel, 1811 Chestnut
Street, named it after our founder
"The Peale House" and transformed
this charming example of late 19th
century Victorian Baroque architecture into studios and offices to serve
an expanding student enrollment.
The Peale galleries were created to
show work by young artists of promise and to augment the exhibitions
held at the Academy's galleries in th e
Furness building.
The Academy's co ll ection , started
with a boatload of casts of antique
sculpture chosen from Napoleon's
collection by Philadelphia's Nicholas
Biddle and Napoleon's sculptor
•
or
Jean-Antoine Houdon, was meant in
the beginning to be a teaching tool,
but has grown to prominence as one
of the nation 's great collections of
American Art, the keystone of a
.
major museum.
This then is the Academy; school, collection and the buildings that house
them , creating, collecting and exhibiting contemporary art for 170 years,
and adhering still to the purpose of
the original charter.
LOCATION
The school is located in the very heart
of Philadelphia and has ready access
to all public transportation serving
the city. Every important museum,
gallery, library, church, theater, music
hall and college or university is convenient to the Academy, and the
Academy studios are easily reached
by the student who might live some
THE
distance. The main building, first oc- House Galleries and continue th e
cupied in 1876, was designed for the tradition of showing predominately
Academy by Frank Furness, and is a American art, with an emphasis on
nationally known architectural contemporary work.
landmark.
FACILITIES OF THE SCHOOL
THE ACADEMY GALLERIES
The main building was designed to
The Academy has a unique perma- make the best use of natural lighting.
nent collection of American paint- The major studios are ample , with
ings, sculpture and prints that affords high ceilings and north light. These
the student an opportunity for direct are augmented by smaller studios and
study of important works of art.
areas designated for general criticism.
The exhibitions held by the Academy The majority of classes for first year
bring to the student various move- students are held at Peale House,
ments and currents of contemporary 1811 Chestn u t St. These studios are
American art.
equipped to fit the Preliminary courses
Special shows are held in the Galleries of stud y, as well as to provide facilities
throughout the winter season, and in for Graphics majors and private
the spring the works submitted by studio space. The Graphics Departstudents in competition for the many ment has facilities for working in
traveling scholarships and prizes are lithography, silk screen and etching
on exhibition. Additional special processes. The School has an excelexhibitions are staged in the Peale lent etching and lithographic press;
4
and all basic silk screen techniques,
including photographic processes are
taught. There is a darkroom provided for printing photographic
stencils and plates. All interested students may use the darkroom
equIpment.
The Academy Library provides students with a thorough survey of the
history of art, as well as materials to
stimulate individual inspiration. The
collection includes a clipping file , a
biographical file of artists, books,
magazines, exhibition catalogs and
color reproductions.
Art materials are available in stores
run by the Academy on the premises.
The Academy also sponsors field
trips to various artistic points of
interest. In the past these have included visits to museums and galleries in New York and Washington,
and painting expeditions to seashore
and wooded areas near Philadelphia
for students interested in landscape.
5
A UGMENT ING THE
CU RR ICU LUM
ROBERT BEVE RLY H ALE
Lecturer in Anatom y
THE FACULTY is composed of professional a rtists distinguished in
their field. The general method of
instru ction is by individual criti cism
of studio work. The purpose is to develop the innate ability of the stude nt
and to give him the technical skill to
use It.
The Faculty is augmented by instructors skilled in technical specialiti es
and by outstanding guest artists and
lecturers.
DAN MILLE R
Lecturer in Art History
BILL OMWA KE
Instructo r in Painting
J.
FRANKLIN SH O RES
In structor in Lette ring and
Pe rspective
T H EODOR SI EG L
T ec hn ical Advisor and I nstructor
in Painti ng Materials and
T ech niq ues
6
THE FACULTY
ROSWELL WEIDNER
General Critic, Instructor in Painting and
Drawing
Born in Reading, Pa., 1911. Studied at the
Pennsylvania Academy of the Fine Arts and
the Barnes Foundation. Awarded Cresson
Traveling Scholarship, 1935; First Toppan
Prize, 1936; Honorable Mention Philade lphia
Sketch Club, 1936; Terry Art Institute of
Florida, 1952. Fellowship Prize, Pennsylvania
Academy of Fine Arts, 1942; Dawson Memorial Medal , 1965; Pennsylvania Academyofthe
Fine Arts Annual Exhibition, 1965 and 1972;
Percy Owens Award, 1975; Dawson Memorial
Award, 1975. Represented: Reading Museum ,
Philadelphia Museum, Pennsylvania Academy
of the Fine Arts, Penn State University, University of Pennsylvania, Connecticut State Library, N.A.B. Collection, Washington , D.C.
Prints: Library of Congress, Metropolitan
Museum, University of Pennsylvania, Connecticut State Library , Smith Kline and French
Collection, and private collections. One-Man
Exhibitions: Reading Museum, 1957;
Philadelphia Art Alliance, 1962 ; Peale House,
Pennsylvania Academy of the Fine Arts, 1965 ;
William Penn Memorial Museum , Harrisburg,
1966. President of Fellowship of the Pennsylvania Academy of the Fine Arts 1956-1967.
Kennedy Gallery, N.Y.
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JOHN HANLEN
I
Instructor in Painting
Born January I , 1922, Winfield, Kansas.
Studied at the Pennsylvania Academy of the
Fine Ans, and the Barnes Foundation.
Awards: Cresson Traveling Scholarship, 1942;
Thouron Faculty Prize, 1942; Cresson Traveling Scholarship, 1943; Honorable Mention
Toppan, 1943; Second Toppan Prize, 1947;
Ware Traveling Scholarship, 1950; Rome Collaborative, 1950; Louis Comfort Tiffany First
Award, 1950; Edwin Austin Abbey Fellowship
for Mural , 1951; Honorable Mention Da Vinci
Art Alliance, 1960; Harrison S. Morris Memorial, Fellowship Pennsylvania Academy of the
Fine Arts, 1962 and 1964 ; Popular Prize ,
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Swarthmore-Rutledge Union School District,
1964 ; Honorable Mention, Pennsylvania
Academy of the Fine Arts Annual, 1965 ; Bertha M. Goldberg Award, 1967, second
Charles K. Smith Prize 1973, and the Woodmere Prize, 1975, Woodmere An Gallery. Represented: Library of Congress, Washington ,
D.C.; the Pennsylvania Academy of the Fine
Arts; Winfield High School, Winfield, Kansas ;
Swarthmore-Rutledge Union School Distri ct,
Pa.; Woodmere Art Gallery; War Department
Collection of Combat Painting and private collections. Murals for the Budd Company's Twin
City Zeph yrs. Collaborated with George Harding on the Audubon Shrine, Mill Grove , Pa.
MORRIS BLACKBURN
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General Critic,
I nstructor in Graphics,
Painting and Drawing
Born Philadelphia, October 13, 1902 . Studied
at the Pennsylvania Academy of the Fine Arts;
privately with Arthur B. Carles, Jr. Taught:
Philadelphia Museum School of Art 1933-41;
Stella Elkins Tyler School of Art 1948-52; The
Philadelphia Museum of Art; the Pennsylvania
Academy of the Fine Arts 1952 to present.
Awarded the William Emlen Cresson European Traveling Scholarship in 1928 and 1929;
John Gribbel Honorable Mention, 1944, Print
Club; Honorable Mention American Color
Print Society, 1943 ; Third Prize American
Color Print Society, 1944; Honorable Mention
Northwest Print Makers, 1943; Gold Medal
Award, Fellowship P.A.F.A., 1949; Mary S.
Collins Prize, 1950, Print Club; Lessing J .
Rosenwald Prize, Print Club, 1950; Harrison S.
Morris Prize, Equity Regional P.A .F.A ., 1951;
Honorable Mention Philadelphia Art Alliance,
1952 ; John Simon Guggenheim Memorial Fellowship in Painting and Graphics, 1952; Honorable Mention National Serigraph Society,
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1953; Thornton Oakley Prize, P.A.F.A., 1955;
Pyramid Club Award, 1960; Zimmerman
Prize, P.A.F .A., 1960; Merit Award Ocean
City, N.J., 1968 ; Philadelphia Water Color
Club Medal, P.A.F.A. Annual Exhibition,
1969; The Percy Owens Memorial Prize, 1972;
Dawson Memorial Prize, 1974. Forty one man
shows. Represented : Philadelphia Museum of
Art, oil and prints; the Pennsylvania Academy
of the Fine Arts and The Capehart Collection ,
oils. Prints in U. S. State Department, Brooks
Memorial Art Gallery, American University
Women's Collection, Clearwater Museum,
Rosenwald Collection, Butler Institute of
American An, Ro c hester Institut e of
Technology, Woodmere Art Gallery, Library
of Congress, Penn State University, University
of Montana , Fleisher Art Memorial, Friends
Central School, Phila., New Jersey State
Museum, The New Mexico Museum of Art
and in private collections in the United States
and abroad. Listed in Who's Who in America ,
Who's Who in the East, Who's Who in Art and
the International Dictionary of Biography,
Who's Who in the World.
BEN KAMIHIRA
Instructor in Painting and Composition
Born in Yakima, Washington, March 16, 1925.
Stud ied at An Institute of Pittsburgh, Pa.; the
Pennsylvania Academy of the Fine Arts ,
Philadelphia, Pennsylvania. Awarded Cresson
Traveling Scholarship , 1951; J. Henry Schiedt
Traveling Scholarship , 1952. First Julius
Hallgarten Prize, ~ational Acade my of Design , 1952; Louis C. Tiffany Memorial Scholars hip , 1952 and 1958; Lippincott Prize, the
Pennsylvania Academy of the Fine Arts, 1958;
John Simon Guggenheim Fellowship in 1955
and 1956; First Benjamin Altman Prize, National Academy of Design , 1958 and 1962;
Second Benjamin Altman Prize, Nat. Academy
of Design , 1970 ; First Prize, Wilkie-Buick Regio nal Exhibition , 1960; Second A. W. C larke
Prize and Silver Medal, Corcora n Gallery of
Art, Washington, D.C., 196 1; J o hnson Prize,
Silvermine Annual , Silvermine, Connecticut,
196 1; First Chauta uqu a Prize, New York,
1962; Summer Foundation Purchase Prize,
Whitney Museum , 1960; Laura Slobe Ylemorial Pri ze, Art In stitute of Chicago, American
Annual, 1964; Purchase, Ch ild e Has sam
Fund, alional In stitute of Arts and Letters,
1965. Percy M. Owens Award by the Fellowship of the Pennsy lvania Academy of th e Fine
Arts, 1966; National In Slitute of Arts and Let-
II
ters, N. Y.C . 1969; National Academy of Design Ranger Fund Purchase Awards 1953 and
1966; Caro line Gilborn Granger ~lemori a l
Prize, Pennsylvania Academy of the Fine Arts
Fellowship, 1974 ; :-.Iational Endowment
Foundati o n Grant, 1971. Prizes: The Butler
An In stitule Award of~1 er it ~ledal2nd prize,
Youngstown , Ohio 1975 ; Saltus Gold ;\ledal,
National Academy of Design, :-.lew York, 1975.
Represented in the collection of the Penn sylvania Academy o f the Fine Arts: \\,h itne~
Museum of American Art; Ringling 1\1useulll,
Sarasota, Fl o rida; Dallas ~lus eulll of Fine Arts ,
Dallas, Texas; Colorado Springs Arts Cenler;
Brooklyn Museum ; Art Instilllle of :\linneapolis; Hirshhorn Foundalion Coll ec tion;
Butler Institute of American An,
Youngstown , Ohio; Sarah Roby Foundation,
Nantucket, Mass.; PennsY" 'an ia State Cnivcrsity, Cornell University. Collections: Rutgers
University, :\.J . One-i\lan Shows: :\ew York
City, San Francisco. Toronto, Philade lphia,
Dallas. Exhibited : \Iodern 1\1 useu m, Carnegie
Int ernational. Art Institute of Chicago.
American Annual , Tokyo Int erna ti onal,
Whitney Annuals , National Academy of Design, UniversilY of Illino is Annual. Penns) Ivania State UniversilY, Narionallnstllulc of Arts
and Lellers.
JIMMY C. LUEDERS
Instructor in Painting and Composition
Born Jacksonville, Florida , July 4, 1927 .
Studied at the Pennsylvania Academy of the
Fine Arts; The William Emlen Cresson Mem o·
rial Traveling Scholarship, 1950; The Henry
Schiedt Memorial Scholarship, 1951; First
Toppan Prize, 1951 ; Third Hallgarten Prize,
National Academy of Design, New York , 1952;
"Art in Amelica" under "New Talent In The
United States" Spring 1958; Mary Butler
Memorial Award, 1964; May Audubon Post
Prize , 1970 ; Caroline Gibbons Granger
Memorial Prize, 1971; Merit Award Winner,
Pennsylvania 71 Exhibition; Harry and Rhea
Rockower Award, 1971. Exhibited: The Nationall nstitule of Arts and Letters, 1969 ; Met·
ropolitan Young Artists Show, National Arts
Club , 1969; National Academy of Design, New
York; The American Federation of Arts, 1956.
Collections: State Street Bank, Boston, Mass.;
Atlantic Ri chfield Company, Phila., Penna.;
School of Pharmacy of Temple University,
Phila., Penna.; Tyler Art School of Temple
University, Phila., Penna. ; Fidelity Bank ,
Phila., Penna.; Moore College of An, Phila.,
Penna.; Philadelphia Museum of Art, Phila. ,
Penna.; Pennsylvania Academy of the Fine
Arts, Phila. , Penna.; Girard Bank, Phila. ,
Penna.; Dickinson College, Carlisle, Penna.,
and private collections. Listed in Who's Who in
American Art, 1973.
12
PAUL ANTHONY GREENWOOD
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Instructor in Sculpture and Drawing
Born in Philadelphia , 1921. Studied Pennsylvania Academy of the Fine Arts; Barnes Foundation; Academie Julien, Paris; Temple University School of Fine Arts. Assistant to J 0
Davidson, 1943. Awarded Board of Education
Scholarship , 1939 ; Rome Collaborative
Sculpture Prize, 1942 ; Stewardson Prize, 1943;
Cresson Traveling Scholarship, 1943; Ware
Traveling Scholarship, 1944 ; Louis Comfort
Tiffany Award , 1952; May Audubon Post
Prize, 1953 and 1954 ; Pennsylvania Academy
Fellowship Gold Medal, 1955. Represented in
the permanent collections of the Philadelphia
Museum of Art; The New Jers ey State
Museum, Trenton, N.J.; The Phoenix
Museum , Phoenix , Ariz.; American Swedish
Historical Museum and in private collections in
Philadelphia, Trenton and New York. One
Man Show: Peale House, 1975; Opus 127 Ga llery, N. Y., 1975. Executed bronze lion for Sons
of Italy Building, Philadelphia, 1955; bron ze
and marble fountain for Mr. and Mrs. William
Almy, 1967 ; bronze and limestone fountain
for Mr. and Mrs. Adolph Rose nga rten, 1969.
Louis Comfort Tiffany Grant, 1971 .
ELIZABETH OSBORNE
Instru cto r in Painting and Drawing
Born in Philadelphia, Jun e 5,1936. Studied at
the Pennsylvania Academy of the Fine Arts,
U niversity of Pe nnsylvania , B.F.A., 1959 with
honors. Awarded Ca the rwood Traveling Fellows hip, 1955 ; Cresson Traveling Scholarship ,
1957; J. He nry Schiedt Traveling Scholarship,
1958; Wilmington Annual Oil Painting Prize,
1959, 1960 ; Mary Smith Pri ze P.A.F.A., 196 1;
Fulbright Grant to Paris, 1963-64; Fellowship
Prize P.A .F.A. Annual, 1968; Ri chard and
Hilda Rose nthal Foundation Award, National
Institute of Arts and Le tte rs , 1968 ; Print Club
Annual Ho no rable Me ntion. One-Man exhibitio ns: Philad elphia Art Alliance, 1961 ; Socrates Pe rakis Gallery, 1963 , 1966; Peale House
GalIery, 1967; Sao Pau lo, Brazil , 1969 ; Mak ler
Gallery, 1970 ; Wilmington, Delaware, 1971;
Ma rian Locks Gallery, 1972 ; Gimpel and Weitze nhoffe r GalIery, N . Y. , 1974; Mari a n Loc ks
14
Gallery, 1975. Exhibited: Pe nn sy lvania
Academy of the Fin e Arts' Annuals; Philadelphia Art AlIiance ; Wilmington Annuals ;
Philad e lphia Museum , Silvermine (Conn.)
Annual, 1966; Washington Gallery of Nlodern
Art, 1968; National Institute of Arts and Letters, 1968; Woman 's Work-American Art,
1974. "The Yea r o f th e Woma n ," Bronx
Mu se um of th e Arts, 1975 ; " Landscape, "
Glassboro State ColIege, 1975; " Waterco lor
USA," Springfield Art Museum, Missouri ,
1975; " Five Pe nnsylvania Artists ," Pe nn a. State
Muse um, 19 75; PMA at MCA , Moore Coll ege,
1975. Represented in the Pe rm anent Co ll ection of the Pennsylvania Academy of the Fine
Arts, Philad e lphia Mus e um of Art , Wil mingto n Society o f the Fine Arts; WestinghoLlse Co rpo ration; Chase Manhattan Ban k;
Provid e nt National Bank; Girard Ba nk , a nd in
pri va te collections.
HOMER JOHNSON
Instructor in Painting and Drawing
Born in Buffalo, New York , 1925. Studied at
the Pennsylvania Academy of the Fine Arts
from 1946 to 1952 and the Barnes Foundation.
Awards: Cresson European Scholarship,
Pennsylvania Academy of the Fine Arts, 195 I ;
Tiffany Grant of $2000, 1959; Purchase Pri ze
Lambert Fund, Pennsylvania Academy of the
Fine Arts, 1959; Nancy Gill Memorial Pri ze,
Philadelphia Watercolor Club, 1972 ; Purchase
Prize, National Academy of Design, American
Watercolor Society, Range r Fund, 1972; Permanent Collection, Butler Institute of American Art; Perman ent Collection, Smith, Kline
and French Laboratories, Phila. In collection
United States Embassy, Lima, Peru. Membership in American Watercolor Society. Represented in private collection. ExhibitionsOne-Man show Philadelphia An Alliance ,
1962, Pennsylvania Academy of the Fine Arts
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Regional Show, 1964. One-Man sholl' Woodmere Art Gallery , Philadelphia, Pa., 1965;
Pe nnsylvani a Academy of the Fine Arts, Watercolor Show, 1965. Regional Drawing Exhibition , Philadelphia Museum of Art, 1965; West
Chester Coullly An Association , 1965 ; Butler
Institute of American Art, Youngstown, Ohio,
1965. One-Man show Peale House, Pennsylvania Academy of the Fine Arts, 1966; ;\Iuseum
of Fine Ans, Springfield, Mass. , 1966. OneMan show Philadelphia Art Alliance, 197 I;
American Watercolor Society Annual, 1971
through 1975 ; Pennsylvania '71, Harrisburg,
Pa. 197 I; One-Man show Woodmere Art Gallery , Philadelphia, 1972 ; Earth Show, 1973;
Philad e lphia Civic Center Delaware Art
Muse u m, Wi lillington , Delaware 1973. Annual
Traveling Exhibition: American Watercolor
Society 1975-76.
LOUIS B. SLOAN
Instructor in Painting
Born in Philadelphia, june 28, 1932. Studied
at the Pennsylvania Academy of the Fine Arts.
Awarded Cresson Traveling Scholarship,
1956. Second prize, Wilkie Buick Regional
Exhibition , 1960; Awarded Louis Comfort
Tiffany grant, 1960, 1961. Received thejennie
Sesnan Gold Medal, the Pennsylvania
Academy of the Fine Arts, 1962; The Emily
Lowe grant, 1962; j oh n Simon Guggenheim
Fellowship, 1964; Earth Art II Purchase
Award , 1975. One man exhibition in 1964 al
the Peale Galleries of the Pennsylvania
Academy of the Fine Arts; Black Perspective
on Art Exhibilion, New York , 1975; America n
Painters in Paris Exhibition, 1975; represented
in many national and internationaljuried and
open exhibitions. Mr. Sloan is represented in
the permanent collection of the Pennsylvania
Academy of the Fine Arts and in the permanent collection of the Philadelphia Museum of
Art, as well as in private collections. Was the
President of the Fellowship of The Pennsylvania Academy of the Fine Arts 1968-74, Vi ce
President 1975-76. Since 1960 Mr. Sloan has
been an instructor in painting at the Pennsylvania Academy of the Fine Arts, and since
1963 an assistant conservator at the Philadelphia Museum of Art.
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JULIAN LEVI
General Critic
Instructor in Painting
Born in New York, 1900. Studied at the Pennsylvania Academy of the Fine Arts and for five
years in France and Italy. Resides in New York
City. Currently teaches also at the Art Students
League in New York and is Director of the Art
Workshop of the New School for Social Research. Member National Academy of Design.
Artist-in-residence American Academy in
Rome, 1967-1968. Awards: Cresson Traveling
Scholarship, P.A .F.A. , 1920; Kohnstamm
Prize, Art Institute of Chicago, 1942; Norman
Wait Harris Medal, Art Institute of Chicago,
1943; Carnegie Institute, Honorable Mention,
1945; Pepsi-Cola Prize Portrait of America,
1945; Obrig Prize, National Academy of Design, 1945; University of lIIinois, 1948; East
Hampton Regiona l Prize, 1952; Pennsylvania
Academy of the Fine Arts, Fellowship Prize,
1954; National Institute of Arts and Letters
grant, 1955; Temple Gold Medal, P.A.F.A .
Annual, 1962. Elected to National In stitute of
Arts and Letters, 1960; elect.ed a vice-president
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of National Institute of Arts and Letters, 1969.
Retrospective exhibitions at Boston University
and New Britain Museum, 1962 ; Miniretrospective Wake Forest U. Winston-Salem,
N.C., 1971; Ranger fund purchase, Dec. I,
1975. Museum Representations: Metropolitan
Museum of Art, Whitney Museum of American Art, Museum of Mode rn Art, Detroit Art
Institute , Chicago Art Institute, Toledo
Museum, Springfield Museum of Art, Albright
Museum, New Britain Museum , Newark
Museum, Pennsylvania Academy of the Fine
Arts, Walker Art Gallery, Cranbrook
Academy, Encyclopaedia Britannica, Des
Moines Art Center, Butler Institute of America n Art, Norton Museum , Wilmington
Museum, University of Arizona, University of
Georgia, University of Illinois, Michigan State
University, Santa Barbara Museum , University
of Nebraska , Scripps College, Claremont,
California; The Smithsonian, Hirshhorn Collection , Wash., D.C.; Reed College. Author:
Modem Art: An / nJroduction, published, 1961 by
Pitman Publishing Corp.
OLIVER GRIMLEY
Instructor in Drawing
Born, Norristown, Pa.,june 30, 1920 . Studied
at the Pennsylvania Academy of the Fine Arts,
coordinated with the University of Pennsylvania, received a B.F.A. and an M. F.A. degree.
Awarded 1st prize in Perspective, 1st Thouron
Prize in Composition, Cresson Traveling
Scholarship, and Schiedt Traveling Scholarship from P.A.F.A.; Freedoms Foundation
Award, 1953; Pennell Memorial Medal Award ,
1966, 1968, 1970; the Bruce S . Marks Prize for
drawing , 1971; First Prize, Watercolor,jenkintown Festival of Art, 1973; Ralph Pallen Coleman Prize for Illustration , 1973; jenkintown
Festival of An 1st Prize for Watercolor, 1973;
1st Prize for Sculpture, Regional Counci l of
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Community Arts Centers , 1974; Harrisons
Morris Prize, 1975; Woodmere Prize, 1975 ; a
9' Eagle for the private office of Leonard Tose,
Phila. Eagles Football Club; murals in Commonwealth Federal Savings and Loan , the
Continental Bank, West End branch, both of
Norristown, and the Lafayette Hills Br. office
of the American Bank and Trust Co . of Pa.
Exhibited at the lew York Metropolitan
Museum and the Whitney Museum; the Library of Congl-ess , Washington, D.C.; the
Philadelphia Museum of Art; the Pennsylvania
Academy of the Fine Arts; the Art Alliance and
the Woodmere Art Galleries . Instructor at
Hussian School of An.
DANIEL D. MILLER
I nstructor in Painting and Art History
Born in Pittsburgh, 1928. B.F.A. Lafayette
College, 1951 ; Pennsylvania State University
summer painting classes under Hobson
Pittman; the Pennsylvania Academy of the
Fine Arts, 1955-1959; M.F.A. in Painting, The
University of Pennsylvania, 1958. Cresson
Traveling Scholarship, 1958; Katzman Prize,
Print Club, 1958; Young Watercolorist's Prize,
Art Alliance, 1959; Honorable 1ention oil,
Delaware Annual, 1959; Chamber of Commerce Award for Arts, Brookville, Pa., 1959;
Prize oil, Delaware Annual, 1960 ; May Audubon Post Prize, 1961; included in Prize Winning Paintings, 1962 ; Prize watercolor, Delaware Annual, 1963; Honorable Mention,
Philadelphia Art Alliance Regional , 1966; Bertha M. Goldberg Memorial Award, 1970 ;
Hon. Mention, Watercolor Annual, Friends
Central School. 1972; Hon. Mention Graphics
Annual, Wayne Art Center, 1973; Hon. Mention Graphics & Drawing Annual, Wayne Art
19
Center, 1973; Purchase Prize, 4 1st Annual Ex.
Cumberland Valley Artists, 1973; Bertha ~1.
Goldberg Award, 1975 . Paintings and constructions: the Penns ylvania Academy of the
Fine Arts, University of Pennsylvania Librar)',
Wilmington Society of the Fine Arts, ~Ian
ito\\'oc Museum , The Pe nnsylvania State University, Dickinson College, Rutgers Museum,
Mercersburg Academy. Prints: Philadelphia
Museum of Art, Princeton University Library.
Dickinson College, Philadelphia Public Library, Friends Select School, U ni\'ersity of
Maine, Library Eastern Baptist College, La
Salle College, Cardinal Dougherty High
School. Teaching: P.A.F.A. since 1964.
Philadelphia Museum of Art since 1962, Eastern Baptist College since 1964 (head of Fine
Arts Dept. since 1965), Wayne Art Center sin ce
1964. Member of th e Board of the Fellowship
of the Pennsylvania Academy of the Fine Arts.
Member Philadelphia Wate rcolor Society.
JOSEPH AMAROTICO
Instructor in Painting
Born, Bronx, N.Y., 1931. Studied: American
Art School, under Raphael Soyer, 1953; the
Pennsylvania Academy of the Fine Arts,
1954-1959. Awarded Cresson Memorial
Traveling Scholarship, 1958; Thouron Faculty
Prize, 1959; Catherine Grant Memorial
Award, 1959; The Caroline Gibbons Granger
Memorial Award, 1962, Fellowship, P.A.F.A .;
20
The Mary Butler Memorial Award, 1965 , Fellowship P.A. F.A. Represented in the American
Federation of Arts Traveling Exhibition , CorCOl"an' Biennial, 1963; Art in the Embassies
Program, U. S. Department of State, and in
public and private collections. Conservator for
the Pennsylvania Academy of the Fine Arts.
One Man Exhibition: Mickelson Gallery,
Washington, D.C., 1975.
MARSHALL GLASIER
Instructor in Drawing
Born in Wauwatosa , Wisconsin, in 1902.
Teaches master classes in life drawing at the
Art Students League. Studied for five years
with George Grosz, with Nicolaides, and
McNulty. Grant-in-aid from the Bjorksten Research Laboratories, 1951-52. Artist-in Residence at Reed College, 1952-1953. Has had
five one-man shows in New York City, including one at the Julian Levy Gallery and one at
21
the Graham Gallery in May, 1962. Other
one-man shows include those at the Kalamazoo
Art Institute, the Milwaukee Art Institute, the
University of Wisconsin and Reed College.
Semi-Retrospective, P.A .F.A. Peale House,
1973; State University, Binghamton , N.Y.
Catalogue, 1974. Has also been consistently represented in the leading national museum exhilr
itions.
ARTHUR DE COSTA
Instructor in Drawing and Painting
Born in New York City, August 19, 1921.
Studied painting and mural decoration at the
Pennsylvania Academy of the Fine Arts. Independent study of procedures and materials
used in classical painting techniques. Executed
corporate and private mural commissions.
Represented in the permanent collection of
the Pennsylvania Academy of the Fine Arts
and in other public and private collections.
President of the Fellowship of the Pennsylvania Academy of the Fine Arts.
22
KARL O. KARHUMAA
In structor in Sculpture
Born in Detroit. Mich ., 1924. Studied Wayne
Un ive rsity, B.F.A .; Syracuse University,
M.F.A. ; and the Pennsylvania Academy of the
Fine Arts. Awards: Tiffany Foundation
Award, 1954; Eastern Michigan University Invitational Exhibition Purchase Award, 1963.
Exhibitions: Detroit Institute of Art, Syracuse
Museum of Fine Art, Columbus Museum of
Fine Art, Phillips Mill, New Hope, Pa.
23
WILL BARNET
Instructor in Painting and
General Critic
Born in Beverly, Mass. , 1911. Studied Boston
Museum of Fine Arts School; Art Students
League, N.V. Instructor at Art Students
League si nce 1936; Professor at Cooper
Union, N.V. since 1945; visiting critic, Vale
University, 1952; Artist-in-Residence, Virginia
Museum of Fine Arts, Richmond; has taught
su mmer sessions at Montana State College;
University of Wisconsin ; Regina College, Saskatchewan; Museum of Fine Arts, Boston;
University of Washington , Spokane; University of Minnesota; Penn State University; Ohio
University; Cornell University. Member of the
Philadelphia Print Club; American Abstract
Artists; Federation of Modern Painters and
Sculptors. Many one-man exhibitions in New
York and throughout the U.S.; one in Rome,
Italy. Also four retrospective exhibitions: University of Minnesota, 1958; Institute of Con-
24
temporary Arts, Boston, 1961 ; Albany InstItute of Art, Albany, N.Y., 1962 ; Virginia
Museum of Fine Arts, 1964. Writings: "Aspects of American Abstract Paintin g" in The
World of Abstract Art, London, 1956; "A Letter
to an English critic", Castalia J, 1961; "Lithography as an Art", The League, April, 1944.
Work represented in: Metropolitan Museum
of Art, .Y. ; Museum of Modern Art, N.Y.;
Boston Museum of Fine Arts; Brooklyn
Museum; Carnegie Institute; Cincinnati Art
Museum ; Corcoran Gallery of Art; The Dunca n Phillips Museum; The Fogg Museum;
Munson-Williams-Proctor Institute; New York
University Art Collection; Pennsylvania Academy of the Fine Arts; Philadelphia Museum;
Phillips Gallery; Seattle Art Museum; Whitney
Museum ; University Art Museum, Berkeley,
California. Also represented in numerous private art collections.
MARTHA ZELT STANTON
/
I nstructor in Screen printing
Born in Washington , Pa. 1930. Studied Connecticut College, Carnegie-Mellon, Penn sylvania Acadcmy o f the Fin e Ans , Un iversity of
New Mexico; Temple Unive rsity. Awarded:
Cresson Traveling Scholarship, 1954; Schiedt
Traveling Scholarship, 1955; Print Fellowship,
the Print C lub , 1965. Group Exhibitions:
P.A .F.A. Annuals, P.A.F.A. Fell owship Annuals; V III Salao de Ane Moderna, Brazil: Sao
Paulo Biena Ie , 196 I ; The Print Club ; ~larion
Locks ; Ga ll e ry 252; Philad elphia An Alliance;
"S tud e nts of H obso n Pittm an"-P.A.F.A .
1974; Davi s National Drawing Compctition,
1974; Beaver College J 974; American Color
Print Society, 1973,74,75 (1975 Stella Drabkin
Medallian Award); Earth Art Philade lphia
1975; Folio '76, Cheltenham Graph ics Guild ;
Ten Philade lphia Printmake rs , Woodmere
Gallery, 1976. One-person ex hibits: Rio de
Jan e iro, 196 1; Pea le Galleries. 1972:
Washingto n a nd J e ffe rso n College, 1973; The
Print C lub , 1975; Emory an d He nry College.
1976. Re prese nted in Collectio ns: Philadelphia :,\1useu m of An; Philade lphia Free Library, Conn ecticut College; First Penns),lvania
Ba nk, UG I. Co mmissio ned Bicenten nial print
for P.A. F.A. co llection, 1976 ; an d private collec tions. Boa rd membe r: American Co lor
Print Society; Artists Committee, The Print
Club.
25
HE RY C. PEARSON
General Critic
Born in Kinston , N.C., 1914. M.F.A. , Ya le
University; B.A., University of North
Carolina. Art study in Japan under Shojo
Yamamoto and Yuki Somei; Art Students
League. One-man shows: Workshop Gallery
1958; Stephen Radich Gallery 1961 , 1962 ,
1964,1965 , 1966,1969; Ball State University,
Indiana 1965 ; Tweed Museum, Duluth ,
Minn., 1965 ; Fairweather-Hardin Gallery,
Chicago, 1966; North Carolina Museum of
Art, 1969; Van Straaten Gallery, Chicago,
1970; Betty Parsons Gallery, 1971, 1974, 1976;
Ford Foundation , Tamarind Workshop Fel-
26
lowship, Los Angeles; State of North Carolina
Gold Medal in the Fine Arts , 1970; PAFA : J.
Henry Schiedt Memorial Prize, PAFA Annual,
1968. Represented in collections of Metropolitan Museum, Museum of Modern Art, Whitney Museu m , Chicago Art I nstitu te;
Albright-Knox Gallery, Buffalo; Nelson Gallery of Art, Kansas City, Mo.; Corcoran Art
Gallery, Washington, D.C.; National Gallery,
Oslo, Norway; Mrs. Albert List, N.Y.C.; Chase
Manhattan Bank, N.Y.C.; Union Carbide,
N. Y.C.; Vogel Collection, N .Y.C. ; Brutten Collection , Phila. Public Library . Represented by
Betty Parsons Gallery.
JOHN M. BOLLES
Instructo r in Lith ograph),
Born in Plattsburg h, Nell' York. 1939. Studied
a t the State Un iversity of Nell' York, B.S. in An
Education; \Nin cheste r School of An, Winch ester, England ; Ty ler School of An, Temple
Un iversi ty. M.F.A. Printmaker and Painter.
Exhibited: Gallery 252, Philadelphia ; The
Print C lub of Philadelphia: Universit) of
Pe nn sylvania ; Th e Art Alliance, Philadelph ia:
City College, New York; American Color Print
Society: An in th e Embassies program of the
State Depa rtm e nt ; Sil ve rmine Gui ld, :-\cw Canaan, Conn ecticut. Represented: Winch ester
School o f An , Winchester, England: Prints in
Progress permanent collection; Free Libra r),
o f Philad elph ia; Slate Uni versity of :"lew York.
Buffal o; Drexe l In stitute, Philade lph ia; Alexander Ewing Associates , Architects: RCA
Philade lphia; United States Consulate, Brusse ls, Belgium ; Korman Corporation, Philadelphi a; pri "ate coll ectio ns.
27
ALEXANDER HROMYCH
Instructor in Sculpture
Born in Ukrainian U.S.S.R., 1940. Studied at
The Pennsylvania Academy of Fine Arts .
Awards: Stewardson Prize, P.A.F.A ., 1959;
The Stimson Prize, P.A.F.A. 1960. The Mary
Townsend William Mason Memorial Prize,
P.A.F.A ., 1960; The Cresson Traveling Scholarship, 1961; May Audubon Post Prize, 1967;
Artist Fund Prize, National Academy of Design, 1970; Bronze Medal for Sculpture, ationa I Arts Club, 1971; The Mary Kent Prize,
28
1971. Works : Represented in Private Collections in the U.S. and Europe. Medals: H .LM .
Haile Selassie I Medal ; Bishop Newman Cardinal Kroll Medal; Miccosukee Indian Medal;
Father Flanagan Medal. Madonna and Ch ild
Christmas Medal; Metal Workers Medal ;
Philadelphia Maneto Medal; George
Washington at Valley Forge Medal; Magendie
Medal; J. M. Davis Gun Museum Medal,
Robert Morris Medal; John Hancock Medal;
Emily Dickinson Medal, Readers Digest Medal.
DA VID SLIVKA
Instructor in Sculpture
David Slivka was born in Chicago in 1914. He
attended the Ca lifornia School of Fine ArtS
and the Art Institute of Chicago. He has had
several com missions assigned by both government projects and pri vate sources in and
around San Francisco. Mr. Slivka has taught
sculpture at the University of Ca lifornia, the
University of Mississippi and the University of
Southern Illinois. He has participated in man y
group shows in ew York and in Cal ifornia.
His first one-man show was in New York in
1962. His work is included in many important
private collections, as well as the collections of
The Walker Art Center, The University of
California, The Massachusetts Institute of
Technology and The University of Texas.
29
LISABETH MARDER
Instructor in Graphics and Drawing
Born in Phi ladelphia, May 15, 1941. Studied at
the Pennsylvania Academy of The Fine Arts ,
The University of Pennsylvania, The Philadelphia College of Art, and the Barnes Foundation. Awarded the Schmidt and Woodrow
prizes for graphics. Exhibited at the Pennsylvania Academy of The Fine Arts, Philadelphia
Art Alliance, Woodmere and A lvenhorpe Galleries. Represented in many private collections. Member of the Phila. Water Color Club.
30
FRANCIS SPEIGHT
I nstructor in Painti,ng
Summer School
Born near Windsor, North Carolina, 1896.
Studied at the Corcoran School of An, 1920
and the Pennsylvania Academy of the Fine
Arts, 1920-25. Awards: Cresson European
Traveling Scholarships, The Pennsy lvania
Academy orthe Fine Arts, 1923 and 1925. First
prize for Landscape, Society of Washington
Artists, Washington, D.C., 1929 ; First Hallgarten prize National Academy of Design, New
York, 1930; Kohnstamm Prize , The Art Institute of Chicago, 1930; Landsca pe Prize. Connectic ut Academ)' of the Fine Arts, 1932;
Third Clark Prize and Bronze Medal, The
Corcoran Gallery of Art, Washington. D.C. ,
1937; The Jennie Sesnan medal for Landscape, The Pennsylvania Academy of the Fine
Arts, 1940; First Altman Prize, The National
Academy of Design , New York, 1951 and
1958; Gold Medal of Honor, The Pennsylvania
31
Academy of the Fine Arts, 1961 ; Doctor of
Humanities from Wake Forest College, 1962;
Gold Medal for Achievement in the Fine
Arts-awarded by the State of North Carolina.
1964 . Doctor of Fine Arts from the College Df
the Ho ly Cross, Worcester , Mass., 1964; The
O. Max Gardner Award, The University of
North Caro lin a, Chapel Hill , ;-.J.C. , 1975 .
Member of the National Academy of Design
and the National Institute of Arts and Letters.
Re presented in Museums of Fine An and in
private collections. Assistant I nstructor in
drawing, The Pennsylvania Academy of the
Fine Arts, 1925 to 1930; Instruction in drawing and painting. The Pennsylvania Academy
of the Fine Arts. 1930 to 1961. Since 196 1.
I nstructor in the Pennsylvania Academy of the
Fine Arts Summer School. Artist in Residence
and Professor of Art. East Carolina U niversit),.
Greenville. N.C.. 1961 to present.
ADOLPH DIODA
•
Instrucwr in Sculpture
Evening School
Born in Aliquippa. Pennsylvania. 10 September 1915. Studied at Carnegie Institute of
Technology. Cleveland School of Art. Art Students Leagu e and the Barnes Foundation.
Awarded John Simon Guggenheim Memorial
Fellowship for creative work in sculpture 1945.
George D. Widener Gold Medal 1947. Ebon
32
Demerest Grant 1948 . Represented : Pennsylvania Academy of Fine Arts; Philadelphia
Museum of Art; Carnegie Museum; Museum
of Ogonquit. Maine; Indiana State niversity.
Indiana. Pa.; Westmoreland County Museum
of Art. Greensburg. Pa. ; Temple State University and San Francisco Muse um. Listed in Who's
Who in American Art 1973.
KIMSOU
Instructor in Painting in Evening School
Born in Korea, 1919. Studied at the Kawabata
Art School & Tokyo Arts University (B. F.A. ),
Japan for seven years; and at Academie de la
Grande Chaumiere, Paris for seven ),ears. Resides in Phila., Pa . Exhibited man y times in
Korea, Japan , Philippines, Thailand . France,
Swiss, England and C.S.A. in a group; and
several times in Seoul. Korea, at Gale ri e Lara
Viney, Paris, at Galerie La Bell Gabriell, Paris,
at Woodmere Art Gallery & Art Alliance,
Phila. Member of Salone d ' Automne, Paris .
Represented in private and public collections.
Awards and prizes including Grand Prizes on
Fine Art, National Cultural Award from th e
Korean Government, 1962.
33
MURRAY DESSNER
Instructor in Painting and Evening School
Born in Philadelphia , Pa., 1934. Studied at the
Fleisher Art Memorial, 1960-61; Pennsylvania
Academy of the Fine Arts, 1962-65. One Man
Exhibitions: Friends' Neighborhood Guild,
Phila., Pa., 1967; Vanderlip Gallery, Phila .,
Pa. , 1968 ; East Hampton Gallery, New York,
N. Y., 1969 ; Pennsylvania Academy of the Fine
Arts, Phila., Pa., 1970; Marian Locks Gallery,
Phila., Pa., 1972; Mari an Locks Gallery, Phila. ,
Pa., 1975. Grou p Exhibitions: Rhode Island
School of Design, 1964 ; Pennsylvania
Academy of the Fine Arts Fellowship Exhibition , 1964-69; Cheltenham An Center Annual
Painting Exhibition, Cheltenham, Pa., 1966;
Art Alliance, Phila. , Pa., 1967 ; Kenmore Gallery, " Pitman Selects," Phila., Pa., 1968;
Fleisher Art Memorial, Phila. Pa. , 1968; I nternational Art Festival, Puerto Rico , 1969 ; Cheltenham Art Center Annual Painting Exhibi-
34
tion, C heltenham, Pa., 1969-70; Pennsylvania
Academy of the Fine Arts Fellowship Exhibitions, 1971 -72; Cheltenham Art Center Annual Painting Exhibition, Cheltenham, Pa.,
1972; Marian Locks Gallery, Phila., Pa., 197274. Prizes and Awards: William Emlen Cresson
Traveling
Schola rsh ip-Pen nsyl va n ia
Academy of the Fine Arts, 1965; J. Henry
Schiedt Traveling Scholarship-Pennsylvania
Academy of the Fine Arts, 1966; Gibbons Fellowship Painting Prize, Pennsylvania Academy
of the Fine Arts, 1968; Tobelah Wechsler
Prize, Cheltenham Art Center Philadelphia
Museum Purchase Prize, Cheltenham Art
Center, 1969. Collections: The Pennsylvania
Acad e my of the Fine Arts; Philadelphia
Museum of Art; Fidelity Mutual Life Insurance Company; Bryn Mawr College; Penn
Federal Savings and Loan Association; Girard
Bank; Private Collections.
TOM EWING
Instructor in Drawing
Instructor in Painting-Evening School
Born in Pittsburgh , Pa. , November 5, 1935.
Studied at the Corcoran School of Art,
Washington, D.C. 1958 and the Pennsylvania
Academy of the Fine Arts , Phila., Pa. 19601963. Exhibitions: One Man Show-Makler Gallery, Phila., Pa., 1964; Regional Show, Art Alliance, Phila. , Pa. , 1964 ; Regional Sho\\' ,
Penna. Academy of Fine Arts, Phila ., Pa.,
1964; 159th Annual Show of American Painting & Sculpture, Phila., Pa. , 1964; Emily Lowe
17th Annual Competition Show, Ward Eggleston Gal. NYC, 1965; Fellowship Show, Penna.
Academy of Fine Arts, Phila ., Pa., 1965; One
Man Show Atelier Chapman Kelly, Dallas ,
Texas, 1965; 161st Annual Show of American
Painting & Sculpture, Phila., Pa. , 1966; Regional Show Oklahoma & Texas, Oklahoma
City, Okla., 1966 ; Fellowship Show, Penna.
Academy of Fine Arts , Phila., Pa., 1966; Arton
Paper, Witherspoon, North Carolina, 1966.
Associated Artists of PittSburgh Annual Show,
PillS. , Pa., 1967; Woodmere Sho\\', Phila., Pa.,
1967; Fellowship Show, Penna. Academy of
Fine Arts, Phila., Pa. , 1968; 163rd Annual
35
Show of American Paintin g & Sculpture ,
Phila., Pa. , 1968; Cheltenham Sho\\', Phila. ,
Pa. , 1969; One Man Show Makl er Gallen', '
Phila. , Pa. , 1969; Group Sholl' \I arion Locks
Gallery, Phila., Pa. , 1970; Cheltenham Sho\\',
Phila., Pa., 1971 ; Group Show, Doshi Ga ll ery,
Harrisburg, Pa., 1972 ; One Man Show Penn
State Cniv., Middletown , Pa., 1973; One \I an
Show, (Watercolors) , Wayne , Pa., 1974; Trash
& Glass, One \Ian Show, Robert Lewis Gailen',
Chestnut Hill , Pa. , 1975 ; Nude Drall'ing~ ,
Maison Des Activities Cu1lUrells, un iversity of
Bordeaux, Bord eaux , France, 1975. Prizes: l SI
Prize, Cheltenham Show, Phi1a ., Pa. , 1975;
Louis Comfort Tiffany Grant, 1972; 1st Prize,
Cheltenham Show, Phila., Pa., 1971; 1st Prize ,
Cheltenham Show, Phila. , Pa., 1969; Bertha
Goldberg Prize, Phila" Pa., 1966; Purchase
Prize, Penna. Acad. Fin e Arts 161 st Annual
Show, 1966; Emily Lowe 17th Annual Competition (Winner), New York , N.Y., 1965; Bertha
Goldberg Prize, Phila., Pa., 1965. Co llections:
Phoenix Museum , Phoenix , Arizona: Penna.
Academy of Fine Arts Perman ent Co llection;
Private Collections in Texas, Palm Beach,
PittSburgh , Phila" New York and France.
BRUCE SAMUELSON
,
Instructor in Painting and Drawing Evening
School
Education: Pennsylvania Academy of the Fine
Arts (1964 through 1968). Exhibitions: Student exhibition, Pennsylvania Academy of the
Fine Arts (1966, 1967, 1968); Annual Fellowship exhibition at the Pennsylvania Academy
of the Fine Arts (1967 through 1975); "The
Nude Is," Philadelphia Art Alliance (1968);
Young Philadelphia Artists at Kenmore Gallery (1969); Cheltenham Art Center (1969 and
1972); "Students of Hobson Pittman ," Pennsylvania Academy of the Fine Arts (1973);
36
"New Talent," Langman Gallery (1974).
Awards: Schiedt Memorial Traveling Scholarship, 1968 ; William E . Cresson Memorial
Scholarship, 1967; Charles Toppan Prize for
drawing, 1967; May Audubon Post Prize for
drawing, 1972; First Prize for Drawingat Cheltenham Art Center, 1974. Collections: Rutgers
University Permanent Collection; many private co llections. One Man Shows: West Chester
State Teachers College, 1970; Wallnuts Gallery, 1971; Gallery Doshi, Harrisburg. 1973;
Robert Louis Gallery, 1973; Woodmere Art
Gallery, 1974; McCleaf Gallery, 1975.
WILLIAM ROBERT MARTONE
- ----...
Instru cto r in Painting Eve nin g School
Born in Wilmington, De l. , Nov. 30, 1945.
SlUdy: Pa. Acad. Fin e Arts, 1964-68; U ni v. Pa.,
BFA, 1969. Work: Pvt. collection of Sen . &
Mrs. Willi a m R o th , Jr. , Wilmin g ton, Del.
Comn.: Po rtrait of Fredri ck Jose ph Kinsma n,
Third Episcopal Bishop, comn. b y Mr. & Mrs.
C harles Procto r , Wa rre n , Ohio, 1972; Resurr ection , Sl. Mark's Lutheran C hurch , Wilmington, 1973; Sen. J . Caleb Boggs, comn. by
Sen. & Mrs. J. Ca leb Boggs, Wilmington , 1973;
Joe Frazie r, portrait of, co mn . b y J oe Frazier,
Philadelphia, 1974. Ex hib.: l42nd & l 50th
Exhib., at. Acad. Desig n, New Yor k, 1967 &
1975 ; Philadelphia Wa te rcolor Club Ten by
Ten Exhibition, Philad elphia Art Alliance ,
1972 ; Works of Art o n Paper, Pa . Acad . Fin e
Arts, 1975; Cottage Tour, Re ho both Art
Leagu e, Del., 1975; Annual Delawa r e Art
Museum , Wilmington, De l. ; University of De l-
37
aware Regional Art Exhibition, Newark, Del.;
Annual Fellowship of the Pennsylvania Academy of the Fine Arts, Philadelphia , Pa .;
Philadelphia Art Alliance, Philadelphia , Pa .;
Annua l Nationa l Academy of Design, l'\ew
York, N.Y .; Jenkintown Annual Exhibition ,
J e nkin town, Pa.; Philade lphia Sketch Clu b,
Philadelphia, Pa.; Wayne Annual Art Exhibition , Wayne , Pa. One Man Shows: Silverside
C lub , Wilmington , Del., 1965; The Devon ,
Wilmin gton, Del. , 1968; Vendo Nubes ,
Philadelphia, Pa. , 1973; Ashcroft Ga ll e r y,
Philadelphia, Pa ., 1975 . Awards: William
Emlen Cresson Memorial Traveling Scholarship for SlUdy in Europe, 1967, The Penns ylvania Academy of t he Fine Arts, Philadelphia,
Pe nns ylvan ia; First Pri ze, Portrait and Life Divisio n at the Ocean City, 1 .J. Annual Exhibition , 1968, O cea n City, N .J.; First Prize,
Philade lphia Watercolor Club, 1972.
WILLIAM OMWAKE
Instructor in Painting
Born in New Rochelle, N.Y ., 1946. Exhibitions: Pennsylvania Academy of the Fine Arts,
Annuals and Fellowship Exhibitions; Kenmore Galleries , Philadelphia, 1968; Y. M.H .A.
Ga ll ery, Philad e lphia , 1969; Philad elphia
Museum of Art, 1970 ; Henri Gallery ,
Washington , D.C. , 1971 , 1972; 'Whitney Annual of Am e rica n Painting, New York , 1972;
Che ltenham Annual Painting Exhibition,
1972; Marian Locks Gallery, 1972; Contributing Artist- Marcel Duchamp Retrospective,
Philadelphia Museum of Art, 1972; Whitney
Annual of Ameri can Painting, New York,
1973; "Earth Art Show", Philadelphia Civic
Center, 1973, 1975 ; De laware University,
1973; Marian Locks Gallery, 1973; Co ntributary Exhibition to Ho bson Pillman , Pe nnsylvania Academ y of the Fine Arts, 1973; 63rd Annual Randolph Maco n Co llege Exhibition,
New York, 1974; "Abstract Realism & Realistic
Abstraction Exhibition", Louis Meisel Gallery,
New York, 1974 ; Fa culty Exhibition, Pennsylvania Academy of the Fin e Arts , 1975 ; PMAat
MCA, Moore College of Art , 1975; Marian
Locks Gallery, 197 5; Pyra mid Gallery,
Washington , D.C. , 1976; "Art Today U.S.A."
Tehran, Iran, 1976; Portfolio Gallery, Dusseldorf, Germany, 1976.
38
ADMISSION AND FEES
ADMISSION-DAY SCHOOL
The Pennsylvania Academy of the
Fine Arts admits, and has admitted
since 1805, students of any race, color,
creed and national or ethnic origin.
The official application form (the last
page of this catalogue is a removable
application form) must be filled in
and returned to the Registrar of the
Schools together with two small photographs, the application fee of
$10.00, and a portfolio of four to
seven examples of work. The name
and address of the applicant should
be clearly printed on the back of each
piece. The Academy cannot accept
responsibility for loss or damage to
student works. Drawings or paintings
must not be glass covered.
Two written references, to be sent directly to the School are also required.
No student is eligible for admission
unless he or she is at least sixteen
years of age and has completed high
school or its equivalent. The Committee on Instruction reserves the right
to limit the number of students under
any or all classifications. An application blank accompanies this booklet.
Before final admission a personal
interview with the Dean is recommended.
A Medical Certi fica tion of Good
Health is also required to complete
the admission requirements.
Blue Cross & Blue Shield Medical
group insurance is available to Academy students.
FEES, DAY SCHOOL
Application fee . . ....... . $ 10.00
Tuition fee per term ..... . 650.00
Total-First Term ....... . 660.00
Tuition fee, each
subsequent term ...... . 650.00
Late registration fee ..... .
5.00
40
Room-per term (16 wks.)
(Women only) ........ .
Locker fee per year ...... .
425.00
2.00
PAYMENT REGULATIONS
All fees are payable in advance and
no deduction is made for late registration or for absence. No refund will
be made after the second week of any
Term for either tuition or in the case
of Residence Students for lodging,
whether the cause be voluntary or involuntary withdrawal, dismissal by
the School Administration for any
reason in its own discretion, or for
any reason, except as noted below.
The two exceptions to the above regulations may be (a) in the case of any
student who is called into military
service before or during a School
Term under the provisions of the
Selective Service Act; or (b) students
under Public Law No. 550 (G.l. Bill).
In either case, if a student fails to
enter the course, or withdraws or is
discontinued therefrom at any time
prior to completion the rules listed
under Veterans (p. 46) will apply.
Official credit or the issuing of tran-'
scripts of record will not be granted
by the Academy either to a student or
a former student who has not completely satisfied, in the opinion of the
Administration, his financial obligations to the Academy. A fee of $2.00
will be charged for each transcript.
Non-payment of fees shall prohibit
such delinquent students from attendance in all classes and lectures.
Tuition may be paid: (a) By mail in
advance, (b) in the school office in
advance, by cash, check, or money
order, (c) on registration day with
check, cash or money order for exact
amount due. If payment has not been
made for full amount due by 5 P.M.
on registration day, a late registration
fee of $5.00 becomes payable.
New registration cards shall be issued
at the beginning of each term to students at the time of the payment of
fees. Admission to classes is by registration card only.
The number of students in any class
will be limited and registration cards
will be issued in the order of tuition
payments, and these cards must be
presented for admission to classes.
NOTE: The late registration fee is
applicable to all students who have
not paid tuition on or before the regular registration date, unless special
arrangements have been made with
the school office in advance. Students
paying the Day School fees may enjoy
the privileges of the Evening School
studios by special arrangement with
the school office.
A fee of $2.00 is charged for each
41
locker. Lockers must be vacated, by
students not returning, by the last day
of the current term. After that date
contents will be disposed of to make
room for new students.
THE EVENING SCHOOL
The Evening School is an extension
of the regular program of the Academy School. Studios of drawing,
painting, and sculpture are conducted on a professional level , but no
prior experience is required of students wishing to enroll for one or
more nights a week.
The evening studios are conducted
five nights each week between 7 and
10 o'clock, and the dates conform to
the Day School schedule. Write to the
School Office for an application and
brochure on the Evening School.
EVENING SCHOOL FACULTY:
Morris Blackburn
Arthur DeCosta
Murray Dessner
Adolph Dioda
T homas Ewing
Paul Anthony Greenwood
Oliver Grimley
J ohn Hanlen
Homer Johnson
William R. Martone
Dan Miller
Bruce Samuelson
Louis B. Sloan
Kim Sou
SUMMER SCHOOL
The Summer School is a six-week,
Day-time course, conducted by
members of the Academy Faculty.
For information write to the School
Office. The 1976 Summer School
starts June 7 and closes July 17, 1976.
freedom fosters creative effort and
permits unusual devotion to the artist's self-discipline, The minimal regulations will not interfere with artistic
effort and in fact are found to aid in
that effort. Therefore these regulations are to be met for the student to
be eligible for promotion , individual
studio privileges, scholarships, prizes
and travel awards, Furtherm ore
those students who desire to apply
FEES FOR EVENING
the credit for studio work don e at the
AND SUMMER SCHOOL
Academy toward an Academi c dePHONE OR WRITE FOR BRO- gree must have a complete record of
CHURE ON THE EVENING OR registration as well as a Faculty evaluSUMMER SCHOOLS. BROCHURE ation of the quality of the work , This
CONTAINS MORE DETAILED record will constitute a proper tranI FORMATION AND APPLICA- script for the Academic University or
TION FORMS FOR ADMISSION.
College,
Regis tra tion req u ire men ts are
REGULATIONS &
satisfied when each student has regisREGISTRATION
tered one piece of work each month
The Academy realizes that maximum ' with each of the artists assigned to
SUMMER SCHOOL FACULTY:
John Bolles
Marshall Glasier
Oliver Grimley
Paul Anthony Greenwood
John Hanlen
Jim C. Lueders
Louis B. Sloan
Francis Speight
Martha ZeIt Stanton
42
-
him. Sculpture students are required
to register one figure, one head , one
scu lpture done without a model and
five drawings each month.
FREE TUITION SCHOLARSHIPS
A number of partial scholarships are
available annually to graduates of the
city hi g h schools and vocationaltechnical schools through the Board
of Public Education of the City of
Philadelphia.
Students already enrolled at the
Academy for two semesters, in good
standing and enrolled at the time of
ap pli ca tion , ma y apply to the
Academy for free full or half tuition
scholarships. Applicants must complete the official forms and submit
them with three works to the Faculty
at the March meeting. College Scholarship Service Reports are also required. Approximately twenty-five
scholarships are available and will be
awarded on the recommendation of
the Committee on Instruction and
the Academy Faculty. Preference is
given to students of merit who otherwise would be unable to pursue their
study of art.
These free tuition scholarships have
been made possible by gifts from
Academy friends:
THE BARB ARA SPECKER GORSON
MEMORIAL SCHOLARSH IP.
Give n by her father, Mr. j oseph Specker.
T H E RO NDI C RISTI7\lE JOHNSON
MEMORIAL SCHOLARSHIP.
ALLEN HARRIS MEMOR IAL SCHOLARSH II'.
WALTER STUEMPF I G MDIORIAL
SC H OLA RSHIP.
THE ROBERT B. ERHMAN SCHOLARS HIPS.
T HE JANE DARLEY NAEYE SCHOLARS H IPS.
T HE CATHERINE GRANT SCHOLARSHIP FUND.
Give n by Mae Diffenballgh
T H E E LE ANO R S. GRAY MH!ORIAL
FUND.
T HEjOHN LAMB ERT SCHOLARSHIPS.
THE LEWIS S . WARE MEMORIAL
SCHOLARSH IPS.
THE LO U ISE HARRI SON MEMORIAL
SCHOLARSHIPS.
Given by Thomas S. Harri so n in memory of his
wife.
THE MARY R. BU RTON SC HOLARSHIPS.
THE SARAH KAI G HN COOPER ME 10RIAL SCHOLARSHIPS.
Given by Mrs. George K.j ohn son.
THE ELIZABETH H. THOMAS MEMO- In memory of his wife , Eleanor S. Gra)" J.
RIAL SCHOLARSH IPS.
Maurice Gray established the ELEANOR S.
THE LEORGE M. WILTBANK SCHOLAR- GRAYMEMORIALFUNDin 1967. FOllrha lf
tuitio n sc h o larsh ips we re awarded in the
SH IPS.
school yea r o f 1975- 1976.
Given by Annie C. Wiltbank.
43
In an effort to spread the free tuition
scholarships to cover the needs to the
fullest possible extent, it is within the
province of the Faculty to recommend a number of half scholarships.
Full free tuition scholarship recipients are required to work for the
school an assigned thirty hour period , during the holding of that year's
scholarship, and half scholarship
students a fifteen hour period. These
obligations may be fulfilled by posing
in the portrait studio or by completing other work designated by
the school.
A student must maintain an average
of B- or better in order to hold a
scholarship.
The Academy encourages students
from foreign countries by offering a
tuition scholarship for their first year
only. These are awarded by a committee of the Faculty as a result of
their evaluation of the students portfolio. Foreign students who are accepted must present solid evidence of
sufficient funds to enable them to pay
their living and other expenses.
44
GENERAL INFORMATION
FACULTY ENRICHMENT
The Ford Foundation has ap proved a
grant of $50,000.00 to the Pennsylvania Academy of the Fine Arts to
establish a permanent endowment
for faculty enrichment in the studio
arts. The grant was made on the condition that the Academy provide
3150,000.00 in matching funds. The
Academy envisions the initial endowment of $200,000.00 as the first
step in establish in g an effective ongoing sabba tical and visiting artist
program that will benefit both students and faculty .
The Academy gratefu ll y acknowledges the support of the following
who have generousl y contributed to
the endowment.
The Mary Adolph Fund for Faculty
Enrichment
The William H.S. Wells Fund [or
Faculty Enrichment
The Daniel Dietrich Fou ndation
Grant for Faculty Enrichment
The Women's Committee ofthe Pennsylvania Academy of the Fine Arts
Mrs. James M. R. Sinkler
Mrs. Alan McIlvain
Mr. & Mrs. H. Lea Hudson
Mr. & Mrs. C. Earle Miller
ACADEMY RESIDENCE
The School provides residence accommodations for a limited number
of its women students. New applica nts for entrance into the School
should indicate in their eadiest correspondence any interest in such housing. A deposit of $50.00 is required
for room reservations. Additional information on types of accommodations may be obtained from the
Dean's Office. No single accommodations are available.
46
VETERANS
The P.A.F.A. is approved for veterans education under the provisions
of Title 38 U.S. Code Section 1776
and the Veterans Ad ministration
Regulation 14251E. Students enrolled under provision of Title 38
U.S. Code for Veterans Education
are governed by the following:
Unsatisfactory PTogress Students receiving failing grades are placed on
probation for sixty days. If unsatisfactory progress co ntinu es beyond
th e probationary period, the stu dent's training will be immediately interrupted and all concerned will be
notified accordingly. Students dismissed because of unsatisfactor y
progress may apply for re-entrance;
however, each case will be considered
on the basis of the facts involved.
Refund Policy In the event a war orphan or eligible person fails to enter
the course, or withdraws or is discontinued therefrom at any time prior to
completion, the amount charged to
the veteran for tuition, fees, and
other charges for a portion of the
course shall not exceed the approximate pro rata portion of the total
charges for tuition, fees, and other
charges that the length of the completed portion of the course bears to
its total length.
Creditfor Previous Education and Training Appropriate credit is given for
comparable previous education and
training, and the training period will
be shortened accordingly.
MEDICAL CERTIFICATION
All students must file with the School
prior to the opening day of the School
Terms in September and January, a
certificate of Good Health, attested to
by the student's family doctor or
other recognized physician. Failure
to file this certificate, will result in
nonregistration of the student until
the attested certificate is filed.
STUDENT AID FUND
I n August 1971 a group of friends
and fellow students established a
fund for student aid. "The James E.
Brewton Student Aid Fund" originally created by the proceeds from
the sale of this artist's paintings is the
expression of their love and respect
for him and his expressed concern
for the Academy students. The Student Aid Funds provide short term
loans. Students may apply in the
Dean's Office.
FOUR YEAR CERTIFICATE
The Pennsylvania Academy of the
Fine Arts grants its Certificate to students who have satisfactorily com47
pleted four years of study in the
Academy Schools, or the equivalent
according to the Academy requirements. Only students whose records
are complete according to the final
decision of the School Administration, are eligible for these Certificates. By special arrangement work
done in the Evening or Summer
schools may be credited.
TRANSFER CREDIT
A maximum of two years of studio
credits (48) may be accepted toward
the Academy's four year Certificate.
o transfer credits are acceptable toward the requirements for the Cresson, Schiedt or Ware Scholarships.
BACHELOR OF FINE ARTS
DEGREE
Because the Academy is devoted exclusively to the study of the Fine Arts
it is not a degree granting institution.
"The Philadelphia College of Art
recognizes attainme nt of the Academy's certifica te as satisfying the
studio cred it requireme nts for its
Bachelor of Fine Arts degree . With
Academy endorseme nt based upon
high school graduation and a secondary school transcript judged creditable by the Academy, a student may
register in liberal arts at PCA any time
after beginning Academy e nrollment.
The BFA degree-credit ca ndidate
wi ll be considered to have fulfilled
PCA's studio requirements upon receipt of the Academy's certificate.
The candidate may begin to earn the
required 45 liberal arts credits* in any
semester during his four- year studio
program or after being awarded the
Academy's ce rtifica te. Subject to
Academy requirements, he may register for any number of liberal arts
credits per semester. Upon submission of an official transcript of prior
liberal arts study, he may be awarded
a maximum 12 transfer credits toward PCA's requirements for the
BFA degree.
The Philadelphia College of Art is
located at Broad and Pine Streets
within walking distance of the
Academy. The schedule of classes is
designed to permit maximum use of
studio hours.
• See PCA cata lob'l.1C
48
COURSE DESCRIPTIONS
PRELIMINARY DIVISION
Students entering the Academy for
the first time are admitted to the Preliminary studios. Only upon special
recommendation of the Admissions
Committee may new students be admitted to the advanced studios. The
Preliminary discipline enables the
stude nt to survey the fundamentals
of Drawing, Painting, Sculpture and
Graphics.
The Preliminary studio schedule is as
follows:
Life Painting-6 h ours per week,
painting from the life model.
Painting Studio-6 hours per wee k
with emphasis on design , color, texture and compositio n.
Dmwing-9 hours per week divided
between cast drawing and drawing
from the life model.
Graphics-6 hours per week-the
study ofth e major techniques of print
making and their use in creative work.
Clay Modeling-3 hours per weekinstruction in modeling from life and
portrait models. Three dimensional
design.
Perspective and Lettering-l hour per
week-this instruction is a prerequisite for students who will enter the
advanced division in Painting or
Graphics.
Materials and Techniques- l hour per
week-this instruction is a prerequisite for students who will enter the
advanced division in Painting or
Graphics.
History of Art-l hour per week-this
illustrated lecture course is a prerequisite for promotions from the
preliminary studios and is presented
from the standpoint of the practicing
artist rather than the art historian.
Anatomy-This series of lectures is an
elective and is presented as an aid to
50
the student artist and as a supplement
to his studio work.
At the co nclusion of the second
semester each Preliminary student
will be admitted to the division of his
choice (Painting, Graphics or Sculpture) provided his record shows a
complete and satisfactory registration of work.
PAINTING DIVISION
Students electing to enter the Painting Division will be assigned studios
in Drawing, Life and Portrait painting. They are encouraged to pursue
special projects and to emphasize individual explorations in style, medium and content under the critica l
guidance ofthe Faculty. It is expected
that students in the Painting Division
will complete at least two semesters in
the open studios before they apply
for advanced status and assignment
to an individual studio. Upon re-
commendation of the Faculty Advanced Painting students may be
privileged to work in individual
studios. They will be required to receive cri ticism of work done in their
studios from at least three artists of
the Faculty, a minimum of once each
month. These artists may also recommend the return to the painting
studios if in their opinion the student
is not benefited by the assignment to
an individual studio.
All studio facilities and lectures are
open to the use of Advanced Painting
students assigned to individual studios.
GRAPHICS DIVISION
Students electing to enter the
Graphics Division will select a studio
in Drawing, Painting or Sculpture.
The major studio assignment will be
in Graphics. It is expected that stu-
dents in the Graphics Division will
complete at least two semesters and
have earned a semester grade in etching, lithography and silk screen before they apply for advanced status.
Upon recommendation of the Faculty the Graphics student may be
advanced and assigned to an individual studio.
Advanced students are required to
receive criticism from at least three
artists of the Faculty a minimum of
once each month. These artists may
also withdraw the use of the studio if
in their opinion the student is not benefiting from the privilege.
All studios, facilities and lectures are
open to the use of Advanced
Graphics students.
SCULPTURE DIVISION
Students may enter the Sculpture Division directly upon admission to the
51
Academy or th ey may elect to enter
the division upon promotion from
the Preliminary Division. The Sculpture studios are devoted to clay
modeling from the human figure and
head. Individual projects involving
wood carving, welding, stone carving,
kiln firing or molding of plastic may
be pursued under the supervision of
an instructor. Upon recomm endation of the artists of the Sculpture
Faculty individual students may be
given advanced status and assigned
private studios where projects outside the scope of the regular studios
may be pursued. The privilege of a
private studio ma y be withdrawn if in
the opinion of the Faculty the student
has not benefited therefrom.
SCHOLARSHIPS AND PRIZES
THE WILLIAM EMLEN
CRESSON MEMORIAL
TRAVELING SCHOLARSHIPS
By the liberal provisions ofthe wills of
Emlen Cresson and Priscilla P., his
wife, a Fund has been created as a
memorial to their deceased son,
William Emlen Cresson, Academician, the income from which is to be
appli ed by the Pennsylvania Academy of the Fine Arts in sending
pupils of merit to Europe. These
scholarsh ips shall be awarded under
such rules and regulations as shall be
adopted from time to time by the
Board of Directors of the Pennsylvania Academy of the Fine Arts. The
award of Cresson Scholarships has
had significant influence on hundreds of recipients over many years
and has been a great boon to this
Academy. In the Spring of 1969 the
one thousandth award was made. To
emphasize the importance of these
awards and to broaden the advantages to our students, and because the
Fund realizes very generous income
each year, the Management, through
its Committee on Instruction , has established the practice of approving
the recommendation of the Faculty
for either fil-st or second awards.
These scholarships were first awardedin 1902.
In 1975, the award of a Cresson
Traveling Scholarship credited each
student with $3,100 of which $2,000
was used for a summer of travel and
traveling expenses in Europe, and
the I-e maining $1,100 was used for
Academy tuition for the two terms
immediately following. Each year the
sums may vary, as adjustments in tuition charges and traveling expenses
dictate. Each recipient is required to
return to the Academy for the con54
tinuance of regular studio work in an
additional year as an advanced student. He is expected to help set high
professional standards among ou r
students after his return from Europe. In cases of exceptional merit,
and when a very decided improvement is evident, a student may ,
through the same authority, receive
the award a second time. Competition for a second scholarship must be
entered during the year succeeding
the first award, unless otherwise
ruled by th e Committee on Instruction on written application. The
award of a Cresson Traveling Scholarship the second time credits the
student with the sum established for
that year to be used for travel and
traveling expenses, and may be used
any time within twenty-eight months
after receipt of the award.
Eight Cresson Traveling Scholar-
ships were awarded in 1975. Every
stude nt in good health and without
knowledge of any physical condition
or any oth er reason to prevent accepting an d properly using such scholarships is eligible for competition for
Cresso n T ra veling Scholarshi ps.
Competi tors must have an aggregate
of 96 Academy Winter School weeks
to their credit which must have been
accumulated within five (5) years of
the d ate of competition. The final 32
wee ks (two terms) must be spent in
th e Winter School of the Academy
and must be within the year of competition. On e summer and one semester of evening school or two semesters of evening school may be allowed
as equivalent of one semester by special approval of the faculty and administration.
Eve ry student must have a complete
and unbroken registration record.
Painters and Graphics Majors must
also have satisfactorily completed the
work in Materials and Techniques in
Perspective and Art History. Sculptors must meet the requirements of
the Sculpture faculty and attend the
Art History lectures. All financial obligations must be fully paid.
All students entering the competition
are required to complete the official
application. All work submitted in
competition must be that which has
been done in the Academy studios or
for Academy registration. It must be
work completed within the last 32
weeks of the Winter School. All work
in competitions must be approved
and recorded before entry by two
Faculty instructors.
All competitors are unrestricted as to
amount, size and variety of work they
submit in the competition groups,
provided they do not exceed the
55
space allotted. Each sculptor'S group
must include a composition. Work
must be exhibited unframed and unglazed. If tape or stripping is used to
trim unsightly edges of canvas, it ma y
be used to give order rather than enhance and must not encroach upon
the face of the canvas.
The recipient of a first traveling
scholarship must account for a period
of at least 90 days in Europe and an
itinerary and financial report is required for filing in the school office
before October 15.
The recipient of a second traveling
scholarship is granted the sum for
travel and travel expenses and a general accounting must be made and
filed in the school office within three
months of the end of its use. The
student is not required to return for
another period of study but ma y
apply for free tuition should addi-
tional study be advisable. Use of free
tuition under such circumstances
may be regulated and arranged with
the Dean of the schools.
The Faculty will not recommend
awards of traveling scholarships if, in
its opinion, the work submitted is not
of sufficient merit to justify such recommendation. A student may not be
awarded more than one traveling
scholarship in any given year and is
ineligible for competition after having received two such awards.
THE LEWIS S. WARE MEMORIAL
TRA VEUNG SCHOLARSHIPS
The Lewis S. Ware Memorial Traveling Scholarships, in accordance with
the will of the testator, provide European Traveling Scholarships in
amount and under regulations similar to those of Cresson Scholarships
of that year. These Scholarships will
be awarded according to the income
available on the recommendation of
the Faculty by the Board of Trustees
to students of outstanding merit.
These Scholarships were first awarded
in 1938, one Ware Traveling Scholarship was awarded in 1975 representing an amount of $2000.
THE J. HENRY SCHIEDT
MEMORIAL TRA VEUNG
SCHOLARSHIPS
The J. Henry Schiedt Memorial
Scholarships in accordance with the
will of Cornelia Schiedt, provide for
the award of Traveling Scholarships
according to the income available.
The award of these scholarships will
be made on the recommendation of
the Faculty by the Board of Trustees
to students of outstanding merit.
Eligibility for this competition will be
based on the same requirements as
56
set up for Cresson Awards of that
year. These scholarships are not speci ficall y designed for European
travel. It is therefore possible, under
certain circumstances, for a competing student to make application to the
Dean of the Schools at least three
months before the date of competition for a particular program. These
Scholarships were first awarded in
1949 and five Schiedt Traveling
Scholarships of $2000 each were
awarded in 1975. The credit may be
used any time within twenty-eight
months after receipt of the award.
THE
CHARLES
TOPPAN
PRIZES- These prizes were established in 1881 by the gift of Mrs.
Chades Toppan, Miss H arriette R.
Toppan and Mr. Robert . Toppan.
Due to toe considerable appreciation
in value of this trust, the following
regulations were put into effect in
1962, enlarging the benefits but
adhering to the positively expressed
terms of the original gift that "The
drawing of the work submitted will
receive first attention of the examiners." First awarded in 1882.
Up to six prizes will be available each
year at the discretion of the Committee on Instruction, depending on the
amount of income available. A maximum of three drawings matted or
prepared for exhibit but not glass
covered with no limit on size, subject
matter or media, may be submitted in
the spring of each year by regularly
enro lled students, whose records
show attendance for at least two years
previous to the current competition.
They will bejudged by the Faculty, or
a committee of the Faculty, and the
winners' work is to be exhibited with
the major competition of the season.
Any student may receive a Toppan
award but once, and there shall be no
obligation to award prizes to any
work which, in the opinion of the
judges, is not of sufficient merit.
a sheet not to exceed 30 x 40 inches. A
student having once received a prize
becomes ineligible to receive the same
prize for the second time. First
awarded 1899.
THE EDMUND STEWARDSON
PRIZE-The Edmund Stewardson
THE PACKARD PRIZES-From Prize of $100.00 in Sculpture is
the income of the John H. Packard awarded during the school year. This
Fund, established by the children of is an annual prize, competed for by
the late John H. Packard, M.D., for students of the Academy, with such
many years chairman of the Acad- pupils of other art schools as may be
emy's Committee on Instruction, an- approved by the Committee on Innual prizes of $50.00 and $25.00 are struction. The subject for the compeawarded for the best and second best tition is a fu ll-length figure from life
groups of original studies made from in the round. Studies must not be less
living animals in the Zoological Gar- than two feet six inches in height, and
den. These prizes are open to all stu- not more than three feet in height,
dents ofthe Academy who have regis- and must be made within eighteen
tered for both terms of the school hours, during three consecutive days,
year. A student may not submit more in six sessions of three hours each. A
than one set of drawings mounted on student receiving one Stewardson
57
Award is ineligible to compete a second time. No one except the competitors is admitted to the competition room at any time during the days
of the competition. The Jury of
Award consists of professional sculptors, having no official connection
with the Academy, nor any other
schools whose pupils may have taken
part in the competition. Ifno study be
satisfactory to the Jury, the prize may
be withheld. When no award is made ,
the amount of the prize ma y, at the
discretion of the Board of Directors,
be added to the principal of the prize
fund or distributed with future
prizes. The clay models offered in
competition must be kept standing in
good condition until otherwise ordered and figures cast by the Academy become its property. The competition in the spring of the 19741975 year was judged by Robert
Engman. First awarded in 1901.
THE THOURON PRIZES-These
awards were founded by the late
Henry J. Thouron, a former instructor in Composition. A prize of
$100.00 and a prize of $50.00 for
compositions completed during the
current season are offered, the first to
be decided by the Faculty, the second
by a vote of the students; a prize of
$100.00 and a prize of $50.00 both
awarded by the instructor of the class.
A competitor is not eligible a second
time for the same prize, and cannot
receive more than one award the
same season. First awarded 1903.
THE RAMBORGER PRIZE-From
the income of a fund established by
the late William K. Ramborger, Esq.,
as a memorial to his sister, Aspasia
Eckert Ramborger, who was a stu58
den t of the Academy, an ann ual prize
of $35.00 is awarded for the best line
drawing in black and white of a head
from life by a pupil of the Academy
who has not been under instruction
over two years, but who has been registered in the Academy for both
terms of the current school year.
Each competitor may submit one
unmounted drawing on white paper
19 x 25 inches in size. Having once
received an award, a student becomes
thereafter ineligible to compete again.
First awarded 1911.
THE STIMSON PRIZE-This prize
was established in memory of Emma
Burnham Stimson and was created
for the award each year of a prize in
sculpture of $100.00 for the best
work done by the students in the regular cou rse of the class. The contest is
open to students who have been
registered for three terms and who
are members of the Life Modeling
Classes, but is not open to former
students who work in the class by specia l permission. The subject for competition is a full-length figure from
life, in the round, not less than two
feet six inches in height, and must be
made during class hours as a part of
the regular work in the class. The
work must be submitted anonymous ly to a jury appointed by the
Committee on Instruction. The Jury
is not obligated to award prizes or
honorable mentions if, in its opinion,
the work submitted is not of sufficient
merit to justify making the awards.
The competition in the School year
1975-76 wasjudged by Sidney Simon.
First awarded in 1917.
THE CECILIA BEAUX MEMORIAL PRIZE-The go ld medals
which Cecilia Beaux received during
her life in recognition of her work as a
portrait painter have been donated to
the Academy by Miss Beaux's residuary legatees and converted into a
fund, the income of which will provide a prize to be given for the best
portrait painted during a schoo l year
by a student of the Academy. This
prize of $100 will be awarded, when
available, by the President with the
advice of the Faculty. Students eligible for the prize must have been enrolled in the day classes for two consecutive terms and at the time of
competition be members of the Advanced Studio. The award is to be for
the outstanding portrait accomplished within two terms then current
and not more than three examples of
work may be subm itted. Any student
can receive the award but once, and it
is particularly stipu lated that the
59
award does not need to be made if, in
the opinion of the Faculty, no work is
submitted of sufficient distinction.
Fi rst awarded 1946.
THE JOHN R. CONNER MEMORIAL PRIZE IN GRAPHICS--This
prize is made possible through the
generosity of Mrs. Frances Weeks
Lux in memory of John R. Conner,
artist. It will be $50.00 when that
amount is available from the invested
principal. First awarded 1955.
THE
CATHARINE
GRANT
MEMORIAL PRIZE-This prize of
$200.00 will be given for the best
landscape or still life. This prize has
been made possible by funds set up
through the sale of paintings from a
memorial exh ibition of the work of
Catharine Grant, held in the Academy in the fall of 1954, and from
•
special contributions from her
friends to this fund. First awarded
1955.
THE MINDEL CAPLAN KLEINBARD AWARD-Through the generosity of Mrs. Joseph Caplan, an
award of$25.00 in art supplies is presented each spring in memory of her
daughter, Mindel Caplan Kleinbard.
First awarded 1958.
THE EDNA PENNYPACKER
ST AUFFER MEMORIAL PRIZE-A prize of $100.00 will be available
yearly to be awarded by the Faculty,
or a committee of the Faculty, to a
student in the School of the Pennsylvania Academy of the Fine Arts in
recognition of excellence in any
medium of the Faculty's choice, and
preferably at a time of year other
than the late spring so that the finan-
cial advantages may be enjoyed by the
student during the course of his
studies. It was further agreed that the
prize could be increased in amount
should the investment make that possible but no award shall be given in
any year when a lesser amount than
$100.00 is available. This prize was
established by Ellen Evans to honor
the memory of her beloved friend
Edna Pennypacker Stauffer, 18831956, painter and lithographer of
broad reputation who was a student
at the Academy in 1902, 1903 and
1904. First awarded in 1961.
THE ELEANOR S. GRAY PRIZE
FOR STILL LIFE-A prize of
$100.00 will be awarded by the Faculty, or a faculty committee, to a student in the School of the Pennsylvania Academy of the Fine Arts who
has demonstrated superior ability
60
through the painting of Still Life.
The painting considered must have
been done on the Academy's premises during the normal course of the
School's activities, a nd the award may
be made during th e school year,
rather than at the spring jud gments.
One or two paintings may be submitted by each contestant. This prize
is made available through a fund established by Mr. and Mrs. J. Maurice
Gray. First awarded in 1961.
THE LAMBERT AND EMMA
WALLACE CADW ALADER PRIZE
FOR LANDSCAPE-Thi s pri ze is
awarded annually through the generosity of Mrs. Cadwalader for the
best representational landsca pe by a
student of the Penns ylvania Academy
of the Fine Arts. First prize $500.00.
Second prize $100.00. First awarded
in 1961.
THE LAMBERT AND EMMA
WALLACE CADW ALADER PRIZE
FOR PORTRAITURE-This prize
of $150.00 is awarded annually for
the best portrait painted in the regular portrait class in the Academy
studios. First awarded in 1974.
in 1974.
THE ROBERT A. RICKER
MEMORIAL LANDSCAPE PRIZE
-This prize of $100.00 is awarded
annually for the best landscape by a
student of the Academy painted during the course of the school year. First
awarded in 1974.
THE ELEANOR S. GRAY MEMORIAL FUND-This fund was established in 1967 by J. Maurice Gray as a
memorial to his wife who had been
a student in the Academy's school
from 1960 to 1963. The monies available from this fund will be awarded at
the discretion of the Faculty and
management for special school prizes
and awards in addition to their major
dedication for tuition scholarships.
(See note on this fund under Free
Tuitions.)
THE MARK CULLINANE MEMORIAL PRIZE IN SCULPTUREThis $50.00 prize given by Mr.
Joseph Tanda, is awarded by the
Sculpture faculty for a wOl-k of
sculptural rather than
representational quality. First awarded
THE FRANCES D. BERGMAN
MEMORIAL PRIZE-In 1965, after
the death of Mrs. Bergman, a memorial fund was established by relatives
and friends. The fund makes possible
a money award of at least $100.00 to a
student each spring for the best tradi61
tional pall1tll1g submitted for this
prize. An artist of distinction, not
necessarily a member of the Faculty,
but with the management's approval,
may be invited to act as judge. First
awarded in 1966.
THE HENRY C. PRATT MEMORIAL PRIZE IN GRAPHICS-This
prize is made possible through the
generosity of Mrs. William D. Disston
in memory of Henry C. Pratt, one of
the founders of the Academy. It will
be $50.00 as that amount is available
from the in ves ted pri nci pal. Fi rst
awarded in 1968.
THE FRANKLIN C. WATKINS
MEMORIAL GRANTS-Established by Mrs. Watkins to provide
money to aid talented students of
painting to meet expenses other than
tuition . First awarded in 1973.
THE
BENJAMIN
LA NARD
MEMORIAL AWARD-Thi s prize
was made possible by his family. A
prize of $50.00 awarded by the Faculty for an outstand ing composition.
First awarded in 1970 .
THE
HOBSON
PITTMAN
MEMORIAL PRIZE-This prize
was endowed by Mr. Pittman to be
awarded annually during the Cresson judging to a talented student
for an experimental painting. First
awarded in 1973.
THE WARD PRIZE IN SCULPTURE-An award of $600.00 is
made each year b y the sculpture faculty to a student who has d emonstrated exceptional a bility. This prize
was establish ed by Eliab Tilson Ward
in memory of hi s d a ughte r Winifred
Dunca n Ward , a student of sculpture
at the Academy. First awarded in
1975.
THE CHARLES E. DUTROW
AWARD-Established by Elizabeth
D. Haynes is given .annually to students of scu lpture. The prize is selected by the sculpture faculty for the
best creative work. There are no restrictions on size, material or subject.
First awarded in 1975.
jointly in 1967-1969 by Mr. Campbell
and Mr. Shores, Instructor since
1965 to the present. The award is
being carried on now by Mr. Franklin
Shores. The award is $50.
THE THOMAS EAKINS MEMORIAL PRIZE-A prize will be offered for the best figure canvas
painted in the regular life class in the
winter immediatel y preceding the
competition. This prize of $100.00
will be awarded by the Faculty and is
available through the generosity of
Mr. and Mrs. David Gwinn. First
awarded in 1951.
THE PERSPECTIVE PRIZE-A
cash prize h as been given each year
to that stude nt who does the most
exem pla r y work in the Perspective
Course. This award was instituted by
Mr. J ohn H arbeson, in stru ctor in THE PHILADELPHIA PRINT
Pe rspective from 1916 to 1955, and CLUB PRIZE-The Philadelphia
was generously carried on by Mr. Print Club Prize is awarded to an outWilliam Cam pbell , an associate in- standing student in the graphics
structor 1936- 1955 and In structor studio and entitles the winner to a one
1955-1965. The Prize was awarded year membership in the Club. First
62
I
awarded in 1953.
THE MARY TOWNSEND AND
WILLIAM CLARKE MASON
MEMORIAL PRIZE IN SCULPTURE-Through the many years of
Mr. Mason's affiliation with the
Academy as one of its Directors he
was ever ale rt to the encouragement
of all students, particularly those
stud ying sculpture. In 1954 and 1956
he made substa ntial gifts, not as an
endowment, but ·to be used as awards
by the sculpture faculty to a worthy
student, or students, at the time of the
sp rin g co mpetitions. The co ntinuance of these awards as memorials to her parents is made poss ible
through the generosity of their
dau ghter, Mrs. Henry Lea Hudson.
In 1975 $200.00 was awarded.
Through the generosity of the John
Wanamaker Store, Art Supply Department, a prize of $50.00 in art
supplies is awarded each spring for
the best painting in oil or acrylic submitted to the Faculty for judgment.
First awarded in 1954.
MABEL WILSON WOODROW
PRIZE-Given by Mabel Woodrow
Gill. A prize of $100.00 is made available annuall y for an award, or awards
in the Graphics Department, at the
discretion of the Faculty. First awarded in 1955.
THE GIMBEL PRIZE-Through
the generosity of the Art Supply Department in Gimbe ls Department
Store, $50.00 in credit will be given in
th is store. The student will be chosen
by the Faculty for outstanding work
THE WANAMAKER PRIZE- entered in competiti on each spring.
63
First awarded in 1958.
THE QUAKER STORAGE COMPANY AWARD-Throu gh the generosityofMr. Be njaminD. Be rnstein ,
the Faculty may grant this prize of
$250.00 to an o utstanding student, in
recognition of meritorious achievements. First awarded in 1965.
CONSOLIDATEDIDRAKE PRESS
AWARD-This prize of $200.00 is
given by The Consolidated/Drake
Press for good work during the
school year, in memory of Mr. H oward B. Miller. First awarded in 1967.
THE LOUIS S. FINE PURCHASE
PRIZE-A prize of $150.00 for an
outstanding painting memorializing
the work of men on the Philadelphia
waterfront is awarded each yea r by
the Faculty. First awarded in 1968
this purchase prize has been given by
Mr. Louis S. Fine to encourage students to discover the excellent material to be found in the work of the
stevedors, the piers, the vessels and
the colorful surroundings.
THE CHARLES R. WEINER
PRIZE-A $100.00 prize awarded
during the school year by the Faculty
and Administration to a student who
shows promise. First awarded in
1973.
THE GEORGE SKLAR MEMORIAL LIFE DRAWING PRIZEThis prize of $100 was established in
1968 , after the passing of Mr. Sklar,
by his wife. It is given each year to the
student who rates highest in Life
Drawing throughout the Academy.
THE ALEXANDER PRIZE$300.00 for the student work in any
medium which shows unusual promise. First awarded in 1973.
THE SYLVIA G. WEXLER
MEMORIAL AWARD-Thi s annual award of$100.00 is given by Mr.
Morris M. Wexler to a student of
merit selected by the Faculty. First
awarded in 1970.
THE NICHOLAS BUCCIARELLI
DRAWING PRIZE-These annual
prizes established in memory of
Nicholas Bucciarelli are awarded for
excellence in the art of drawing. First
prize $100.00, second prize $75.00,
third prize $50.00. The awards are to
be made as early in the school year as
practical. First awarded in 1973.
64
THE MR. AND MRS. LEON C.
BUNKIN PRIZE-A prize of
$100.00 awarded for excellence in
Graphics , in memory of Stella Drabkin. Students eligible for this Prize
must be Graphics majors. First
awarded in 1975.
SCHOLARSHIP AND PRIZE WINNERS 1974-1975
CRESSON MEMORIAL SCHOLARSHIPS
T homas Booth
Linda Massey
Albert F. Gu ry
Keith Ragone
Terrance H arvey
Glenn Rudderow
T heresa Lyn n Kreuzer
Donald Shore
Honorable Mention
Carolyn Webb
LEWIS S. WARE MEMORIAL SCHOLARSHIPS
Mich ael Bou ghter
SCHIEDT MEMORIAL SCHOLARSHIPS
Hannah Coale
Richard Ranck
Sandra Lerner
John Tripple
T homas Mallon
Michael P. Boughter
Honorable Mention
Robert Blank
Sandra Moorhead
CHARLES TOPP AN PRIZES
Michael Boughter
Keith Ragone
David Coch rane
Robin Roantree
Sandra Lerner
Russell Veeder
PACKARD PRIZES
Dolores Milmoe
Bruce Wallace
Honorable Mention
Robert Montoya
STEW ARDSON PRIZE
Floramae McCarron
Honorable Mention
An ton ios Frudakis
Jessie Coleman
THOURON PRIZES
J ack Barnett
Sandra Lern er
Po lly T urner
Ri cha rd Ranc k
RAMBORGER PRIZE
Dolores Mil moe
Thomas F. Mallon
65
THE STIMSON PRIZE
J essie Cole man
Honorable Mention
Floramae McCarro n
Young H ee Lee
CECILIA BEAUX MEMORIAL PRIZE
Rich a rd Ra nck
Honorable Mention
Albert F. Gury
PRINT CLUB PRIZE
Margue ri te Ferrari
WANAMAKER PRIZE
Bar bara Brod o
Sa ndra Lerner
EDNA P. STAUFFER PRIZE
J ack Barnett
Richard Ranck
Honorable Mention
Terrance H ar vey
T heresa Lynn Kreu zer
Wi lliam Stokes
Polly Turn er
FRANCES D. BERGMAN MEMORIAL PRIZE
Albert F. Gury
THOMAS EAKINS MEMORIAL PRIZE
T homas Mallo n
JOHN CONNER MEMORIAL PRIZE IN GRAPHICS
Georgette Veed er
WOODROW PRIZE IN GRAPHICS
A ndrij Mad ay
CATHARINE GRANT MEMORIAL PRIZE
T homas Ma llon
Bessie Wood ward
MINDEL CAPLAN KLEINBARD AWARD
Albert F. Gury
GIMBEL PRIZE
Kevin Newma n
Gle nn Rudde row
hh
Honorable Mention
Calvin Go lde n
J ack Ba rnett
MARY TOWNSEND & WILLIAM CLARKE MASON PRIZE
T h eresa Lynn Kre uzer
PERSPECTIVE PRIZE
Kit Imhoff
Honorable Mention
Calvin Golde n
Ch r istine You ng
SYLVIA G. WEXLER MEMORIAL AWARD
Willia m Sto kes
THE QUAKER STORAGE COMPANY AWARD
Terrance H arvey
Clarence Morgan
Honorable Mention
Glen n Ru dderow
H a nn ah Coale
LAMBERT & EMMA WALLACE CADWALADER
LANDSCAPE PRIZE
T homas Booth
Gle nn Rudderow
LAMBERT & EMMA WALLACE CADWALA DER
PORTRAIT PRIZE
Michael Cockr ill
Honorable Mention
Albert F. Gury
An gelica Roberts
CONSOLIDATED/DRAKE PRESS A WARD
Mau reen Drda k
Don ald Shore
Honorable Mention
Shirley Wat ts
GEORGE SKLAR MEMORIAL PRIZE
Marie Peretti
LOUIS FINE PURCHASE PRIZE
Mich ael Cockrill
HENRY C. PRATT MEMORIAL PRIZE
Basil Costan tino
J ohn Tri ppl e
67
BENJAMIN LANARD MEMORIAL PRIZE
Thomas Booth
Honorable Mention
Jay Miller
ELEANOR S. GRAY PRIZE FOR STILL LIFE
James March
THE ALEXANDER PRIZE
Richard Ciocco
David Cochrane
Honorable Mention
Anthony J. Buczko
CHARLES R. WEINER PRIZE
Terrance Harvey
HOBSON PITTMAN MEMORIAL PRIZE
Basil Costantino
FRANKLIN C. WATKINS MEMORIAL GRANT
Richard Ciocco
Robert Moskowitz
Keith Ragone
THE MARK CULLINANE MEMORIAL PRIZE IN SCULPTURE
Janet Restino
THE NICHOLAS BUCCIARELLI PRIZE
Joanne Cleveland
Maureen Drdak
Kevin Newman
William Stokes
THE ROBERT A. RICKER MEMORIAL LANDSCAPE PRIZE
Thomas Booth
Honorable Mention
Sanae Willoughby
THE WARD PRIZE IN SCULPTURE
Russell Veeder
THE CHARLES E. DUTROW AWARD
Donna Forma
Linda Massey
--~~----------------------------
THE MR. AND MRS. LEON C. BUNKIN PRIZE
Michael Boughter
_______________IM,___________________________________
CRESSON:.,WARE AND SCHIEDT MEMORIAL TRAVELING SCHOLARSHIP
COMPETITORS
May, 1975
PAINTING and GRAPHICS:
Albert Gury
JelTY Ardemendo
Terrance Harvey
oriko Asakura
Edward Henderson
Thomas Ballew
Edwin S. Humpal
Katherine Bennett
YongJa Kim
Thomas Booth
Donna Korkes
Michael P. Boughter
Sandra Lerner
Barbara Brodo
Andrij J. Maday
Don Bussard
Robert Mahoney
Thomas R. Campbell
Maria R. Marable
Hannah Coale
Jane Levy-Polis
David Cochrane
Elizabeth Marsden
Michael Cockrill
Linda Massey
Michael Conaway
Peter Merscher
Jeanne Coryell
Basil Costantino
Jay Miller
Philip M. Courtney
Robert Moskowitz
Richard Ciocco
Janet Murray
Robin Daane
Masanobu Nihei
I wan Nazarewycz
Joseph Donovan
Maureen Drdak
Gregory D. O'Brien
Dorinda M. Fryce
Leigh Palmer
Mary Galgon
Lynda Petrov
Barry I. Goldberg
Robert Picker
Vivian R. Goldstein
Ronald L. Polka
Keith Ragone
Richard S. Ranck
Ruth Reibrich
Robin Roantree
Glenn Rudderow
Helen Sadowski
Chris Schultz
James R. Sherwood
Donald Shore
Stephanie Smith
James Souder
William N. Stokes
Taiko Suzuki
Joseph Szimhart
Jonathan Temple
John Trippel
Mary Savage Turner
Ellen Tyler
Cynthia W. Tyng
Julias Valiunas
Nava Waxman
Rodger Wetherholt
Sanae Willoughby
Bessie Woodward
SCULPTORS:
Robert Blank
Theresa Kreuzer
Young Hee Lee
Floramae McCarron
Sandra Moorhead
Man Soon Park
Carolyn Webb
Richard Woodstock
SECOND COMPETITORS:
Jack Barnett
Anthony J. Buczko, Jr.
Wayne Bystrom
Joseph D. Danciger
Cynthia Klein
Thomas F. Mallon
Clarence E. Morgan
Mary Nomecos
FOUR YEAR CERTIFICATE AWARDS
December, 1974
Nancy P. Gohen
David Milton Hatfield
Donna M. Lind
Linda Sue Massey
Jay B. Miller
Arleen Olshan
Man Soon Park
Richard Ranck
Dianah Sandler
Delia Marshall Turner
May, 1975
Noriko Asakura
Thomas Ballew
Jackie Earl Barnett
Katherine E. Bennett
Barbara B. Brodo
Mark A. Bryce
Anthony J. Buczko
J. Wayne Bystrom
Richard F. Ciocio
Joanne M. Cleveland
Hannah G. Coale
David R. Cochrane
Michael D. Conaway
Jeanne F. Coryell
Basil A. Costantino
Robin L. Daane
Joseph D. Danciger
Anthony Delle Donne
Joseph Donovan
Marueen Drdak
Rebekah Feldman
Dorinda Fryce
Vivian Goldstein
Dorance Perry Gorton
Edward Henderson
Michael Henderson
Gary R. Hiatt
Edwin S. Humpal
YongJa Kim
Cynthia J. Klein
Mary E. Liddle
Ralto Lindsay
69
Andrij J. Maday
Thomas F. Mallon
Maria R. Marable
Elizabeth A. Marsden
Linda S. Massey
Sandra J. Moorhead
Clarence Morgan
Terez Morse
Iwan Nazarewycz
Mary Nomecos
GI'egory D. O 'Brien
Legh A. Palmer
Robert D. Picker
J aynee Levy-Polis
Ruth Reibrich
Robin B. Roantree
Christopher G. Schultz
James R. Sherwood
Stephen Steinmetz
Donald L. Shore
Randi J. Singer
James E. Souder
Joseph Szimhart
Jonathan R. Temple
John Tripple
Mary Turner
Ellen Tyler
Cynthia W. Tyng
Julius V. Valiunas
Nava Waxman
Richard Woodstock
Kate Williams
Richard S. Ranck
Thomas Booth
Terrance Harvey
Albert Gury
70
OFFICERS
John Gribbel 2nd
President
Henry S. McNeil
Vice President
Clement B. ewbold, J r.
Treasurer
Richard J. Boyle
Director
Henry Hotz, Jr.
Dean of the School
Robert Stubbs
Administrator and Secretary
Theresa Kreuzer
BOARD OF TRUSTEES
Charles L. Andes
Mrs. WaIter H. Annenberg
Walter G. Arader
Benjamin D. Bernstein
Mrs. Bertram D. Coleman
Daniel W. Dietrich, II
David Gwinn
Samuel M. V. Hamilton
Henry F. Harris
Frank T. Howard
Arthur C. Kaufmann
John H. Keelan
Charles J. Ken kelen
Mrs. Edward B. Leisenring,Jr.
Charles E. Mather, III
Henry S. McNeil
Donald E. Meads
Bertram L. O 'Neill
Mrs. Meyer P. Potamkin
David W. Scully
Martin P. Snyder
Frank R. Veale
Charles J. Webb 2nd
Grahame Wood
EX OFFICIO
The Hon. J oseph E. Coleman
City R epresentative
Mrs. J ames W. Cooke
Chairman, Woman's Committee
Donald Shore
____
~_ 2
L_
The Hon . Robert W. Crawford
City Representative
Elizabeth Osborne
Faculty Representative
The Hon . George X. Schwartz
City R epresentative
COMMITTEE ON INSTRUCTION
Will Barnet
Chairman
Charles L. Andes
Benjamin D. Bernstein
Daniel W. Dietrich II
H. Lea Hudson
Charles E. Mather III
John W. McCoubrey
Clement B. Newbold, Jr.
Richard J. Boyle
Director (ex officio)
Elizabeth Osborne
Faculty R epresentative (ex officio)
Mrs. James W. Cooke
Chairman, Women's Committee (ex officio)
Henry Hotz, J r.
Dean of the School (ex officio)
SCHOOL STAFF
Richard S. Ranck
R egistrar
Patricia E. Byrne
Assistant to the Dean
Marietta P. Bushnell
Librarian
Linda F. Bloom
Administrative Assistant
Barbara K. Lyons
Store Manager
Stephen Hammond
Attendant
William Charles Bammerman
Attendant
PEALE HOUSE
SUPERINTENDENT
James Lulias
___________________________________________
THE PENNSYLVANIA ACADEMY OF THE FINE ARTS
BROAD AND CHERRY STREETS
Fall Semester
Application for Admission in the
Spring Semester
PHILADELPHIA, PENNSYLVANIA 19102
19_
215-972-7600
·0
Check One
19_ ·
0
Please type or print all information neatly and legibly.
Date of application _ _ _ __
$10.00 application fee enclosed.
0
Check.
Mr.
Mrs.
Name Miss
Mailing address
(Firs, )
(Las!)
2 Small
Photographs
Here
Srreet and Number
Zip Code
State
Home address __
~
__
~~~
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Streel and Number
Telephone _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Cily
Stale
Zip Code
Date of Birth ____ _ _ _ _ _ __ _ _ _ _ __ Place of birth _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __ _ _ _ _ _ _ __
Citizenship _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ____
High School
Location __________________
Social Security o.
Year of graduation _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ___
Schools attended beyond high school, with dates _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Degrees _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Name and address of parent or guardian _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Relationship
I f you are married, give name of husband or wife
Are you interested in an academic degree ?
Source of funds while attending P.A.F.A.
Self
Parent or Guardian __________
Other
Specify
What are your plans for housing?
Live at home _ _ __
Supervised housing __-,--_----,-_ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Women only
Live with relatives or friends _ _ _ __
Otller _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __ _ _ _ _ _ _ _ _ _ _ __
76-77
73
Give names and addresses of two responsible persons who will furnish references for you (not relatives) and will send them directly to the Academy.
Na.ne _____________________________________________
Address ___________________________________________
_________________________________________
Address ___________________________________________
N~ne
How did you le~·n of P.A.F.A.? ---------------------------------------------------------------------------------Do Not Fill In This Section
Transcript __________________________________________
~
Re~r e n ces
__________________________________________
--------------------------------------------------------
In order to protect the health of our students, the Pennsylvania Academy of the Fine Arts requires that all students be examined by a physician. Your
doctor will certify that you are free of ~ly communicable disease or other condition which might interfere with your activities as a student.
Henry Hotz, Jr.
Dean of the Schools
1. Fill out and return application form (tear out perforated last
page in catalogue)--include photographs and the $10.00
fee. Two lellers of reference may be forwarded with the
application form or sent directly. Doctor's certificate need
not accompany the application but must be received before
enrollment.
2. Do not send portfolio until you receive acknowledgement
from the school Registrar. Letter will give dates of portfolio
evaluation and instructions.
3. Results of portfolio evaluation will be mailed lO you by the
Registrar. If you have been accepted the letter will include
information about admission, dates of registration , payment
of tuition, etc. Portfolios shoule be picked up, by applicants
who live in the Philadelphia area, on Friday of the week of
evaluation. Those from out of town will be shipped collect.
The Academy cannot assume responsibility for loss or
damage to applicant's work. No insurance is placed on your
portfolio when shipped unless we receive written instructions
from the applicant.
4. Enrollment as a student includes payment of tuition, receipt
of student card , information about studio assignments,
times, days, etc., arrangements for locker space and general
.
.
onentaUon.
An interview with the Regiso'ar or Dean may be desirable
but it is not a requirement for admission.
ADDITIONAL APPLICATION FORMS MAY BE
PROCURED FROM THE SCHOOL OFFICE--WRITE OR
PHONE PENNSYLVANIA ACADEMY OF THE FI E ARTS
BROAD AND CHERRY STREETS PHILADELPHIA 19102
215-972-7600
74
1976/1977
Registration ..................................... Tuesday and Wednesday, September 7 & 8, 1976
Studi~s open for all students ... : .................................... Thursday, September 9, 1976
Deadhne for reports from travehng scholars .......... . ........ .... . ...... Friday, October 15 1976
Sti~son Competition opens .... . ....... . .. . .... .. . .. ... ... .... ... .... . Tuesday, October 26: 1976
Hohday-Veterans Day ........ . . ..... . . ...... . ........ . .. . .... ... Thursday, November 11, 1976
Stimson judging and award ........ ... ... .. .... ... ...... .... ..... Wednesday, November 24, 1976
Thanksgiving holiday .......... .... . ..... .... ...... Thursday and Friday, November 25 & 26,1976
Pre-registration, Spring Term ................................... November 29-December 17, 1976
End of Fall Term .. . ................ ... ................. .. ....... Wednesday, December 22,1976
Christmas Recess .... ......... .......... Thursday, December 23, 1976-Wednesday, January 5, 1977
Registration ........................................... Thursday and Friday, January 6 & 7, 1977
Studios open for all students .................. .................. .... ... Monday, January 10, 1977
Holiday-Washington's Birthday ... . ........... . ..... . .... .... .. ...... Monday, February 21,1977
Stewardson Competition and award .. ............ Wednesday-Friday, February 23-February 25 , 1977
Spring Recess ........................................ Monday-Friday , February 2S-March 4, 1977
Deadline for applications for traveling scholarships ..... ............ ... .. Wednesday, March 9, 1977
Submit application for scholarship with work
for scholarship competition before noon . .... ....... . .... ....... ...... . Monday, March 14, 1977
Faculty Meeting for scholarship awards .................................. Monday, March 14, 1977
Pre-registration Fall Term ............. ... ........... ...... .... ....... . .. March 21-ApriI4, 1977
Holiday-Good Friday ...... ... ........... .... ....... ... ...... .... .. . ... ... Friday, AprilS, 1977
Submit work for Spring Prizes ........................................... Tuesday, Apr!112, 1977
Faculty Meeting Spring Prize Competition . .. .... . . ... ............. ... ... Thursday, Apr~114, 1977
Deadline for submission of Toppan Prize work . . .. .. .. . .. ................ .. Monday, Apnl 25, 1977
Cresson Competition Placement .... . ...... .. .. . ........... .. . Tuesday to Friday, April 26-29, 1977
Last day for studio work ................................................. . Friday, April 29, 1977
Toppan Prize Judging ............... , . . . ........ .. .... .. . ................ Tuesday, May 3, 1977
Cresson Award Judging . .... . .. ... ..... . ..... .. .... .. ... ... .. .. . . . ........ Tuesday, May 3, 197~
Exercises for Awards ............... . .. .. .. . ..... . ......... ... .. . . . .. ... Wednesday, May 4, 197
End of Term ........ . .... .. .. . ...... . ... ... ......... ........ ...... ........ . Friday, May 6, 1977
