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1982-1983 School Circular
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eng
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•
Pennsylvania
Aeade••• y
of the
Fine Arts
1982-83
Finaneial Aid
Inquiries and requests for application forms
should be directed to:
Richard S. Ranck
Director of Financial Aid
and Student Affairs
Pennsylvania Academy of the Fine Arts
1811 Chestnut Street
Philadelphia, Pa. 19102
215·972· 7618
The Pennsylvania Academy of the Fine Arts does not
discriminate on the basis of race, sex, creed or national
origin.
BEFORE YOU READ FURTHER
Below is a glossary of terms commonly used in
financial aid. Understanding them will help you
know what is expected of you.
School Code Numbers: These are identifying
numbers used in the application process. For the
PHEM Application the Academy School Code
Number is 018449, the Academy School Program
code is 60.
PHEAA: The word is an acronym for Pennsylvania Higher Education Assistance Authority. The
PHEM Application is the needs analysis document used by the Academy and is the application
to be used for all programs which comprise the
Academy's financial aid program. There is no cost
to the student in using this form.
Dependent Student: A student who, during the
past two years: has lived with his parent(s) or guardian(s) for more than six weeks; or has received
$750 or more from his parent(s) or guardian(s) in
cash or kind; or has been claimed as a dependent
by his parent(s) or guardian(s) for income tax purposes. Meeting anyone of these criteria is sufficient to classify a student as dependent.
Commuting: A budget category for a dependent student living with his parents during
the school year.
Off-Campus: A budget category for a dependent student living separately from his family during the school year.
Independent Student: An entirely self-supporting student who meets none of the criteria for
dependence. Generally these students are over 25
and are able to demonstrate financial self sufficiency. "Independent" is also a category used in
determining a budget.
Budget: Generally, the nine month estimated
cost of education at the Academy .
Direct Costs: Fixed Costs, i.e. tuition
Non-direct Costs: Costs other than tuition
Grant Funds: Financial aid which does not
have to be repaid .
Self-Help Funds: Financial aid which is either
earned or borrowed.
HOW MUCH DOES IT COST
TO GO TO THE ACADEMY?
Although actual costs vary from student to student, the following projections are offered to assist
you in planning for the year 1982-83.
Tuition
Room and Board
Supplies
Transportation
Personal
Commuting
Off Campus
Independent
2200
945
500
500
200
2200
2520
500
320
200
2200
2922
500
320
200
The Financial Aid Office will assign you one of the
above budgets based on the information you provide during the application. If you find the budgets
shown here differ from the expenses you expect to
incur, be sure to inform the Financial Aid Office.
WHO IS ELIGIBLE FOR FINANCIAL AID?
To be eligible for financial aid you must: (1) be
enrolled as a full-time day student in good
academic standing and (2) demonstrate need.
Need is determined by a review of income and
assets to calculate how much you and your family
can reasonably be expected to contribute-where
the cost of your education exceeds the expected
contribution, need exists. Regardless of your
resources, if you think you cannot meet Academy
expenses you should apply for financial aid.
Approximately 50% of Academy students receive
some form of aid.
WHAT TYPES OF AID ARE AVAILABLE?
Financial aid is usually awarded in a combination of grant and self-help funds. Students are required to apply for all programs for which they
meet basic eligibility requirements. The aid can
come from any of several sources : the federal
government, state government, or the Academy.
Here is a description of each type:
GRANTS
Basic Educational Opportunity Grant
(BEOG): Grants up to $1670 are awarded to
students who have not earned a bachelor's
degree, on the basis of need, student attendance,
and duration of program. Students are notified by
Basic Grants about their eligibility for aid by the
Student Eligibility Report (SER). (Use PHEAA
application for consideration .)
PHEAA Grants: Awards of up to 80% of prescribed costs (not to exceed $1500) are available
to Pennsylvania H .S. Graduates. Students are notified by PHEAA of their eligibility. (Use PHEAA
Application for consideration.)
Supplementary Education Opportunity
Grant (SEOG): Grants up to $1500 are available to
students who do not hold a bachelor's degree on
the basis of need and available funds. This program is administered by the F. A Office. Students
are notified by the Academy Award Letter. All
students applying for campus aid are considered
for this program. (Use PHEAA application and F. A
Questionaire for consideration.)
Academy Tuition Scholarships: These are
open to students who have completed one year at
the Academy, including students who hold bachelor's or master's degrees. Scholarships are
awarded annually on the basis of merit and need.
Application for this aid includes submitting a portfolio to the Faculty each Spring. Students awarded
these scholarships receive either full or half tuition credit for the ensuing school year . (Use
PHEAA Application and F. A Questionaire for
consideration.)
SELF HELP
College Work·Study (CWS): This employment
program is offered to students on the basis of need
and available funds. Jobs are available on and off
campus, pay at least minimum wage, with hours of
employment that vary but are designed not to
Interfere with class work. The program is administered by the F. A Office, all students applying
for campus aid are considered, and students are
notified by the Academy Award Letter. (Use
PHEAA Application and F. A Questionaire for
consideration.)
Guaranteed Student Loan Program: Students
may borrow up to $2500 per year where need
exists. These loans are available at 9% interest
with repayment deferred until the conclusion of
studies. Contact the F. A Office to find out what
borrowing limits may apply to you. (Application is
obtained from your bank, credit union, or savings
and loan in the state in which you are a resident.)
HOW MUCH AID CAN I EXPECT TO RECEIVE?
The Academy helps students to the extent that
funds are available and need is demonstrated. As
shown in the "Cost" section, expenses are not
limited to tuition only; where funds are available
and need is demonstrated, the Academy will also
help with those other expenses. The financial aid
awarded a student is first credited to tuition.
Where aid exceeds tuition, the balance will be
distributed to the student to be used for non-direct
costs.
HOW DO I APPLY?
Federal regulations governing financial aid require the Academy to use an authorized needs
analysis system to determine who is eligible for
financial aid. The Academy is using the PHEAA
System, provided at no cost to students.
To apply for financial aid for 1982-83, ALL
students must file both (1) the "Application for
Pennsylvania State Grant and Federal Student
Aid", generally referred to as the PHEAA Application form; and (2) the Academy Financial Aid
Questionai re.
The PHEAA Form is used to determine eligibility for the PHEAA Grant, BEOG, and the
Academy Campus Aid (Academy Scholarship,
College-Work Study, and SEOG). The PHEAA Form
collects financial resource information which is
used to calculate the expected family contribution
and to establish a student's financial need.
The PHEAA Form takes about six weeks to process from the time of submission. The Academy
has a preference deadline of April 15, 1982, for
receipt of the processed application. Students
whose forms are processed after that date will be
considered only after on-time applicants and only
on a funds available basis. It is strongly recommended therefore, that students should file the
PHEAA Form no later than March 1, 1982. The
form is sent to PHEAA, Towne House, Harrisburg,
PA 17102.
and applicants will be required to give evidence of
that financial support. Scholarships are awarded
on the basis of talent and promise.
WHEN WILL I KNOW WHAT AID
I HAVE BEEN AWARDED?
The Financial Aid Office will notify new students
in early June and returning students in early July. If
you are awarded aid you will receive an award
package describing the aid and the attendant requirements, and you will be required to sign an
award letter accepting the aid and its conditions .
The Financial Aid Office will be happy to counsel
you at any point during the application process
about the possibilities of your receiving aid.
Students should understand that some aid is
conditional on availability of funds to the Academy,
and that if those funds are reduced, the school will
reduce aid accordingly .
The Academy Financial Aid Questionaire
collects additional information about students
ranging from academic standing to housing status.
This form is completed and returned to the Financial Aid Office, 1811 Chestnut St., Phila., PA
19103, and MUST BE FILED BY APRIL 15,1982, for
a student to be considered an on-time applicant.
All Applications are available through the Financial Aid or Admissions Office.
Transfer Students: Students who have attended
other post-secondary educational institutions, including academic, professional, trade or vocational schools, must file a financial aid transcript
with the Financial Aid Office for each institution
they have attended, even if they received no aid at
those schools. The Law prohibits the Academy
from awarding any aid, including loans, to students
not complying with this requirement.
Foreign Students: Tuition Scholarships are
available to foreign students applying from outside
the U. S. Application is made through the Admissions Office. There are no funds available for costs
beyond tuition (transportation, room, board, etc.)
STUDENTS' RIGHTS
AND RESPONSIBILITIES
All students have the right to know the method
used to determine their need; the right to have access to information and records used in determining need; and the right to be awarded aid equitably
as funds permit.
Students applying for financial aid are responsible for accurately portraying their financial
resources and circumstances and notifying the
Financial Aid Office of any changes in status ; for
applying in a timely manner; and maintaining
satisfactory progress and good standing (see
School Catalogue for standards of progress and
standing).
Students who fail to maintain adequate progress
will be put on probation for one semester. Failure
to correct academic deficiency will result in the
loss of financial aid until those credits have been
earned. Students who knowingly provide false information will lose financial aid and will be refused
aid thereafter.
•
The Pennsylvania
Academy of the
Fine Arts
BROAD AND CHERRY STREETS
PHILADELPHIA. PENNSYLVANIA 19102
(215) 972-7625
Founded 1805
CONTENTS
-
Page
Back Cover
Academic Calendar
47
Academy Tuition Scholarship
63
63
43
42
43
46
46
9
46
Admissions
Application Deadlines
Assignment of Credit
B.F.A. Program
Course Descriptions
Deferred Payment
Expenses
Faculty
Financial Aid
The Pennsylvania Academy af th F·
e
me
Page
Portfolio Requirements
42
42
3
61
63
Readmission
64
Refund Policy
Scholarships & Prizes
46
42
49
Transfer Students
64
Veterans
47
F our-year Certificate
Grading System
History
Housing
Satisfactory Progress
At·
.
r S 1S accred1 ted by the National Association af Schools of Art & Design.
The School's admissions policies and practices guarant t.. d ·
. .
.
laws against discrimination for reason f l e e a1r e ucaiJonal opportumly m concert w1th existing Federal and Commonwealth
so race, co or, sex, age, religion, national origin, or handicap.
Thi~ catalog is not a contractual document. The Penns I
.
.
.
pohcy governing students, or financial regulati
t ~ ~ohma Academy of the Fme Arts reserves the nghtto change any curricular offering,
ans s a e
erem whenever and as the requirements of the School demand.
nON
Founded in 1805, the Pennsylvania
Academy of the Fine Arts is the oldest art
school in America. It is unique in its tradition of regenerative process wherein each
generation of artists teaching and exhibiting at the Academy shares its experience
and expertise with the next succeeding
generation, creating an unbroken line of
excellence that stretches from Charles
Willson Peale, the founder, to the present.
Ephraim Weinberg
Dean and Head of the Schools
1
2
HISTORYILocation
he Pennsylvania Academy of
the Fine Arts is unique among
American art institutions. It is
the oldest art school in America, and from its founding in
1805, has been a museum and school dedicated to teaching, collecting, and exhibiting American artists and art.
Both the School and the Museum
have been in the forefront of trends in the
fine arts in America for almost 200 years.
Students in the Academy Schools range
from Thomas Sully and the Peale family in
the early years to Thomas Eakins, Thomas
Anshutz, Mary Cassatt, and Cecelia
Beaux in the middle years, to "The Eight"
more recently to the students of the 1960's
and 1970's who both broke the traditional
molds and also continued the Academy
tradition of realism through to the realist
"renaissance" being experienced now.
While the School has taught and produced some of the most prominent names
in American Fine Arts, the Museum has
also lead with exhibitions of both tradi tional and controversial American art.
Over the years, the galleries of the Academy Museum have held works of the
Photo-Secession, the juried Academy
Annuals, works from the Barnes Foundation, and works of Contemporary American Realism.
The Academy itself is located in an
historical city that has long been a center
for the creative and performing arts. The
Academy student has access to a wide
range of cultural activities and has the
opportunity to interact with the students of
no less than 48 other institutions of higher
education, including several other art
schools and colleges. Not only is the city
of Philadelphia itself laden with historical,
architectural, and cultural opportunities
but so are the outlying suburban and rural
areas. To the south of Philadelphia is
Chadds Ford, home of the Wyeths and
Howard Pyle, home of the "Brandywine
School." To the north is the artists colony
of New Hope; and to the west one finds the
Barnes Foundation, one of the greatest
collections of 19th and early 20th century
French paintings.
The Academy then is an institution of
tradition in a city of tradition. As it moves
toward the end of its second century, the
School continues its dedication to the
training of fine artists.
3
ROBERT HENRI
by Alexander S. Calder, student,
PAFA 1886- 1888, 1892- 1894
4
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5
THE ARTIST IN HIS MUSEUM
by Charles Willson Peale, founder of the Academy
6
BUILDINGS
The Pennsylvania Academy of the
Fine Arts occupies two buildings in Center City Philadelphia of architectural
importance. The main building, at Broad
& Cherry Streets, is a masterpiece of Victorian Gothic architecture opened in 1876
and fully restored in 1976. This National
Historic Landmark was designed by Frank
Furness and George Hewitt, and houses
both the Museum and the School. Bold,
colorful, flooded with natural light and
flamboyantly decorated in the latest high
Victorian manner, it was efficiently and
functionally planned.
The majority of classes for the first
year students are held in the Peale House,
at 18th & Chestnut Streets, another distingUished building, designed by the architect Windrim. Over 75 faculty and independent students occupy private studios
in that space, as well as galleries and
offices.
COLLECTION
"What I admire most about the Pennsylvania Academy is its integrity. If the
chief job of the Museum is to preserve, as
I believe it is, then the Academy has done
its job well. The great Furness building
remains intact while most of our other
nineteenth century museums have been
'improved' beyond recognition. The collection itself is a fine one, greater by far as
a preserved whole than as a gathering of
undeniable master works. In an age when
museums seek to dazzle, the Academy is
one of a handful of institutions which
seeks to preserve its heritage, keeping
faith with the past while planning for the
future. "
Theodore E. Stebbins, Jr., Curator of
American Painti ng, Museum of Fine Arts,
Boston.
UBRARY
The Academy Library provides students
with a thorough survey of the history of art, as
well as materials to stimulate individual inspiration. The collection includes a clipping file,
a biographical file of artists, books, magazines, exhibition catalogs and color reproductions.
ARCHIVES
The Archive of the Academy preserves
primary source materials relating to the history of the institution. Archives include documents from the Academy Schools and from
past exhibitions as well as information about
many of the artists associated with the Academy. Researchers are welcome by appointment.
7
8
THE CELLO PLAYER
by Thomas Eakins, student, PAFA 1861-18651Instructor, PAFA 1876-1882
Director of Academy Schools, 1882- 1886
THE FACULTY
AUGMENTING THE CURRICULUM
THE FACULTY is comprised of distinguished
Richard Barnet
Lecturer in Anatomy
Char les F ahlen
Lecturer in Sculpture
Mavis Pusey
General Critic
J. Franklin Shores
Lecturer in Perspective
artists who present themselves as models of
behavior. The Faculty is augmented by
instructors skilled in technical specialties and
by guest artists and lecturers. Listings are
from the 1981-82 school year.
9
JOSEPH AMAROTICO
Instru ctor in Paintin g
Born: Bronx, N.Y. , 1931
Education: Ame rican Art School, 1953;
Pennsylvania Academy of the Fine
Arts, 1954- 1959.
Awards: Cresson Memorial Traveling
Scholarships, 1958.
Thouron Faculty Prize, 1959; Catharine
Grant Memorial Award, 1959, Fellowship of P.A.FA.; The Mary Butler
Memorial Award, 1965, Fellowship of
P.A.FA ..
Represented in the American Federation
of Arts Traveling Exhibition, Corcoran
Biennal, 1963; Art in the Embassies Program, US Department of State, and in
public and private collections.
Conservator for the Pennsylvania Academy of the Fine Arts.
One-Man Exhibition: Mickleson Gallery,
Washington, D.C., 1975.
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10
'.
JACK BARNETT
Instructor in Painting and Drawing,
Evening School
Born : Fort Worth, Texas , 1944
Education: Fort Worth Art Center,
1968- 1970; Pennsylvania Academy of
the Fine Arts , 1971 - 1975.
Awards: The Cresson Me morial Traveling
Scholarship, 1974; National Academy
of Design, S] Wallace Truman Prize,
1974 and 1976; Butler Institute of American Art Purchase Prize, 1976.
Represented in the permanent collection
of the Butler Institute of American
Art, and other public and private
collections .
11
WILL BARNET
Instructor in Painting and General Critic
Born: Beverly, Mass ., 1911
Education: Boston Museum of Fine Arts
School; Art Students League
Pedagogical: N. Y. Instructor at Art Stu dents League since 1936; Professor at
Cooper Union, N.Y. C. since 1945; visiting critic, Yale Unive rsity.
Exhibi tions (partial listing): One-man
show of paintings at the Ne uberge r
Museum at Purchase, N.Y., 1979: "Will
Barnet: 20 years of Painting and Drawing," traveled to Ringling Museum in
Sarasota, Florida in 1980. One-man
exhibit of graphics at the Association
American Artists Galle ry in New York
City 1980, concurrent with a graphics
exhibit at the Jane Haslem Gallery in
Washington, D.C., 1980.
Work represented in: Metropolitan
Museum of Art, N. Y.; Boston Museum of
Fine Arts; Brooklyn Museum; Carnegie
Institute; Cincinnati Art Museum; Corcoran Gallery of Art; The Duncan Phillipas Museum; The Fogg Museum;
Pennsylvania Academy of the Fine
Arts; Philadelphia Museum; Phillips
Gallery; Seattle Art Museum; Whitney
Museum; University Art Museum,
Berkeley, Cal.; Modern Museum,
N.Y.C.
Publications: Published supplement to
1972 Print Catalogue Raisonne covering all his graphics. Published a book of
graphics titled WILL BARNET: 27
MASTER PRINTS (Abrams: 63 pages)
lithographs, serigraphs and etchings.
Awards: Winner of Benjamin Altman
(Figure) Prize, National Academy of
Design, 1977. Third Prize and Purchase
Prize-60 , Prize-61, Corcoran Gallery of
Art. Childe Hassam Award, Arts and
Letters, 1981.
Memberships: Century Assoc iation;
National Acade my of Design; Royal
Society of Arts, London; Ame rican
Abstract Artists; Ame rican Academy
and Institute of Arts and Letters .
Represented by the Terry Dintenfass
Gallery, N. Y. C.
12
JOHN BOLLES
Instructor in Lithography
Born: Plattsburgh, N. Y., 1939
Education: State University of New York,
B.S. in Art Education; Wincheste r
School of Art, Wincheste r, England;
Tyler School of Art, Temple University,
M.F.A.
Exhibitions: Gallery 252, Philadelphia;
The Print Club of Philadelphia; University of Pennsylvania; The Art Alliance,
Philadelphia; City College, New York;
American Color Print Soc iety; Art in
the Embassies Program of the Department of State; Silvermine Guild, New
Canaan, Conn.
Represented in Winchester School of Art,
Winchester, England; Prints in Progress
permanent collection; Free Library of
Philadelphia; State University of New
York, Buffalo; Drexel Institute, Philadelphia; Alexander Ewing Associates,
Architects; RCA Philadelphia; United
States Consulate, Brussels, Belgium;
Korman Corporation, Philadelphia;
and private collections.
13
ARTHUR DE COSTA
Instruc tor in Drawing and Painting
Born: New York, New York, 1921
Studied painting and mural design at the
Pennsylvania Academy of the Fine
Arts, and Cast Drawing at the University of Pennsylvania. Independent study
on synthetic resins and other modern
materials with e mphasis on the ir potential for use in the traditional, classic
painting techniques as well as conte mporary practice. Developed the first
commercially available alkyd resin
painting medium. Demonstration lectures on the principles of technique at
FA.F.A., National Gallery, Washington, D.C.; Winterthur Conservation
Study Program, Philadelphia Board of
Education Special Programs, and others. Exhibited in local and national
exhibitions; solo exhibit at the Peale
House Gallery and others.
Represented in public and private collections.
President of the Fellowship of the Pennsyl vania Academy of the Fine Arts,
1973- 1975 .
J
14
MURRAY DESSNER
Instructor in Painting, Evening School
Born: Philade lphia, Pa., 1934
Education: Fleisher Art Memorial,
1960-1961; Pennsylvania Academy of
the Fine Arts, 1962-1966.
Awards: Cresson Memorial Traveling
Scholarship, 1965; Schiedt Traveling
Scholarship, 1966; Gibbons Fellowship
Painting Prize, 1968; Tobelah Wechsler
Prize; Cheltenham Art Center Philadelphia Museum Purchase Prize, 1969.
One-man exhibitions: Frie nds' Neighborhood GUild, Phila., Pa., 1967; Vanderlip Gallery, Phila., Pa., 1968; East
Hampton Gallery, New York, 1969;
Pennsylvania Academy of the Fine
Arts, 1970; Marian Locks Gallery,
Phila., Pa., 1972, 1974-1978, 1980. Cornell Fine Arts Center Museum, Rollin
College, 1982.
Group exhibitions: Rhode Island School
of Design, 1964; Pennsylvania School of
Design, 1964; Pennsylvania Academy
of the Fine Arts Fellowship Exhibitions,
1964-1969, 1971 - 1972; Cheltenham Art
Center Annual Painting Exhibitions
Cheltenham, Pa., 1966, 1969, 1970,
1972; Art Alliance, Phila., Pa., 1967;
Kenmore Gallery, "Pitman Selects,"
Phila., Pa., 1968; Fleisher Art Memorial, Phila., Pa., 1968; International Art
Festival, Puerto Rico, 1969.
Represented in the collections of the
Pennsylvania Academy of the Fine
Arts; Philadelphia Museum of Art;
Fidelity Mutual Life Insurance Company; Bryn Mawr College; Penn Federal Savings and Loan Association;
Girard Bank, and private collections.
15
ADOLPH DJODA
Instructor in S c ulpture, Evening Sch ool
Born: Aliquippa, Pa. , 1915
Education: Carnegie Institute of Technology, Pittsburgh, Pa. Cleveland Sc hool
of Art, Cleveland Ohio; Art Students
League, N.Y.C., and with John B. Flannagan. Attended Barnes Foundation
and summer seminar with Richard
Stankiewicz.
Honors and Awards: Seventeen one-man
shows; Guggenheim Fellowship;
George D. Widener Gold Medal; Ebon
Demerest Grant.
Exhibitions: Artist's Equity Triennial (Philadelphia Chapter), Philadelphia Civic
Center, 1971, 1974, 1977, 1981; Oneman show: Rosemont College, 1972;
Philadelphia Art Teachers Annual, First
Prize in 1971, 1972, 1973, 1974;
Cheltenham Art Centre Membership
Show, First Sculpture Prize, 1974; Invitational exhibit, Artist's Equity, 1973,
1975; Paintings and Sculpture Annual
Exhibit, Allen's Lane Art Center, First
Sculpture Prize, 1974; Outdoor Sculpture Show, Temple Music Festival,
Ambler, Pa., 1974-1976, 1978-1979;
Seventh Annual Art Exhibit, Main Line
Unitarian Church, Devon, Pa., 1976;
Italian-American Bicentennial Exhibit,
Memorial Hall, Phila., 1976; Contemporary Abstract Artists, Woodmere
Gallery, Phila., 1978; Hand Center
Group Show, Jefferson Gallery, Phila.,
1978; P.A.fA. Faculty Show, Peale
House, 1979; Invitational group show,
Daylesford Abbey, Paoli, Pa., 1979;
Group show, Graphic Sketch Club,
Phila., 1979; Group show, "Contemporary Religious Art," Bryn Mawr Presbyterian Church, Bryn Mawr, Pa., 1980;
Group exhibition, Fleisher Art Memorial, Phila., 1980; P.A.fA. Faculty
Show, Walnut Street Theater, Phila.,
1980; Four-man show: "4 Concepts,"
Woodmere Gallery, Phila., 1981; Oneman show, Costanza Gallery, Bryn
Mawr, Pa., 1981.
Commissions: Philadelphia Redevelopment Authority, bas-relief. Tinicum
Park, Phila., 1978; St. John's Episcopal
Church, Norristown, Pa., holy water
fonts, 1981.
Listings: International Dictionary of Biography; Who's Who in the East; Who's
Who in American Art.
16
TOM EWING
Instructor in Drawing
Born: Pittsburgh, Pa., 1935
Education: Corcoran School of Art,
Washington, D.C.; Pennsylvania Academy of the Fine Arts, Phila., Pa.
Exhibitions: Solo and group shows in New
York, Los Angeles, San Francisco,
Washington, D.C., Philadelphia, Pittsburgh, Palm Beach, Fla., Toronto, Canada, Bordeaux, France, and Cape
Town, South Africa .
.
•
-
-
.:
17
SIDNEY GOODMAN
Instructor in Painting
Born: Philadelphia, Pa., 1936
Education: Philadelphia College of Art;
RF.A., 1958
One-man exhibitions: Terry Dintenfass,
1961- 1980; Pennsylvania Academy of
the Fine Arts, 1975; University of Rhode
Island, 1974; Schenectady Museum,
1978; Institute of Contemporary Art,
Virginia Art Museum, 1981- 2; Boston
University Art Gallery, 1982. Traveling
one-man show: Museum of Art, Penn
State University 1980-The Queens
Museum 1981-The Columbus Museum
of Art 1981-The Delaware Museum of
Art 1981.
Awards: Yale-Norfolk Fellowship, 1957;
Ford Foundation Purchase, 1962; Guggenheim Fellowship, 1964; National
Academy of Design, 1971; National
Endowment on the Arts Grant, 1974;
Butler Institute of American Art, 1st
Prize, 1975.
Represented in: The Brooklyn Museum;
Hirshorn Museum; Library of Congress; Museum of Modern Art; National
Collection; Pennsylvania Academy of
the Fine Arts; Philadelphia Museum of
Art; Whitney Museum of American Art;
Metropolitan Museum.
Selected group shows: Museum of Modern Art: "Recent Painting USA: The
Figure," "Fifty Drawings USA," "A
Decade of American Paintings," "Drawings: Recent Acquisitions." Whitney
Museum: "Annual Exhibition" (7
years), "Forty Artists Under Forty,"
"Young America," "Human ConcernPersonal Torment," "20th Century
Drawings," "The Figurative Tradition."
Cleveland Institute of Art: "22 Contemporary Realists." Foundation Nationale
des Arts Graphiques et Plastiques:
"Papiers sur Nature." Philadelphia
Museum of Art: "Contemporary Drawing II." The Chrysler Museum: "American Figure Painting: 1950- 1980."
National Portrait Gallery: "American
Portrait Drawings." Pennsylvania
Academy of the Fine Arts: "Eight Contemporary Realists," "Contemporary
American Realism." Marquette University: "Changes: Art in America
1881-1981." Goteborg, Sweden: "Warm
Wind: American Realists."
18
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PAUL ANTHONY GREENWOOD
Instructor in Sculpture and Drawing
Born: Philadelphia, Pa., 1921
Education: Pennsylvania Academy of the
Fine Arts; Barnes Foundation; Academie Julien, Paris; Temple Unive rsity
School of Fine Arts.
Assistant to Jo Davidson, 1943.
Awards: Board of Education Scholarship,
1939; Rome Collaborative Sculpture
Prize, 1942; Stewardson Prize, 1943 ;
Cresson Traveling Scholarship, 1943 ;
Ware Traveling Scholarship, 1944;
Louis Comfort Tiffany Award, 1952;
May Audubon Post Prize, 1953- 1954;
Pennsylvania Academy Fellowship
Gold Medal, 1955; Louis Comfort
Tiffany Grant, 1971.
Represented in the permanent collections
of the Philadelphia Museum of Art; The
New Jersey State Museum, Trenton,
N.J.; Phoenix Museum, Phoenix, Ariz.;
American Swedish Historical Museum,
and in private collections in Philadelphia, Trenton, and New York.
One-Man Shows: Peale House, 1975;
Opus 127 Gallery, N.Y., 1975.
Executed bronze lion for Sons of Italy
Building, Philadelphia, 1955; bronze
and marble fountain for Mr. and Mrs.
William Almy, 1967; bronze and limestone fountain for Mr. and Mrs. Adolph
Rosengarten, 1969. Executed figure of
Elvis Presley, 1978.
19
OLIVER GRIMLEY
Instructor in Drawing
Born: Norristown, Pa., 1920.
Edu cation: Pennsylvania Academy of the
Fine Arts, coordinated with the University of Pennsylvania; received a B.F.A.
and M.F.A.
Awards: 1st prize in Perspective; 1st
Thouron Prize in Composition; Cresson
Traveling Scholarship, and Schiedt
Traveling Scholarship from Pennsylvania Academy of the Fine Arts; Freedom
Foundation Award, 1953; Pennell
Memorial Medal Award , 1966, 1968,
1970; the Bruce S. Marks Prize for
drawing, 1971; First Prize , Watercolor,
Jenkintown Festival of Art , 1973; Ralph
Pallen Coleman Prize for Illustration,
1973, 1980; 1st prize for Sculpture,
Regional Council of Community Arts
Center, 1974; Harrisons Morris Prize,
1975; Woodmere Prize, 1975; J.w. Zimmerman Memorial Prize, 1979, for work
of distinction.
Commissioned works: 7Y2' papier mache
eagle for private office of Leonard Tose,
Phila. Eagles Football Club; bronze
unicorn for private office of the President of Sun Oil Co.; murals in Commonwealth Federal SaVings and Loan,
Continental Bank, American Bank and
Trust Co. of Pa., and the HamiltonReliance Savings Association.
Exhibitions: New York Metropolitan
Museum, the Whitney Museum, the
Library of Congress, Washington,
D.C., the Pennsylvania Academy of the
Fine Arts, the Art Alliance, the Woodmere Art Galleries.
Listed in Who's Who in American Art
1973.
'
20
JOHN HANLEN
Instructor in Painting and General Critic
Born: Winfield, Kansas, 1922
Education: Pennsylvania Academy of the
Fine Arts; Barnes Foundation.
Awards: Cresson Traveling Scholarship,
1942; Cresson Traveling Scholarship,
1943; Ware Traveling Scholarship,
1950; Thouron Faculty Prize, 1942;
Rome Collaborative, 1943, 1950; Louis
Comfort Tiffany First Award, 1950;
Edwin Austin Abbey Fellowship for
Mural, 1951; Harrison S. Morris Memorial Fellowship Prize, Pennsylvania
Academy of the Fine Arts, 1962 and
1964; Honorable Mention, Pennsylvania Academy of the Fine Arts Annual,
1965; Bertha M. Goldberg Award,
1967; second Charles K. Smith Prize,
1973; Woodmere Prize, Woodmere Art
Gallery, 1975; Honorable Mention
Fidelity Regional, 1979.
Represented in: Library of Congress,
Washington, D.C.; Pennsylvania Academy of the Fine Arts; Woodmere Art
Gallery; War Department Collection
of Combat Painting, and in private
collections.
Collaborated with George Harding on the
Audubon Shrine, Mill Grove, Pa.
One-Man Exhibitions: Peale House, 1966;
Woodmere Art Gallery, 1973.
Has taught at the Pennsylvania Academy
of the Fine Arts since 1953; Professor of
Drawing and Painting at Moore College
of Art since 1954. Listed in Who's Who
in American Art; Who's Who in the
East; Dictionary of International Biography; Who's Who in America.
•
21
ALEXANDER HROMYCH
Instructor in Sculpture
Born: Ukrane, 1940
Education: Pennsylvania Academy of the
Fine Arts.
Awards: Stewardson Prize, PA.F.A.,
1959; Stimson Prize, PA.F.A., 1960; the
Mary Townsend William Mason Memorial Prize, PA.F.A., 1960; the Cresson
Traveling Scholarship, 1961; May
Audubon Post Prize, 1967; Artist Fund
Prize, National Academy of Design,
1970; Bronze Medal for Sculpture,
National Arts Club, 1971; the Mary
Kent Prize, 1971.
Represented in private collections in the
U.S . and Europe.
22
HOMER JOHNSON
Instructor in Painting and Drawing
Born: Buffalo, N.Y., 1925
Education: Pe nnsylvania Academy of the
Fine Arts, 1946-1952; Barnes
Foundation.
Awards: Cresson Traveling Scholarship,
1951; Tiffany Grant. 1959; Purchase
Prize, Lambert Fund, Pennsylvania
Academy of the Fine Arts, 1959; Nancy
Gill Memorial Prize, Philadelphia
Watercolor Club, 1972; Purchase Prize,
National Academy of Design, American
Watercolor Society, Ranger Fund, 1972.
Represented in: Permanent Collection,
Butler Institute of American Art; Permanent collection of Smith Kline and
French Laboratories; United States
Embassy, Lima Peru, and in private collections.
Member of American Watercolor Society.
Exhibitions: One-man show, Philadelphia
Art Alliance, 1962; Pennsylvania Academy of the Fine Arts Regional Show,
1964. One-man show, Woodmere Art
Gallery, 1965; Pennsylvania Academy
of the Fine Arts Watercolor Show, 1965;
Regional Drawing Exhibition, Philadelphia Museum of Art, 1965; Butler Institute of American Art. Youngstown,
Ohio, 1965. One-man show, Peale
House, 1966; Museum of Fine Arts,
Springfield, Mass ., 1966. One-man
show, Philadelphia Art Alliance, 1971;
Harrisburg, Pa., 1971. One-man show,
Woodmere Art Gallery, Philadelphia,
1972; Earth Show, 1973; Philadelphia
Civic Center-Delaware Art Museum,
1973.
Annual Traveling Exhibition: American
Watercolor Society 1975-76; Regional
Art Exhibition, University of Delaware,
1977-78; First Prize in Aqueous Media,
Philadelphia Watercolor Club, 1979.
23
KARL KARHUMAA
Instructor in Sculpture
Born: Detroit, Michigan, 1924
Education: Wayne University, B.FA.; Syracuse University, M.FA.; and Pennsylvania Academy of the Fine Arts.
Awards: Tiffany Foundation Award, 1954;
Eastern Michigan University Invitational Exhibition Purchase Award,
1963 .
Exhibitions: Detroit Institute of Art; Syracuse Museum of Fine Art; Columbus
Museum of Fine Art; Phillips Mill, New
Hope, Pa.; Woodmere Art Gallery,
Chestnut Hill, Pa., 1979.
24
ROBERT KOFFLER
Instructor in Painting, Evening S ch ool
Born: Philadelphia, Pa., 1938
Education: Syracuse Unive rsity, B.F.A.;
University of Pennsylvania, M.F.A . , and
studied at Boston University, Skowhegan School of Painting and Sculpture,
University of Perugia, Italy.
Artist in residence, Cini Foundation, Venice, Italy; Professor, Moore College of
Art, 1965- 78; Dean of Academic
Affairs, Kendall School of Design,
Grand Rapids, Michigan.
One-man Exhibits: Temple University,
1970; Saint Joseph's College, Phila.,
1976; Allentown Art Museum, 1977;
American Institute of Architects, Phila.,
1978; Siena Heights College, Adrian,
Michigan, 1979.
Group Exhibits: Vanderlip Gallery,
1972-1974; Philadelphia Museum of
Art, 1974; Brooks Jackson Dolas Gallery, N.Y.C., 1978; Cheltenham Art
Center "40th Annual," 1980.
Represented in: Smithsonian Institution,
Washington, D.C.; Siena Heights Collection; LaSalle College.
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25
JIMMY C. LUEDERS
Instructor in Painting & Composition,
and General Critic
Born: Jacksonville, Fla., 1927
Education: Pennsylvania Academy of the
Fine Arts.
Awards: Cresson Traveling Scholarship,
1950; Schiedt Traveling Scholarship,
1951; Percy M. Owens Memorial Award
for a Distinguished Pennsylvania Artist.
One-man Shows: McCleaf Gallery,
Phila., Pa., 1974; Marian Locks Gallery, Phila., Pa., 1978.
Group shows: Philadelphia: Three Centuries of American Art, Bicentennial
Exhibition, Philadelphia Museum,
1976.
Listed in Who's Who in American Art.
J
26
LISABETH MARDER
Instructor in Graphics and Drawing
Born: Philadelphia, Pa., 1941
Education: Pennsylvania Academy of the
Fine Arts; University of Pennsylvania;
Philadelphia College of Art; Barnes
Foundation.
Awards: Schmidt and Woodrow prizes for
graphics; Alice McFadden Ayre Medal,
1977; Joseph Pennell Medal, 1976, and
First Prize, Philadelphia Watercolor
Club .
Exhibited at the Pennsylvania Academy of
the Fine Arts; Philadelphia Art Alliance; Woodmere and Alverthorpe Galleries.
Represented in many private collections.
Member of the Philadelphia Watercolor
Club Board of Directors.
27
STANLEY R. MERZ, JR.
Instructor in Painting, Evening School
Born: Philadelphia, Pa., 1941
Education: Philade lphia College of Art;
Pennsylvania Academy of the Fine
Arts .
Awards: First Thouron Prize for Composition, PA.FA.; Charles Toppan Prize for
Drawing, PA.FA.; Cresson Trave ling
Scholarship, PA.FA.; Pe nnsylvania
Academy of the Fine Arts, Purc hase
Prize; Special Merit Citation, PA.FA.
One-man exhibits: TWA Galerie des Deux
Mondes, New York; Robert Louis Gallery, Chestnut Hill, Pa.; Marian Locks
Gallery, Phila., Pa.
Group exhibits: William Penn Museum,
Harrisburg, Pa.; Pennsylvania State
University Museum of Art; American
and National Academy and Institute of
Arts and Letters, New York; Squibb
Gallery, Princeton, N.J.; Albright College, Freedman Art Gallery; Delaware
Museum of Art; Philadelphia Art
Alliance.
Represented in collections of: Pennsylvania Academy of the Fine Arts; Dr.
Arthur M. Sackler, New York; Summa
Corporation, Washington, D. C.; W m.
Douglas McAdams, Inc., New York.
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DANIEL D. MILLER
Instructor in Painting and Art History
Born: Pittsburgh, Pa., 1928
Edu cation: Lafayette College, B.A.;
Pennsylvania State University summer
painting classes under Hobson Pittman;
Pennsylvania Academy of the Fine
Arts, 1955- 1959; University of Pennsylvania, M.F.A., 1958.
Awards: Cresson Traveling Scholarship,
1958; Watercolor Annual, Friends Central School, 1972; Honorable Mention
Graphics Annual. Wayne Art Center,
1973; Honorable Mention Graphics &
Drawing Annual, Wayne Art Center,
1973; Purchase Prize, 41st Annual Exhibition, Cumberland Valley Artists,
1973; Bertha M. Goldberg Award,
1975; Leona Karp Braverman Prize,
1976.
One-man shows: 46.
Paintings and constructions: Pennsylvania Academy of the Fine Arts; University of Pennsyvlania Library;
Wilmington Society of the Fine Arts;
Pennsylvania State University; Dickinson College; Rutgers Museum.
Prints: Philadelphia Museum of Art; Princeton University Library; Dickinson
College; Philadelphia Public Library;
Friends Select School; University of
Maine; LaSalle College.
Has taught at Pennsylvania Academy of
the Fine Arts since 1964; at Eastern College since 1964 (head of Fine Arts
Department since 1965).
Member of the Philadelphia Watercolor
Society.
29
EOOMWAKE
Instru c tor in Painting
Education: Pennsylvania Academy of the
Fine Arts.
Exhibitions: Kenmore Galleries, 1968;
Pennsylvania Academy of the Fine
Arts , 1968; Philade lphia Museum of
Art , 1970; Henri Gallery, 1971; Whitney
Annual of American Painting , 1972;
Race Gallery, 1982.
Painting Purchased: Cheltenham Annual
Painting Exhibition, 1972 , 1st prize;
Marian Locks Gallery, 1972.
Contributing artist: Marcel Duchamp Retrospective Exhibition, Fischbach Gallery, 1972; Philadelphia Museum of Art,
1972; Whitney Annual of American
Painting, 1973; Earth Art Exhibition,
1973; Hobson Pittman Memorial Exhibition, 1973; 63rd Annual Randolph
Macon College Exhibition, 1974; Louis
K. Meisel Gallery, 1974; PMA at MCA,
1975; Marian Locks Gallery, 1975; Pyramid Galle ry, 1975; Alverthorpe Annual
exhibition, 1976; "Art Today, U. S.A.,"
Tehran, Iran, 1976; Delaware Annual
exhibition, 1976; Portfolio Gallery, Dusseldorf, Germany, 1976; American Art
Exhibition, University of Texas at Austin, 1977; Institute of Contemporary
Art, 1978; Robinson Gallery, 1978;
Race Gallery, 1979; Zaks Gallery, 1980;
Sebastian Moore Gallery, 1980.
Assistant Curator of NEWS National
Drawing Exhibition, 1976; Guest artist
at University of Pennsylvania, 1981;
reproduced in Artforum, Art in America, ArtsMagazine.
Represented in private and public
collections .
30
ELIZABETH OSBORNE
Instructor in Painting & Drawing
and General C ritic
Born: Philadelphia, Pa. , 1936
Education: Pennsylvania Academy of the
Fine Arts; University of Pennsylvania,
B.F.A., 1959, with honors.
Awards: Catherwood Traveling Fellowship, 1955; Cresson Traveling Scholarship, 1957; 1. Henry Schiedt Traveling
Scholarship, 1958; Fulbright Grant to
Paris, 1963- 64; Richard and Hilda
Rosenthal Foundation Award, National
Institute of Arts & Letters, 1968.
One-woman exhibitions: Sao Paulo, Brasil. 1969; Makler Gallery, 1970; Marian
Locks Gallery, 1972, 1976, 1978; Gimpel and Weitenhoffer Gallery, N. Y. ,
1974, 1977; Fischbach Gallery, 1980,
1982.
Exhibited: Pennsylvania Academy of the
Fine Arts Annuals; Washington Gallery
of Modern Art, 1968; National Institute
of Arts & Letters, 1968; Woman's
Work- American Art, 1974; "The Year of
the Woman," Bronx Museum of the
Arts, 1975; "Watercolor USA,"
Springfield Art Museum, Missouri,
1975; "Five Pennsylvania Artists," Penn
State Museum, 1975; Three Centuries of
American Art, Philadelphia Museum of
Art, 1976; "In This Academy," P.A.F.A.,
1976; Works on Paper, Los Angeles,
1977; Women Printmakers, San Francisco, 1979; Still Life Prints , Boston,
1979; Painting & Sculpture Today, 1978,
Indianapolis Museum of Art; Contemporary Drawing: Philadelphia II , Philadelphia Museum of Art, 1979; Twentyfive Pennsylvania Women Artists, South
Alleghenies Museum of Art, Pa, 1979;
The New American Still Life, Westmoreland County Museum, Pa; "Waterworks," University of N. Dakota Art
Galle ries, 1980; "Still Life Today,"
Godard Riverside Community Center,
N.Y.C., 1980; "Contemporary American Realism Since 1960," P.A.F.A.,
1981; "Still Life & Beyond," Silvermine,
CT, 1982; Hecksher Museum, Huntingdon, N.Y., 1982.
31
PETER PAONE
Instructor in Drawing
Born: Philadelphia, Pa. , 1936
Education: Barnes Foundation ; Ph iladelphia College of Art.
Instructor at Philade lphia C ollege of Art ,
1958- 59; Posita no Art School , Positano ,
Italy, 1961 - 62; Pratt Institute , N.Y.,
1959- 1960 and 1970-74. Le ctured in
America and Europe. Receive d two
grants from the Louis Comfort Tiffany
Foundation, and one from the Simon
Guggenhe'.n Foundation.
One-man exnibitions: Hooks Epstein,
Houston, Texas; David Mancini, Philadelphia; Robinson Galleries, Houston;
Kennedy Galleries, N.Y.; David Gallery, Houston; Clytie Jesson Gallery,
London; Forum Gallery, N.Y.; Fort
Worth Art Museum, Fort Worth, Texas;
Grippi Gallery, N. Y.; Print Club,
Phila.; Contemporary Arts Museum,
Houston, Texas; Amarillo Arts Center,
Amarillo, Texas; Association of American Artists; McAllen International
Museum.
Represented in over 24 group exhibitions
both here and abroad .
Public collections: Museum of Modern
Art, N. Y.; Syracuse University; Philadelphia Museum of Art; Print Club,
Phila .; Free Library; New Jersey State
Museum; The Summer Foundation;
Princeton Library; University of Massachusetts; Utah Museum; Carl Sandburg
Memorial Library, S. C.; The General
Mills Collection; The Library of Congress; Victoria and Albert Museum,
London; Tamarind Institute, Albuquerque, N.M.; Butler Institute , Youngstown, Ohio; Museum of Art, Penn. State
University; Pennsylvania Academy of
the Fine Arts; Atlantic Richfield Co.,
Los Angeles.
On the boards of the Philadelphia Volunteer Lawyers for the Arts; the Print
Club.
Member of the National C ommission of
UNESCO.
Publications and Reviews: Listed in Who's
Who in American Art and Who's Who
in the East.
32
HENRY C. PEARSON
General Critic
Born: Kinston, N. C., 1911
Education: M.F.A., Yale University; B.A.,
University of North Carolina.
Scene designer, 1937-1941: Roadside
Theatre, Bethesda, Md.; Dock Street
Theatre, Charleston, S.C.; Washington
Civic Theatre, Washington, D.C.
Policeman, Capitol Police Force, Washington, D.C. , 1942.
Art Study in Japan under Shojo Yamamoto
and Yuki Somei; Art Students League ,
N.Y.
One-man exhibitions: Workshop Gallery,
1958; Stephen Radich Gallery, 1961,
1962, 1964-66, 1969; Ball State University, Indiana, 1965; Tweed Museum,
Duluth, Minn., 1965; FairweatherHardin Gallery, Chicago, 1966; North
Carolina Museum of Art, 1969; Van
Straaten Gallery, Chicago, 1970; Betty
Parsons Gallery, 1971, 1974, 1976; Truman Gallery, 1977; Marilyn Pearl, 1980;
Century Club, 1982.
Awards: Ford Foundation; Tamarind
Workshop Fellowship; State of North
Carolina Gold Medal in the Fine Arts ,
1970; J. Henry Schiedt Memorial Prize,
P.A.F.A. Annual, 1968.
Represented in collections of: Metropolitan Museum; Museum of Modern Art;
Whitney Museum; Chicago Art Institute; Albright-Know Gallery, Buffalo;
Nelson-Atkins Museum, Kansas City,
Mo.; St. Louis City Museum; Corcoran
Art Gallery and National Gallery,
Washington, D.C.; Allentown Museum,
Pa.; Guggenheim Museum; National
Gallery, Oslo, Norway; Mrs. Albert
List, N. Y. C.; Chase Manhattan Bank,
N.Y.C.; Union Carbide, N.Y.C.; U.S.
Steel, Pittsburgh, Nelson Rockefeller
Collection; Vogel Collection, N.Y.C.;
Brutten Collection, Phila.; New York
Public Library.
Represented by Marilyn Pearl Gallery,
N. Y. C., and Marian Locks Gallery,
Phila., Pa.
33
JUDY PINTO
General Critic
Born: N ew York City, New York, 1942.
Edu cation: Pennsylvania Academy of the
Fine Arts; Philadelphia College of Art.
B.F.A.
Visiting critic at Rhode Island School of
Design, Graduate Sculpture Department since 1980.
One-person exhibitions: Nexus Gallery,
Phila . , 1977; Hal Bromm Gallery, N.Y.,
1978, 79,80,81; 112 Green Street Gallery, N. Y. , 1979; Demarco Gallery,
Scotland, 1979; Marian Locks Gallery,
Phila., 1980; California State University, 1980; Morris Gallery, P.A.F.A.,
1980.
Selected outdoor projects: Artpark,
Lewiston, N.Y.; Wright State University; PS 1; School ofthe Art Institute,
Chicago; I.C.A., Phila., Pa.; Demarco
Gallery, Scotland; University of Oklahoma; Wooster College, Ohio; Upper
Galilee, Israel; Swarthmore College,
Pa.; California State University; Three
Rivers Arts Festival, Pittsburgh, Pa.;
Sacramento, Calif.; Boulder, Colo.
Selected group exhibitions: PS I, N. Y. C . ,
1977; "Contact: Women and Nature,"
organized by Lucy Lippard, 1977;
"Dwellings," I.C.A., Phila., Pa., 1978;
Whitney Biennal, N. Y., 1979; "Custom
& Culture, Part II," Old Customs
House, N.Y., 1979; Venice Biennale,
Italy, 1980; "Architectural References,
Los Angeles Institute of Contemporary
Art, 1980; "Drawing Acquisitions:
1978-1981," Whitney Museum, N.Y.C.,
1981.
Work represented in private and public
collections including: Philadelphia
Museum of Art; Pennsylvania Academy
of the Fine Arts; Neuberger Museum,
Purchase, N.Y.; Whitney Museum of
American Art.
Founder & Director: Women Organized
Against Rape 1971-74, Philadelphia.
Writings: "Quintessence" Catalogue,
1978, Wright State Univ. "Excavations
and Constructions: Notes for the Body!
Land," 1979, pub. Marian Locks Gallery, Phila.
Awards: Cresson European Trave ling Fellowship, 1967; N.E.A. Grant, 1979-80;
Pennsylvania Council on the Arts
Grant, 1980- 81.
34
SEYMOUR REMENICK
Instructor in Painting
Born: Detroit, Mich.
Education: Tyler School of Fine Arts;
Academie des Beaux-Arts , Paris; Hans
Hofmann School , New York; Pennsylvania Academy of the Fine Arts.
Awards: Louis Comfort Tiffany Grant;
Benjamin Altman Landscape Prize ,
National Academy of Design; Hallmark
Purchase Prize.
Featured in: LIFE Magazine; Newsweek
Magazine; ArtNews Annual.
One-man exhibitions: Davis Gallery, New
York; Philadelphia Art Alliance, Peridot Gallery, N.Y.; Pearl Fox Gallery,
Melrose Park, Pa.
National shows: American Federation of
Arts Tours; American Landscape: A
Living Tradition, Smithsonian Institute;
20 Representative Artists Since 1969;
"American Painting," Rome, Italy;
Third Biennale Exhibit, Bordighera,
Italy; Rhode Island School of Design
"Four Young Americans"; La Napoule
Foundation, Paris, France; "Eleven
Contemporary American Painters,"
Syracuse Museum of Fine Arts; "Three
American Painters"; Festival of the
Arts, Spoleto, Italy; National Academy
of Design; Butler Institute; Philadelphia
Museum; National Academy of Design;
"Philadelphia: Three Centuries of
American Art," 1976, Philadelphia Art
Museum.
Represented in: Dallas Museum of Art;
Delaware Art Center; Pennsylvania
Academy of the Fine Arts; Philadelphia
Museum of Art; Phoenix Art Museum;
Rhode Island School of Design
Museum; St. Joseph's College, Pa.;
Bowdoin College; Wilmington Art
Museum; Hirshorn Museum, Washington, D.C.
Elected Associate National Academician
1981. Elected Full National Academician 1982.
35
BRUCE SAMUELSON
Instructor in Painting and Drawing
Born: Philadelphia, Pa ., 1946
Ed ucation : Pennsylvania Academy of the
Fine Arts, 1964- 1968 .
Awards: Cresson Memorial Traveling
Scholarship, 1967; Schiedt Memorial
Traveling Scholarship , 1968; Cha rles
Toppan Prize for Drawing, 1967; May
Audubon Post Prize for Painting, 1972;
1st prize for Drawing at Cheltenham Art
Center, Drawing Exhibition, 1974.
One-man exhibitions: West Chester State
Teachers College, 1970; Robert Louis
Gallery, Phila., 1973; Woodmere Art
Gallery, Chestnut Hill, Pa., 1974;
Gross-McCleaf Gallery, Phila., 1975;
Philadelphia Art Alliance, 1977;
Bloomsburg State College, 1977;
Rosenfeld Gallery, 1977, 1978, 1980;
Wayne Art Center, 1979; Gallery Doshi,
Harrisburg, Pa., 1973, 1979.
Exhibitions: Students of Hobson Pittman
at the Pennsylvania Academy of the
Fine Arts, 1967-68; Philadelphia Invitational, Hunterton Art Center, 1976;
Awards Exhibition for the American
Academy and Institute of Arts and Letters, 1976; National Drawing Exhibition, Rutgers University, 1977; Recent
Acquisitions Exhibition, P.A.F.A., 1978;
Philadelphia Drawing II, Philadelphia
Museum of Art, 1979.
Represented in collections of: Pennsylvania Academy of the Fine Arts; Philadelphia Museum of Art; Rutgers University
permanent collection; LaSalle College
permanent collection; Philadelphia
Library permanent collection.
36
DAVID SLIVKA
Instructor in S c ulpture
Born: Chicago, Ill.
Education: California School of Fine Arts;
Art Institute of Chicago.
Pedagogical: University of California;
University of Mississippi; South Illinois
University; University of Massachusetts.
Selected group shows at: Museum of Modern Art; Guggenheim Museum; Brooklyn Museum.
Selected One-man shows at: Everson
Museum, Syracuse, N.Y., 1974; HammarskjoldPlaza, N.Y., 1975.
Represented in the collections of: The
Walker Art Center; the University of
Pennsylvania; Everson Museum; Baltimore Museum; Brooklyn Museum;
Staats Galerie, Stuttgart, Germany;
Rutgers University, N.J., and many private collections.
Awards: Brandeis Creative Arts Award for
American Sculpture, 1962. Louis Comfort Tiffany Foundation Award for
Sculpture, 1977-78.
37
LOUIS B. SLOAN
Instructor in Painting
Born: Philadelphia, Pa., 1932
Education: Pennsylvania Academy of the
Fine Arts.
Awards: Cresson Traveling Scholarship,
1956. Second prize, Wilkie Buick
Regional Exhibition, 1960; Louis Comfort Tiffany Grant, 1960, 1961; Jennie
Sesnan Gold Medal, P.A.F.A., 1962;
Emily Lowe Grant, 1962; John Simon
Guggenheim Fellowship, 1964; Earth
Art II Purchase Award, 1975.
One-man exhibition in 1964 at the Peale
Galleries of the Pennsylvania Academy
of the Fine Arts; Black Perspective on
Art Exhibition, New York, 1975; American Painters in Paris Exhibition, 1975;
represented in many national and international juried and open exhibitions.
Mr. Sloan is represented in the permanent collection of the Philadelphia
Museum of Art, as well as in private collections. Was the President of the Fellowship of the Pennsylvania Academy
ofthe Fine Arts, 1968-74, Vice President 1975-76. Since 1960, Mr. Sloan has
been an instructor in Painting at the
Pennsylvania Academy of the Fine
Arts, and from 1963 to 1981, an assistant
conservator at the Philadephia Museum
of Art.
38
ROSWELL WEIDNER
Senior Instructor in Painting & Drawing,
and General Critic
Born: Reading,Pa., 1911
Education: Pennsylvania Academy of the
Fine Arts and Barnes Foundation.
Awards: Cresson Traveling Scholarship,
1935; First Toppan Prize, 1936.
Exhibited in FA. FA. Annual Exhibitions
1935- 1979: Fellowship Prize, 1943;
Dawson Memorial Medal, 1965 and
1972. FA. FA. Annual Fellowship Exhi bition: Granger Award, 1959; Philadelphia Watercolor Club Exhibition: Dawson Memorial Award, 1975; Thornton
Oakley Award, 1977; Percey Owens
Award, 1975; Represented in the Reading Museum; Philadelphia Museum of
Art; Pennsylvania Academy of the Fine
Arts; Penn. State University; University
of Pennsylvania; Connecticut State
Library; National Association of Broadcasters, Wash., D. C.; Smith Kline and
French; Library of Congress; Metropolitan Museum of Art; First Pennsylvania
National Bank Collections.
Major One-man exhibitions: PA.FA.,
1940, 1960; Reading Museum, 1961;
Philadelphia Art Alliance, 1962; Peale
House, PA.FA., 1965; Wm. Penn
Memorial Museum, Harrisburg, Pa.,
1966; McCleaf Gallery, 1970; Newman
Galleries, 1978; Woodmere Exhibition,
1978; Marian Locks Gallery, 1981. President of PA.FA. Fellowship 1956-1967;
managed PA.FA. Evening School
1962-1973.
Listed in Who's Who in America and
Who's Who in American Art.
39
MARTHA ZELT
Instructor in Screenprinting and
Advanced Printmaking
Born: Washington, Pa., 1930
Education: Conneticut College; Pennsylvania Academy of the Fine Arts; Temple
University (B.A.); University of New
Mexico.
Awards: Cresson Traveling Scholarship,
1954; Schiedt Traveling Scholarship,
1955; Print Fellow, the Print Club,
1965.
Solo Exhibitions: Carnegie Institute,
Museum of Art, 1982; Marian Locks
Gallery, 1981; Brooklyn Museum, 1980;
the Print Club, 1975; Peale Galleries,
1972.
Recent Group Shows: World Print III,
1980; "Contemporary Drawings II,"
1979; National Collections of Fine Arts;
"New Ways with Paper," 1978; Brooklyn
Museum: "Thirty Years of American
Printmaking," 1977.
Public Collections: Carnegie Institute,
Museum of Art; Pennsylvania Academy
of the Fine Arts; the Philadelphia
Museum of Art; Yale University; Princeton University; Brooklyn Museum;
Rhode Island School of Design; Trenton
State College, and others.
40
•
/
f
--
'\
NEW ENGLAND WOMAN
by Cecilia Beaux, student, PAFA 1876- 18781Instructor, PAFA 1895-1916
41
ACADEMIC POLICY
AND COURSE DESCRIPTIONS
Four-Year Certificate
The Pennsylvania Academy of the
Fine Arts grants its Certificate to students
who have satisfactorily completed four
years of study (120 credits) in the Academy Schools, or the equivalent according
to the Academy requirements. Two years
of study at the Academy must be full-time.
Only students whose records are complete and meeting satisfactory progress
according to the final decision of the
School Administration are eligible for
these Certificates. By special arrangement, work done in the Evening or Summer Schools may be credited toward the
Certificate.
Bachelor of Fine Arts Degree
A Bachelor of Fine Arts Degree is
available in conjunction with the Philadelphia College of Art or the University of
Pennsylvania. Both institutions recognize
the attainment of the Academy's Certificate as satisfying the studio credit
requirements for their respective B.F.A.
programs. Specific information may be
obtained from the Registrar's Office. Students who intend to receive a B.F.A. from
the University of Pennsylvania must be
approved by the Faculty. Work is submitted at the same time as the work for Studio
Privilege, with the same prerequisites.
Regulations & Registration
The Academy realizes that maximum
freedom fosters creative effort and permits
unusual devotion to the artist's se1£discipline. The minimal regulations will
not interfere with artistic effort. Therefore, these regulations are to be met for
the student to be eligible for progression
through the program, individual studio
privilege, scholarships, prizes, and travel
awards. Furthermore, those students who
desire to apply the credit for studio work
done at the Academy toward the Certificate or B.F.A. must have a complete
record of registration as well as a Faculty
evaluation of the quality of the work.
42
Registration requirements are satis-
fied when each student has registered one
piece of work each month with each of the
artists assigned to him .
Grading System
A+
A
AB+
B
B-
C+
C
CD
I
NG
97-100
Excellent
94-96
90-93
87-89
Good
84-86
Satisfactory
80-83
77-79
Fair
74-76
70-73
Poor but Passing 60-69
Incomplete
No Grade
Incomplete: An Incomplete is given
only when a student is unable to complete
the course work for sufficient reason. A
student requests an Incomplete through
the faculty member concerned. Students
have one year from notification of an
Incomplete to satisfy the course requirements. No credit will be awarded until a
letter grade replaces an Incomplete.
Beyond one year, any repeat of the course
will be at the expense of the student and in
no case will credit be applied retroactively. The student transcript will show no
record of Incompletes after one year.
No Grade: When there is no contact
between a student and an assigned
instructor, the faculty member may designate No Grade (NG), or enter no grade at
all. No credit will be awarded until a letter
grad~ replaces NG.
Grade Report
Students receive a grade report at the
close of each semester which includes a
cumulative grade average and credits
earned.
Satisfactory Progress
To be eligible for the four-year Certificate and Financial Aid, students must
maintain a B - cumulative grade average. Students whose average falls below a
B - will be placed on probation for the
ensuing semester. Failure to raise the
average to the prescribed level will result
in loss of e ligibility for Financial Aid and
the Academy Certificate. However, students whose probation is academic and
not disciplinary may continue to enroll
and attend class as space permits. Students whose records are incomplete or
who have not received a sufficient number
of grades to allow them to receive the Certificate in a timely manner may be placed
on probation.
Appeal
Appeals related to administrative
action may be taken to the Faculty.
Assignment of Credit
Effective September I, 1979, the
Academy School will award 1.5 semester
credits for each three (3) hours a studio
meets.
COURSE DESCRIPTIONS
PRELIMINARY STUDIOS
Students entering the Academy for
the first time are admitted to the Preliminary Studios. Only upon special recommendation of the Admissions Committee
may new students be admitted to the Intermediate Studios. The Preliminary discipline enables the student to survey the
fundamentals of DraWing, Painting,
Sculpture, and Graphics. The Preliminary Studio assignment for each semester
of the two-semester schedule is as follows:
Life Painting:
3.0 credits, 6 hours per week
The emphasis is on providing the student with a firm foundation in figure
painting. Materials, procedures, and
methods are treated on an individual
basis with each student. Life Painting:
Aqueous Media covers pastel, wash
drawing, watercolor, and acrylic,
including monoprint techniques, and
geometric forms are used for home
study.
Still-Life Studio:
3.0 credits, 6 hours per week
This class is concerned with the
painting of inanimate objects with
emphasis on drawing, space, composition, design, color, and painting techniques. In addition, an appreciation of
how artists of the past and present have
brought different disCiplines and experimentation to still-life painting is
included.
Life Drawing:
1.5 credits, 3 hours per week
Drawing from the life model and
exploring mass, movement, line, and
space as well as developing an understanding of the whole figure and its
relation to the paper.
Clay Modeling:
1.5 credits, 3 hours per week
Instruction in modeling from life and
portrait models.
Graphics:
3.0 credits, 6 hours per week
The study of the basic techniques,
properties and materials of Lithography, Etching, and Silkscreen. Design,
color, and craftsmanship are developed, and besides the technical
aspects, drawing and composition of
prints are discussed and critiqued.
Cast Drawing:
3.0 credits, 6 hours per week for one
semester and
1.5 credits, 3 hours per week for one
semester
Cast Drawing is a classic discipline
for the practice of drawing. It consists of
drawing studies made from casts of
antique sculpture and provides one of
the most effective means for isolating
problems of drawing for special st~dy
and to augment the life class expenence.
Basic Color Development:
1.5 credits, 3 hours per week for one
semester. This course is carried in the
semester when Cast Drawing is taken
for 1.5 credits.
43
This studio is designed to provide a
basic working knowledge of color as it
applies to painting directly from the
model and to acquaint the student with
the concept of setting a palette. The
course consists of four separate lectures, each of which is followed by a
series of three to four experimental
painting sessions.
Lectures
The following lectures are assigned
in addition to the studio classes and are
prerequisites for the Certificate, Independent Status, and Traveling Scholarships.
They are required for all Painting and
Grahics majors. Sculpture majors are not
required to complete Perspective and
Materials & Techniques; they are, however, required to complete Art History.
Perspective:
One hour per week/two semesters.
Fundamental elements of perspective and their application.
Requirements: Quizzes and/or
homework problems.
This is a year-long course and is to
be started in September.
Materials & Techniques:
One hour per week/two semesters.
Lectures and demonstrations on a
variety of sound painting materials and
their application to insure the most permanent results. The course will include
sessions of pigment characteristics, varnishes, various painting media such as
oils, watercolor, guache, pastel and
acrylic, and the photographing of
works of art for artists. Workshops with
student partiCipation will be conducted
on supports and grounds for painting,
egg tempera, and the hand grinding of
oil colors.
Requirements: Final examination.
This is a year-long course and is to
be started in September.
Art History:
One hour per week/two semesters.
A general survey of art history as it
applies to the studio curriculum. The
class alternates between survey of West-
44
ern Art (emphasis given to painting,
sculpture, and architecture) and Modern Art (consideration of 19th and 20th
century movements) .
Requirements: Registered attendance at 20 sessions .
While this is a year-long course, it
can be started at mid-year.
INTERMEDIATE STUDIOS
At the conclusion of the second
semester, each Preliminary student will be
admitted to the division of his choice
(Painting, Graphics, or Sculpture) provided his record shows a complete and
satisfactory registration of work.
Painting Division
Students electing to enter the Painting Division will be assigned each semester to studios in Life Painting (6.0 credits,
12 hours per week), Portrait Painting (6.0
credits, 12 hours per week), Life Drawing
( 1. 5 credits, 3 hours per week) and Composition (1.5 credits, 3 hours per week).
They are encouraged to pursue special
projects and to emphasize individual
exploration in style, medium, and content
under the critical gUidance of the Faculty.
Students are to complete two semesters in
the Intermediate Studios before being
classified Independent Students.
Students in the Intermediate Studios
use the foundation in materials, techniques, and perception gained in the Preliminary Studios to work toward the development of their style, experimentation,
and a more advanced understanding of
their work.
Graphics Division
Students entering the Graphics Division are assigned each semester to classes
in Printmaking (9.0 credits, 18 hours per
week), in Painting, Drawing, and/or
Sculpture (4.5 credits, 9 hours per week)
and Critique (1.5 credits, 3 hours per
week) from a member of the F acuIty designated as a General Critic. Students in
the Graphics Division are to complete two
semesters in the Graphic Studios and
earn a semester grade in Etching, Lithography, and Silkscreen before being classi-
fied Independent Students. It is recommended that Graphics students have
experience in all offered printmaking by
the end of their Intermediate year.
Emphasis is placed on image through
understanding and control of those print
media relevant to each individual's visual
statement. Visual images are developed
through one printmaking media or in
combination with other graphic, painting,
or sculpture media. Both technical and
critical assistance is given in the studio
and regular trips to museums, galleries,
and workshops are held so that students
may study prints from both the past and
present. Facilities are available for individual pursuit of Photo-Printmaking and
Papermaking.
Sculpture Division
Students in the Sculpture Division
are assigned to studios in Life Modeling
(4.5 credits, 9 hours per week), Portrait
Modeling (4.5 credits, 9 hours per week),
Composition (4.5 credits, 9 hours per
week), and Life Drawing (1.5 credits, 3
hours per week). Students are to complete
two semesters in the Sculpture Studios
and Art History before being classified
Independent Students.
The Sculpture Department offers
facilities for working from the model, and
for free work in stone and wood carving,
welding, ceramics, fabrication and casting of plastics, paper mache, wax and
plaster. Students are free to use these
facilities at their own discretion, aided by
a faculty of sculptors of varied sympathies
and approaches. Work in the round, basrelief (including medallic art which
involves intaglio), basic metal working
and forging, principles of lost wax bronze
casting on a small scale, and duplication
of sculpture are also available. The power
tool shop, managed by a technical assistant, may be used to realize individual
ideas and experiments.
INDEPENDENT
Students who have comple ted two
semesters in the Intermediate Studios and
registration requirements are classified as
Independent Students.
Those who wish may work outside the
studios and receive grades from any member of the Faculty. In such cases, students
must register their work at least once a
month with at least four members of the
Faculty and receive a minimum of four
grades. The Academy will continue to
assign students to a particular group in
order that a student wishing to work in the
Intermediate Studios be assured the
space.
Studio Privilege
Students completing two semesters in
the Intermediate Studios and all registration requirements may, in antiCipation of
being an Independent Student, apply for
Studio PriVilege.
Applications for Studio Privilege for
Painting and Graphics students will consist of submitting three (3) examples of
work. Work must not pe glass-covered or
framed; prints or paper drawings must be
mounted and may be mattE:d. Faculty
approval in the form of a majority of those
voting will be required for Studio Privilege. No student who has an incomplete
record of registration, grades, or lectures
will be eligible for Studio Privilege.
Sculpture students are to complete the Art
History requirement and apply to the
Sculpture Faculty for a studio.
Students who hold the status of Studio
Privilege are to satisfy their registration
requirements by receiving a minimum of
three (3) Faculty signatures per month
and three (3) critique grades per semester
(5 credits per grade).
All private studio assignments are
handled by the School Registrar. No student will be permitted to occupy a studio
for more than two years, with the exception of students who receive a scholarship
that requires them to return for another
school year.
Students who intend to receive a
B.F.A. from the Unive rsity of Pennsylvania must be approved by the Faculty.
Work is submitted at the same time as the
work for Studio Privilege with the same
prerequisites.
45
EXPENSES
Tuition, Day School ..........
Application fee ..............
Tuition fee per semester ......
Total: first semester . .. ..... ..
Tuition each subsequent term ..
Late registration fee ..........
Lockerfee per year ..........
$2,200.00
$
10.00
$1,100.00
$1, 110.00
$1,100.00
$
5.00
$
2.00
Payment Regulations
All fees are payable in advance by
mail or in the Registrar's Office with cash,
check, or money order. Payment in full is
required at registration. If payment has
not been received by 5 PM. on the last
day of registration, a late registration fee
of $5.00 becomes due. The late registration fee is applicable to all students who
have not paid tuition on or before the regular registration date, unless special
arrangements have been made with the
Registrar's Office in advance. Students
who fail to satisfy any outstanding obligation such as tuition, library books, student
loan fund, etc., will be ineligible to
register.
Deferred Payment
A deferred payment plan is offered,
and students must request approval for
the plan through the Registrar's Office.
Refund Policy
Withdrawal prior to classes
beginning:
100%
Withdrawal during 1st week of term: 80%
Withdrawal during 2nd week of term: 60%
Withdrawal during 3rd week of term: 40%
Withdrawal during 4th week of term: 20%
After 4th week of term:
0
No refund will be payable to a student
who is withdrawn for disciplinary reasons
by the School Adminstration.
The two exceptions to the above regulations may be: (a) in the case of any student who is called into military service
before or during a school term under provisions of the Selective Service Act; or (b)
students under Public Law No. 550 (G.!.
Bill). In either case, if a student fails to
enter the course, or withdraws, or is dis-
46
continued therefrom at any time prior to
completion, the rules listed under Veterans will apply.
FINANCIAL AID
The Academy Financial Aid Program
is comprised of grant aid, workstudy,
loans, and tuition scholarships. The application for Pennsylvania State Grant and
Federal Student Aid (PHEAA application)
serves as the application for all aid at the
Academy. Aid for new and transfer students is need-based and is initiated by the
PHEAA application.
Continuing students are also eligible
for merit aid (see "Academy Tuition
Scholarships"). To be eligible for Financial Aid, a student must be full-time (15.0
credits a semester). Students must also
maintain Satisfactory Progress, as defined
by Academy academic policy, in order to
continue to receive Financial Aid. Students who are unable to do so will be
placed on probation. Failure to resume
Satisfactory Progress in the prescribed
time, generally one semester, will result in
the loss of Financial Aid.
Students who withdraw without official approval or who are dismissed will
not be eligible for Financial Aid on their
return for the repeat of that semester.
Any student who completes the
PHEAA application will be considered for
assistance but preference will be given to
students whose processed PHEAA applications have been received by the preceding April 1. Applicants to the School
need not be admitted to apply for aid but
must be admitted to the School before aid
will be awarded. Students shoud allow
four to six weeks for the completion of the
PHEAA application.
Transfer students are required to submit a Financial Aid transcript for each
post-secondary school they have attended,
indicating whether or not they received
aid. Federal law prohibits distribution of
grant or loan funds before receipt of the
transcript, and it should therefore be filed
early. Transcript forms are available from
the Financial Aid Office.
Additional information, brochures,
and the Financial Aid Forms are available
through the Financial Aid Office, Pennsylvania Academy of the Fine Arts , 1811
Chestnut Street, Phila., Pa. 19103.
Academy Tuition Scholarships
Each March, the Academy conducts
an annual tuition scholarship competition
for full-time, enrolled students. The scholarships are awarded on the basis of merit
and need for the ensuing academic year.
Students are required to complete the
PHEAA application and to submit three
(3) pieces of work for review by the entire
Faculty. These scholarships are awarded
in conjunction with those federal and state
Financial Aid programs administered by
the Academy, but are governed by Academy policy.
All Tuition Scholarships require a
minimum of fifteen (15) hours work for the
School each year, and those designated as
Work Scholarships involve a weekly commitment of nine to eighteen hours. The
jobs to which students are assigned are
generally integrated with their studio
work. Students are notified at the time of
the award of the expected commitment.
These Tuition Scholarships have been
made possible by Academy friends:
The John Lambert Scholarships
The Lewis S. Ware Memorial
Scholarships
The Louise Harrison Memorial
Scholarships
Given by Thomas S. Harrison
in memory of his wife
The Mary R. Burton Scholarships
The Sarah Kaighn Cooper Memorial
Scholarships
Given by Mrs. George K. Johnson
The Elizabeth H. Thomas Memorial
·Scholarships
The George M. Wiltbank
Scholarships
Given by Annie C. Wiltbank
The Barbara Specker Gorson
Memorial Scholarship
Given by her father, Mr. Joseph
Specker
The Rondi Cristine Johnson Memorial
Scholarship
The Allen Harris Memorial
Scholarship
The Walter Stuempfig Memorial
Scholarship
The Robert B. Ehrman Scholarships
The Jane Darley Naeye Scholarships
The Catherine Grant Scholarship Fund
Given by Mae Diffenbaugh
The Eleanor S. Gray Memorial Fund
The Women's Committee
The Morris Blackburn Scholarship
Fund
The Albin Polasek Fund
Foreign Student Scholarships
The Academy encourages students
from foreign countries by offering fulltuition scholarships. These are awarded
by a committee of the Faculty as a result of
their evaluation of the student's portfolio.
Foreign students who are accepted must
present solid evidence of sufficient funds
to enable them to pay their living and
other expenses. Application for a Foreign
Student Scholarship is made through the
Admissions Office at the time of application to the School.
Veterans
The Pennsylvania Academy of the
Fine Arts is approved for veterans education under the provisions of Title 38 U. S.
Code Section 1776 and the Veterans
Administration Regulation 14251E. Students enrolled under provision of Title 38
u. S. Code for Veterans Education are
governed by the following:
Veterans must register at least one
piece of work with their respective
assigned teachers no less than once
each month. Veterans will be required
to submit monthly written verification of
such registration for each class.
The regular school program is available to a veteran only on a full-time (15
credits per semester) basis. Even in
those situations where a student is doubly enrolled in the B.F.A. program
between the Academy and either the
47
Philadelphia College of Art or the University of Pennsylvania his status must
remain full-time (15 credits per semester) . A veteran wishing to enroll on a
part-time basis will be restricted to the
Evening or Summer School programs .
In orde r to c omply with gra d e a nd
credit regulations a s outline d b y the
VA. , a stude nt is re quired to take a
minimum of three (3) e ve ning or summer school courses re sulting in at le ast
three (3) grades and 4.5 seme ste r
credits.
Veterans are subj e ct to all school,
academic, and disciplinary rules without exception.
Unsatisfactory Progress: Students
receiving punitive grades are placed on
probation for sixty (60) days. If unsatisfactory progress continues beyond the probationary period, the student's training
•
48
will be immediately interrupted and all
concerned will be notified accordingly.
Students dismissed because of unsatisfactory progress may apply for re-entrance ,'
however, each case will be considered on
the basis of the facts involved.
Re fund Policy : In the event a wa r
o rp h an or e lig ible p e rson fails to ente r the
course , or withdraws , o r is discontinued
therefr om a t any time prior to completion,
the amount charged to the veteran for tuition, fees , a nd othe r charges for a portion
of the course shall n ot exceed the approximate pro rata portion of the total charges
for tuition, fe es, and othe r charges that
the length of the comple ted portion of the
course bears to its total le ngth .
Credit for Previous Education and
Training: Appropriate credit is given for
comparable previous education and training, and the training period will be shortened accordingly.
SCHOLARSHIPS AND PRIZES
Alber! C. Cavallaro
Cresson 1981
The William Emlen Cresson
Memorial Traveling Scholarships
By the liberal provisions of the wills
of Emlen Cresson and Priscilla P., his
wife, a Fund has been created as a memorial to their deceased son, William Emlen
Cresson, Academician, the income from
which is to be applied by the Pennsylvania Academy of the Fine Arts in sending
pupils of merit to Europe. These scholarships shall be awarded under rules and
regulations as shall be adopted from time
to time by the Board of Directors of the
Pennsylvania Academy of the Fine Arts.
The award of Cresson Scholarships
has had significant influence on hundreds
of recipients over many years and has
been a great boon to this Academy. In the
Spring of 1969, the one thousandth award
was made. To emphasize the importance
of these awards and to broaden the advantages to our students, and because the
Fund realizes very generous income each
year, the Management, through its Committee on Instruction, has established the
practice of approving the recommendation of the Faculty for either first or second awards. These scholarships were first
awarded in 1902.
Sophia Chitjian
Cresson 1981
In 1981, six Cresson Traveling Scholarships of $4,500 each were awarded, of
which $2,500 was used for a summer of
travel and traveling expenses in Europe,
and the remaining $2,000 was used for
Academy tuition for the two terms immediately following. Each year, the sums
may vary as adjustments in tuition
charges and traveling expenses dictate.
Each recipient is required to return to
the Academy for the continuance of regular studio work in an additional year as an
Independent Student. He is expected to
help set high professional standards
among our students after his return from
Europe. In cases of exceptional merit and
when a very decided improvement is evident, a student may, through the same
authority, receive the award a second
time. Competition for a second scholarship must be entered during the year succeeding the first award, unless otherwise
ruled by the Committee on Instruction on
written application. The award of a Cresson Traveling Scholarship the second time
credits the student with the sum established for that year to be used for travel
and traveling expenses, and may be used
any time within twenty-eight (28) months
after receipt of the award.
49
Douglas S. Martenson
Cresson 1981
Stuart Mark Shils
Cresson 1981
Every student in good health and
without.knowledge of any physical condition or any other reason to prevent
accepting and properly using such scholarships is eligible for Cresson Traveling
Scholarships . Competitors must have an
aggregate of ninety-six (96) Academy
Winter School weeks to their credit which
must have been accumulated within five
(5) years of the date of corripetition. The
final thirty-two (32) weeks (two terms)
must be spent in the Winter. School of the
Academy and must be within the year of
competition. One full-time Summer and
one full-time semester of Evening Schoot
or two full-time semesters of Evening
School may be allowed as the equivalent
of one semester in the Winter School by
speCial approval of the Administration.
50
Every student must have a complete
and unbroken registration record. Painting and Graphics Majors must also have
satisfactorily completed the work in Materials & Techniques, Perspective, and Art
History. Sculpture Majors must have met
the requirements of the Sculpture Faculty
and complete the Art History requirement. All financial obligations must be
fully paid.
All students entering the competition
are required to complete the official
application. All work submitted in competition must be that which has been done in
the Academy studios or for Academy registration. It must be work completed
within the last thirty-two (32) weeks of the
Winter School. All work in competitions
must be approved and recorded before
entry by two Faculty instructors.
j
1:/ ,
Robert Simon
Cresson 1981
Robert Rasely
Cresson 1981
All competitors are unrestricted as to
amount, size,and variety of work they
submit in the competition groups, provided they do not exceed the space allotted. Each sculptor's group must include a
composition. Work must be exhibited
unframed and unglazed. If tape or stripping is used to trim unsightly edges of
canvas, it may be used to give order
rather than enhance, and must not
encroach upon the face of the canvas.
The recipient of a first traveling
scholarship must account for a period of
at least seventy (70) days in Europe, and
an itinerary and finanCial report is
required for filing in the Registrar's Office
before October 15.
The recipient of a second traveling
scholarship is granted the summer for
travel and travel expenses, and a general
accounting must be made and filed in the
Registrar's Office within three (3) months
of the end of its use. The student is not
required to return for another period of
study but may apply for free tuition should
additional study be advisable. Use of free
tuition under such circumstances may be
regulated and arranged with the Dean of
the Schools.
The F acuity will not recommend
awards of traveling scholarships if, in its
opinion, the work submitted is not of sufficient merit to justify such recommendation. A student may not be awarded more
than one traveling scholarship in any
given year and is in.e ligible for competition after having received two such
awards.
51
Mary Beth Clark
Ware 1981
Taryn Nichola Day
Ware 1981
The Lewis S. Ware Memorial
Traveling Scholarships .
The Lewis S . Ware Memorial Traveling Scholarships, in accordance with the
will of the testator, provide European
Traveling Scholarships in amount and
under regulations similar to those of Cresson Scholarships of that year. These
52
Scholarships will be awarded, according
to the income available, on the recommendation of the Faculty by the Board of
Trustees to students of outstanding merit.
These Scholarships were first
awarded in 1938. In 1981, two Ware Traveling Scholarships of $2,500 each were
awarded.
Frank J. Gollatz, Jr.
Schiedt 1981
The J. Henry Schiedt Memorial
Traveling Scholarships
The J. Henry Schiedt Memorial Traveling Scholarships, in accordance with
the will of Cornelia Schiedt, provide for
the award of Traveling Scholarships
according to the income available. The
award of these scholarships will be made
on the recommendation of the Faculty by
the Board of Trustees to students of outstanding merit. Eligibility for this competition will be based on the same requirements as set up for Cresson Scholarships
of that year. These scholarships are not
speCifically designated for European
travel. It is therefore possible, under certain circumstances, for a competing student to make application to the Dean of
the Schools at least three (3) months
before the date of competition for a particular program.
These Scholarships were first
awarded in 1949. In 1981, six Schiedt
Traveling Scholarships of $2,500 each
were awarded .
Elizabeth Churchill Huston
Schiedt 1981
53
Jeffrey Filbert
Schiedt 1981
Tanis Elaine Jerome
Schiedt 1981
Thomas J. Sarrantonio
Schiedl1981
Mayumi Tomii
Schiedl 1981
54
The Pennsylvania Gov rnor's Award
The Philadelphia Mayor's Award for
Outstanding Accomplishment by a
Student in the Fine Arts
As th P nnsylvania Academy of the
Fine Arts was established in Philade lphia
in 1805 in the Commonwealth of Pennsylvania, it is deemed appropriate that the
offices of the Governor of Pennsylvania
and of the Mayor of Philadelphia be honored by this Academy with an award recognizing the contribution of the Commonwealth of Pennsylvania to the arts in
America and of the importance of the City
of Philadelphia as a cultural center.
Two awards, of $1,000 each, have
therefore been established to be given
annually to two graduating Pennsylvania
Academy students who have shown outstanding accomplishment in the Fine
Arts.
These awards, which are unrestricted
in their use, will be given upon the recommendation of the Faculty and are limited
to those students who have, in the preceding year, won a Cresson, Schiedt, or Ware
Scholarship and are exhibiting in our
annual student exhibition as candidates
for a second award.
This special consideration is given to
these graduating students in anticipation
of their future contributions to the community through their art, and, in particular, to extend moral and practical support
at a moment when such aid can most
directly benefit the difficult and unique
transition from student to independent
artist.
David Boskovich
Governor's Award 1981
Of the following awards, those marked by
an asterisk (*) are those which originate
with the requirements of the curriculum.
They are given in recognition of academic
excellence in the classic study categories
of figure , portrait , still-life , cast drawing
and landscape which are expressed
through the disciplines of dr wing, painting, sculpture, and printm king.
Charles J. Tisa
Mayor's Award 1981
55
*The Charles Toppan Prizes
These prizes were established in 1881
by the gift of Mrs. Charles Toppan, Miss
Harriette R. Toppan and Mr. Robert N.
Toppan. Due to the considerable appreciation in value of this trust, the following
regulations were put into effect in 1962 ,
enlarging the benefits but adhering to the
positively expressed terms of the original
gift that "the drawing of the work submitted will receive first attention of the examiners." First awarded in 1882.
Up to six prizes will be available each
year at the discretion of the Committee on
Instruction, depending on the amount of
income available. A maximum of three (3)
drawings that adhere to the concept of
drawing as separate from painting, matted or prepared for exhibit but not glass
covered, with no limit on size, subject
matter or media, may be submitted in the
Spring of each year by regularly enrolled
students whose records show attendance
for at least two years previous to the current competition. Up to three prizes will
be given as curriculum prizes (see statement above) and up to three prizes will be
given as prizes for work not falling into
that definition; students submit work in
either category but not in both categories.
They will be judged by the Faculty, or a
committee of the Faculty, and the winners'
work is to be exhibited with the major
competition of the season. Any student
may receive a Toppan but once, and there
shall be no obligation to award prizes to
any work which, in the opinion of the
judges, is not of sufficient merit.
The Packard Prizes
From the income of the John H. Packard Fund, established by the children of
the late John H. Packard, M.D., for many
years Chairman of the Academy's Committee on Instruction, annual prizes of
$50.00 and $25.00 are awarded for the
best and second best groups of original
studies made from living animals in the
Zoological Garden. These prizes are open
to all students of the Academy who have
registered for both terms of the school
56
year. A student may not submit more than
one set of drawings mounted on a sheet
not to exceed 30 X 40 inches. A student
having once received a prize becomes
ineligible to receive the same prize for the
second time. First awarded in 1899.
The Thouron Prizes
These awards were founded by the
late Henry J. Thouron, a former instructor
in CompOSition. A prize of $100.00 and a
prize of $50.00 for compositions completed during the current year are
offered, the first to be decided by the Faculty, the second by a vote of the students;
a prize of $100.00 and a prize of $50.00
are both awarded by the instructor of the
class. A competitor is not eligible a second time for the same prize and cannot
receive more than one award the same
season. First awarded in 1903.
*The Cecilia Beaux Memorial Prize
The gold medals which Cecilia Beaux
received during her life in recognition of
her work as a portrait painter have been
donated to the Academy by Miss Beaux's
residuary legatees and converted into a
fund, the income of which will prOVide a
prize to be given for the best portrait
painted during a school year by a student
of the Academy. This prize of $100.00 will
be awarded, when available, by the President, with the advice of the Faculty. Students eligible for the prize must have
been enrolled in the Day classes for two
consecutive terms and at the time of competition have Independent Status. The
award is to be for the outstanding portrait
accomplished within two terms then current and not more than three (3) examples
of work may be submitted. Any student
can receive the award but once, and it is
particularly stipulated that the award does
not need to be made if, in the opinion of
the Faculty, no work submitted is of sufficient distinction. First awarded in 1946.
*The Catharine Grant Memorial Prize
This prize of $200.00 will be given for
the best landscape or still life. This prize
has been made possible by funds set up
through the sale of paintings from a
memorial exhibition of the work of
Catharine Grant, h e ld in the Fall of 1954,
and from special contributions from her
friends to this fund. First awarded in 1955.
*The Ramborger Prize
From the income of a fund established by the late William K. Ramborger,
Esq., as a memorial to his sister, Aspasia
Eckert Ramborger, who was a student of
the Academy, an annual prize of $35.00 is
awarded for the best line drawing in black
and white of a head from life by a pupil of
the Academy who has not been under
instruction over two years, but who has
been registered in the Academy for both
terms of the current school year. Each
competitor may submit one unmounted
drawing on white paper no less than
16 X 20 inches in size. Having once
received an award, a student becomes
thereafter ineligible to compete again.
First awarded in 1911.
The Edna Pennypacker Stauffer
Memorial Prize
A prize of $100.00 will be available
yearly to be awarded by the Faculty, or a
committee of the Faculty, to a student in
the School of the Pennsylvania Academy
of the Fine Arts in recognition of excellence in any medium of the Faculty's
choice, and preferably at a time of year
other than the late spring so that the financial advantages may be enjoyed by the
student during the course of his studies. It
was further agreed that the prize could be
increased in amount should the investment make that possible, but no award
shall be given in any year when a lesser
amount than $100.00 is available. This
prize was established by Ellen Evans to
honor the memory of her beloved friend,
Edna Pennypacker Stauffer, 1883-1936,
painter and lithographer of broad reputation who was a student at the Academy in
1902, 1903, and 1904. First awarded in
1961.
*The Eleanor S. Gray Prize for Still Life
A prize of $100 .00 will b e awarded by
the Faculty, or a faculty committee, to a
student in the School of the Pennsylvania
Academy of the Fine Arts who has demonstrated superior ability through the painting of Still Life. The painting considered
must have been done on the Academy's
premises during the normal course of the
School's activities, and the award may be
made during the school year rather than
at the spring judgings. One or two paintings may be submitted by each contestant. This prize is made available through
a fund established by Mr. and Mrs. J.
Maurice Gray. First awarded in 1961.
*The Lambert and Emma Wallace
Cadwalader Prize for Landscape
This prize is awarded annually
through the generosity of Mrs. Cadwalader for the best representationalla Q scape by a student of the Pennsyv
c.
Academy of the Fine Arts. First prize '
$500.00. Second prize is $100. 00 .• irs:
awarded in 1961.
*The Frances D. Bergman
Memorial Prize
In 1965, after the death of Mrs.
Bergman, a memorial fund was established by relatives and friends. The fund
makes possible a money award of at least
$100.00 to a student each spring for the
best representational painting submitted
for this prize. An artist of distinction, not
necessarily a member of the Faculty, but
with the Administration's approval, may
be invited to act as judge. First awarded
in 1966.
The Franklin C. Watkins
Memorial Grants
Established by Mrs. Watkins to provide money to aid talented students of
painting to meet expenses other than tuition. Awarded by Special Committee.
First awarded in 1973.
57
*The Lambert and Emma Wallace
Cadwalader Prize for Portraiture
This prize of $150.00 is awarded
annually for the best portrait painted in
the regular portrait class in the Academy
studios. First awarded in 1974.
The Quaker Storage Company Prize
Through the generosity of Mr. Benjamin D. Bernstein, the Faculty may grant
this prize of $250.00 to an outstanding student in recognition of meritorious
achievements. First awarded in 1965.
*The Robert A. Ricker Memorial
Landscape Prize
This prize of $100.00 is awarded
annually for the best landscape by a student of the Academy painted during the
course of the school year. First awarded in
1974.
The Consolidated/Drake Press Award
This prize of $200.00 is given by the
Consolidated/Drake Press for high
achievement during the school year, in
memory of Mr. Howard B. Miller. First
awarded in 1967.
The Benjamin Lanard Memorial Prize
This prize was made possible by his
family. A prize of $50.00 is awarded by the
Faculty for an outstanding composition.
First awarded in 1970.
The Hobson Pittman Memorial Prize
This prize was endowed by Mr. Pittman to be awarded during the Annual
Spring Student Exhibition to a talented
student for high achievement in experimental painting. First awarded in 1973.
*The Perspective Prize
A cash prize has been given each
year to that student who does the most
exemplary work in the Perspective
Course. This award was instituted by Mr.
John Harbeson, instructor in Perspective
from 1916 to 1955, and was generously
carried on by Mr. William Campbell, an
associate instructor 1936-1955 and
Instructor 1955-1965. The prize was
awarded jointly in 1967-69 by Mr. Campbell and Mr. Shores, Instructor since 1965
to the present. The award is being carried
on now by Mr. Franklin Shores and is
$50.00.
*The Thomas Eakins Memorial Prize
A prize will be offered for a superior
painting of the nude figure done in the
~ear immediately preceding the competihon. This prize of $100.00 will be awarded
by the Faculty and is available through
the generosity of Mr. and Mrs. David
Gwinn. First awarded in 1951.
58
The Sylvia G. Wexler Memorial Award
This annual award of $100.00 is given
by Mr. Morris M. Wexler to a student of
merit selected by the Faculty. First
awarded in 1970.
The Charles R. Weiner Prize
A $125.00 prize awarded during the
school year by the Faculty and Administration to a student who shows promise.
First awarded in 1973.
The Alexander Prize
A $300.00 prize for the student work
in any medium which shows unusual
promise. First awarded in 1973.
The Philadelphia Water Color Club
Prize
Through the generosity of the Philadelphia Water Color Club, a $100.00
prize is awarded to a fourth year student
who displays the best transparent watercolor, as judged by the Faculty jury. First
awarded in 1982.
*The Samuel David Memorial Prize
for Cast Drawing
This prize, established in 1980, is
awarded annually by the David David
Gallery for a cast drawing of particular
merit done from an antique cast in the
school studios. Two prizes of $50.00 each
are given: one to a first year student for a
classroom drawing, and one to a student
beyond first year working independently.
*The Morris Blackburn
Landscape Prizes
Two $100.00 prizes for work in landscape awarded by Betty and Joan Blackburn in memory of Morris Blackburn.
Awarded by Committee.
The Louis S. Fine Purchase Prize
A prize of $300.00 for an outstanding
painting of the Philadelphia waterfront is
awarded by the Faculty. First awarded in
1965, this purchase prize has been given
by Louis S. Fine to encourage students to
discover the excellent material to be
found in the work of the stevedores, the
piers, vessels and colorful surroundings
of the waterfront.
The Rohm and Haas Fine Arts
Achievement Award
The Rohm and Haas Company has
established a purchase prize to recognize
and encourage the developing generation
of Philadelphia's fine artists. This $500.00
award is provided annually to a student in
recognition of outstanding work displayed
at the Spring exhibition. The award is
determined by jury, and the purchased
piece will become part of the Rohm and
Haas Company's collection displayed in
the Corporate Headquarters building on
Independence Mall. First given in 1980.
*The Saunders Foundation
Purchase Prize
A $200.00 prize for the best painting of the summer at Saunders Woods.
Awarded by that year's Landscape
Faculty.
*The Stimson Prize
This prize was established in memory
of Emma Burnham Stimson and was created for the award each year of a prize in
Sculpture of $100.00 for the best work
done by the students in the regular course
of the class. The contest is open to students who have been registered for three
terms and who are members of the Life
Modeling Class, but is not open to former
students who work in the class by special
permission. The subject for competition is
a full-length figure from life in the round,
not less than two feet six inches in height
and must be made during class hours as
part of the regular work in the class. The
work must be submitted anonymously to a
jury appointed by the Committee on
Instruction. The Jury is not obligated to
award prizes on honorable mentions if, in
its opinion, the work submitted is not of
sufficient merit to justify making the
awards.
*The Edmund Stewardson Prize
The Edmund Stewardson Prize in
Sculpture of $100.00 is awarded during
the school year. This is an annual prize,
competed for by students of the Academy,
with such pupils of other art schools as
may be approved by the Committee on
Instruction. The subject for the competition is a full-length figure from life in the
round. Studies must not be less than two
feet six inches in height, and not more
than three feet in height, and must be
made within eighteen (18) hours, during
three (3) consecutive days, in six sessions
of three hours each. A student receiving
one Stewardson Award is ineligible to
compete a second time. No one except the
competitors is admitted to the competition
room at any time during the days of the
competition. The Jury of Award consists of
professional sculptors having no official
connection with the Academy nor any
other schools whose pupils may have
taken part in the competition. If no study
is satisfactory to the Jury, the prize may be
withheld. When no award is made, the
amount of the prize may, at the discretion
of the Board of Directors, be added to the
principal of the prize fund or distributed
with future prizes. The clay models
offered in competition must be kept standing in good condition until otherwise
ordered, and figures cast by the Academy
become its property.
The Mark Cullinane Memorial
Prize in Sculpture
This $50.00 prize given by Mr. Joseph
Tanda is awarded by the Sculpture Faculty for a work of sculptural instead of representational quality. First awarded in 1974.
59
The Ward Prize in Sculpture
An award of $600.00 is made each
year by the Sculpture Faculty to a student
who has demonstrated exceptional ability.
This prize was established by Eliah Tilson
Ward in memory of his daughter, Winifred
Duncan Ward , a student of Sculpture at
the Academy. First awarded in 1975.
Of the folloWing Graphics Awards and
Prizes, those marked with an asterisk (* )
will be given as curriculum prizes for
works using traditional technical procedures of Graphics.
*The John R. Conner Memorial
Prize in Graphics
This prize is made possible through
the generosity of Mrs . Frances Weeks Lux
in memory of John R. Conner, artist. It will
be $50.00 when that amount is available
from the invested principal. First awarded
in 1955.
The Charles E. Dutrow Award
Established by Elizabeth D. Haynes
this award is given annually to students of
sculpture. The prize is selected by the
Sculpture Faculty for the best creative
work. There are no restrictions on size,
_ The Henry C. Pratt Memorial
material, or subject. First awarded in 1975. Prize in Graphics
The Mary Townsend and William
This prize is made possible through
Clarke Mason Memorial Prize
the generosity of Mrs. William D. Disston
in Sculpture
in memory of Henry C. Pratt, one of the
Through the many years of Mr.
founders of the Academy. It will be $50.00
Mason's affiliation wit~ the Academy as
as that amount is available from the
one of its Directors, he was ever alert to
invested principal. First awarded in 1968.
the encouragement of all students, particThe Philadelphia Print Club Prize
ularly those studying sculpture. In 1954
The Philadelphia Print Club Prize is
and 1956, he made substantial gifts, not as
awarded to an outstanding student in the
an endowment, but to be used as awards
graphics studio and entitles the winner to
by the Sculpture Faculty to a worthy stua three-year membership in the Club.
dent, or students, at the time of the spring
First awarded in 1953.
competitions. The continuance of these
awards as memorials to her parents is
*The Mabel Wilson Woodrow Prize
made possible through the generosity of
Given by Mabel Woodrow Gill, a
their daughter, Mrs. Henry Lea Hudson.
prize of $100.00 is made available annuThe Mindel Caplan Kleinbard Award
ally for an award, or awards, in the
Graphics Department, at the discretion of
Through the generosity of Mrs.
the Faculty. First awarded in 1955.
Joseph Caplan, an award of $25.00 in art
supplies is presented each spring in memThe Mr. and Mrs. Leon C. Bunkin Prize
ory of her daughter, Mindel Caplan KleinA prize of $100.00 is awarded for
bard. First awarded in 1958.
excellence in Graphics in memory of
The Gimbel Prize
David and Stella Drabkin. Students eligiThrough the generosity of the Art
ble for this prize must be Graphics
Supply Department in Gimbels Departmajors. First awarded in 1975.
ment Store, $50.00 in merchandise will. be
*The Morris Blackburn Print Prize
given in this store. The student will be
Through the generosity of Mr. and
chosen by the Faculty for outstanding
Mrs. Ben Wolf, a prize of $100.00 is made
work entered in competition each spring.
for excellence in either black and white,
First awarded in 1958.
or color, in the Intaglio or Woodcut
The South Street Art Supply Prize
media, not using any of the photo procesAn award of $100.00 in supplies for
ses and exclusive of any handcoloring
the best drawing in any medium.
done on the finished print. First awarded
in 1982.
60
GENERAL INFORMATION
Blue Cross & Blue Shield
Blue Cross & Blue Shield Medical group
insurance is available to all full-time
Academy students. Information is available at Registration and all questions can
be directed to the Registrar.
Housing
The Academy does not provide housing;
students are to find their housing, supervised or rental, on their own. A list of area
realtors and information on supervised
housing are available from the Admissions Office. The Academy makes these as
suggestions and does not take responsibility for the quality of landlord or apartment. Academy students living in supervised housing are to meet the rules and
regulations of that housing institution.
Additional housing information is posted
on the bulletin board at Broad & Cherry
for the students' convenience.
Identification Cards
A photo-identification card will be issued
at registration and validated when tuition
is paid. This serves as school identification during the time a student is enrolled
and must be re-validated each school year
when tuition is paid. Students are asked to
carry their validated 1.D. cards with them
when entering School buildings. The
replacement of a lost photo-1. D. card will
cost the student $2.00.
Medical Certification
Upon acceptance to the School, all students are sent a Medical Form that is to be
filled out and returned to the Registrar
prior to initial registration at the School.
This form is a certificate of good health
and is to be signed by the student's family
doctor or other recognized physician.
Students will not be permitted to register
unless this form is on file.
Transcript Requests
Requests for transcripts are handled by
the Registrar and must be received in
writing with at least two weeks notice for
issue. A fee of $2.00 for the first official
transcript is charged ($1.00 for each additional copy). Official credit or the issuing
of a transcript of record will not be
granted by the Academy to a student who
has not completely satisfied any financial
obligation to the institution.
Evening School
The Evening School is an extension of the
regular program of the Academy School.
Studios of drawing, painting, and sculpture are conducted on a professional
level, but no prior experience is required.
These courses are open to anyone sixteen
years of age or older and can be taken for
credit or non-credit. The Evening classes
are held from 7-10 P.M. five nights a
week, and the dates conform to the Day
School calendar. For applications and
brochures, write to the Evening School
Office.
Summer School
The Academy offers a six-week summer
session each year which corresponds with
the programs normally offered at the
Academy. These courses are open to anyone sixteen years of age or older and can
be taken for credit or non-credit. For
applications and brochures, write to the
Summer School Office.
61
DIRECTOR OF THE ACADEMY
Richard J. Boyle
HEAD AND DEAN OF THE SCHOOLS
Ephraim Weinberg
OFFICERS
Charles E. Mather III
Chairman of the Board & Preside nt
Samuel M. V Hamilton
Vice Chairman of the Board &
Vice President
Charles J. Kenkelen
Treasurer
Isabel D. Reath
Secretary
BOARD OF TRUSTEES
Mrs. Walter H. Annenberg
Walter G. Arader
James Biddle
Mrs. Elliott R. Detchon, Jr.
Daniel W Dietrich II
F. Eugene Dixon, Jr.
J.R. Drumwright
Mrs. Robert English
Mrs. Kenneth W. Gemmill
William L. Grala
Arthur C. Kaufmann
John H. Keelan
Harvey S. Shipley Miller
Dr. Charles W. Nichols
Bertram L. O'Neill
David N. Pincus
William A. Pollard
Herbert S. Riband, Jr.
Mrs. Herbert F. Schiffer
Harold A. Sorgenti
Frank R. Veale
Robert G. Wilder
Robert G . Williams
Grahame Wood
EX OFFICIO
The Honorable Joseph E. Coleman
City Representative
Daniel D. Miller
Faculty Representative
The Honorable Joan Spector
City Representative
The Honorable Nathaniel Washington
City Representative
62
THE COMMITTEE ON INSTRUCTION
Daniel W. Dietrich II
Chairman
Mrs. Meyer P. Pota mkin
Vice Chairman
J.R. Drumwright
Mrs. Robert English
Mrs . Ke nneth W Gemmill
Mrs. Lathrop B. Nelson, Jr.
Robe rt G. Williams
Richard J. Boyle
Director (ex officio)
Ephraim Weinberg
Dean (ex officio)
Daniel D. Miller
Faculty Representative (ex officio)
SCHOOL STAFF
Marietta Bushnell
Librarian
Patricia E. Byrne
Coordinator of Alumni Affairs
Erika Flory
Director of Admissions
Laura Freedman
School Secretary
William Jones
School Assistant
Richard S. Ranck
Financial Aid & Student Affairs Director
Jill A. Rupinski
Registrar
Rosalyn B. Smith
School Office
Heidi Williams
Supervisor of Models & Properties
PEALE HOUSE SUPERINTENDENT
James Lulias
Thomas Lulias
Assistant to Superintendent
ADMISSIONS
The Pennsylvania Academy of the Fine
Arts seeks students who are highly motivated to work in the fine arts and who give
strong evidence of talent and potential.
The Academy does not discriminate on
the basis of race colort national or ethnic
origin t sex t aget religion t handicapt
financial situation t or geographic location
in admitting students to the School or in
the administration of its education policies t admissions policies t scholarship and
loan program and any athletic or other
school-administered programs.
t
School Tours
Students t parents t and art teachers
are encouraged and invited to tour the
School and talk with the Admissions
Director. Interested parties should call the
Admissions Office (215-972-7625) to
arrange a day and time for a tour. Groups
of five or more are to contact the Museum
Education Department (215-972-7608) for
tours of the Museum and School.
Application Deadlines
The Faculty Committee reviews portfolios once a month throughout the year.
Applicants seeking Financial Aid should
file both Financial Aid applications and
School applications by March 1 in order
to have guaranteed consideration for
admission to the School and for Financial
Aid. Otherwise t the deadline for the Fall
term is generally July It and for the
Spring term December 1. Applicants
should always contact the Admissions
Office to confirm deadlines.
Application Procedure
The application in the back of this
catalog must be filled out completely and
sent to the Admissions Office along with
two small photographs (of applicant) and
the non-refundable $10.00 application
fee.
All applicants must be at least 16
years of age and have received a high
school diploma or its equivalent. Official
copies of high school and/or college transcripts are to be forwarded directly to the
Admissions Office from the school
attended.
All applicants must have two letters of
recommendation which can be sent along
with the application or forwarded by the
reference to the School. Where possible
at least one recommendation should be
from a current or recent art teacher.
All of the material listed above must
be on file prior to submitting a portfolio.
When your application is received t
you will be notified as to the dates of portfolio reviews and when your portfolio
should be in the Admissions Office.
t
Portfolio Requirements
Portfolios not adhering to the following speCifications will not be accepted for
review. Read the speCifications carefully.
-Your portfolio is to contain between
four and seven samples of your work:
drawings and/or paintings t in any
media.
-Any three-dimensional work that you
wish to submit must be presented in
slides or photographs.
-All work is to be done from life. Do
not submit work that has been copied
from a photograph or another picture. We want to see your own observations of the world around you.
-All work is to have a fine arts orientation. No commercial work such as
illustration t advertising mechanical
drawing or comic strips is to be submitted.
-All drawings must be matted or
mounted.
-Paintings should be unframed; if you
must submit a framed painting t
please make sure that the frame is
secure.
-No sketchbooks will be accepted.
-No work is to exceed the dimensions
t
63
of 24 X 36 If you have work that is
larger, submit a slide or photograph
of it.
- Your name is to be on the back of
each piece of work and also on the
portfolio.
- All work is to be in a portfolio case.
-If you live at a distance, please send
slides or photographs of your work.
Do not mail original work to us. We
will return the slides or photographs
as soon as the reviews are completed.
II
II •
Transfer Students
Transfer students are to follow the
Admissions procedures as outlined. College transcripts must be on file at the time
of portfolio submission. A maximum of
two years of studio credits (60) may be
accepted toward the Academy Certificate; no transfer credits are accepted
toward the requirements of the Cresson,
Schiedt, or Ware Traveling Scholarships.
Transfer students should consult with the
Director of Admissions regarding possible transfer of credit; final decisions
regarding transfer credits are made by
the Registrar.
Placement in the Academy program
is based on the recommendation of the
Faculty Committee that reviews portfolios.
Part-Time Students
The Academy does not have a formal
part-time program. However, where
space is available, part-time students may
be accepted by permission of the Faculty
and the Dean. The Admissions procedure
for part-time students is the same as for all
applicants. All part-time applicants are to
indicate on their applications that they
wish to be considered for part-time status,
how many days a week they wish to study
and in what area. Registration of part-time
students is done after that of full -time students; consultation with theHegistrar is
necessary and the School cannot guarantee placement in classes.
Part-time students are not eligible for
finanCial aid or scholarship competitions;
64
a minimum of two years of full-time study
is required for the Academy Certificate.
Foreign Students
Applicants not holding U.S . citizenship follow the same AdmiSSions procedures as all other students. Upon receipt
of a foreign student application, the
Admissions Office sends out a Declaration
of Finances form which must be completed and on file at the time of portfolio
submission. In the event of acceptance,
with this form on file, the School can issue
an 1-20 form for the student visa. Foreign
applicants must also furnish proof of competence in the English language (for
example, TOEFL scores, interview with
Admissions Director, letter from English
instructor). All credentials must be translated into English (if applicable) and foreign students must be full-time in order to
be eligible to receive an 1-20 form and any
type of Academy aid.
Readmission
Within two years of either withdrawing or graduating from the School, former
students contact the Registrar for readmittance. If two or more years have
elapsed since withdrawing or graduating,
former students must re-apply through the
Admissions Office, following the same
Admissions procedure as all other applicants. Former students who were
Advanced/received Studio Privilege
before withdrawing must re-apply for Studio Privilege as all other applicants for
Studio Privilege. Former students must
have all financial obligations settled with
the School before registering.
Re-application
Applicants for admission who did not
complete their applications, did not
receive favorable decisions, or who were
accepted and did not enroll, may reapply.
If the time lapse has been brief, reapplication is simple. If, however, the time lapsed
is two years from the date of application,
the Admissions Office requires a new
application, new credentials, new portfolio, and application fee.
PENNSYLVANIA ACADEMY OF THE FINE ARTS
BROAD AND CHERRY STREETS
PHILADELPHIA. PENNSYLVANIA 19102
Fall Semester
19_ _
Application for Admission in the
Spring Se mester
19,_ _
215-972-7625
o
o
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Nameandaddressofparentorguardian - - - - - - - - - - - - - - - - - - - - - - - - - - - _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Relationship _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ___
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THE PENNSYLVANIA ACADEMY OF THE FINE ARTS
BROAD AND CHERRY STREETS PHILADELPHIA, PENNSYLVANIA 19102
(215) 972-7625
