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Title
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1909-1910 School Circular
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Description
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Quick reference copy for school circular.
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Is Part Of
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RG.03.04.31
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Date
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1909
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Creator
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The Pennsylvania Academy of the Fine Arts
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Medium
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photocopies
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Format
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pdf
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Language
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eng
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extracted text
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SCHOOL CIRCULAR
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OM THE ~RCHIIJES OF
ACADEMY Of THE FINE ARTS
00 NOT REt'RODUCE WITHOUT PERMISSION
P£NNSYlV~~IA
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PENNSYLVANIA ACADEMY
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BROAD STREET ABOVE ARCH
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PHILADELPHIA
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ONE HUNDR ED AND FOURTH YEAR
SESSION
OF
1909 - 19JO
12
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••
MANAGEMENT OF
THE PENNSYLVANIA ACADEMY OF THE
FINE ARTS
PRESIDENT
JOHN FREDERICK LEWIS
VICE-PRESIDENT
CLEMENT ll. NEWBOLD
" the value oj arl lin ill !/I1i!':i"g people
happy, first ill prMlicing Ihe IIrt li1ld thell
ill pOSfessing its product."
George SalllflYfilla.
HONORARY
••
\,ICI'~-PRRSIJ)El'TS
E. BURGESS WARREN
JOHN H. CONVERSE
Dl RECTORS
THEOPHILUS P. CHANDLER
ALFRED C. HARRISON
HERBERT M. HOWE, M.D.
CLARENCE C. ZANTZINGER
GEORGI<; II. McFADDEN
GEORC;E D. WIDENER
CLE~IENT
B. NEWBOLD
T. D";\\'ITT CUYLER
EDWARD T. STOTESIJURV
CHARLEMAGNE TOWER
THEODORE 1\:. ELY
ARTHUR H. LEA
FRANK II. CAVEN
TRI-<:ASURER
GEORGE H. McFADDEN
SECRETARV AND MANAGER
JOHN E. D. TRASK
CURATOR OF Til E SCHOOLS
CHARLES F.
••
RAMSEY
".
FROM THE ARCHIVES OF
PENNSYLVANIA ACAr- r:- \:' . ."' .
FINE.A
DO NOT REPRODUCE WITHOUT PERMISSIONTS
Club o f Philarl elphia, 1907; First Co rcoran Pri ze , Washington W a ter Color
C luh, 19oR., Me mber o f the International Jury of Awards, World 's Fair, St.
Loui s , ' 904 . Instru cto r in Drawil1g and Pa intin g,
CECILIA BEAUX, LL.D .
Bor ll ill Phil adelp hia, Pa. Studied at the Pennsy lvania Academ y o f the
F ine Arts. Pup il o f William Sarta in , Ph iladelphia, a nd the Juli a n and L azar
~c h oo l s , Paris. Award ed Mary Smith Prize , Penll ~y lva nia Academ y of th e
Fine An s, 1885, 1887, 189 1, and 1&)2; Gold Medal , Art C lu b o f Philad elp hia,
1&)3 ; Dodge Pri ze, Na tion a l Academy of Design, New York. 1893; Bro n ze
Medal, Carneg ie institute , P ittsburg , 1896; First C lass Gold ~:f e d a l . Ca rneg ie
Inst it ut e, 1900; Temple Go ld Medal, Pe nll sylva ni a Acad e m y of the Fi n e
Art s , I gOO: Go ld Medal , Ex positiOIl-Uni verselle, Paris, 1900; Go ld Meda l ,
PaJ1~Arneri ca t1 Exposition, Buffalo, 1901; First C nrcora n Prize, Soc iety of
vVas h in g to ll Artists, 1902: Go ld Medal , U ni versa l Ex pos ition , St. L o ui s, 190 4.
Me mber of the National Academy, New York, alld the Socil!u~ Na ti o na le des
lJeaux Art s. Paris; Fell ow o f the Pennsylva ni a Academy of lhe Fi ne Arts ,
PhIl adel phi a; Ho no rary Membe r of the Ph il actelphia Water Color C lub , etc.
H Oll orary Degree, Doctor o f Laws, University of Penns) Iva Tli a. 19 0R
In struct or ill Drawillg and Pa illtill g.
THE FACULTY OF THE SCHOOLS
HERBERT M . HOWE, M.D.
C h airman , i' " ojJio'/I, as Cha irm a n o f the CO lllmitt ee 011 In s tr1lctioll o f th e
Hoard of Directors .
THOMAS P. ANSHUTL
Borll in N e wpor t . K e ntll c k y. Odobcr 5. 1 ~5 1. Studied (It t th e Ac ade m y of
O es igll, N ew York, PenTlsylvan ia Aca dem y of tile Fine Ans. 3 1ld in Pad s
under Dotl ce t and Hougll e re au . I ll st ru e t o r ilJ t h e S c il oo ls s i fl ee 188 1; H onorab le
M e lltioll Art C lub of Phi ladelp hi a, l QO J ; S il ver I\ lt:dal, St. L o ui s Exposi ti o n ,
1904 ; Walt e r Lippin co tt Prize, T h e Pe llll sy h '<lllia ,\ eadelll)' u f th e Fine Art s,
1'109 ; Gold Medal o f HOllor Th e " e llll sy h '(l lli a At: adt:llI Y vi th e ' - in e A rl s,
11)09 ; Memb e r Phil a delphia Wat e r Color C lu h, and ,\ ('a d e IlI Y Fellowsh ip;
Instru ctor i ll Dra wi n g and Paintillg.
FHANK MILES DAY.
GEORGE McCLELLAN, M D.
Born in Phila delphia , Octoher 29, 1H49 . Atlelllll 'd th e lJllivers it y of Pe llll ~
sy lvania, J efferso n l\ledica l Colleg-e, g rad uated tvr !J" 1l-i7o ; F e ll ow o f th e
Coll ege of Phys iciall s of Philadelp h ia : a uth or of i{ eg ioTlal Anato lll Y in it s
Rela ti o n to Mecl icill e a nd Su rgery, a nd of A1I alollr}, ill it s Relation to Art;
Pro resso r ()f Appli ed Anat o my ill Je ffe rso n Medi ca l Co ll ege; Pres ident of th e
Cont emporar y Cluh. }'res id e llt of the Philad elp hia Medi cal C luh ; V i ce· pre s i ~
dent of th e Philobihl o n C lu h; IlI s t r uclOr ill Anato1Jl Y,
Bo rn
••
Philade lphia, Apri l 5, 186 1.
B.S"
HENRY McCARTER .
Born in Norristown, Jul y 5,1865, Studied ill t h e Pe nns y l va ni a Acade m y
of th e Fin e Arts and und e r Puv is de C hava nn es. Me mber Ar t Stud ents'
Leag ue, New York. Illu s t rato r o n Scribner'S, Century, a nd o ther magazi nes.
Ill structor ill Illust rat ion.
CHARLES GRAFLY .
Borll in Phi ladel phi a, Decemhe r 3, IR6 2, S t udied ill th e S prill g Ga rd e ll
In st itute , Phil a d elphia, Pe llll sy lvania Acade my (If th t.: Fill e Ar ts, and ill Par is .
Pupil o f Ecole d es Beal1x· Ans, and of ('hapu , !Jamp! , Boug ue rea u , a nd
Fl e ury. Me mhe r Soc iet yo f Ame ri ca ll Artists, H Ollorable IlI e l1tio ll, Pa ri s Sa lon,
I ,~ ~r; Medal, W o rld 's Col um b ian Expos itiolJ, J.'-)93; Medal, Atla nt a Ex pos iti o ll, 1895; Pe nll syl\'ania Academy of th e Fille Arts Gold i\ leda l of I-Ionor ,
I Ht)9; Gold Medal, Expos itio ll- Ullh·ersell e , Pari s , H)OO;
Gold M edal, Pan Am e rica ll Expositioll. Buffalo; Go ld Medal, ('harle~t o ll Expos it io ll , J902;
Me mbe r of th e 11Il e nrati o Jl a i Jury of Award s , \\ 'oJlJ's Fair, St. L ou is, 1904 ;
Membe r of til e Nal io llal Academy of Des ign , th e Ari"irit ec tural League o f
Ne w Yo rk , til e Natiunal In s titute of Arts a nd I.dt e l' s; Memhe r and for mer
V i ce~ Pre s id e lll th e Na ti o na l Sc ullJture Soci et y.
Ill strllL'tflr ill Scu lpture .
HENRY RANKIN POORE.
Born in Newark, New J e rsey, March 21, 1859, Stud ied at the Uni ve rsit y
of Pennsylvania, 1883; Pennsylvani a Academy of the Fine Arts; Natio nal
Academy of Design; a nd u nder Peter Moran, Lume nais a nd Bouguereau .
H as prizes fro m Nat iona l Academy a nd Ameri can Art Assoc ia ti o ll ; m eda ls,
PeW - Ame ri ca n Expos ition , Bllffa lo, and St. Louis Expos iti o n.
Member
Phil a d e lphia An Club ;
Associate Member National Academy a nd with
C hall ta uqua Art Sc h ool. Ills tru . .: tor in Compos ition.
JOSEPH T. PEARSON, Jr.
Born ill Ge rm alltow n , Philade lphi a, F~bruary 6, 1876. Studi ed in th e
Penllsy lvania Acade my of th e Fi ll e Arts a nd under J . Alden Weir. Assistant
Instru ctor ill I)rawing a lld Painting.
HUGH H . BRECKENRIDGE.
Born ill Leesburg , Virgillia , Octo her 6, 1870, Secre tary of the Facult y
and In structur sin ce , 894. Studi ed ill the Sc h ools of th e Penllsy lva nia
Academy o f t h e Fin e Arts, a n d und e r Bougu e reall, Ferr ier, and Doucet ill
Paris. Award ed First Toppall Prize Penll sy lvania Al'adelllY, alld Ell ropca ll
Sc ho larship , Membe r o f th e Jury for PaTl~Alll e ricall E ... position, Buffa lo;
Member the Phil a delphia Wat er Color C lub ; t he New York Water Color
Cl ub; th e Pen Jl sy lvan ia Academy Fellowship ; Honorable Mention, Paris
Exposit ion, lC)OD; Medal s, Pan~Ameri c an Expos iti o n , HufTa lo , 1901, a nd Atlan ta
Exposition , 1895 ; Corcoran Prize, Washington, D. C., 1903; Cold Meda l, Art
Ull iversity o f Pen llsylva nia,
Fellow a nd Past Pres id ellt of th e America n In s titute o f Architects; H o n.
~l ember Roya l In st itute of Briti s h Arch itects; Tr ust ee, Am er ica n Academy
in Rome: Member Am erican Philosophi cal S.)c iet y and Nati o nal Inst itute
of Arts a lld Let te rs. In str uctor in Perspective.
11l
1~8,) , s tud yin g" a r chit ec ture there as well as for three yea rs ill E urope.
DANIEL GARBER .
•
Bor n in Nort h Manc h este r, In diana, Apri l 11. IR80. Studied ill th e Art
A<.:adelllY of Ci nci nn ati, a nd in th e Pennsylvallia Academy o f the Fill e Art s.
Awarded F irs t Toppan Pr i z~ Penns ylvania Academy, 1904. and C resso n
Trave lling- Sch olars hip , 1905~ 1 907; First Hallgarten Prize, Nationa l Ac-arlemy
of Des ig n , 1909. Ass ista nt In s tru ctor in Drawing a nd Pa illting',
[5J
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The Penll sylvania Academy is the o ldes t school in America
devo ted e xc lus ive ly to th e culti vation of th e fin e arts. During the
huncired and more years of its ex ist ence, it has aided in the training of m any of the m en and women whose nam es are th e most
ilili stri o us o n th e pages of American Art. Among its form er students 'Ire e min ent painte rs-figure, landscape and marine-mural
decorato rs, illu strators, a nd sc ulptors of national re putatio n. In
fact, its hi sto ry IS in no sma ll measure the history of American
,\rt ihelf.
Till' School IS und er th e inlllledlate care of a Curator and
Co mmitt ee on Instruct ion appointed by th e President a nd Board
of Dired<Jrs, toget her with a Faculty co mposed of representative
art ists of the day, men of wide e xpt"rien ce as teachers and e min ently
qua lified to discover and d evelop e very late nt talent IV hi ch s tudents
ma y possess.
The a illl of the Academy is not only to supply the best facilities
for th e st ud y of the Fi ne Arts in general, but also hy m ea ns of
regul ar co urses of study to equip its st ude nts for any special line
of artistic \\'o rk whi ch they ma y desire to follow. It I\'astes no
time in prepa rin g its stude nts for adn li,;sion to its co urses of study,
hut, pres upposing th at th ey have rece ived primary inst ru ction
already, engages th em a t o nce and exclu sive ly in th e study of the
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11. Willard Ortlip
LIFE C LA SS, ' 9"'l
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Fine Arts and benci s all its ene rg ies in thi s direc tion alone.
It es pl'cia ll y a ims to instruct its stude nts in correct drawillg,
and so nl e uf its largest prizes are based upon thi s fund a mental
requisi te tc') g raphi c art. It aims, furth erlllort', to instru ct its pupils
in (ii/liT, it s harillony a ncl contrast, a nd to create and d eve lop in
th e lll a co rrect colo r se nse, also in composition, in perspecti ve, and
in eve ry other essential to a comprehensive study of the fine arts .
[7]
Besides the Academy's prescribed course of study, various Art
Lectures of general and special interest are given during the year,
and the students are encouraged,t.£j u,;;e;the Academy's large and
valuable library.
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Tmportant adjuncts to the regular courses of study are offered
by the Academy's Permanent Collection of paintings and sculpture, and by its Annual Exhibitions, which for many years have
been recognized as being foremost among the exhibitions of the
country.
The Permanent Collection of paintings and sculpture includes
the Gallery of National Portraiture, the Temple Collection of
l\Iodern American Paintings, and the Gibson Collection, which is
largely composed of works of the Continental schools.
Copying in the galleries is permitted to students under reasonable regulations.
The Annual Exhibitions bring together the best examples of
American painting and sculpture, and enable the student to follow
intelligently the various movements of modern art, and study the
technical methods by which the art of the day is achieving its
results. {luring the past year these exhibitions included:
An Exhibition of \Vater Colors composed of 471 examples
representing 180 different artists;
An Exhibition of Miniatures composed of 122 examples representing 68 different artists, anel including also examples of foreign
miniaturists;
•
An Exhibition of Architecture by the T-Square Club of Philadelphia and the Philadelphia Chapter of the American Institute of
Architects, composed of 634 items, and representing 193 architects ; and finally,
The Academy'S 104th Annual Exhibition of Oil Paintings and
Sculpture, composed of 447 paintings and ISO sculptures, and
representing a total of 357 artists. This Exhibition was opened to
public view for six weeks and visited by 59,.'152 people.
The Academy is fully equipped in every way to teach the
technique of Painting and Sculpture, and the instruction it affords
is fully equal from a technical standpoint to that obtainable in
Europe. Its Faculty, collectiolls, galleries, class-rooms, and equipment of models and casts are admirably fitted for their purpose .
[SJ
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As far as instruction is concerned there is no necessity whatever
for the student to leave America, but, by the liberal provision
of the wills of Emlen Cresson and Priscilla P., his wife,a fund has
been created, as a memorial to their deceased son, William Emlen
Cresson, Academician, the income of which is to be applied by
the Academy in sending its most meritorious students to Europe.
The income is divided into scholarships of $500 each, awarded to
the students impartially upon the merits of their work. During
the last year twenty-two students were awarded $500 each and
sent abroad for a period of four months, from June to September
inclusive, thereby enabling them to return to the Academy during
the fall and continue their studies.
Besides the Cresson scholarships, other substantial prizes are
offered to students as hereafter stated, and every incentive held out
to them to develop their talents to the uttermost.
The Academy building is located in the heart of Philadelphia
within one square of the City Hall and within two or three blocks
of the central city railroad depots. While it is convenient to the
business portion of the city, it is also readily accessible to the
residential districts, and students can obtain good board at reasonable rates.
. '.
CALENDAR
One Hundred and
•
F ourth
Year Begins October
4, 1909
The school year is divided into two terms of 17 weeks each.
The first term will begin Monday, October 4, 1909, and close
January 29, 1910 ; the second term will begin Monday, January 3',
'910, and close Saturday, !\fay 28, 1910.
The schools are open from 9 o'clock A.M. until 5 o'clock P.M ••
daily except Sunday.
Afternoon and evening classes are open from 4.30 o'clock P.M.
until 10 o'clock P.M.
Visitors are admitted to the school on vVednesdays and Fridays
from 4 to 5 P.M.
The schools are closed on Sundays, Thanksgiving Day, Christmas Day, Nell' Year's Day, and Washington's Birthday.
l:Ir-'(tli ... k:-oJ.
LIFE CLASS,
''I''''
l)ullalll~un
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[II]
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THE COURSES OF INSTRUCTION
DEPARTMENT OF DRAWING AND PAINTING
The Courses of Tnstruction are divided into Departments of
Drawing and Painting; of Sculpture; and of Illnstration. Tn
each of these departments there is certain prescribed work which
must be done, but the departments are closely allied, the advanced
students in each being not only allowed but also recommended to
work in the others. The general method of instruction is hy criti-
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cism of the work done, but the indivIduality of the student is not
repressed by fixed methods. The aim is to help the student to
observe accurately and record truthfully what he sees, and as he
sees it.
ANTIQUE COURSE
In order that students who have had little or no training in
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graphic art may pursue their studies under the easiest conditions
and advance naturally to higher work, a preparatory Antique
Course is conducted, which includes drawing from the cast, draw-
[I3]
fRO
j THE ARCHIVES OF
PEN~SYLVANIA
.
ACAO£MY OF THE FINE Atn'S
00 'OT REPROOUCE WITHOUT PERMISSION
ing and paintin ~ fro111 still life, and le c'lill"es Ilpon cOlllposition, pe rspe ctiv e , anrl ;lllato IllY. It c(l lllpl"is,'s lil" f"ll o w ing- classes , alld
g-ives Ih e s tlld e llt a compre he nsiv e rall ge' "i study.
fe~~~H~;~~~O:':~Ot:~i:~ a~~~~~~nced
•
Th e Li
classes
in dr""'ing- and painting, Cl nd in clud es drawing and pain ti ng from
till' Ilnin a ll Fig'm e, and drawing a lld painting- frOtll the HeClcl, and
iro lll St ill I .if<., and lec tures upon Co mpos iti on, Pe rspective a nd
AII;II'lI11Y·
INS T I{ l ' ( ' TOR S
C I. ASSE~
Drawin g- fmm Cas t
Every IIlurnili g alld afte rnllt>ll ,
eve ry night
Composit ion
1111g-h H. Brecken rid ge
A ss istecl ill'
I )"Ilie l ( ;arhe r
I kmy R. Poore
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Still -liie Dr""i ll g and Pailltin g
I\(onda y, \\' ed ill'sday a llli Fri dayaft e l"ll ()"" s
Pl'rspt' ,·ti \·,· I.f"'tlll"es
AllatCJlll )" I .el'lllr,'s
I
Ilu ~ h II. Ilrec ke nridg-e
,\ ss isted hy
j' h "l'il T. I'e arsoll, Jr.
1; 1';1 11 1; I\li,,"s Day
(; ,·"rgc I\lcClellan, 1\1. D.
Requirements for Admission
[ 141
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INSTI.:I ICTOR S
( · 1.. \~SI':S
I )r;("'ing ;((1< 1 I';Iinlin g fronl Ih e
FII]"
\\'O ln e ll, e\'e r y
I ''i.~· .... e.
tlll )r11in K, f()r IH l' Il ,
('\'ny aftt"rIloo n, a nd for women,
Tll es cla)", Thmsday and Saturday
eve n ing-s, and for men, Monday, \Vednesclay, a nd Friday ni g hts
For a dilli ss iull to th e /\Iltiqu e C"llrsc' dr;I",illgs or sk e tches
fro III th l' s" lid "I,ject ill ;Ill )" medllllil arc f"(·quil"l'd, and applicants
IllCl}" prtl'"re t il ese ill th e sc lj()ol-roolns or forward exa lllpies nwde
fo r th e purpose.
The Fee for the Antique Course
Th" fee fl lr till' ;\ntiqlle Course is ' ,J" pe r te rm, th e payment of
w hi ch fee en tit les I il l' s tlll"'nt to 1I'0rk ill till' lI}()rnill g, af te rnoon , or
night, o r ,,11 three.
'I cOlllpriscs th e following c lasses:
•
I)rall'ing and p a in ting- frcllll th e H ead .
' ;"r m e n, T ues d ay, Thursday and
Salltrciay m or nin g-s ; for wom e n ,
Tll es" ay, T hursday and Sat un lil Y
aftertloons
T homas 1'. ,\ nsh ll[ z
assisted by
Danie l Garber
Tholllas 1'. /\nshutz
assiste d by
Josep h T. I'earson, Jr .
C I ASSES
INSTRUCTORS
Drawing ;jnd p;jinti ng fro m S till I ,if".
Monday, . \\' ednesday, ;jnd Friday
afternoons
I)rawin~ a nd painti ng- fro m the H e:ld.
Criti cis m dates ttl he an no unced <lllrin g th e te rm
Composi ti on
Perspective Lectmes
Anatomy L ec tmes
Iin g h H , Brecke nrid ge
assisted by
Joseph T. P(,a rso n, Jr.
Ceci li a Ileallx
fRO~r\£. AI<
p£.1'l1'lS,(l'/~N\f\
ES\)~~'( Of lr\£. fiNE
r-C;'
00 NOI REPRODUCE
f\R1S
~\THO\.n PERM\SS\O~PECIAL CLASSES
.
Costume Sketch Class
1\ Cos tum e Sketch Class will be conclucted th roughout both
II enry R. Poore
Fr;jnk Mi les Day
Geo rge McCl e ll a n, M. D.
te nllS. It will mee t on each Saturday m o rning between nine
o' cl()c k a nd noon, and on each Tuesday nig-ht bet wee n se ve n anel
te n o' clo ck. Ske tches from th e living model are made in bl;jck
a nd white , or in color. Me mbe rs of any other class in th e sc hool
Ill ay ;jtk ml th e Costume S ke tch C lass without furth e r cha rge. At
th e close of eac h session th e work of the students will be rev ie wed
hy th e in struc to r, o n Tuesdays by Mr. Anshutz and on Saturdays
by ~ J r. Pearso n.
R eq uirements for Admission
Stud e nt s wi ll he adm itted to the Life :lnd Heacl classes only by
the action of th e Fac ulty after a n exa minati()n of t he ir work in
drawing fmm th e fu ll -le ngth figllr e, eith e r antique o r li fe.
The Fee for the Life and Head Course
Th e fee for the Life and H e:1 d Course is $50 per term, the
payment of which fee e ntitl es th e stud e nt to \Vork in th e A ntiqu e
Co urse, th e Li fe Co urse, a nd th e Classl's ill Sc ulp tme, without
e xtra cliarge. Student s in dralVi n,\!; and paintillg a re reco mm e nd e d
to do a ce rtain <lnHJllllt of m o dell in g.
•
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The chi ef objec t of this class is to teach the stud e nt to draw
read ily, a nd grasp quickly, the whole composition s how n him, as
a n illustratio n of character.
Miss Beaux's Class
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:Some tim e during th e school year, Miss Beaux will co ndu ct a
Portrait Class for m e mbers of the Life and Head Course. No
extra cha rge is made for this class.
•
Mr. Poore's Lectures on Composition
Supp le m e ntary to th e se mi -monthl y 'T iti"i s nl s of CO lli positions,
1>)' J\ Ir. Poore, th e re will I>e throll g h o llt th e yea r s pec ia l ta lk s o n
co nstru cti o n a nd se lf-ex press ion , w ith b l;wk -Ilcla n l a na stereop ti con
d e monstration s.
Th e pri nc ipl es (If arr;llIg'l" IIIl'l lt ill d ec()rative
and pi ctorial cO IIII "'s itioll S wi ll he explailH"d ;11111 di sc ussed . No
ex tra c harge is mad e for th ese lec tures.
FROM THE fl,RCHIVES OF
PENNSYLVAfil.A ,...,CADCMY Of THE FINE ARTS
'.
NOT REPRODUCE VWHOiJT PE1-1MiSSION
DEPARTMENT OF SCULPTURE
Th e C lasses in sc ulpture will be unde r the direction o f J\1r.
C har les Gra ll y. a nd are as foll o ws: For m e n eve ry m o rnin g; f()r
lI'Ollll'l! , 'very afte rll oon; a nd for 111e n a nd wo m e n e very Tu esda y,
Thursd ay , alld Satmday night.
Th e 1I'0rk of the C lasses in sculpture cOllsists of m o d e lliu g fro11l
th e li vill g Ill ode l, gene rally ill the round, but o cca s io nall y in re lief,
;IIHI 11'0111 hoth th e full -le ng th figure a nd th e hea d o llly .
Dr. McClellan's Lectures on Anatomy
Th e 1.'·c! lIrl'S "11 A ll a t' "l1 Y Iwg'ill ill th e se" (lIII I II't'e k of Nove m I... r, a ll d art: "pl' n to s tud e nis ()f all)' (',, " r,, · lI·illl,lI lt l' ~t ra ,·harge.
••
Thc:)" are illl htrat<·;j lI'it h th e s tcrl"opti, '''", ,,'i,h dl·; I\,in.gs Illad e ill
th ,' prl's'· n ... · (If th ,· c la ss hy the in s t"'''''''I', ;1111 1 ,,1.,<, I>y 1I 11<III S o f
tilt· li " in g 1lI11'J, ·1. Th,'y flill y CIII'C' r th , ' s lil 'j,"" "I ;lni s ti ,' <l lIa to m y.
III add itio n to till' work frolll life , e ach s tud e nt is required to
p rese nt til t' sketc h-nl od e ls (If sc ulptural th e lll es, wh e n direc ted by
tli e In stru cto r. O n th ese th e s tuci e nt will rece ive indi vidu ;IiIlH>llth I)' criticislll throll g hout th e balance of th e sc ho ol- yea r, ill order t()
d ev(· lu p th e u ri g inal th e m es to the ir fullest ex tc nt, a s if th e s uhj ec ts
were to he linal ly ex e c uted in full s ize.
Mr. Day's Lectures on Perspec tive
Th e l.l'l·t1tl'eS "II I'e rs j>l 'l' til'l' I>l'gill ;d,ulI t th e first lI' eek ill
I.l e' ·eml,er, and <In ' ilill s tra ted hy dr<lll ' ill g~ Iliade ill th e prese nce
lIf th e .. I<lss. Th ,'" arl' UpI'll til s tud " lI ls , 01 ;III)' co urse w ithout
ex t ra cilarg( -> ,
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Requirements for Admission
Specilll e ns of m ode lling o f s ufli cie nt m e rit a re re quired fo r adIlIi ssio n to th ese classes.
\.
FROM THE ARCHIVES Of
PENNSYLVANIA ACADEMY Of THE FINE ARTS
Students not sufficien tl y advanced for adm ission to life classes
are offe red fa cilities fo r modelling from the a ntiqu e cast, and as
soon as th ey ha ve acquire d sufficie nt profi cie ncy to admi t th em to
life classes, th ey are immediate ly promoted without the pay ment
of any furth e r fee.
Some practi ca l know led ge of th e use of clay and a true conception of form in the rou nd are of ma lll it:s t advantage to both pai nter
and illu strato r.
Students in sculpture are pe rm itted tn "'ork in the d ra wing and
pai ntin g classes and recom mended to 1V0rk the re in.
NOT
RODUCE WITHOUT PERMISSION
DEPARTMENT OF ILLUSTRATION
T he Class in Illu strati on will be unde r th e d irection of Mr. H enry
l\ [cCa rt er. Its purpose is to pro vide for th e student s lIch practi cal
instru cti on as will ena ble him upon th e co mpleti on of th e co urse to
immed iately enter th e professiona l fi eld of magazine and boo k
illustrating, d eco rati ve and newspaper work. Instructi on is g iven
in the tec hniq ue of a ll med iums-pen, charcoa l, black and ", hite,
te mpe ra ami o il.
Th e Nig ht e lil";S mee ts [Will 7 to ! U 1' . 111. The \\'O rk in thi s
class is ident ica l \\·ith that do ne in the Day Classes e xce pt th at the
working hours are less.
i
Requirements for Admission
Stud ents must have hac! some prepa ratory work in d rawi ng to be
e lig ib le fo r adm iss ion.
The Fees for Sculpture Classes
The fee for th e Classes in Sculpture is '1-50 pe r term. S tu dents
are al lowed to work in th e Day Classes or Night Classes or in bot h
without furth e r charge.
S tu de nts a re ad m itted lIpon th e e xhi bition of satisfactory work
to the I,'ac ulty.
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The Class in lllu strat ion will meet da il y th roughout the school
year. Special rooms are set aside for the ir use .
The class draws from the living model. Individual criticism
is gi\'en with special regard to the illustrator's requirements, and
completed illustratiolls are made to subjects assignee! to the class.
llpon the announcement of each of these subjects a general class
talk follows, and upon the completion of the work there is both
individual and general criticism.
In addition to the regular class work Lectures are given during
the year by practical specialists upon the various processes of
reproduction for the purpose of printing, and students arc instructed
to work with the particular process in view which is to be employed
to print their illustration.
Stnclents in Illustration are permitted to compete for the Cresson
Travelling Scholarships, and from those who do compete a certain
amount of work in the Life Classes is required.
The successful result of the general art training given in the
Academy Schools, and the special training they give in illustration, arc shown by the large number of Academy students \\·ho
have achieved distinguished success in the lield of illustration.
The fee for the Illustration Class
The fee for the Class in JI1ustration is $50 per term.
Illustrators will be required to present each month work done
in the Illustration Class and to participate in such COIlCOlirs and
examinations as may be announced during the season. Under the
direction of their Instructor, they are also required to do life-class
work in drawing "lI1el are entitled to attend the Life Classes and the
Still-Life Classes without extra charge. They are likewise entitled
to attend the Lectures on Composition, Perspective, and Anatomy.
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SUMMARY OF FEES
PER TERM
Antique Course
Life and Head Painting Course
Illustration Course
Modelling Course.
$30
50
50
50
NOTE-All new students must pay in addition to the ahove fees a matriculation fee of five dol1ars.
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S.,
GENERAL RULES OF THE SCHOOL
No student under sixteen years of age is eligible for admission.
Regular attendance by students of any course is not compulsory,
but no reduction from these rates will be made on account of
absence.
All new students upon entering the Academy will be required,
in addition to the fees stated herein, to pay a Matriculation Fee of
five dollars.
A payment of one dollar is required for the use of lockers.
Materials for study must be provided by the students.
All articles required in the classes are for sale in the schools at
lowest prices.
A detailed schedule of classes will be found on page 42.
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SSCHOLARSHIPS AND PRIZES
ARCHIVES OF Of 1\iE fINE AR1
I\N\i\ i\CI\O£t-!\'i U1 PERMISSION
PROOUCE wnHO
By the wills
Travelling Scholarships
o f Eml e n Cresson and Priscilla P. Cresson, a Fund
has been created as a Memorial to th eir deceased son, William
Enllen Cresso n, Acade mi cian, the incom e of which is to be applied
hy Til e Pe nns ylva nia Academy of the Fine Arts in sending pupils
uf merit to Europe.
During the past year the Academy sent abroad twenty-two
pupils and expects to send a larger number this year.
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Th e awards will be divided alllong th e var ious branches of inst rll ct ion tall ght in the Schools, based upo n th e 1I1tl/lbl'r of pupils
in each Co urse as o ne factor, and the slandard of th e work as
anoth e r factor~ The award consis ts of $500 to each stlldent, to be
e, pellded in foreign travel and work, within the limits o f the
Scholarship .
It is th e inte ntion of th e C resso n Schularships to g-ive to th e
stude nts of the Acaciem y th e acivantage of seeing; su n Ie of the
impurta nt Galleries and Art Schools al>road, and the Academy
d es ires to exte nd th e be nefi t of th e Scholarships 10 as many
st ud e nts as possible, provided th ey posscss th e necessary merit.
Th e trip abroad is limited to th e SUlllmer vacation, a pe riod of fOUf
nlollth s, fro m June to September in c lu sive, so that stude nts can
return tll Ihe Acade my for s tudy during- th e e nsuin g school year.
The I\oard of Directors, upon the recommendation u[ th e COllllni ttee on Inst ruction, llla y, in case of excep tional me rit, permit
a st ud c: nt to CO lllpete for th e C resso n Scholarship again, Of
!eng-the n th e lerm 10 he allowed in foreig"n travel.
Nil s tud e nt will be awarded a Cresson Scholars hip who ha s not
s tudied ; 11 Ie;lst two ycars in th e Acadelll )' in th e re g"ldar course in
Drawing" a nd Painting-, or in Sculpture, o r ill Illnstratio n,
Plan of the Competition
Till' l1'ork /'t''l"ired ead/ 11101l1h ill Ih e /I' "i1dOIlY Sdll)ols jrom
A\\'",ln.I,I' 1, 11<,,1
I'I{ I/I '" I N ("1 1,\1<1 F " I"" I' I ',\N
1"111 \1, r\ \:\ \' , 1(,"· ,
1' 1<1 / 1,: ( ' OM I ' ETI ·
,lllIilelils ill Pailltillg, Smlplure, IIl1d lllll slrillioll, will be Ihe prillopal jild,w ill de/erll/illilll( Ihe award oj Ih ese SdlOlllrships.
((Ilillie/,Iks jililillg /0 -,,"b llli! sudl wor!'- 71Ii l/ be ille/I/rib/e.
I';lill lers lI' ili be req uired to present work each month in Compus it ion, ill drawing or painting from th e Figure, in drawin g or
[27J
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painting from the Head, and to participate in snch Concottrs and
examinations as may be annonnced during the season .
Sculptors will be required to present each month work done
in the Life Modelling Class. They are required to participate in
such COllcours and examinations as may be announced during the
season.
THE CHARLES TOPPAN PRIZES
••
AWARDED SECOND PRIZE IN CHARLES TOPPAN PRIZE COMPETlTION, MAY, '909
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The Charles Toppan prizes for the year 1909-19IO will be,
respectively, $300 and $200, and two honorable mentions of $100
each.
These prizes were established in 1881 by the gift of Mrs. Charles
Toppan, Miss Harriette R. Toppan, and Mr. Robert N. Toppan.
The prizes will be awarded only to students who have previously received a Cresson Scholarship and who have been In
regular attendance during the year of competition.
Any student having received one Toppan prize is debarred
from afterwards receiving another Toppan prize of the same or
lower value.
The work submitted must be original paintings, the unaided
work of the student without criticism, and all work in competition
must he presented on or before Saturday, April 30, 1910.
The subject selected for this year is "a scene or view in Philadelphia or vicinity including one or more figures."
No student
may submit more than one picture and the size of the canvasses
submitted must not be Jess than twelve inches nor more than thirtysix inches in either dimension.
According to the positively expressed terms of the gift the
drawinK of the pictures will receive the first attention of the
Judges. Pictures receiving awards will become the property of
the Academy.
Pictures shall be numbered by the Curator, and a memorandum
of the number and artist's name kept in a sealed envelope (no list
of numbers being kept) which shall be opened after the prize winning pictures have been selected by the Committee on Instruction.
No signatureR or ciphers shall be placed on canvass or stretcher,
so that as far as possible the identity of the competitors shall be
kept secret while the competition is under way.
No work will be accepted without the approval of the Committee on Instruction, and there is no obligation to award a prize
if, in the opinion of the Committee, none of the works submitted
is of sufficient merit.
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U:\" CLASS,
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THE THOU RON PRIZES
following awards founded by Henry J. Thouron,
The
a former
Instructor in Composition in the Academy Schools, will be made
at the close of each school year, the terms of said awards being
as follows:
A prize of $50 for a group of not less than three compositions
upon snbjects given to the class during the current season, and a
prize of $25 for a second similar group, the first to be decided by the
Faculty, the second by a vote of the students then working in the
schools; and one of $50 and one of $25, the first for general progress
in study, the second for the work showing, in its treatment of said
subjects, the most poetic, or abstract, or idealistic, point of view,
the same to be decided by the instructor of the class. The same
awards are not to be made twice to the same student.
In the event of not making the annual awards, or any portion of
them, the money is to accumulate until it shall amount to the sum
of $500, when it shall be awarded, by vote of the Faculty, as the
result of a competition in Composition upon a given subject, to the
successful student for a three months' summer trip abroad, to include certain specified places and galleries, and for the special
study of Composition.
THE EDMUND STEWARDSON PRIZE
The Edmund Stewardson Prize of One Hundred Dollars, in the
Department of Sculpture, will be awarded for the tenth time at the
close of the school year.
This is an annual prize, to be competed for by present students of the Academy with such pupils of other art schools as may
be approved by the Committee on Instruction. Having once received this award, a student becomes ineligible.
The subject for the competition shall be a full-length figure
from the Antique or Life, either in the round or in relief, and
will be announced by the Committee on Instruction on the first day
of the Competition.
Studies shall not be less than two feet six inches in height and
not more than three feet in height, and shall be made within
eighteen hours, during three consecutive days, in six sessions of
three hours each.
Each competitor shall privately draw by lot a number, and shall
enclose the same with his or her name in a sealed envelope to the
Secretary of the Academy. Upon completion of the work the
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competitor shall place a corresponding number upon the study
SubllliLled tu the Jury of Award. When the subject is in high
re lief, position in the competition room shall be determined by lot.
No one except the competitors shall be admitted to the competition
room at any time during the days of the competition, nor shall any
person e xcept the Judges be present during inspection of the studies.
The Judges or Jury of Award shall be three professional sculpturs, having no official connection with the Academy, or school or
schools whose pupils may have taken part in the competition.
\·V hen the successful number shall have been announced by the
Judges, the Secretary shall, in the presence of one or more of the
Directo rs of the Academy, open the sealed envelopes, and declare
th e nam e uf the successful competitor. If no study be satisfactory
to th e Judges, the prize may, in their discretion, be withheld, and
when no award is mad e, the amount of the prize may, in the discreti o n of the Board of Directors of the Academy, be added to the
principal of the pri ze flln d , or distributed with future prizes.
The clay mod els offe red in competition must be kept standing in
goud condition until otherwise ordered, and figures cast by the
Academy become its property.
Th e competition for the year 1910 will take place on March 21,
22 , and 23.
ZOOLOGICAL PRIZES
From the income of the John H. Packard Fund established by
the children of the late John H. Packard, M.D., for many years
chairman uf the Acad emy'S Committee on Instruction, annual
prize~ of $30 and $20 will be awarded for the best and second groups
of original studies made from living animals. These prizes are
open to all students of the Academy.
Illust rati on
lU I
T ht: in t ruder , by t\ laete rlill ck .
Aim e'e Eschuer
ILL USTRATIO N CLA SS, 1909
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CLASS-ROOM RULES
Hours
The Schools will be opened for day classes at 9 o'clock a.m.,
and closed at 5 o'clock p.m., and for the vVomen's Evening
Life Class from 4.30 p.m. to 7 p.m. Exceptions to this rule will
be made on the dates of the sessions of the Composition Class.
At 6.45 o'clock p.m. the Cherry Street entrance will be opened
for the evening classes, which continue nntil JO o'clock p.m.
Holidays
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All regular classes will continue as usual through the Christmas
holidays. The Schools are closed on Sundays, Thanksgiving Day,
Christmas Day, New Year's Day, and Washington's Birthday.
Visitors
The school-rooms are open for the inspection of VIsItors on
Wednesday and Friday afternoons, from four until five o'clock.
Students will not be called from the class-room unless in the
judgment of the Curator the matter is of urgent importance.
Students at work must not be disturbed.
No one will be permitted to remain in any of the class-rooms
during study hours except the regular members of the class who
are doing the special work of that class.
Stlldents are expeded to be self-governing, <I1ld to knolO and
obey tlie rilles of the Scliool from principles of liOllOl'.
Violatioll of the rules lOi!1 resliit in suspension or dismissal from
the 'school.
Any conduct unbecoming a stndent is a violation of the rules,
but subject to this general provision the students are allowed every
reasonable liberty.
The property of other students must not be used without the
owner's knowledge and consent.
Uizahelll K. Crllshy
ILLUSTRATION CLASS,
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Monitors
It shall be the duty of the monitor to maintain order and, if
necessary, to report to the Curator any interference with the
work of the class.
. ;
"::1U1U $
144
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The monitor of each class shall have charge of the model and
of the class-room during the session.
Life Classes
Regular members only of the Life Classes are permitted in the
Life Class rooms during the study hours.
Members of Life Classes must under no circumstances speak
to models who are posing.
Positions 111 the Class-rooms
Students who are not present at the hour when classes begin
must take their positions in order of arrival. No student will be
permitted to select and reserve a position for one who is absent.
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Monthly Review of Work
Students are expected fo submit at monthly intervals the zlJork
d01l1 in al! classes during that month.
The studies thus collected
will be classified and put up for exhibition in the class-rooms .
There will he at the same time a general review of the work of
each class by the respective instructor. A record of the work so
exhibited will be kept for use in determining the standing of
students at the end of the season, and for awarding prizes or
scholarships. Studies cannot be recorded or accepted .for exhibition
uuless presented at the Otrator's desk witlzin the .following time
limits:
2.00P. 1It. of the previous day.
For a lItOrlliJlg rez,iew,
.For all a.fternoon review, 9.30 a. 1It. o.f the same day.
For an evening review, I2.00 noon, o.f the same day.
Studmts .failillg to exhibit their work without presenti1lg a
reasonable excuse will be ineligible .for the Cresson Scholarship
competition. Drawings will not be accepted when rolled or when
not carefully "fixed." Paintings must be thoroughly dry, ami all
work must be signed with the student's .full name and the name OJ
the class in which the work was done. The studies marked by the
instructor are reserved by the Academy; to prevent loss, the others
should be reclaimed at the close of the criticism.
Care of Drawings and Materials
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Work reserved by the various instructors should be reclaimed at
the close of the Students' Spring Exhibition. Studies not called
for by the beginning of the fall term will be destroyed.
Ouupallis of lu,kf'rs 7(//'/1 bl' held rnp,'"siM,' for dill/Ia/te done
./0 sa1lle 7!'1,,/t' ill III,.ir possessioll .
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Stude nt s " f l' l.l uli(lned uul to Il';! \"l' pero;(l n:t! propc rtyof an y
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uescriptioll .. bOIIl the sc hool -roo ms, .. ' til e .\ , .Id c- m y II ill in nl) case
£ \'It.S Q~ "r \i\t. r\, \ ~
be respons ihlc- for th E' loss of ,lrticles f"'lll th e 100lll S o r lockers.
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yt~f,\f»~ CATIONS FOR ADMISSION TO
A ll pe rso nal pllli le it y s hould 1)(' Ill .uk ed 1\llh Ih e ((ll ne l 's Il;Ulle: ~~Q'"
f>-t\ t>, t>-C
~1\\\\O\.Y\
THE SCHOOL
S tuti e n b 1\ III llot he pe rmitt ed 10 Ie.", ' ca ll vas,es, drawlu g- t.\'\t\S'i\.\j
Q\)UCt. \j
hoa rd s, or o th e l 1l1 .1te ri,tl s .a lm ut th e" 11< 10 1- 1 (lO lli S, hut must pl act?
them, wh ell not Ul use, III th e r,1('k, ,,' pec l.tll), prm Itl ed for the 1)0
purpuse.
M oving of Casts, e tc.
~Oi ~t.CjlI~
,
SllIdt'lIls 11111.1'1 110/ 1II0ve Ill e (110'/.1', l'xI 'I'/,1 Illose ill Ille Alltique
J[oddlill/t 11'00 111. AllY d/llll/:'e lli-si rl''; ill II/{' posilioll of (,{Ists or
olll,'r ob/cds 1I1Ii fi be 1IIIIIIori,:1'£1 1>1' 111/ illslrlldor or Ille Citral or,
and ,arri"d olllll ilder lIis direl'iioll.
Tit" IIlOllilol' ill t'/J(IIXI' shall slI/,l'rilll"IId alld IIpproz'e all
ilrl'lIll/:,olll'lIls of slill-lift' ob/I'ds, bill .1'111,11'111,1' dt'sirolls of 11i/1'illg
(111)' parliollllr ,"Ii/cd ill'I'llIll,'nt lIIiI)' ,1,1 so 6 1' I'e/,ol'lill ,'· 10 fh e
III 0 II ilo r, O il : //o/{{!ay '" Ol'lIillgS ollly,
Plaster Casting
Cast in g- in plas te r lI'i li no! I,,, pt'rlll il lt-d in a n)' of the schoolruu ms. A s pec ia l roolll wil l hl' ass ig llt 'd fur Ihi s lI'u rk upon ap pli,·;] tion III th e ( ·II!';dor .
Lunc h- Rooms
Lnn cit t"" 1 III II s t Illlt he eat e n in tit l' sc it"" I-roo nl s.
room s a['l" pro\'i, h-d in the ha st- Ill e n!.
t he
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Library
Stud e nt s In "y ita\'e free use of till' CLl IlI l' n!s "I' th e Libra ry o n
;1J)Jlli ca lilln II) II, l' l_iiJraria n. T he 111111ks ,,1', ' Il ll i inll'ndcd for U llts id e li se, ,,"d nlu s t nut ue tak " n frolll titl' rO"IIl .
Zoological Garden Tickets
Annual ti c ke ts lur the Zoo logica l C;m le ns ma y be o btained at
a s m a ll c harge " n app li cat io n to th e Curat"r.
r31!]
classes Will be acted upo n by the Facu lty, with the concurrence of
th e Com mittee on Instru ction, at th e regular m eetings held on the
Thursdrty before th e tirst Mo nd rty of each month , exce pting the
mo nth s of Jun e, July, and August. Stud ents may enter th e schools
o r he promoted to highe r classes at any tim e during the season,
but a ll ad mi ssions and promotions are on probation and subject to
reconsid e ration a t the di scretion of the Faculty.
Befo re m a king
any application fo r tran sfe r fro m one class to another, s tudents
mllst have a pprovrtl of s uch a pplication from the instru ctor of the
class in which th ey are working.
All ap plications mu st be on file the day before the m eeting of
the Faculty.
It is an impe ra tive rul e that all work submitted for exa mina tion
for a ny purpose must be signed, otherwise it will not be considered.
To avo id loss, studies must be reclaimed promptly after
exa mination .
Partial Course
Lun ch -
Sketching in Galleries
Stud e n1S In,, ), s kc tc h fro lll th e \\'urk s ill thl' I'l, r man e nt Coll ection o i tit e :\ (' a<1(,ln )" IJlIt copies mu s t Il(ll Ill' mad e witho ut special
p e nlli ~si()11 IrtJI11
A ll rtpplications for rtdmission and for promotion to highe r
Stud e nt s desiring partial courses, including one or m o re of the
ahove classes, will be required to make a s pecial a ppli ca tion to
th e Faculty and Committee on Instru c tiun; but in thi s case they
\\'ill not be e ntitl ed to the privileges or rates of tuition acco rded
to those ta king th e full course.
All s tude nts in any co urse wh o have not previo usly been s tude nts of th e Acad e my wi ll be required to pay th e Academy's
matri c u latio n fee of $5.
A stu de nt's ti cke t e ntitl es the holder during attendance at the
Schoo ls to th e use of the Galleries, Special Exhibitions, the
Liura ry, th e Print Coll ecti o n, and the L ectures g iven from time
to time uncl e r th e a uspices of the Aca demy.
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Payments must be m ade , stri ctly in advance, to the Curator.
No a ll uwa nce whate ve r wi ll he m ad e on acco unt of a bsence.
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' ' '£' ' £- . 11...- - -. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..
' ,~.C:::::-"""'---~, """6"'.""'''''''~------______
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Assistance in securing board or rool11s will be given upon
request. The cost of living in Philadelphia is not high, and suitable
accommodations within reasonable distance of the Academy are
readily obtainable, for both men and women.
Blank forms of application and any further information regarding- the Schools may be obtained by addressing
CHARLES F. RAMSEY,
Curator of the Schools.
BROAD STREET,ABOVE ARCH,
PHILADELPHIA .
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Leopold G. Seyffert
HEAD CLASS, 1909
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To the students ill the Schools the Academy's Reference Library
and Galleries are free,
The permanent collection of paintings and sculpture, including
the Gallery of National Portraiture, the Temple Collection of
Modern American Paintings, and the Gibson Collection, largely
made up of works of the Continental Schools, are of great value
as an assistance to study.
Copying in the Galleries is permitted under reasonable regulations.
Students are also given free access to the many current exhibitions which the Academy holds each year. These, and especially
the Annual Exhibition of Oil Paintings and Sculpture, are a source
of inspiration and a valuable index to the trend of artistic thought.
IIHT.
;;.r
SCHEDULE OF CLASSES
:;'
'"
'-'
TUESDAY.
MONDAY.
WEDNESDAY.
..- - - - - - - - - A ntiq ue Class.
Antique Class.
Antique Class.
Women's Life Class. Women's Life Class. Women's Life Class.
Men's Head Class.
Illustration Class.
ll1ustration Class.
Illustration Class.
"">
~
~
THURSDAY .
FRIDAY.
Antique Class.
Antique Class.
Women's Life Class. Women's Life Class.
Men's Head Class.
Illustration Class.
lllustration Class.
~
~1en's
ModeJ1ing
Class.
0:
Men's Modelling
Class.
Men's Modelling
Class.
12-12.30 P.M. DAILY.
..l
i:'"'
Illustration Class.
Women's Modelling
Class.
Antique Clas~,
Men's Life Class.
Women's Head Class.
Illustration Class.
Illustration Class.
Women's Modelling Women's Modelling
Class.
Class.
Women'sHead Class. ~
;.
Illustration Class.
Women's Modelling
Class.
Women's Life Class.
\\' omen's Life Class.
Women's Life CJass.
Antique Class.
Men's Life Class
Still Life Class
:-iOTE:
~
~
0
Perspective Lecture
<::
,.
'"
0
.!,
'0
"
~
4-5 P.M.
------"._-Antique Class.
Antique Class.
Men's Life Class.
Costume Sketch
Class .
Modelling Class.
I
,.I
Anatomy Lecture,
4-5 P.M.
."
Antique Class.
Men's Life Class.
Composition Class
Hours for Semimonthlv criticism
announced fro m
month to n1011th.
I
a
~
.
0
~
>
\ Antique Class.
Men's Life Class.
Still Life Class.
Women'sHead Class ..
Illustration Class.
IIllustration Class.
Women's Modelling Women's Modelling
Class.
Class.
: Antique Class.
' Men's Life Class.
0.
"i:
-0
STUDENTS' PEN AND PENCIL SKETCH CLASS.
----~.-~.~~.-------.-
Antique Class.
Men's Life Class,
Still Life Class.
Men's Modelling
Class.
Men's Modelling
Class.
SATURDAY.
Antique Class.
Women's Life Class.
Men's Head Class
Illustration Class.
Costume Sketch
Class.
Men's Modelling
Class.
Antique Class,
: Men's Life Class,
i Antique
Class.
Men's Life Class.
Antique Class.
I
Ant'que Class.
0
Modelling Class.
."
Modelling Class.
i:
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••
HONOR ROLL
1908- 1909
AWARDS MADE MAY. 190'1
CRESSON TRAVELLING SCHOLARSHIPS
SAMUEL PIIILLlI' S
M ARY
NAT HA N II' ]' J .
A LBI N
I' OUSE TTE
MARY S. T OWNSEND
E.
RUTH
NANCY
J\'l.
BAI{ NES
FE I«;USUN
:\DAII J ARR ELL
DAVID
E.
J(UR N I I AUSER
~lAR J URIE
~IARTENET
lJ .
B EA TRI C E
T-1 .
HELEN THURLOW
B.
P ARKER
I 'U LA S EK
FE N TO N
\VII.I. ARD ORTLll'
i\1~1('; I ';
I ~SC II N ER
FI.EIJERICK
B OW ER
ELl ZA I; I'; TII
K.
L YD I A
FL()I~E TII
V.
~ IA C KEY
I ". SCHAEF
TI-IE CHARLES TOPPAN PRIZES
LAZAR
I{ A IJITZ
J OH N
J.
( ,St P ri z e )
N. DONALDSON
A.
DIXON
EDWI N
( H o n o r ab l e
t'.
S LATER (2nd Pri ze)
~Ient i () n )
( H o n orab l e Men ti()n)
THE HENRY J. THOURON PRIZES
LE U P UL D ( ;. SEYFF I';Wf
II E N IlI'
~IARJnRIE
, \ 1.1' 1'; 1('1'
U.
~lA ln E N ET
L.
ll .
W O LFE
OL SON
THE EDMUND STEWARDSON PRIZE
C LYD E
C.
EMIL Y ( ' .
B A TII URST
BI S lltlP ( H o n o rabl e M e ntion )
THE JOHN H. PACKARD PRIZE
W. R.
STARK (1St P r ize)
FRED ER I CK
BtlWER (2d Priz e)
"'The idral artilt, like the idf lll philosopher, has ail time fl1ld all eX/Jle7lce
Itis virttlal t hmle . Frd b), the zoortd he
ca" Itelp to mould it, mid his illJight is a
killd or wisdom , preparillg him as sciellce
1IIight (or tuillg the world w e,'1 alld maki1lg
.rOt
C R OSBY
i\LI('Jo;
l'Il A I ~LES
Fli RN' FClI<RE STER
FREDERI C K
'tj
RI C II AI<J) GAULKE
:\ BBEY
CORNE I.I A
I ~.
••
it more fr uit/it!.
He call thm be happy,
1I0t merely i/l the set/se o( havi1lg 1I0W alld
t hNi a1l futfltic mommt, but hllppy 111
havi1lg light alld resource eJ/ough within
him to cope fteadily with real thiltgs a1Jd
to leave UpOIi them the vestige of his mil/d."
