Items
Date is exactly
1954
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Black and white photograph of John and Richenda Rhoden at an exhibition at the American Academy in Rome.
Black and white photograph of John and Richenda Rhoden posing with John's sculpture at an exhibition at the American Academy in Rome. -
Black and white photograph of John and Richenda Rhoden with three unidentified white females at an exhibition in Rome.
Black and white photograph of John and Richenda Rhoden with three unidentified white females at an exhibition in Rome in 1954. -
Black and white photograph of Henry Moore at the American Academy in Rome in 1954.
Black and white photograph of Henry Moore just outside of John Rhoden's studio at the American Academy in Rome in 1954. -
Black and white photograph of Henry Moore holding John Rhoden's sculpture, Bull, at the American Academy in Rome in 1954.
Black and white photograph of Henry Moore reviewing John Rhoden's sculpture, Bull, in Rhoden's studio at the American Academy in Rome in 1954. -
Documentation for the marriage between John Rhoden and Richenda Phillips Rhoden from April 21, 1954.
Documentation for the marriage between John Rhoden and Richenda Phillips Rhoden from April 21, 1954 in Rome, Italy. -
Documentation for the marriage between John Rhoden and Richenda Phillips Rhoden from April 21, 1954.
Documentation for the marriage between John Rhoden and Richenda Phillips Rhoden from April 21, 1954 in Rome, Italy. -
Marriage certificate between John Rhoden and Richenda Phillips Rhoden from April 21, 1954.
Marriage certificate between John Rhoden and Richenda Phillips Rhoden from April 21, 1954 in Rome, Italy. -
Correspondence from Giovanni A. Nicci to John Rhoden from September 21, 1954.
Correspondence from Giovanni A. Nicci to John Rhoden from September 21, 1954 regarding the delivery of bronzes to the American Academy in Rome and outstanding balances on John Rhoden's accounts. -
Correspondence from John and Richenda Rhoden to Mr. Roberts from December 20, 1954.
Correspondence from John and Richenda Rhoden to Mr. Roberts from December 20, 1954 regarding Rhoden's gallery representation, sales, and exhibitions. -
Correspondence from Lamar Dodd to Harold E. Howland from December 3, 1954.
Correspondence from Lamar Dodd to Harold E. Howland from December 3, 1954 recommending John Rhoden for the State Department Educational Exchange program. -
Correspondence from Lamar Dodd to John Rhoden from October 22, 1954.
Correspondence from Lamar Dodd to John Rhoden from October 22, 1954 encouraging Rhoden to apply for the State Department Educational Exchange program. -
Correspondence from Mary T. Williams to John Rhoden from December 27, 1954.
Correspondence from Mary T. Williams, executive secretary of the American Academy in Rome, to John Rhoden from December 27, 1954 acknowledging the partial repayment of the loan from the Ely Loan Fund. -
Correspondence from Mary T. Williams to John Rhoden from December 27, 1954.
Correspondence from Mary T. Williams, executive secretary of the American Academy in Rome, to John Rhoden from December 27, 1954 regarding Rhoden's payment towards the Ely Loan Fund. -
Correspondence from Mary T. Williams to John Rhoden from December 17, 1954.
Correspondence from Mary T. Williams, executive secretary of the American Academy in Rome, to John Rhoden from December 17, 1954 regarding the potential sale of Rhoden's "Belly Dancer". -
Agreement between John Rhoden and the American Academy in Rome from November 1, 1954.
Agreement between John Rhoden and the American Academy in Rome from November 1, 1954 in which Rhoden agrees to pay $250 to the Ely Loan Fund of the American Academy in Rome. -
Shipping document from the Arthur Bolliger shipping house from August 6, 1954.
Shipping document from the Arthur Bolliger shipping and transport company from August 6, 1954. The document includes the billing information related to the shipment of one bronze sculpture to the Fairweather-Garnett Gallery on behalf of John Rhoden. -
Correspondence from Richard K. Weil to John and Richenda Rhoden from December 20, 1954.
Correspondence from Richard K. Weil to John and Richenda Rhoden from December 20, 1954 regarding the delivery of a sculpture to Weil and a conversation with Mrs. Saidenberg about John Rhoden's exhibition. -
Correspondence from Gordon Washburn to John Rhoden from December 14, 1954.
Correspondence from Gordon, Washburn to John Rhoden from December 14, 1954 regarding Rhoden's exhibition at Saidenberg Gallery and the scheduling of a meeting. -
Correspondence from Perry T. Rathbone to John Rhoden from November 9, 1954.
Correspondence from Perry T. Rathbone to John Rhoden from November 9, 1954 regarding Mrs. Steinberg's purchase of Rhoden's "Dancers." -
Correspondence from Lamar Dodd to John Rhoden from December 3, 1954.
Correspondence from Lamar Dodd to John Rhoden from December 3, 1954 regarding letters of recommendation for the United States Department of State and the John Hay Whitney Foundation and Rhoden's sculpture, "Horses." -
Correspondence from C.G. Koepke to John Rhoden from November 17, 1954.
Correspondence from C.G. Koepke, Secretary to Henry John Heinz II, to John Rhoden from November 17, 1954 regarding damage to Rhoden's sculpture, "Harlem Globe Trotters." -
Correspondence from C.G. Koepke to John Rhoden from October 1, 1954.
Correspondence from C.G. Koepke, Secretary to Henry John Heinz II, to John Rhoden from October 1, 1954 regarding damage to Rhoden's sculpture "Harlem Globe Trotters." -
Correspondence from C.G. Koepke to John Rhoden from September 21, 1954.
Correspondence from C.G. Koepke, Secretary to Henry John Heinz II, to John Rhoden from September 21, 1954 regarding damage to Rhoden's sculpture, "Harlem Globe Trotters." -
Correspondence from Robert E. Schneider to C.G. Koepke from September 17, 1954.
Correspondence from Robert E. Schneider to C.G. Koepke, Secretary to Henry John Heinz II, from September 17, 1954 regarding damage to Rhoden's sculpture, "Harlem Globe Trotters." -
Correspondence from Mark A. McCloskey to John and Richenda Rhoden from August 25, 1954.
Correspondence from Mark A. McCloskey to John and Richenda Rhoden from August 25, 1954 regarding the Rhoden's holiday in Sardinia, McCloskey's trip to the Rhoden Studio, and a portrait of McCloskey's wife. -
Correspondence from Robert E. Schneider to John Rhoden from October 6, 1954.
Correspondence from Bob Schneider to John Rhoden from October 6, 1954 addressing the Guggenheim Foundation fellowship, damage to Rhoden's sculpture, Harlem Globetrotters, the importation of Rhoden's Caryatids to Mrs. Steinberg, and the sale of Rhoden's Belly Dancer. -
Correspondence from George Biddle to John Rhoden from December 21, 1954.
Correspondence from George Biddle to John Rhoden from December 21, 1954 regarding Biddle's reference letter on Rhoden's behalf for the Fulbright grant. -
Correspondence from Hale A. Woodruff to John Rhoden from December 6, 1954.
Correspondence from Hale A. Woodruff to John Rhoden from December 6, 1954 agreeing to write a letter to the Whitney Foundation on Rhoden's behalf. -
Correspondence from Robert C. Weaver to George Morrison from October 6, 1954.
Correspondence from Robert C. Weaver to George Morrison from October 6, 1954 seeking suggestions for the Whitney Fellowship that was forwarded from Morrison to John Rhoden with a handwritten note informing Rhoden that Morrison gave his name. -
Correspondence from Robert Beverly Hale to John Rhoden from December 15, 1954.
Correspondence from Robert Beverly Hale, Associate Curator of American Art at the Metropolitan Museum of Art, to John Rhoden from December 15, 1954 in which Hale confirms that he sent a reference letter to the Guggenheim Foundation on Rhoden's behalf. -
Correspondence from Bernie Weinberg to John Rhoden from October 20, 1954.
Correspondence from Bernie Weinberg, professor of art history at Northwestern University, to John Rhoden from October 20, 1954 in which Weinberg enthusiastically agrees to write a reference for the Guggenheim Foundation Fellowship letter on Rhoden's behalf. -
Correspondence from John Rhoden to Professor Oronzio Maldarelli from September 26, 1954.
Copy of correspondence from John Rhoden to Professor Oronzio Maldarelli of Columbia University from September 26, 1954 asking if Maldarelli would serve as a reference on Rhoden's behalf for the Guggenheim Foundation Fellowship. -
Correspondence from Harris K. Prior from the Munson Williams Proctor Art Institute to John Rhoden from November 10, 1954.
Correspondence from Harris K. Prior from the Munson Williams Proctor Art Institute to John Rhoden from November 10, 1954, asking John to send photos of his work for an upcoming exhibition titled Italy Rediscovered. -
Correspondence from Shirley Hardin to John Rhoden from December 21, 1954.
Correspondence from Shirley Hardin to John Rhoden from December 21, 1954, regarding photographs of Rhoden's sculptures for an upcoming exhibition and the price of shipping for a the Caryatids sculpture. -
Correspondence from Sally Fairweather to John Rhoden from October 13, 1954.
Correspondence from Sally Fairweather to John Rhoden from October 13, 1954, regarding an upcoming exhibition at the Fairweather Garnett Gallery, the exhibition had been delayed to middle of January 1955 instead of November 14, 1954. -
Correspondence from Sally Fairweather to John Rhoden from September 27, 1954.
Correspondence from Sally Fairweather to John Rhoden from September 27, 1954, informing Rhoden of an upcoming studio visit to see his sculptures on October 5 or 6, 1954. -
Correspondence from Leopold Arnaud to John Rhoden from May 7, 1954.
Correspondence from Leopold Arnaud, dean of the School of Architecture at Columbia University, to John Rhoden from May 7, 1954 regarding Rhoden's exhibition at Galleria Schneider from April 12 through 24, 1954. -
Correspondence from Professor Robert E. Schneider to John Rhoden from January 29, 1954.
Correspondence from Professor Robert E. Schneider, Director of Galleria d'Arte Schneider, to John Rhoden from January 29, 1954 regarding Rhoden's exhibition from April 16 through April 29, 1954. -
Correspondence from the American Academy in Rome to John W. Rhoden from June 23, 1954.
Onionskin paper with correspondence from the American Academy in Rome to John W. Rhoden dated June 23, 1954 with information about September through June grant stipends. -
Postcard from "Old Uncle Tex" to John and Richenda Rhoden from September 18, 1954. (1/2)
Postcard from "Old Uncle Tex" to John and Richenda Rhoden from September 18, 1954 notifying them that he missed him during his trip to New York and that he will miss having them in Rome. The postcard shows a photograph of Michelangelo's sculpture of Dawn in the Medici Chapel in the Basilica of San Lorenzo in Florence, Italy. (1/2) -
Catalog from an exhibition of John Rhoden's work at Galleria Schneider in 1954. (1/3)
Catalog from an exhibition of John Rhoden's work at Galleria Schneider in Rome, Italy from April 12 - April 24, 1954. The catalog has a biography of John Rhoden and a works list. -
Richenda Rhoden passport #289393, cover.
Richenda Rhoden passport #289393, cover. -
Correspondence from Robert E. Schneider to John Rhoden from November 27, 1954. (1/2)
Correspondence from Bob Schneider to John Rhoden from November 27, 1954 regarding gallery business and payments. -
Correspondence from Henry Moore to John Rhoden from 1954. (1/2)
Correspondence from Henry Moore to John Rhoden from June 4, 1954, including Moore's critique of Rhoden's sculpture. (1/2) -
Black and white photograph of a student working in the graphics room.
Black and white photograph of a student working in the graphics room. The photograph shows the student laying paper over the plate on the press. -
Black and white photograph of a student working in the graphics study room.
Black and white photograph of a student working in the graphics study room. The photograph shows the student looking over a plate standing before a printing press. -
The Jersey Hills
Photograph of painting "The Jersey Hills" by John Marin, no framing. Inscription reads (verso): "Top", "Joseph E. Temple Gold Medal, The Jersey Hills by John Marin", "150th annual ex. 1955" -
Isabel Bolton
Photograph of sculpture "Isabel Bolton" by Helena Simkovitch. Inscription reads (verso): ""Isabel Bolton" Brass. 1952", "149th Annual 1954", "11877", "11-877" -
Reclining Woman
Photograph of sculpture "Reclining Woman" by Bernard Rosenthal. Inscription reads (verso): "Honorable Mention - Sculpture, Reclining Woman by Bernard Rosenthal", "149th Annual 1954" -
Ballet of the Bride
Photograph of sculpture "Ballet of the Bride" by Arline Wingate. Inscription reads (verso): "149th Annual 1954", "Please return to", "3653", ""Ballet of the Bride" by Arline Wingate"